Film and Media Studies Commons^™

Le Pouvoir Du Sang Féminin Dans L’Art Contemporain Arabe, Jana Mrad

Regards

After the 1970’s performances, and at the time the feminist collectives, whose artistic approaches often recall menstruation, emerged, feminine blood also found its place in the contemporary Arab art scene. Driven by a desire of emancipation and freedom, some Middle Eastern artists seized the feminine blood and made it into a paradigm in order to shed light on the female body and the way the latter is lived, perceived and controlled. By taking on this taboo, they found a way to elude censorship, waive the rules, cross the limits... in order to free women’s wounded bodies.

Résumé

Après les performances …

Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh

Journal of Religion & Film

This is a book review of Leslie Kealhofer-Kemp's Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool: Liverpool University Press, 2015).

Seat 20d, Jill A. Campbell

Theses and Dissertations

When artist Suse Lowenstein’s son Alex was murdered in the 1988 bombing of Pan AM Flight 103 over Lockerbie, Scotland, to combat her grief, she spent 15 years creating 75 life-sized sculptures of mothers’ of the victims naked and posed in mourning. Now she needs to find them a home.

Game On, Theresa Loong

Theses and Dissertations

Game On is a 25-minute documentary about game designer Brenda Romero, a successful woman in a male-dominated industry. Brenda, whose career spans over thirty-five pioneering years, has contributed to almost fifty game titles, developing innovative video and board games. How is her life a game space?

Film Review: The Impure: An Abolitionist Documentary Film Of The 19th Century Traffic In Jewish Women, Caroline Norma

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

Emerging Dark Matter: La’S Underground Women Musicians In The Digital Age, Linnea Rosenberg

Scripps Senior Theses

Virtual Angel is an independent e-zine publication that attempts to frame an emerging canon of self-made, women musicians that work in the margins of Los Angeles’ music and culture industries.

Women, Blood, And Dreams: Gender, Dream Spaces, And Monstrosities In A Nightmare On Elm Street And Bloodborne, Amber Appleby

Theses and Dissertations from 2018

Video games exploded in popularity in the 80s and have been a staple in many people’s lives since. Because video games are popular and different, critics tend to ignore them beyond simple analysis like the sexist portrayal of women. Video games, like films, can be read and analyzed using different methods of theory. This is evident in the similarities in Wes Craven’s A Nightmare on Elm Street and FromSoftware’s Bloodborne. Both media feature overtly gendered imagery and spaces, the monstrousness of women, the blurring of dreams and reality, and Gothic elements that tie them together. Though Bloodborne also manages to …

Fighting The Good Fight: Transforming Expectations Of Women In Front Of And Behind The Camera, Victoria Mills

Mahurin Honors College Capstone Experience/Thesis Projects

The film industry is a male dominated field. This is not new information. Directing, cinematography, and musical composition are the most heavily male governed above-the line crew positions, with women only making up 12% of directors as of 2018 (Quick, “The data…”). There is an unfortunate hesitation in support for female filmmakers from the part of studios. Melissa Silverstein of “Women and Hollywood” writes that there are quite specific visual expectations of a director to be a “white male with greying hair,” as this is what people are used to (Smith, “Female trouble…”). To go along with this, only 35% …

Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.

Journal of Tolkien Research

This paper reports on an early pilot project that asks women who self identify as readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work. By "women," I mean anybody who identifies as a woman. By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays. The study arises from the question that is often asked of fans of Tolkien's work: why do women so enjoy it, given the relatively minor narrative …

East Asian "China Doll" Or "Dragon Lady"?, Joey Lee

Bridges: An Undergraduate Journal of Contemporary Connections

This paper argues that the representation of East Asian women in popular media is harmful through its exaggerated portrayal of the ‘China Doll’, and ‘Dragon Lady’, ultimately further exoticizing and dehumanizing East Asian women, ensuring the dominance of the West. I will study these portrayals and their impacts through historical and modern film, modern magazines, and intersectional oppression that the restrictive categorizations place upon women of East Asian descent.

