Film and Media Studies Commons^™

Karl Freund’S Hollywood Aesthetic: Maintaining Visual Style Within The Studio System, Casey Walker

Journal of 20th Century Media History

This article explores the distinct cinematographic style of classical Hollywood cinematographer (and briefly director) Karl Freund throughout his Hollywood studio film career (1930-1950). After leaving the German studio UFA, Freund spent two decades in the Hollywood studio system, known for its comprehensible narrative and visual style and hierarchical mode of production, which were considered constraints to the emergence of a unique visual style from any one filmmaker. Previous studies on cinematographers’ authorship and poetics focus almost universally on Gregg Toland, a cinematographer who largely worked outside of the big Hollywood studios. However, very little scholarship exists on cinematographers such as …

"Pearls And All": June Cleaver, Symbol And Myth, Judy Kutulas

Journal of 20th Century Media History

June Cleaver, the fictional matriarch of the Cleaver family on the 1950s/60s sitcom Leave it to Beaver has become a powerful symbol in American society, representing a particular version of motherhood that can be read as desirable or old-fashioned. How June became a symbol as well as a myth is what this article is about, a blend of series’ particulars, the continued willingness of the actor who played June, Barbara Billingsley, to play into the stereotype of June, the changing perspectives of boomers who watched her, and the changing possibilities of American women’s lives.

Verlorene Heimat, Gefundene Leere - Michael Hanekes Trilogie Der Emotionalen Vergletscherung Und Die Nicht-Orte Des Alltags, Amber Lane

Foreign Languages & Literatures ETDs

This work examines the incorporation of the concept of non-place in Michael Haneke's Trilogy of Emotional Glaciation (1989-1994) and its connection to elements of the Heimatfilm. The trilogy introduces the concept of non-place in urban or domestic settings while exploring the decay of human relationships and societal alienation. Despite individual stories, the films share a dark atmosphere and question human existence in an alienated world. Haneke's unique film style, characterized by long takes and minimalist aesthetics, is used to examine human behavior with emotional distance. This work sheds light on Haneke's contribution to the Austrian film tradition and contributes to …

Enhancing Credibility And Fairness: A Qualitative Study Of Transparent Judging In The Festival Film Indonesia, Ngurah Rangga Wiwesa, Wan Hartini Wan Zainodin Dr, Dzaa Imma Abdul Latiff

Jurnal Sosial Humaniora Terapan

The implementation of a transparent judging process is vital for the credibility of the Festival Film Indonesia (FFI). Clear evaluation criteria, including aspects like theme, originality, technical execution, and cultural impact, should be publicly accessible to foster trust in the system. A diverse jury pool, comprising established filmmakers, rising talents, regional representatives, and experts in various film aspects, is essential to ensure a balanced perspective and reduce bias. Strengthening FFI's credibility also involves a robust nomination and selection process, with preliminary screenings by specialized committees to ensure high-quality contenders. Ensuring the judging process is free from undue influence through measures …

From Stage To Screen: The Enduring Influence Of Commedia Dell'arte., Corinna Di Niro

Staff Scholarship - Australia & Dubai

This presentation discusses how the principles of Commedia dell’Arte (henceforth Commedia), a vibrant 16th century Italian theatre form, have seamlessly transitioned into film, leaving an enduring impact on the silver screen.

During the silent film era, renowned stars Charlie Chaplin and Buster Keaton showcased Commedia through their exaggerated physicality and gestures, inspired by iconic characters such as Arlecchino and Pierrot. The frantic pace and chaotic energy in Keystone comedies also echoed the Commedia spirit, with improvisation and slapstick the key to provoking laughter (Scheide, 2012).

The popularity of 'Rom-Coms' overtime can be attributed to its use of Commedia's archetypal characters, …

Gentlemen Prefer Blondes (1953) By Howard Hawkes Was Ahead Of Its Time., Irma Mosqueda Perez

Women's and Gender Studies - All Scholarship

The 1953 film by Howards Hawkes “Gentlemen Prefer Blondes” gives the impression that it tries to satisfy the male gaze and objectify women; but if we take a closer look, the film responds to the feminist movements that started to brew from women’s involvement in the workplace and other areas typically reserved for men following the events of World War II.

Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic

Publications and Research

Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …

Consciousness And The Reality Of Monsters In Horror Movies: Dehumanization And What Monsters In Horror Films Say About Us, Leila Kincaid

Journal of Conscious Evolution

This essay responds to Carroll’s The Nature of Horror from the perspective of transdisciplinary phenomenological film theory, largely developed by Edgar Morin in the 1950s. It argues that Carrolls’s reduction of the phenomenological value of horror films to an unreal category minimizes and even dismisses the inherent value of horror films. Morin, Allan Combs, and others offer more integral and transdisciplinary methods for art interpretation and functionality. They help us understand how monsters in horror films can stand as mirrors and reflections of the monstrous in ourselves and society. Thus, the transformational function and value of film is revealed and …

Visions Of A Captured Mind: Using Expressive Film Techniques To Convey The Experience Of Liberty Deprivation As A Neurodiverse Individual, Sam H. Grant, Ken Fero

Ought: The Journal of Autistic Culture

In this article, I make the case for the use of expressive film techniques to convey the emotional, or affective, experience of neurodiverse people who have been subjected to liberty restricting practices and policy. I do this by discussing my own experience with film practice as a man living with autism, presenting a broader philosophical case for how artistic modes of communication can close affective and social divisions between neurodiverse and neurotypical people, explaining why it is the cinematic techniques I advocate for are uniquely suited to neurodiverse people, and then I showcase some of my own work as a …

A Romantic Austen: The Discordant Feminist Discourse Of Adapting Sense And Sensibility, Evan Teigland

Honors Projects

This undergraduate thesis explores the intertextual and critical conversations around Jane Austen’s Sense and Sensibility, and the 1995 screen adaptation of the same name, with a focus on how each text understands the interplay between feminine romance and feminine agency. A non-essentialist theory of adaptation is applied to construct an interpretive model that esteems Emma Thompson’s version of the story and considers its consequence to different communities of Austen readership, which is measured by the distinctly feminist themes detectable in the sexuality of Sense and Sensibility fanfiction. This investigation uncovers the importance of expanding the interpretive power and possibilities of …

Chemical Meadows, Nate Dorr

Theses and Dissertations

Chemical Meadows correlates water chemistry and photochemistry in New Jersey’s Meadowlands. A vast marshland transformed by industry and environmental contamination, the Meadowlands today are home to seven Superfund sites. By bathing 16mm film in contaminated waterways, sensitive photochemistry reveals hidden histories.

The Routes, Wei-Ta Chen

Theses and Dissertations

The Routes is a 30-minute documentary that explores the filmmaker's reflection on the ties to family and homeland, as well as the nature of non-fiction filmmaking itself, all the while portraying in parallel the story of immigrant artist Hung-Ju as he delicately balances creative challenges with nostalgia.

Bengal Memory, Fahim Hamid

Theses and Dissertations

Bengal Memory is a documentary short film, told through an expository and personal lens, about a forgotten genocide that occurred in Bangladesh during its Liberation War, the controversial role that the U.S. government played in it, and how the lives of Bengali people in both the homeland and in the American diaspora were shaped by these events. As a Bangladeshi American and narrator of this story, I traveled to my native country to investigate. My father, Mohammed, had lived through the 1971 war and recounts his memories of the atrocities committed by West Pakistan, which claimed the lives of a …

Ratings Creep: The Increase In Offensive Content In Movies Over Time, Alexandria N. Tatum

2024 Spring Honors Capstone Projects - Archive

Aggression, influenced by a range of factors including media exposure, remains a significant societal concern. Drawing from Bandura's social cognitive theory, it is important to examine violence in media because its exposure can have a long-term effect on the viewers. Furthermore, studies suggest a correlation between media exposure and aggressive behavior, emphasizing the need for comprehensive analysis of content portrayal. To regulate exposure to offensive content, movies are usually ranked using the MPAA’s rating system. Yet, there has been an observed ratings creep in this system (i.e., the progressive escalation of offensive content in films). The current study hypothesizes that …

Intolerable Masculinity: Screening Men's Shame And Embracing Curious Futures, Cole Clark

Film and Media Studies (MA) Theses

This thesis argues that to critique hegemonic masculinity and patriarchy in good faith, film and television must focus on the futures created through men’s ethical action in the present, rather than inert displays of men’s horrific behaviors that rely on audience shame as a tool for reclaiming men’s pride. Men’s freedom to change their situation is introduced through Manon Garcia’s (2022) notion of masculinity as an “impasse,” preventing men from authentic connection with others. This concept is furthered using David Buchbinder (2013), with the television examples Mad Men (Weiner 2007-2015) and Black Mirror (Brooker 2011-2023) each presenting a different masculine …

