Film and Media Studies Commons^™

Ang Boys’ Love Bílang Papausbong Na Telebiswalidad (Boys’ Love As Emerging Televisuality), Louie Jon A. Sánchez

Akda: The Asian Journal of Literature, Culture, Performance

Sa sanaysay na ito, pinahahalagahan ang sandali ng pag-usbong ng mga boys’ love webserye sa panahon ng pandemya. Sinusulit nito ang telebiswal na penomeno sa pamamagitan ng pahapyaw na pag-uugat sa mga minumulang tradisyon o impluwensiya; sa pagsasakonteksto ng paglaganap nito; sa pangkabuuang pagbása sa nagkakaisang salaysay ng mga serye; at sa pagtukoy sa mga transgresyong tinutupad nito sa anyo at kagawian ng panonood ng teleserye, at sa pangkalahatan, sa telebisyong patuloy na umaagapay sa mga hámon at pagbabago ng kalakaran. Sa kasaysayan ng teleserye at ng telebisyong Filipino, pinangangatwiranang mahalaga ang sandali ng BL sa gitna ng pandemya dahil …

Dark Shadows: Monster Culture On Daytime Television, Bill Svitavsky

Faculty Publications

The soap opera Dark Shadows (ABC, 1966–71) gradually took on elements from horror movies, including an immensely popular vampire character. This article examines how the mixing of genre elements took place and how it changed the show’s audience and messaging.

The Reflective Age: Nostalgia At The End Of History, Zachary Griffith

Theses and Dissertations--English

This project investigates the ways in which nostalgic American media of the last decade reflects the sociopolitical conditions of the end of history. It begins with the assertion that the end of history represents a confounded, contradictory moment in which large-scale political change is relatively scarce, and belief in a progressive future has largely been abandoned, while cultural change has also accelerated at a pace never before seen––spurred on, in particular, by the constant return of dead styles and dormant IP. In other words, it seems as if nothing is changing and everything is changing simultaneously. The recent boom in …

America's Next Top Model Magnified, Nina Violi

Capstone Showcase

America's Next Top Model was a reality television show that aired from 2003 to 2018 and the show gave women (and men in the later seasons) a chance to become models and be trained by the best in the business. While the show looked like a positive experience from the viewers' perspective, there were many situations when the models were put in uncomfortable situations. The show is related back to the feminism theory.

“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer

All Graduate Theses, Dissertations, and Other Capstone Projects

Historically, women on television have been portrayed in wife and mother roles, making them a foil to their husbands, but never the main focal point of the show. These characters stay on the sidelines, without being given truly original storylines where they are allowed to drive their own narratives. During the first season of Better Call Saul, Kim Wexler is a supporting character, without any storylines that aren’t linked to Jimmy McGill. Jimmy often treats Kim as a damsel in distress. He thinks it’s his job to save her, and usually from the chaos that he’s created. In this thesis …

Pride, Shame And Tv Dinners - Honour And Shame, Edward Brennan

Conference Papers

This paper critiques a dominant narrative in the history of Irish television, which typically equate television’s arrival with the launch of RTÉ in 1961 and interpret its development through a state-centred, modernisation framework. Drawing on life-story interviews with people who experienced television in Ireland during the 1950s and 1960s, the research challenges methodological nationalism by foregrounding memory as a source. It reveals how television was an uncertain status object that carried meanings of pride, shame, discipline, and cultural value. Theoretically informed by Bourdieu, Halbwachs, and Inglis, the paper analyses recollection as practical social action. Early television consumption was mediated by …

Art Imitates Life: The Representation (Or Lack Thereof) Of Black Women In Video Games, Bug Gadson

Faculty Curated Undergraduate Works

The key focus of this essay is to compare the representation of black women in media, primarily in television and film, to the representation of black female characters in video games. Using black feminist theory, this essay illustrates the treatment of black female characters in gaming. The particular and deliberate methods of writing black female characters in video games are used to highlight white video game characters and their narratives, instead of giving life and dimension to the black female characters themselves. The hostile and unsafe environments in gaming spaces are cultivated through upholding these harmful stereotypes of black women, …

Add Women And Stir: Female Presidents In Pop Culture, 2012-2016, Angela Laflen, Michelle Smith, Kristin Bayer, Riana Ramirez, Jessica Recce, Molly Scott