But I'M A Cheerleader: Queer In Content And Production, Syd Martin

Cinesthesia

No abstract provided.

A Reason To Daydream, Corinne Schipull

Honors Program: Senior Projects (Public)

Sexism in American culture comes as no surprise. In 2017, the film industry saw an increasing number of powerful men within its ranks exposed and exiled for allegations of sexually predatory behavior. Many see this purging as a sign of changing times, but this view is optimistic: the tides of change ebb in and out, and this problem far exceeds the movie industry. Well before the onslaught of articles on the likes of Harvey Weinstein, my classmates and I resolved to craft our senior thesis film with a crew made up entirely of women: we simply saw the pool of …

Women Are Speaking Up At Sundance, Rubina Ramji

Journal of Religion & Film

Women speak up at Sundance 2018.

Stitched Past, Sawyer Smith

Mahurin Honors College Capstone Experience/Thesis Projects

“Stitched Past” tells the stories of vulnerable women in Lima, Peru. Despite the emotional and physical impacts of poverty, the women seek mentorship, education, and job security through Krochet Kids International. Krochet Kids, a U.S.-based non-profit organization, offers women in Peru and Uganda the opportunity to create knitwear to be sold online. In addition to gaining a new job and skill, the women receive counseling, affordable childcare, and supportive community. Krochet Kids approaches empowerment from a holistic perspective. The mentors encourage growth in five categories: financial, intellectual, physical, social, and psychological. This model of personal development ensures that the women …

Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga

Media and Communication Studies Honors Papers

Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. In 1999, a character struggles …

The Final Girl Grown Up: Representations Of Women In Horror Films From 1978-2016, Lauren Cupp

Scripps Senior Theses

Carol Clover defined a Final Girl as a stereotype of the pure, virginal sole survivor in 1980’s slasher films such as Texas Chainsaw Massacre and Halloween. But does this representation hold up in 2016 films? Because the horror genre is so broad today, it’s almost impossible to nail down a certain stereotype of the genre, if there even is one. Films like the 1996 slasher parody Scream historically subverted the slasher genre, and since then there has been little to no iconic Final Girls. I argue that this trope is one very much set inside the confines of the 1980’s …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Introduction To "Independent Stardom: Freelance Women In The Hollywood Studio System", Emily Carman

Film and Media Arts Faculty Books and Book Chapters

During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.

Through extensive, original archival research, Independent Stardom uncovers this …

Unbound: Dismantling The Genre Of Female Coming-Of-Age Films, Megan Edwards

Scripps Senior Theses

This is a reflection paper on the process of creating a multi-media art installation that dismantles traditional, patriarchal notions of female coming-of-age stories in film and presents alternative, feminist narratives to these stories through the voices of the women present within the author's own life.

Breaking Away From Reverence And Rape: The Afi Directing Workshop For Women, Feminism, And The Politics Of The Accidental Archive, Philis M. Barragán Goetz

History Faculty Publications (Archived)

In 1974, the American Film Institute opened the Directing Workshop for Women (DWW). Trying to normalize the idea of a woman director, the program admitted nineteen women, providing each one with the materials to direct two films. Focusing on the DWW's first cycle, this article argues that the DWW's history is a vehicle for understanding the complex ways in which moderate and radical feminists interpreted the role of the women's rights movement in the commercial film industry by examining the controversy and media attention that surrounded it, as well as the ways in which race, class, and fame operated to …

Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk

Cinesthesia

This essay analyzes the history of Egyptian film in relationship to the common perception of women in Egypt. From the early stages of Egyptian cinema, women assumed leadership positions, helping build the undeveloped industry to its height in the mid-1900's. An increasingly state-led and male-dominated film industry, however, adopted women as a symbol of nationalism, while neglecting them as equals through traditionalist film content. Furthermore, in the last quarter of the 20th century, governmental influences resulted in a shortage of production resources. Although commercial motion pictures suffered, social-issue, realist movies have reignited feminist initiatives and provided hope for a recovering …

