Film and Media Studies Commons^™

Rebekah & Aliya, Mark Hirsch

Lawrence University Honors Projects

Rebekah & Aliya is a multimedia ballet for two dancers, ten musicians, and film based on a story of love, timelessness, and transcendence. Drawing inspiration from literary themes of Jorge Luis Borges as well as composers of the Renaissance and Avant-garde alike, this collaboration with choreographer Madeline Bunke is a four-scene work, alternating between film and live dance, with live music throughout.

Lloyd Alexander: A Film By Jared Crossley, Jared Crossley

Student Works

A 9:04 film about Lloyd Alexander "American Author, Pioneer, and the High King of Fantasy."

Building An Interdisciplinary Production Program, Ruth D. Johnston

Cornerstone 3 Reports : Interdisciplinary Informatics

No abstract provided.

The Gray Lady's Guide To Avant-Garde Cinema, Brian L. Frye

Law Faculty Scholarly Articles

Who is the most important avant-garde filmmaker? It depends who you ask. Different people value different things at different times. Fortunately, citation analysis can provide an objective answer. This article uses a citation study of The New York Times to measure the relative importance of avant-garde filmmakers. It concludes that, according to The New York Times, the most important avant-garde filmmaker is Andy Warhol.

Putting A Face On The Facts, Mark Volkers

Faculty Work Comprehensive List

Dordt College film professor and students work on a documentary on people living in poverty. It's called "The Fourth World".

Empowering And Engaging Teen Girls Through Media From The Perspective Of A Practitioner And Producer, Marie Celestin

Critical and Creative Thinking Capstones Collection

Mainstream media plays an important part of our lives. For teens today, often labeled the “digital generation,” media sources affect the way they read, understand, and interpret information and are a critical influence on the way they see themselves. I have been a media critic since I was a teenager, but the Critical and Creative Thinking program allowed me to articulate my vision for a fairer representation of women and girls while tapping in my creative toolbox to produce original and bolder images of real girls through the G.I.R.L.S. (Growing Individuals Reacting to Life's Struggles) Project and GIRL TV—in short, …

When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames

Faculty Research & Creative Activity

Throughout the first decade of the twenty-first century the vernacular of popular culture has been bombarded by sexualized terminology. Although these terms are often formed with humorous intent, their staying power and use as cultural descriptive categories is both intriguing and disturbing. Also troubling is the fact that the majority of these new terms, such as puma (a thirty-something female “dating” a younger male), cougar (a forty-plus female “dating” a younger male), and MILF (“mother I’d like to fuck”), are restricted to the female gender alone. This article analyzes the etymology of these terms, their use in popular culture (ranging …

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall

Collected Faculty Scholarship

Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles.

One response to these threats is to attempt …

An Ethico-Politics Of Subaltern Representations In Post-9/11 Documentary Film, Joseph D. Parker

Pitzer Faculty Publications and Research

The World War Without End (WWWoE), formerly known as the War on Terror,ii is one of those rare occasions when a gendered subaltern population comes to the attention of the nation-state. If the subaltern is understood as something akin to illiterate rural women from the global South, then she now has the full attention of the White House and Downing Street, the US State Department, CNN and Time magazine.iii In official state positions and in media coverage, interest in the subaltern is often expressed in humanitarian attention to the rights or freedoms of these subaltern women in order to justify …

Sleeping Beauty: The Reality Of Harmful Images Of Women Within The Film Industry, Noretta A. Morales

Whittier Scholars Program

This senior project is composed of three parts: a screenplay, essay, and journal. The purpose of this senior project is to provide a perspective of how women are treated within the film industry and women’s obsession with beauty and sexuality, as well as how the media portrays women. It focuses on the pressures that women deal with in the film industry and the construction of beauty and sexuality concepts. Drawing from articles, journals, books, and interviews, the project attempts to provide the various sides and aspects of how women give in, or not, to the stress of conforming to the …

Estimating The Effects Of Integrated Film Production On Box-Office Performance: Do Inhouse Effects Influence Studio Moguls?, Daniel M. Polyakov

CMC Senior Theses

Each year well over one billion movie tickets are sold to an audience who knows very little about what they are getting themselves into. Why is it that despite the uncertainty, people return to the theaters to see what Hollywood has in store for them? In efforts to provide answers regarding the driving forces behind Hollywood’s blockbuster hits, this study takes into account the integration levels of the studios. Specifically, does a movie produced in-house at a large studio have a better chance of being a blockbuster hit than one which is outsourced to an independent production company? Further, I …

Inside And Outside Southern Whiteness: Film Viewing, The Frame, And The Racing Of Space In Yoknapatawpha, Peter Lurie

English Faculty Publications

Though neither film nor film viewing is ever named in As I Lay Dying, both the apparatus of cinema and what we might term its sociohistorical effects are evoked powerfully by and in the novel. These include the passing before the reader’s “gaze” of the discrete, separate “frames” of the various characters’ monologues, as well as, in particular section, a fascination with watching machinery that resembled the interest of early film biewers in the cinematic apparatus (see Doane 108).