The Seneca Falls Dialogues Journal

In this article, we argue that there was a representational shift in popular culture representations of female presidents following Hillary Clinton’s 2008 primary run, from earlier representations that were entirely preoccupied with gender to more recent depictions that tried to set aside “the gender question.” We explore three representations of female presidents produced since 2012 that can illuminate popular understandings of gender and the presidency between the 2008 and 2016 elections: Veep, State of Affairs, and Scandal. While all three texts attempt to normalize images of female presidents and break from earlier representations by treating a female …

An Analysis Of Lgbtq+ Representation In Television And Film, Katelyn Thomson

Bridges: An Undergraduate Journal of Contemporary Connections

As LGBTQ+ representation in television and film increases, viewers must continue to question if this representation is accurate and enough to represent a whole spectrum of individuals. TV and film hold a powerful role in shaping societies perceptions, biases and stereotypes of a community and individuals. This essay analyzes TV and film representations to provide the reader with a better understanding of the power and impact that accurate representations of LGBTQ+ can have on the community and society as a whole. By looking at the issue through the lenses of queer theories, scripting theory, in addition to Stuart Hall and …

The Pre-Fab Fab Four, Thyra L. Chaney

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

This paper describes the formation of The Monkees as a manufactured boy band and pop culture phenomenon, and the social and cultural context that led to the group's dissolution and lasting legacy in the history of television and popular culture.

Transgendering Viewers Of Television, Arianna S. Goodhand

Honors College Theses

In response to the growing number of transgender characters on television, I explored how witnessing transgender representation on television is associated with an increase in viewers’ knowledge about the trans community, their empathy and understanding for the trans community, and their likelihood to advocate for the trans community. I hypothesized that witnessing trans representation on television is associated with greater understanding and empathy for the trans community, knowledge about trans experiences, and motivation to advocate for the trans community. The trans community specifically is becoming more visible thanks to television shows like Fox’s Pose. Gender and gender identity frameworks …

Podcasts, An Increasingly Effective Media Tool, Katherine Haines

Capstone Showcase

The importance of the world staying connected and up-to-date on current news and new information is only going to continue as technology improves and people look for new sources of education. As we see so many things shift online during the Covid-19 pandemic, it’s only natural that news would continue to shift that way as well. Even before the Covid-19 pandemic, podcasts were an alternate source of information that was becoming more and more popular. While the information distributed by podcasts and social media may not be as complete as news from stereotypical sources, they are much more effective because …

Art Imitates Life: The Representation (Or Lack Thereof) Of Black Women In Video Games, Bug Gadson

Capstone Showcase

The key focus of this essay is to compare the representation of black women in media, primarily in television and film, to the representation of black female characters in video games. Using black feminist theory, this essay illustrates the treatment of black female characters in gaming. The particular and deliberate methods of writing black female characters in video games are used to highlight white video game characters and their narratives, instead of giving life and dimension to the black female characters themselves. The hostile and unsafe environments in gaming spaces are cultivated through upholding these harmful stereotypes of black women, …

Pride, Shame And Tv Dinners, Edward Brennan

Conference papers

This paper critiques a dominant narrative in the history of Irish television, which typically equate television’s arrival with the launch of RTÉ in 1961 and interpret its development through a state-centred, modernisation framework. Drawing on life-story interviews with people who experienced television in Ireland during the 1950s and 1960s, the research challenges methodological nationalism by foregrounding memory as a source. It reveals how television was an uncertain status object that carried meanings of pride, shame, discipline, and cultural value. Theoretically informed by Bourdieu, Halbwachs, and Inglis, the paper analyses recollection as practical social action. Early television consumption was mediated by …

Lgbtv - A Look Into Queer Representation In Television, Daisy J. Williams

Capstones

In 50 years, the LGBTQ+ portrayals on tv have come along way but with only 6.8% of characters being members of the queer community, there is still a significant amount of work to be done. A look into the rich queer history, the problem and triumph areas and the current state of queer television.

https://daisywilliams.github.io/dw_capstone/

The Television Showrunner: A Case Study Analysis Of Insecure And Fleabag, Haley Bulen, Charles Howard

Honors Thesis

In light of the rise in video-on-demand (VOD) services, television has exploded in popularity on an international scale, eclipsing its predecessor of movies. This phenomenon has been further heightened by the COVID-19 pandemic as audiences flocked to their television screens during Stay-At-Home orders. Specifically, Netflix received 15 million more subscribers since mid- March, 2.3 million more Americans subscribed to Netflix since March, and broadcast television viewing has jumped by 8.3 million viewers (Fitzgerald). With the demand for high-quality entertainment, the role of the television creator/showrunner has become increasingly important, as this individual or pair of individuals is tasked with maintaining …

Law And Popular Culture: A Course Book (3rd Edition), Jessica Silbey, Michael Asimow

Books

This book is the reader for a course with the general theme of “Law and Popular Culture” or “Law and Film.” It is about the interface between two these two enormously important subjects. It is suitable for undergraduate and graduate classes or seminars in American studies, criminal justice, political science, film studies, or many other academic programs, as well as in law schools. The course can be taught by anyone interested in law as well as film and television and requires no specialized academic training. This is the third edition of the book which has a new co-author (Jessica M. …

Redefining Representations Of Trauma & Modes Of Witnessing In Damon Lindelof’S The Leftovers, Mariana Delgado

USF Tampa Graduate Theses and Dissertations

This project aims to better understand how and why traumatized subjectivity is framed by The Leftovers’ fictional narrative in a visual and sonic form that rejects these modes of representations of trauma that they themselves have become conventional tropes. This thesis proposes to further examine the way the moving image, specifically the televised image, contributes to our perceived notions of trauma aesthetics through The Leftovers’ use of monologues, along with how and why suffering is sonically framed by the exchange of silence and Max Richter’s minimalist score.

Modernist aesthetics have become the disruptive expectations of contemporary Western cinematic audiences as …

Another Likable Serial Killer: Fans' Representation Of "You"'S Joe Goldberg Through Memes, Carlisle Lynch

Pell Scholars and Senior Theses

America is no stranger to likable serial killers in the media and Netflix's "You" with its protagonist Joe Goldberg is an example of this trope. Fans are taking to Twitter and TikTok to share their opinions about their new favorite serial killer, and the opinions are similar. The purpose of this research is to discover what the limited ideas on Twitter and TikTok reveal about how fans view Joe. Scholarly research shows that social media platforms have shifted fans from observers to participants, with the ability to create and share their own content across the Internet. The snowball effect that …

An Analysis Of The Role Of Reality Television In The Representation Of Immigrants On Tlc's Show, 90 Day Fiancé., Morohunfolu Jimade Seton

Electronic Theses and Dissertations

A larger number of people reside outside their country of birth today than in any other time in history, and these levels are expected to continue to rise in the future (International Organization for Migration, 2011). The United States is currently the most popular immigrant destination in the world, with more immigrants than any other country. Immigrants statistics indicate that the immigrant population in the United States reached a record of 44.4 million in 2017 (Pew Research Centre, 2019). Correspondingly, the percentage of immigrants who were admitted into the U.S. as spouses of citizens has increased over of the last …

Censorship And Banned Books From A Christian Perspective, Sarah D. Jenkins

Selected Honors Theses

Removing material due to controversial content has been a common practice for much of recorded history. This action is often done in concern for the psychological and emotional well-being of viewers, especially if these viewers include children. However, this does not necessarily mean this practice is always warranted. Many researchers have studied this topic as well as its effects, expanses, and connections to religion. Research shows that exposure to certain material can potentially cause changed behavior in individuals who do not possess the maturity needed to process them effectively. Individuals who are more mature or emotionally stable show no lasting …

Terrorists, Zombies, And Robots: The Political Unconscious, Thematics, And Affectual Structures Of The Post-9/11 American Fear Narrative, Nathanael J. Cloyd

English Theses & Dissertations

This dissertation examines the post-9/11 American fear narrative across media and genre. First, it proposes the concepts of the fear narrative, the primary fear theme, and the secondary fear theme. Second, it proposes that the fear narrative has a long tradition in American culture, in which its themes have adapted and evolved in historically sedimented layers of development. Third, it proposes that American fear themes change depending on its historical context of production, its cultural regime, its genre, and the form of media in which it is expressed. To help uncover the political unconsciousness of the American fear narrative, it …

Expanded Cinema: Fiftieth Anniversary Edition [ Table Of Contents], Gene Youngblood

Cinema & Media Studies

Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category.

First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic tools. Long considered the Bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth-anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world.