“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films, Avina Ross

Graduate Research Posters

This qualitative study uses juxtapositional, intersectional and critical discourse analyses as one composite framework to assess Black female victimness and matriarchy in three Tyler Perry films. Findings exposed a transitional archetype model consisting of 5 domains (Victim, Bitterfruit, Matriarch, Forgiver and Princess) whereby victimized characters are portrayed using racist and sexist stereotypes. Additionally, rich juxtapositions in the films with regard to Black female victimness and matriarchy were also revealed. These juxtapositions play out in the transitional archetype model and reiterate a harmful racist gendered stereotype: strong, Black women (matriarchs) are not and cannot, by way of their strength, aggressiveness and …

Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino

Graduate Research Symposium (2010 - 2017)

This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …

Troika Of Fortune Tellers, Sophia D. Kalin

Scripps Senior Theses

This film is an oral history about the intergenerational relationship between three women: my grandmother, my mother, and I. Through our connection I explore the Russian traditions that my grandmother has cultivated and shared among the three of us, in particular, the tradition of fortune telling. I also explore my grandmother's struggle with dementia. Although her memory is fading, she can still remember the practice of reading fortunes and that tradition has preserved our bond and her legacy.

Salma, John C. Lyden

Journal of Religion & Film

This is a film review of Salma (2013) directed by Kim Longinotto.

Cinematic Jewish Women In Rural Argentina And The Representation Of Argentinidad, Mirna Vohnsen

Articles

From the outset, Argentine cinema has played a significant role in the question of argentinidad. The historical account of how Jewish immigrants from Eastern Europe settled in the Argentine interior and became Argentines rooted in the land has not escaped Argentine film. Although period films portray Jewish female characters as nation builders alongside their male counterparts, the study of Jewish women in Argentine cinema has received little scholarly attention. In an attempt to remedy that, this article shows that the examination of the Jewish female onscreen can shed light on the controversial question of argentinidad. It examines the representation of …

Salvation: An Exploration, Kelsey Rose Weber

CMC Senior Theses

This thesis explores how women in different religious communities relate to the concept of Salvation. Focusing on Buddhism, Judaism, Islam, and Hinduism, this short experimental film, and supplement paper, seek to provide an alternative point of view that translates this unique experience for women in religions that use heavily gendered language and that are rooted in traditional patriarchal cultures. By using the experimental film medium, viewers are able to perceive religion and film in a new way that pushes the viewer to give their own interpretation of the imagery on screen. It also allows viewers to give the imagery meaning …

The Important Role Played By Household Crafts In The Lives Of Nineteenth-Century Women In Britain And America, Cynthia Bornhorst-Winslow

Master of Humanities Capstone Projects

No abstract provided.

Babette's Feast And The Goodness Of God, Thomas J. Curry

Journal of Religion & Film

This article attempts to answer the preeminent question Babette’s Feast invites viewers to consider: Why does Babette choose to expend everything she has to make her feast? Of the critical studies made of the film, few have considered analytically crucial the catastrophic backstory of Babette, the violence of which is implied and offscreen. Appreciation of the singularity of Babette’s own personhood and the darker aspects of her experience, and not only how she might act as a figure of Christ, are key to understanding the motivating force behind her meal and its transformative effect: That through the feast Babette lays …

King Of Masks: The Myth Of Miao-Shan And The Empowerment Of Women, Kevin Dodd

Journal of Religion & Film

King of Masks represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original integrity and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the Buddhist myth of Miao-shan, which centralizes the Confucian value of filiality, is re-applied beyond its traditional scope and context. Thereby two prominent features of contemporary China are creatively addressed: the revival of …