If Vardaman and his family are not explicitly depicted as film viewers, they nevertheless show signs of what has been …

Translating The Language Of Film: East Asian Films And Their Hollywood Remakes, Julia Yu

CMC Senior Theses

Hollywood remakes of East Asian films clearly change more than just the language of a film, and the choices that producers and directors make in order to tailor a foreign film so that it better appeals to American audiences creates an entry point that allows for a more direct comparison of aesthetic styles, cultural tastes, and narrative conventions. An analysis of two case studies, South Korean hit film My Sassy GIrl (2001) and Hong Kong's Infernal Affairs trilogy (2002, 2003, 2003) remade into My Sassy Girl (2008) and The Departed (2006), explores the principles of Korean and Hong Kong commercial …

Restauration Und Ambivalenz: Maskulinitaet Im Deutschsprachigen Film Nach 1990 Im Lichte Des Neuen Deutschen Films, Sascha Harris

Articles

Restoration and Ambiguity: The Male in Post-Wall German Film

As the programmatic, if diverse tenets of the Neuer Deutscher Film began to lose their hold on German film-making in the eighties, filmic narratives and cinematography emerged which on the one hand draw on this tradition, especially in seemingly postmodern narratives of subversion, minority and subjectivity, but on the other combine these with conventional, even restorative film language and narrative construction. Reunification has set a development in motion which to a remarkable extent echoes the cultural metanarrative of the post-war period. The role and representation of male characters in a significant …

Social Themes As Reflected In Film: Scholarship, Criticism, And Theory, Leslie M. Kong

Library Faculty Publications & Presentations

As faculty, we strive to develop methodologies to make more meaningful to students the concepts and principles taught in our courses. Over the years, growing literature has developed that supports the use of popular films, as well as documentaries, in college and university curricula. This essay is not intended as an exhaustive or comprehensive study of resources in this area, but rather as a guide to works that faculty will find relevant in supporting various courses.

The Rhetorical Significance Of Gojira, Shannon Victoria Stevens

UNLV Theses, Dissertations, Professional Papers, and Capstones

Gojira, commonly known as the "original" Godzilla movie, is a clear commentary on the horrors the Japanese people suffered during and after the dropping of nuclear bombs in their country at the end of World War II. The intent of this thesis is to demonstrate that Gojira is a rhetorical experience that permitted the Japanese to discuss the un-discussable--namely, the destruction of Japan caused by the awakening of the American "monster" of war and nuclear weapons. The thesis is argued in four chapters. Chapter one is the prospectus, chapter two provides historical context of the emergence of nuclear culture, …

A History Of The American Film Institute, Deborah Jae Alexander

Dissertations

The American Film Institute (AFI) is a highly politicized, powerful organization. To date, most historical documentation and recording of AFI events and activities has been disseminated to the mass media from within the organization through its own publications or in other historical documentation as incidental history in relation to another topic. This dissertation, written as an overview, is the first comprehensive, independent historical examination of the AFI. The examination begins with an exploration of the development, activities and decline of the American Council on Education‟s original AFI and other film organizations that existed prior to the present day AFI. It …

Honors Senior Project, Matthew T. Dayton

Honors Projects

No abstract provided.

Juvenescence: Photographs By Jordan Lutes, Jordan Lutes

Art and Design

Shot entirely on expired 35mm film, Juvenescence explores the life of youths on the central coast of California. Research was done on how to alter film and gain color-shifts to better depict moods and lifestyles in the images.

Through The Lens Of A "Branded Criminal": The Politics Of Marginal Cinema In India, Rashmi Sawhney

Books/Book chapters

Images of Adivasis (Indian tribal communities) being displaced by the building of industries and dams have been regularly flashing across our television screens for the last twenty years or so, yet, media scholars have shown very little interest in this constituency either as producers or as audiences. This chapter argues that, contrary to the mass media’s favourite stereotype of the forest-inhabiting ‘native’, India’s tribal communities exist in a complex constellation of modernities, both urban and rural, and that many of these communities have at least a nominal contact with media cultures. One such group, the Chharas of Ahmedabad, popularly branded …

Review: Karen Ward Mahar (2008): Women Filmmakers In Early Hollywood, Sara Ross

Communication, Media & The Arts Faculty Publications

Book review

Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins University Press, 2008.