That Way: An Examination Of Male Relationships In Film During The Hays Code, Jane Knudsen

Theses/Capstones/Creative Projects

The Hays Code (1934-1968) influenced the construct of United States masculinity and the discourse surrounding masculine presentation between the 1920s to the 1960s. The Hays Code and World War II affected the culture surrounding male/male relationships in the United States. Previous research done by David Lugowski (1999) and Jeffrey Suzik (1999) shows that both World Wars led to crises of masculinity in which the hegemonic ideal of masculinity was restructured to establish men as providers and warriors, and Code-era films reflected the discourse. To understand the gender roles in the 20^th century, I analyzed the Hays code, male bonds, …

Timely Dissonance : Anachronistic Music In Film, Ayda Tuncay

Student Scholar Symposium Abstracts and Posters

Music in film is used as a tool that can psychologically transport the viewer and alter their perception of a narrative. It is a highly influential aspect of the mise-en-scene and can influence both our reality and the fictional world in the film, depending on whether it is non-diegetic or diegetic. The elaborate soundscapes of period films typically utilize period accurate scores and soundtracks to embed the audience in the environment of a different age. However, this paper will examine ‘musical anachronism’ and the correlation between music and emotion through an analysis of films such as A Knight’s Tale (Brian …

How Design Depicted In Film Contributes To The Evolution Of Cultural Narratives, Catherine Vanhoose

Interior Design Undergraduate Honors Theses

Interior Design and its trends have had significant influence on pop culture and the general public through the course of human history. Acting as a universal language, design is a tool often used to help communicate ideas. The different interpretations of these ideas are what help to create cultural narratives. This capstone explores the relationships between film and design as creative arts, how they are affected by the current times and trends throughout the history of women, and as a result how women throughout history are influenced by these relationships. Findings provide insight on how interior design is used to …

‘Samoye Vazhnoye’: Behind The Scenes Of Russian Cinema, 1908–1924, Katerina Ludwig

War, Diplomacy, and Society (MA) Theses

From the first decade of the 20^th century to the middle of the 1920s, cinema in Russia exposed how politics and the modern medium were inseparably intertwined. As works that were produced during a period of great turmoil and uncertainty, films revealed more than a unilateral relationship. Cinema was used in Russia in the late-Imperial and early Soviet eras as an active tool of entertainment, propaganda, art, education, and intellectual discussion. Studying its intersectional nature illuminates areas obscured by purely political or artistic perspectives, which tell either opposite or mutually emboldening tales. This thesis argues on behalf of both …

The Lack Of Representation Of Mexican Women In Films, Lizbeth Garcia Gonzalez

Open Access Theses & Dissertations

Representation in film lacks the meaningful exposure of Mexican women, the lack of roles available tend to rely on the stereotypes of Mexicans therefore excluding room for Mexican women to be represented authentically. In this paper I discuss the lack of representation that Mexican women have in films, identifying that in roles of superheroes, especially women of color do not compare to the many white superhero films. To discuss representation of Mexicans in film, I used The Perfect Game (2009) and McFarland, USA (2015), films that share meaningful representation of Mexicans. While also using examples of representation in superhero films …

Ground-Breaking Stories In Contemporary Cinema: In A Market Full Of Remakes, What Form Does Cinematic Originality Take Today?, Elisa Fong-Hirschfelder

Student Scholar Symposium Abstracts and Posters

This work aims to analyze the evolution of both international and American cinema as an art form, specifically in relation to the abstract concept of originality, to determine what possible future trends in cinema may look like and the potential for the manifestation of “new waves” in cinema. Emerging during the Industrial Revolution, cinema has evolved as an entertainment medium from brief moving pictures presented as novelties to lengthy feature films. With its evolution arose trends in visual storytelling, including experimental, narrative, and remakes, whose own categories comprise the retelling of old stories, remakes of films in other languages, and …

Taylor Swift As Religion: The Deification Of An International Pop Music Superstar And The Ramifications Of Fame, With A Comparison To Vox Lux, Jessica Cotturone

Religion and Film

This paper explores the ways in which the culture surrounding pop music superstar Taylor Swift is a religion. Taylor Swift has had an indelible impact on her fans, who are known as Swifties, and this paper brings attention to the ways that she establishes a strong connection with her fans such that they come to view her as a religious figure. Definitions of religion proposed by scholars Clifford Geertz and Meghan Johnston Aelabouni are used to analyze how this popular music culture can fit into a broader conceptualization of religion. Special attention is given to the deification of celebrities in …

Crimes In Different Mediums Of Art, Chloe Milhouse

ENGL 1102 Showcase

There are a few different ways we see crime and art come together as one without even realizing it and there are other topics that showcase crime punishment as well. Crime can be portrayed through music. When certain artists sing about their crime-like behaviors, this can lead to people also doing that same crime because they listened to it in a song. Crime can be derived from art itself, causing people to react emotionally and criminally to something they’ve seen. Lastly it can be represented through film and TV showcasing elements of human behavior for society to see. All of …

Theorizing Folk Cinema, Cora M M Lewis

Media and Cultural Studies Honors Projects

This honors project theorizes the concept of folk cinema. The project grapples with the complex history of the study of folklore and cinema’s historic inaccessibility as a medium in order to position folk cinema as a revolutionary project capable of reimagining both cinema and folklore. Avoiding concrete definitions or the urge to label any specific films as folk cinema, the project explores folk cinema theoretically through the experimental Spanish short film Aguaespejo Granadino, the films of the Bolivian Third Cinema filmmaking collective the Ukamau Group, and finally my own creative intervention via the creation of a short diary film.

Spiritual Cinema: Agel, Merleau-Ponty And The Cinematic Real, Patrick O'Connor Dr

Journal of Religion & Film

This article seeks to retrieve the work of Henri Agel, and his collaborator Amédée Ayfre, for our theoretical understanding of film-philosophy. I explore their distinctive contribution to thinking philosophically about film and assess the relative merits of their work for the phenomenology of film. While exceptionally valuable for religious and theological interpretations of film I proceed to argue that Agel and Ayfre’s work needs to be supplemented with the work of Maurice Merleau-Ponty’s film-phenomenology to adequately express the temporal and motional nature of film. Merleau-Ponty’s work I contend while exceptionally valuable is brief and underdeveloped, and therefore does not fully …

Mary Magdalene On Film In Twenty-First Century: A Feminist Theological Critique, Mary Ann Beavis

Journal of Religion & Film

Since the turn of the millennium, several films (and one popular TV series) featuring Mary Magdalene as a significant character, or even as the central character, have been produced. A few, specifically Son of God (2104), The Chosen (2017-), and Mary Magdalene (2019), gained a wide audience through some combination of theatrical release, television, and streaming services. Unlike earlier productions that unfailingly portrayed her conventionally as a penitent prostitute, these and other, less well-known films of recent decades have departed from this traditional Magdalene. This is no doubt due, among other things, to the influence of feminist theology and biblical …

Viewing The World Through The Prism Of Cross-Cultural Romances: Film Review Of Christmas As Usual (2023) And Further Reflections, Raja Ramanathan

Markets, Globalization & Development Review

No abstract provided.

Frenetic Journey Toward Muddledness: An Experimental Short Film, Fernando Vieira

Dissertations, Theses, and Capstone Projects

As an artist and Film Studies student, I saw the capstone option as an opportunity to consolidate academia with the art of filmmaking into one project. This became Frenetic Journey Toward Muddledness, an experimental short film written, directed, and edited by me. It is a film influenced by early avant-garde cinema, German expressionism, and film noir. Composed of pieces of unrelated footage and featuring an ambiguous, non-linear, and mostly silent narrative, the editing of the film prompted me to ask myself questions about its genre. Its hybridity made it possible to position the film within different categories, but there …

May The Soil Be Everywhere: Portraying A Family's Love And Revolution Through Oral History, Performance, And Film From A Granddaughter's Perspective, Yehui Zhao

Theses and Dissertations

May the Soil Be Everywhere is a feature-length documentary film that tells an intimate four-generational family story about farming, survival, and regeneration. Set against a backdrop of war, famine, and rapid urbanization, May the Soil Be Everywhere delves into oral history, trauma, family heritage and generational love. It represents a community’s collective effort to preserve its identity.

An Introduction To Film (3rd Ed.), Teresa Fisher

Open Educational Resources

This textbook provides an introduction to films and the filmmaking process. Each chapter covers a different facet of filmmaking starting with a brief history of film, primarily focused on that in the USA. Then it moves into exploring how to watch films from a critical perspective. After that, there are chapters exploring the various aspects of filmmaking: mise-en-scène, narrative, cinematography, editing, sound, and acting. Finally, the textbook ends wiith a look at documentary and experimental films with an additional look at animation.