Other Film and Media Studies Commons^™

How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney

Dissertations, Theses, and Capstone Projects

Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …

Fragmentation And Fabulation: Reflexivity And The New Black Documentary, Joanna Lehan

Dissertations, Theses, and Capstone Projects

This thesis concerns the photographic representation of Black bodies in new, reflexive documentary forms that have been increasingly produced and exhibited in the midst of America’s renewed discourse on race. Approaching this argument categorically, focused on the themes of fabulation and fragmentation, my task here is to uncover the gaps and overlaps between earlier critiques of the documentary image and more recent discourse on photography and race by exploring the specific methods through which select recent documentary projects embed and expand these critiques.

Fragmentation is a category of production I use to frame a movement of Black photographic artists …

Because Potato, Candice Evers

MFA in Illustration & Visual Culture

This thesis project explores the phenomenological qualities of the internet; asking, since the internet is difficult to grasp, what other modes of investigation might we have available? Using an investigative framework set forth by Jack Halberstam, this thesis declines to come to knowledge solely through understanding the formal, the structural, the highly visible and mainstream. The literature that I have gathered provides a range of modes for interrogating the simultaneously central and inconsequential subject of my thesis itself: the potato. Juxtaposing the physical, political and material conditions of the potato the internet’s least academic mode of knowing: the meme. Analyzing …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

Peering Across The Filmic Cultural Boundary: An Analysis Of Societal And Gender Representation In Once Upon A Time In The West (1968) And Sholay (1975), Aditya Singh

Undergraduate Theses

In contrast to mainstream and blockbuster movies, art house and independent films are usually rooted in a particular sense of self, of culture, or of beliefs. While they may not enjoy the level of exposure or profit as their bigger budget counterparts, they are often more likely to resonate with an audience due to their more personal, less-commodified brand of storytelling. Often, when international film industries are attempting to remake foreign films, they look to these independent, original efforts, since it is unlikely that the big budget movies can be remade due to oftentimes monetary constraints alone.

There has existed …

Slaying The Dragon: Dances Created During The Time Of The Pandemic, Regina Nejman

Theses and Dissertations

Regina Nejman’s paper details a dance artist’s negotiation of art-making in a global pandemic. It focuses on her improvisational dance films that were combined with live performance and animation in a gallery-like viewing environment. She situates herself among the many screendances and digital archives shared during NYC’s lockdown.

Slacking, Dazed And Rocking: A Study Of Richard Linklater, Parker D. Otto

Honors Capstones

The purpose of this capstone is to examine a filmmaker’s work to better understand the artist as well as look at an underappreciated filmmaker. Richard Linklater is that filmmaker. Several of his films are popular, others less so. By exploring his filmography, it can be determined whether he’s a true artist deserving of more attention from the filmmaking community as well as general audiences. After examining Linklater’s films, not only were there recurring thematic elements that cemented his artistic dominance, but there’s a feeling of evolution as he ages. The research of this project was conducted through watching Linklater’s films …

Meet And Run, Gia M. Binner

Theses and Dissertations

A defense for Gia Binner’s MFA Thesis, Meet and Run, argues that accessible art, known in this paper as commercial dance, is a meaningful vehicle for social change and that it has the ability to dismantle the outdated, European concert dance dominance by modeling the interdependency of both worlds.

..., Claire Alfonso

Undergraduate Honors Theses

Words are fickle, easily misunderstood, and often put us at a loss... but we all have so much we feel we need to express. This begs the question: Is there any safe way of communication? Can anything ever really be communicated how you mean it? Will you ever see the reflection of what you feel, think, and dream outside of yourself? In response to this existential dilemma, I imagine an alternative language of images, sounds, color, feelings, and non-identification. My thesis is a meditation on the issues with standard language and the idea of alternative language. In my argument I …

Culture In Disney Films: A Comparative Analysis Of Color, Composition And Rhythm, Megan Paul

Interior Design Undergraduate Honors Theses

As a student of design, I take inspiration from everything around me. The media I consume, the places I visit, and the people I meet.By choice or not, I and my generation are subject to the various forms of pop culture, film is one of them. Film is one of few art forms which combines several methods and elements of design to produce a cohesive result, as opposed to a singular medium. This forms the connection to design thinking and is the foundation for the study.