This book will be a useful reference for feminist and film historians looking to expand their understanding of how film and business history can help to explain the gendering of filmmaking.

The National Imagination (Spring 2010), Robert D. Tobin, Belen Atienza, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …

Burn After Viewing, Or, Fire In The Vaults: Nitrate Decomposition And Combustibility, Heather M. Heckman

Faculty and Staff Publications

Although the fire risks associated with nitrate film stock are widely known, understanding of the relationship between nitrate decomposition and combustibility remains weak. This paper surveys the contradictory descriptions of decomposition and combustibility of motion picture film in current archival and safety literature, evaluates their sources, and compares them to descriptions by image stability researchers and chemists. Throughout, the author argues that the dialogue among the archival, safety, and scientific communities is inadequate and that no community has satisfactorily established the evolution of flammability as nitrate decomposes. The author concludes by outlining a plan for nitrate research and advocacy over …

A Beautiful Belly: Toward An Intimate Cinema Through Microbudget Production Techniques, Andrew Gay

Electronic Theses and Dissertations

A Beautiful Belly is a feature-length, microbudget, digital motion picture produced, written, and directed by Andrew Kenneth Gay in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. The guiding question behind the production of A Beautiful Belly was whether digital "no budget" production was particularly suited to the telling of a particular kind of cinematic story - the interior journey. The pursuit of an intimate cinema shaped every decision by the filmmaker and his collaborators, and this thesis is a record of their production experience.

Red Tide: A Feature Length Motion Picture, Dino Gallina

Electronic Theses and Dissertations

The following document provides insight into the uncharted process of producing a micro-budget feature length film. This paper aims to document my growth as an artist in terms of storytelling and filmmaking as well as the development and production process. Red Tide: A Feature Length Motion Picture includes elements from each phase of the production process, from story and script development to marketing and distribution. This document reflects on the obstacles we faced and the solutions we implemented during the process of creating a feature length motion picture on an undersized budget.

Surrealism's Revisionist Reading Of Freudian Psychology: Surreal Film And The Dream, James Magrini

Philosophy Scholarship

No abstract provided.

Making A Story Move: The Art Of Film Editing, Daniel Gross

Honors Scholar Theses

An in-depth treatise on the process of film editing, featuring 16 original interviews from renowned editors. These editors share insight and anecdotes about the daily joys and difficulties of their careers (and the professional principles they subscribe to), as well as the creative, interpersonal, and technical challenges they constantly face. Discussion of the “MTV influence” behind modern film editing is offered, and this influence is explored in filmmaking history. Advice and inspiration is also shared for the benefit of future film editors; Hollywood editors tell their own stories about how they thrived in a notoriously-difficult field, and what it would …

Is Disney Surfing The Third Wave? A Study Of The Pervasiveness Of The Third Wave Of Feminism In Disney's Female Protagonists, Emily S. Ellington

Senior Honors Theses

It is important to understand factors that have influenced Generation Y’s view of womanhood. One way to do this is to analyze third wave feminist messages portrayed by Disney, the media powerhouse. In order to determine if Disney reflects feminist values, the third wave themes portrayed in The Little Mermaid (1989), Beauty and the Beast (1991), Pocahontas (1995), and Mulan (1999) are examined. It is concluded that Disney portrays the feminist values of independence and multiculturalism; however, the films are set within patriarchal societies and portray women to be domestic. Ultimately, Disney portrays four messages about womanhood: Women are equal …

Child Of The Long Take: Alfonso Cuaron's Film Aesthetics In The Shadow Of Globalization, James N. Udden

Interdisciplinary Studies Faculty Publications

Alfonso Cuaron's 2006 film, Children of Men, not only suggests that the economic pressures on contemporary Hollywood directors differ little from those in the studio era, it also suggests that film style in the age of globalization is not as homogenized as many fear. The long take is the most prominent feature in Children of Men, including many which are digitally contrived. Lofty reasons by the filmmakers are given for these long lakes, but there are more pedestrian reasons behind this. Other examples past and present suggest that often the tong take serves the needs of both filmmakers and …

The Spectacle Of Suffering: Trauma And Narration, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succinct description only of the current research project undertaken by the participants. It provides for the following information

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci