Film and Media Studies Commons^™

Desire For Transformation: The Actualization Of Self-Identity Through Change In The Films Raw And Titane, Owen Bradford

Film and Media Studies (MA) Theses

The aim of this thesis is to illustrate a distinction between the films of The New French Extreme and Ducournau’s Raw and Titane, in their handling of gender and identity, primarily in regard to how these films handle transformation and self-identification. Ducournau explores themes of cannibalism, the linking of desire and violence, and transformation in order to disrupt hegemonic conceptions of sex and gender binaries. the disruptions to these binaries are initially perceived as monstrous, due to the implementation of genre conventions, they play on perception of the monstrous feminine, to reveal cultural perceptions that these transgressions are dangerous, …

"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin

Honors Projects

The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …

Onyx The Fortuitous And The Talisman Of Souls, Dereck Daschke

Journal of Religion & Film

This is a film review of Onyx the Fortuitous and the Talisman of Souls (2023), directed by Andrew Bowser.

Cat Person, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Cat Person (2023), directed by Susanna Fogel.

Painting And Fear: The Creation Of Death's Visage, Mark A. Felbinger

Graduate Thesis and Dissertation 2023-2024

Death's Visage is a feature film that was created from an idea developed due to a personal relationship with an artist, who was a professional illustrator and painter. The film follows a young woman who becomes entrapped in a demonic sphere and time zone where her fear is the demon's gratification. She questions the events that are unfolding, which creates herpsychological turmoil, while taking place in the family home that is in an older established middle-class neighborhood.

Death's Visage was a micro-budgeted film produced for $20,778. The capital needed for this film meets the University of Central Florida Feature Film …

Truth In Horror: Cinematic Representations Of Social Violence In Spain, Latin America, And The United States, Kelly Ferguson

Theses and Dissertations--Hispanic Studies

My dissertation, Truth in Horror: Cinematic Representation of Social Violence in Spain, Latin American, and the Latinx United States, investigates the recent explosion of political horror films that straddle the past and present, reflecting both the current political moment and the polemic historical memories of state repression against racialized others and ideological dissidents. Chapter One, “Paranoid Horror and the Return of Franco,” studies four Spanish horror films, Tras el cristal (1986), Pa negre (2010), Mientras duermes (2011), and Musarañas (2014), all of which feature child protagonists that seek out truth about violent family secrets, but ultimately reject it as …

“Try Getting A Reservation At Dorsia Now, You Fucking Stupid Bastard!” Hegemonic Masculinity In Slasher Films, Samantha Jackson

Capstone Showcase

This thesis aims to analyze and address the prevalence of hegemonic masculinity in the slasher subgenre of horror films. The research consisted of a content analysis of what the internet deemed the ‘best’ ten slasher films of all time. The content analysis was based upon R.W. Connell’s (2005) theory of hegemonic masculinity which stated the existence of hierarchical standards for masculinity that men are expected to achieve. Hegemonic masculinity was categorized into four themes. The themes were sexist ideology, sexual behavior, and physical and emotional violence. The research indicated that emotional violence occurred at the highest rate among the sample …

This Is Not An Exit: Abjection And Identity In American Psycho, Danita Mapes

Capstone Showcase

This paper delves into the multifaceted exploration of Patrick Bateman's psyche in the film 'American Psycho' (2000) through the lens of the gaze. By dissecting the cinematic representation of Bateman's abjection, dejection, and his insatiable desire to possess the abject, this analysis reveals how the movie employs visual and thematic elements to exemplify his abject status. Furthermore, it underscores the film's portrayal of Bateman's quest to transcend the constraints of his privileged position, which ultimately destabilizes him due to his lack of a coherent identity.

Throughout the film, Patrick Bateman emerges as a character who is both eroticized and humiliated. …

Religious Hegemony And "Muslim" Horror Movies, Shaheed N. Mohammed

Journal of Religion & Film

The present paper examines horror films originating in Muslim contexts and available on U.S. streaming services. Using Gramsci's concept of hegemony, the paper examines how such films negotiate and articulate with the dominant Hollywood mainstream horror genre with particular attention to the hegemonic power of the mainstream with its Christian iconography and assumptions.