Another critical component to pop culture is the ability to reach the masses. Due …

How To Make A Monster: The Homosexual Experience In Horror And Thriller Cinema, Mia Lindenburg

The Review: A Journal of Undergraduate Student Research

Horror and thriller’s subtextual stories within cinema have been prominent across many subgenres, creating a wide-spread correlation between the homosexual and the monstruous that grew even noticeable after the start of the AIDS epidemic. Much of horror critique and analysis has been focused on the objectification of the feminine, but the unique role that the male plays in horror and thriller (both as a villain and victim) deserves equal inspection. The research done in this paper demonstrates how horror cinema skews the suggested gender roles and how fear makes us more easily let go of the societal norms held so …

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

Memorias De Mi Familia, Melissa Z. Montero

Theses and Dissertations

Abstract

Memorias de Mi Familia is an hour-long personal documentary through which I explore the meaning of “home.” I was born and raised in New York to a Puerto Rican mother and Ecuadorian father and lived between two worlds—sometimes more. While on a visit to Puerto Rico with my mother, Sylvia, I search for belonging and explore my family’s story of migration between the island and the United States.

Through interviews, family films, home videos and photographs spanning over 60 years, I examine the revolving migration pattern common to many Puerto Ricans on the island and in the diaspora, a …

Neither Invisible, Nor Silenced: The India-Maghreb Connections In Female-Authored Cinema, Chandra Balkaran

Dissertations, Theses, and Capstone Projects

“Third-World” women have long been excluded from center screen space, and positioned as stereotypical characters in liminal, coded spaces—such as harems, brothels, convents, ashrams, zawiyas or in domestic space. Yet, spatial organization is integral to the production of the social, not merely its result, and is fully implicated in both history and politics. Space is thus a crucial category of analysis in any cinema. My thesis examines how spaces, from the domestic to the virtual, socio-religio-cultural are reclaimed, redefined, and reformulated by women in politically engaged films made by Third-World women directors focused on women. Their struggles for space are …

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Contemporary Films And Contemporary Issues: An Introductory Film Class Curriculum, August W. Liguori-Chien

Liberal Studies (MA) Final Essays

Teachers spend years teaching students to interpret texts. This interpretive skill is deemed vital in our education system, but little time is devoted to developing students’ ability to interpret film, the most popular media students engage with. Film is an incredible amalgamation of words, motion, and music. The world of film offers students incredible opportunities to interpret, analyze, and be moved. If our students must be able to interpret literature shouldn't they also be able to do the same in the immense world of film.

This class will not focus exclusively on the history of film or the classically taught …

Femme Ex Machina: Sex Robots, Embodiment, And Posthuman Subjectivity, Julia A. Empey

Theses and Dissertations (Comprehensive)

Andrea Dworkin warned in her 1974 book Woman Hating that men would soon develop the technology to “create the sex objects that will gratify them” (199). This dissertation investigates one of those technologies: sex robots, as mediated through science fiction film and literature. While the sex robot is still an emerging technology, its embodiment, particularly when female-rendered, has been imagined and negotiated for centuries. Men creating women in a specific, desired image is not new, but the sex robot is currently being transformed from imagined representation to embodied subject. This dissertation traces a pattern of representation that has allowed us …

Greenpeace In Germany And The U.S.: A Case Study In Non-Profit Web Design, Maximilian J. Weirauch

CMC Senior Theses

This thesis draws on Geert Hofstede’s cultural dimensions model, connects it to basic principles of web design, and applies it to a website analysis of the global non-profit organization Greenpeace. This case study of cultural dimensions in web design utilizes Hofstede’s framework from 1974 throughout all its chapters and focuses on the cultural differences between Germany and the U.S. My hypothesis that successful marketing materials such as websites must communicate differently with their U.S.-American and German audiences is partially borne out. But it is important to note that Hofstede’s cultural dimensions model cannot fully account for certain intercultural dimensions of …

The Cowboy Conundrum: An Examination Of Representation Within The Western Film Genre, Madelynn E. Woodard

Honors College Theses

Despite historical demographic data indicating otherwise, much of the Western Film Genre depicts The Cowboy as a white male individual. Previous research has demonstrated that filmmakers often tell and depict stories within which they identify themselves, and with the predominant population of directors within the Western Genre being that of white men, the narrative of the West being portrayed on screen has shifted public perception to an inaccurate portrayal of the history of the West. From Vaqueros to liberated slaves, much of the Cowboy community was comprised of Black, Spanish, Mexican, and Indigenous people of color. This study employed a …

American Lotto, Kris Parker

Capstones

The Preka family won the diversity visa lottery and has immigrated to the seaside town of New London, Connecticut. They are a family of four that have dreamed of immigrating to the United States for much of their lives. Originally from Albania, a country with limited opportunities and riddled with corruption, the film will follow them in Connecticut as they adjust to life in the US and the challenges of learning a new language, finding decent work, and adjusting to a new culture. The film explores their emotional journey; their hopes, expectations, and disappointments, as they build a life without …

Audiovisual Metadata Platform Pilot Development (Amppd), Final Project Report, Jon W. Dunn, Ying Feng, Juliet L. Hardesty, Brian Wheeler, Maria Whitaker, Thomas Whittaker, Shawn Averkamp, Bertram Lyons, Amy Rudersdorf, Tanya Clement, Liz Fischer

Copyright, Fair Use, Scholarly Communication, etc.

