Other Film and Media Studies Commons^™

Slacking, Dazed And Rocking: A Study Of Richard Linklater, Parker D. Otto

Honors Capstones

The purpose of this capstone is to examine a filmmaker’s work to better understand the artist as well as look at an underappreciated filmmaker. Richard Linklater is that filmmaker. Several of his films are popular, others less so. By exploring his filmography, it can be determined whether he’s a true artist deserving of more attention from the filmmaking community as well as general audiences. After examining Linklater’s films, not only were there recurring thematic elements that cemented his artistic dominance, but there’s a feeling of evolution as he ages. The research of this project was conducted through watching Linklater’s films …

The Disappearance Of The French New Wave, Emir Kulluk

CISLA Senior Integrative Projects

The French New Wave is considered to be one of the most influential waves within cinema history, starting from the end of the 1950s, going all the way through the 1960s. Thanks to the directors of this era, there have been a myriad of movies that challenged the norms of filmmaking, redefining the techniques used and the stories told within cinema. However, if this era was so fruitful and is deemed to be so valuable for cinema in general, then why did it not continue? In this paper, I will be taking a look at French society, external influences, as …

Influential Storytelling At Its Finest: Why The Postwar West Took Notice Of Yasujirō Ozu’S Tokyo Story, Abigail Deveney

Japanese Society and Culture

Tokyo Story (1953) came to fame in 1958, when Yasujiro Ozu’s postwar film about a fragmenting family won the Sutherland prize at the London Film Festival – or so cinematic scholarship suggests. There is, however, a much more complex tale to be told. In fact, director Ozu’s shomingeki-genre film was being discussed and promoted internationally long before what is considered that watershed moment.

This dissertation explores why the western world took note. It argues that Tokyo Story’s nuanced and humanist narrative was a unique form of soft power, attracting and persuading decades before that concept was formally articulated. Tokyo Story’s …

Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia

Languages and Cultures Publications

The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …

(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner

Theses and Dissertations

(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.

Work/Death, Of Each In Their Own, Micah H. Weber

Theses and Dissertations

Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential.

The Horse's Ass: A Survey Of Comediology, William M. Fisk

University of New Orleans Theses and Dissertations

What is comedy? Can someone learn to be funny? Are there rules or guidelines for the production of laughter, the universal language? This paper, which outlines an investigation of successful comedians and the production of a short film, determines to aggregate as many of the relevant prerequisites of inducing giggles as possible, especially as they relate to the audiovisual medium of cinema.

The Evoluion Of Pacific War Cinema, Dylan J. Eldridge

History Undergraduate Theses

Following the Japanese attack on Pearl Harbor on Dec. 7th 1942, the United States became involved in World War II. Over the last seventy years film makers have attempted to chronicle the events of this war. As society changed and grew so did the interpretations of the Pacific War. Today we are left with four distinct eras of Pacific War cinema.