A unique eyewitness account of burgeoning experimental film …

(Haunted) Talk Show: Performance Pedagogy For Large Lecture Courses, Ann Garascia

Q2S Enhancing Pedagogy

This document outlines a culminating activity for ENG 1120 Speculative Fiction: Science Fiction, Horror, Fantasy that weds out-of-class preparation, as well as in-class participation and literary role-playing: “Haunted Talk Show.”It is a talk show-style assignment featuring major characters from the various texts that we have read throughout the semester. This document sketches out: A brief outline of my potential ENG 1120 theme, units, and sample texts; and, more detailed discussion of the specific assignment including a general overview, more detailed steps for execution (for students and instructor), and an explanation of the activity potentially aligns with pedagogical best practices for …

The Cultivation Theory And Reality Television: An Old Theory With A Modern Twist, Jeffrey Weiss

Capstone Showcase

George Gerbner, a Hungarian-born professor of communication, founded the cultivation theory, one of the most popular and regarded theories in the communications world. Developed in the mid 20th century, the theory focus on the long-term effects of television on people. Longer exposure to signs, images and people on television cultivates their perception of reality in the real world. The television became a household staple during this time. Families often spent time together watching programming together, however, it played out different effects for each person. Television's constant visual and auditory stimulation on a person made it easier to cultivate certain messages, …

Best Leadership Practices Of Female Film Directors, Sara Carraway

Theses and Dissertations

Female film directors are highly underrepresented within the U.S. film industry, especially within narrative film (S.L. Smith, Pieper, & Choueiti, 2013). In 2019, only 12% of directors in the top 100 grossing films were female (Lauzen, 2020). There are several obstacles female directors face in their careers. Financing is more difficult to obtain for female directors due to stereotypes of women as risky investments (P. Smith et al., 2013). Closely tied to financing, gendered networks and homophily can prevent women from making relationships with gatekeepers and accessing the same opportunities as men (Jones & Pringle, 2015; Wing-Fai et al., 2015). …

Victims, Heroes, And Villains: Imaginary Beings In Contemporary Television Serials, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

This chapter traces melodrama’s historical triumvirate of characters – victims, heroes, and villains – to examine how they are applied in contemporary television serial dramas. Looking in particular at the examples of Breaking Bad and Better Call Saul, the author argues that the characterological trio now often exists within singular protagonists who follow a narrative trajectory from victim through hero to arrive, ultimately, at villainy. Collapsing the characterological triad into single protagonists marks a late modern version of melodrama in which the possibilities for heroism are circumscribed, leaving characters able to opt only for victimization or villainy.

Ensemble Storytelling: Dramatic Television Seriality, The Melodramatic Mode, And Emotions, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

This chapter considers seriality in contemporary television dramas in light of arguments that most popular culture falls within melodrama as modality (to include legal shows, police and detective programs, westerns, and medical series), instead of narrow genres, such as soap operas. The recent success of fully serialized dramas is a noteworthy development, producing highly popular and highly regarded programming. The traditions of melodrama, including its deep commitment to the uses of emotionality, address story worlds and audiences in terms of social relations, in contrast to psychological realism’s more individualized and inward turning tendencies. “Ensemble Storytelling” explores three specific strategies available …

How Actresses Jessica Chastain, Octavia Spencer And Reese Witherspoon Are Fighting Pay Disparity One Project At A Time, Abbey M. White

Capstones

While working on Steven Spielberg's 2005 miniseries "Into the West," Indigenous-Latina actress Tonantzin Carmelo achieved pay parity with her white male co-stars thanks to a contract clause called "favored nations. Now 15 years later, and in the height of Hollywood's gender parity movement, Hollywood actresses are strategically using the very same clause to chip away at the pay gap. This 7000-word narrative feature explains the historical use of this clause, identifies how actresses are leveraging its power to achieve pay parity on their projects and answers why it's not a one-size-fits-all fix for Hollywood pay inequity.

http://abbeymwhite.com/capstone/how-actresses-like-jennifer-aniston-jessica-chastain-and-lupita-nyongo-are-fighting-pay-disparity-one-project-at-a-time/

Feel-Sad Tv: Sadness Pornography In Contemporary Serials, Blake K. Beaver

disClosure: A Journal of Social Theory

This article develops a theory of sadness pornographies in contemporary feel-sad television. Under the sad porn category, the essay explores a key sub-genre in contemporary serial dramas: trauma porn. The article is anchored in an affective analysis of two contemporary serials: Amazon's Transparent and NBC's This Is Us, both of which center multigenerational, familial trauma. Through a combined Berlantian and Spinozist optic, the essay attends to various episodes from the two serials to illuminate the phenomenon of trauma porn in current feel-sad media. In this reading, the essay considers how Spinoza's understandings of the temporality of affect relate to the …