A Selection In Horror Studies: Final Master's Portfolio, Shane Hesketh

Master of Arts in English Plan II Graduate Projects

This portfolio represents the best of the author’s work (Shane Hesketh) from his time pursuing the Master of Arts in English (Individualized Track) at Bowling Green State University. Both research papers are within the field of horror studies, the author’s primary field of study, and feature the discussion of two major slasher franchises as another genre through the analysis of the other genre’s tropes. The first paper analyzes the Candyman series as crime noir, and the second analyzes the A Nightmare on Elm Street series as action films. These papers were written in an attempt to shed light on the …

At What Price: Insidious Hegemony And Character Archetypes Woven Into Until Dawn, Courtney Harvey

Electronic Theses and Dissertations

Supermassive Games’s Until Dawn tasks its players with helping eight teenagers survive a night of terror. All eight playable characters may live or die depending on the player’s choices and gameplay proficiency. Despite its intricacies, the game still relies heavily on horror movie tropes, which the characters embody, and they face different treatment based on their gender, race, and sanity. Particularly, the weapons available to them and the scenarios for their deaths and survival contribute to trapping the characters within their given characteristics and forcing them into a role that they cannot ever fully break free from. While the branching …

Freeing The Black Final Girl In Postmillennial Zombie Horror: Race, Gender, And The Strong Black Woman Stereotype In 28 Days Later, The Walking Dead, & Z Nation, Makhalath Fahiym

English MA Theses

Freeing the Black Final Girl in Postmillennial Zombie Horror: Race, Gender, and the Strong Black Woman Stereotype in 28 Days Later, The Walking Dead, & Z Nation discusses the cultural image and issues of representation of the black femme within the horror genre. As the horror genre shifts in the 21st century to an era of increasingly diverse representation, examining the black Final Girl is particularly relevant. Race complicates the Final Girl concept and the black Final Girl must be analyzed within the context of the controlling images, like the Strong Black Woman stereotype, and racialized horror tropes …

How To Make A Monster: The Homosexual Experience In Horror And Thriller Cinema, Mia Lindenburg

The Review: A Journal of Undergraduate Student Research

Horror and thriller’s subtextual stories within cinema have been prominent across many subgenres, creating a wide-spread correlation between the homosexual and the monstruous that grew even noticeable after the start of the AIDS epidemic. Much of horror critique and analysis has been focused on the objectification of the feminine, but the unique role that the male plays in horror and thriller (both as a villain and victim) deserves equal inspection. The research done in this paper demonstrates how horror cinema skews the suggested gender roles and how fear makes us more easily let go of the societal norms held so …

Female Rage, Revenge, And Catharsis: The "Good For Her" Genre Defined In Promising Young Woman (2020), Tara Heimberger

English MA Theses

By analyzing relevant cultural contexts to the popularity of the “Good for Her” genre, such as the “#MeToo” movement, the Trump presidency, and the resurgence of conservatism in the United States, the development of the “Good for Her” genre and its impact can be made clear. Given the genre’s development through social discourse on social media, it has become a universal and collaborative representation of liberation from oppressive experiences under a patriarchal society. The lead women in these films give those who experience patriarchal oppression a reprieve and an opportunity for catharsis they would not typically get in a male-led, …

Dark Shadows: Monster Culture On Daytime Television, Bill Svitavsky

Faculty Publications

The soap opera Dark Shadows (ABC, 1966–71) gradually took on elements from horror movies, including an immensely popular vampire character. This article examines how the mixing of genre elements took place and how it changed the show’s audience and messaging.

Masochistic Drive & Horror, Anne Farley

CMC Senior Theses

Human nature is inherently masochistic, meaning we self gratify through the means of some type of self-harm. The term masochism usually refers to sexual tendencies, but in this paper, it will be used as a reference to some sort of self-infliction of pain whether it be mental or physical. It is rare that we, as individuals, do not partake in masochism on a daily basis. When we engage in an activity or task that inflicts a type of pain, or stress on our bodies and mind, we are rewarded with gratification. This can be observed in gym-goers, individuals who thrive …

The Portrayals Of Grief And How It Affects Childhood Development On Netflix’S Haunting Of Hill House, Gabriella Demelfi

Media and Communication Studies Presentations

Netflix’s “The Haunting of Hill House” depicts the journey of five main characters who experienced the loss of their mother and how that unresolved trauma and grief manifests itself into the grief they experience as adults. Through normalizing depictions of healthy and unhealthy coping mechanisms for grief, those who watch can learn through a social context how to deal with grief, validating the feelings of grief, and potentially recognize the signs of grief in others. In addition, this show, along with an increasing number of shows centered around grief, can help change societal and cultural views on discussions of death …

Fallmore, Emanuella Bettarello De Oliveira

LMU Theses and Dissertations

After a nightmare where her best friend is killed by a terrifying creature, a teenager girl, wakes up to find that not only is he missing in real life, but no one in the perfect town of Fallmore seems to remember he ever existed...