This report documents the experience and findings of the Audiovisual Metadata Platform Pilot Development (AMPPD) project, which has worked to enable more efficient generation of metadata to support discovery and use of digitized and born-digital audio and moving image collections. The AMPPD project was carried out by partners Indiana University Libraries, AVP, University of Texas at Austin, and New York Public Library between 2018-2021.

Age Of Exploitation: Teen Sex Comedy Films Of The 1980s, Thyra Chaney

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

The teen sex comedy film genre is representative of dominant cultural factors which influenced the film industry in the 1980s. Films in this genre have been traditionally described as mindless, dumb, and exploitative. This article seeks to understand the distinction between teen sex comedy and traditional teen films, as well as the social and cultural influences which lead to the development and popularity of the teen sex comedy genre. Teen sex comedies are a document of mainstream society and popular culture in the 1980s.

She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall

Student Scholar Symposium Abstracts and Posters

Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …

The Mvohc Project, Brooke Day

All Theses

ABSTRACT

A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …

Ambedo: Immersive Storytelling Through Augmented Reality, Dr. Diane Derr, Law Alsobrook, Sadia Mir

Frameless

The territory of locative media, coupled with augmented reality, offers unique opportunities to excavate and unpack rich historic events, in immersive storytelling. In September of 1943, during World War II, approximately 5,200 Italian soldiers were massacred on the Greek island of Kefalonia by Nazi troops. This massacre is credited as one of the largest ever prisoner-of-war massacres in recent history (Lamb, 1996) and left an indelible mark on the island of Kefalonia. In 2019, Configuring Kommos: Narrative, Event, Place and Memory, an interdisciplinary research project, began an investigation into the triangulation of narrative within the complexity of this tragic …

"Knowing It's Real Means You Gotta Make A Decision": Depictions Of Post-Traumatic Disorders And Coping Mechanisms In The Punisher And Jessica Jones, Megan M. Rutter

English Department Masters Theses

Post-traumatic disorders have been included in some of the most popular narratives in mainstream culture. Though the early decades of movies included 1948’s The Best Days of Our Lives is an award-winning movie that follows three veterans home from World War II and depicts their struggles with reacclimating to society it became more popular after Vietnam veterans and their allies fought and protested for an appropriate diagnosis for PTSD after decades of it not being seen as a legitimate psychological disorder. Since then, post-traumatic disorders have been included in media as popular as the series finale of M*A*S*H in 1983, …

The Disappearance Of The French New Wave, Emir Kulluk

CISLA Senior Integrative Projects

The French New Wave is considered to be one of the most influential waves within cinema history, starting from the end of the 1950s, going all the way through the 1960s. Thanks to the directors of this era, there have been a myriad of movies that challenged the norms of filmmaking, redefining the techniques used and the stories told within cinema. However, if this era was so fruitful and is deemed to be so valuable for cinema in general, then why did it not continue? In this paper, I will be taking a look at French society, external influences, as …

Fractured Selves, Gearoid Dolan

Theses and Dissertations

Fractured Selves is a self-portrait that examines the histories and points of conflation and diversion of my four public personas. In the style of a Zoom meeting, they chat with a host against animated backgrounds. Interactivity creates non-linear consuming of the content and user directed navigation through four timelines

How Bojack Horseman Got Too Real: Audience Engagement And A Critique Of Capitalism, Camille Le Pioufle

Foreign Languages & Literatures ETDs

What can a cartoon tell us about the state of capitalist societies? This study examines the case of Netflix adult animated TV show BoJack Horseman (2014-2020) with the aim of understanding the mechanisms at play in the formation of the critique of capitalism. It investigates the narrative and cinematographic devices employed by the show to construct a realistic portrayal of American capitalist system and its harmful consequences on individuals and society in general.

Through the analysis of realism, self-referentiality and intertextuality, the star system, and processes of subsumption and commodification, this work comes to the conclusion that BoJack Horseman ‘got …

Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass, Rose V. Marcus

Theses and Dissertations

Harry Smith’s Film No. 18, Mahagonny, 1970 – 1980, is a transmutation of the original Brecht-Weill opera, The Rise and Fall of the City of Mahagonny, a 1930, into a feature-length experimental film. This paper shows how the original opera and Duchamp's The Large Glass prove inherent to Smith’s double-pronged homage to both original works of art. The failure in the opera narrative and the chance shattering of The Large Glass inform Smith’s complex methodology to approach and spatialize cinema. Harry Smith’s use of the tools of the screening apparatus are traced in order to study Mahagonny in detail. The …