The Ghosts Of Grief: An Exploration Of Gothic Influence In 2010s Horror Cinema, Halen Gifford

Senior Independent Study Theses

The purpose of this project is to examine gothic influences in contemporary horror cinema of the 2010s. To fulfill this purpose, the study employs comparative film analysis methods to analyze The Babadook (2014), The Invitation (2015), and Crimson Peak (2015) in order to identify intertextual gothic references in the cinematography, mise en scène, and narratives of the films. Specifically, this project examines the haunted house trope in the horror genre as characterized by the presence of ghosts and the personification of the setting. Through this analysis, four common themes emerged: “Houses with Personality,” “Tragic Losses,” “Memories and Ghosts,” and “Isolation.” …

Built Bodies: Representations Of Monstrous Transsexuality In The Frankenstein Film, 1945-1975, Carmilla M. Morrell

College of Communication Theses and Dissertations

This thesis considers the relationship between representations of the Frankenstein’s Monster on film and the transsexual identity to argue that they can be ontologically consolidated into the figure of the Monstrous transsexual: a constructed, hybrid being whose uncategorizability within conventionally rigid structures of sex and intolerable embodiment of incongrous “parts” renders them as simultaneously powerful with radical potential and vulnerable from ostracization, oppression, and hostility. By analyzing both Frankenstein films from the post-war era of 1945-1975 and the power dynamics of the gender clinics in which the modern understanding of transsexuality was established, this thesis demonstrates the ways in which …

The Life Of Dan, Jeremy S. Levine

Theses and Dissertations

The Life of Dan is a hybrid film about the complications of brotherly love and working through the horrors of the past. The film explores past traumas between brothers Dan and Jeremy through their shared love of horror films. As they work through unsettled moments from their childhoods, building towards Dan’s temporary hospitalization, the documentary transforms into a horror film about mental illness and traumatic memory.

Murder Music: Horror Film Soundtracks Throughout History, Vincent G. Aragon

Capstone Projects and Master's Theses

Horror films often rely heavily on their music to create a tense and frightening experience for their audience, and it is the composer's job to write a score that satisfies that requirement. Throughout film history, the methods composers utilize to achieve that goal differ across time due to various factors including available technology, allotted budget, and the norms and expectations of films at the time. This capstone paper explores the different approaches composers employed in writing horror soundtracks from the early 20th century to the modern-day, noting any significant shifts and common themes found in the music of popular horror …

A Friend Of Robyn, Megan Fay Raveneau

LMU Theses and Dissertations

An arrogant, but brilliant pediatric psychiatrist accidentally exorcises a demon from a young girl during an experimental procedure – only to discover she wants her demon back.

Impetigore, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Impetigore (2019) directed by Joko Anwar.

Run Sweetheart Run, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Run Sweetheart Run (2020) directed by Shana Feste.

The Night House, Jodi Mcdavid

Journal of Religion & Film

This is a film review of The Night House (2020), directed by David Bruckner.

Scare Me, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Scare Me (2020), directed by Josh Ruben.

"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins

Copley Library Undergraduate Research Awards

A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …

(Haunted) Talk Show: Performance Pedagogy For Large Lecture Courses, Ann Garascia

Q2S Enhancing Pedagogy

This document outlines a culminating activity for ENG 1120 Speculative Fiction: Science Fiction, Horror, Fantasy that weds out-of-class preparation, as well as in-class participation and literary role-playing: “Haunted Talk Show.”It is a talk show-style assignment featuring major characters from the various texts that we have read throughout the semester. This document sketches out: A brief outline of my potential ENG 1120 theme, units, and sample texts; and, more detailed discussion of the specific assignment including a general overview, more detailed steps for execution (for students and instructor), and an explanation of the activity potentially aligns with pedagogical best practices for …

Traumatized Characters In Traumatized Environments: A Look At Repression And Horror, Rebecca L. Goldman

Scripps Senior Theses

Using Sigmund Freud’s theory of ‘return of the repressed’ as a theoretical basis, this paper takes a case study approach using three critically acclaimed horror films. These films include Nicholas Roeg’s Don’t Look Now (1974), Stanley Kubrick’s The Shining (1980), and Ari Aster’s Midsommar (2019). With use of each film, the interaction between the repressed trauma of the protagonists’ and the film environment is explored, utilizing the notion that repressed trauma will always manifest itself as a symptom of the unconscious mind. Supporting theories include Slavoj Zizek’s notion that dreams must be read in terms of their form, stemming from …