Film and Media Studies Commons^™

The Science Of Degeneration In Stoker’S Dracula And Wells’ The Island Of Dr. Moreau, Alessandra Albano

Journal of Dracula Studies

No abstract provided.

Recording Angels: Examining Female Narrators In Vampire Fiction And Film, Jacqueline T. Bashaw

College Honors Program

Authors of vampire fiction often grapple with the shifting gender norms of the late nineteenth century. They explore these shifting tensions through the creation of complex narrative structures, some of which incorporate female narrators. By making these women narrators, these authors carefully consider female perspectives and the authority women can wield, both as narrators in their respective texts, and as women in late nineteenth-century British society who were confined to rigid gender roles. The narrative tension that arises between the narrator and the text then allows these authors to use literature to explore and theorize about broader societal tensions.

This …

“Deliberate Voluptuousness”: The Monstrous Women Of Dracula And Carmilla, Judith Bell

Graduate Theses and Dissertations

Vampire women play a culturally significant role in films and literature by revealing the extent to which deviation from Socially accepted behavior is tolerated. In this thesis, I compare the vampire women of Bram Stoker’s Dracula and J. Sheridan Le Fanu’s Carmilla to their depictions in recent adaptations. In Stoker’s Dracula, the vampire sisters are representative of the shortcomings of 19th century gender roles, especially in regard to women’s communities. In recent adaptations, the vampire sisters’ revealing clothing, promiscuity, and lack of characterization are still closely connected with villainy, and as in Stoker’s novel, the women’s violent deaths in the …

Dracula's Truth Claim And Its Consequences, Hans De Roos

Journal of Dracula Studies

No abstract provided.

Beauties And Beasts Of Carmilla, Strange Case Of Dr. Jekyll And Mr. Hyde, And Dracula, Shirley Ibach

Journal of Dracula Studies

No abstract provided.

"The Blood In The Life!": Victorian Manifestations Of Porphyric Anxiety And Blooklust In Bram Stoker's Dracula, Ashley Szanter

Journal of Dracula Studies

No abstract provided.

Dracula's Colonized Tongue Speaks Through Fanged Teeth, Creighton Nicholas Brown

Journal of Dracula Studies

No abstract provided.

A Very Victorian Feast: Food And The Importance Of Consumption In Modern Adaptations Of Dracula, S. Brooke Cameron, Suyin Olguin

Journal of Dracula Studies

No abstract provided.

The Publication Of Dracula, Paul S. Mcalduff

Journal of Dracula Studies

No abstract provided.

Healing Or Horrifying? Portrayals Of Victorian Medicine In Bram Stoker's Dracula, Jennifer Miles

Journal of Dracula Studies

No abstract provided.

Playing Vampire Games: Rules And Play In Varney The Vampire And Dracula, Lindsay Dearinger

Journal of Dracula Studies

No abstract provided.

"A Foreign Man In A Fog": Robert Siodmak, Lon Chaney Jr., And Son Of Dracula, Mark Bernard

Journal of Dracula Studies

No abstract provided.

Between Reason And Faith: Breaking The Status Quo In Bram Stoker’S Dracula, Erin Newcomb

Journal of Dracula Studies

No abstract provided.

Vampires Do(N’T) Exist: Using Past And Present Technologies To Make Dracula Real, Holly J. Mcbee

Journal of Dracula Studies

No abstract provided.

Sexing The Book: The Paratexts Of Bram Stoker’S Dracula, Brigitte Boudreau

Journal of Dracula Studies

No abstract provided.

True Blood: The Vampire As A Multiracial Critique On Post-Race Ideology, Nicole Rabin

Journal of Dracula Studies

No abstract provided.

The Fear Of Castration And Male Dread Of Female Sexuality: The Theme Of The “Vagina Dentata” In Dracula, Laura Linneman

Journal of Dracula Studies

Bram Stoker’s Dracula reflects the Victorian fear of reverse colonization by the “Other” or the encroachment of the outsider on the British Empire as well as the repression of sexuality in Victorian England; however, there is one facet of the text that has never been fully explored: the inherent male fear of castration and feminine sexuality as well as its relationship to the “vagina dentata” motif. Furthermore, this dread of female sexuality has not been adequately explored in light of the novel’s historical context. Written during the rise of the New Woman, Stoker crafts a response to the increasing independence …

Our Lady Of The Telegraph: Mina As Medieval Cyborg In Bram Stoker’S Dracula, Eric Brownell

Journal of Dracula Studies

No abstract provided.

Vamping Up Sex: Audience, Age, & Portrayals Of Sexuality In Vampire Narratives, Melissa Ames

Journal of Dracula Studies

No abstract provided.

All In The Family: A Retrospective Diagnosis Of R.M. Renfield In Bram Stoker’S Dracula, Elizabeth Winter

Journal of Dracula Studies

No abstract provided.

When Was Dracula First Translated Into Romanian?, Duncan Light

Journal of Dracula Studies

Dracula is one of the world’s best-known books. The novel has never been out of print since its publication and has been translated into about 30 languages (Melton). Yet, paradoxically, one of the countries where it is least known is Romania. The usual explanation given for this situation is Romania’s recent history, particularly the period of Communist Party rule (1947-1989). Dracula, with its emphasis on vampires and the supernatural, was apparently regarded as an unsuitable or inappropriate novel in a state founded on the materialist and “scientific” principles of Marxism. Hence, no translation of Stoker’s novel was permitted during the …

Mother Dearest, Mother Deadliest: Object Relations Theory And The Trope Of Failed Motherhood In Dracula, Brigitte Boudreau

Journal of Dracula Studies

No abstract provided.

Vixens And Virgins In The Nineteenth-Century Anglo-Irish Novel: Representations Of The Feminine In Bram Stoker’S Dracula, Susan Parlour

Journal of Dracula Studies

No abstract provided.

The Models For Castle Dracula In Stoker's Sources On Transylvania, Marius Crisan

Journal of Dracula Studies

No abstract provided.

The Emancipation Of Mina? The Portrayal Of Mina In Stoker's Dracula And Coppola's Bram Stoker's Dracula, Katharina Mewald

Journal of Dracula Studies

No abstract provided.

Quiero Chupar Tu Sangre: A Comparison Of The Spanish-And English-Language Versions Of Universal Studios' Dracula (1931), Robert Harland

Journal of Dracula Studies

No abstract provided.

Rethinking The New Woman In Stoker's Fiction: Looking At Lady Athlyne, Carol A. Senf

Journal of Dracula Studies

No abstract provided.

"Buffy Vs. Dracula"'S Use Of Count Famous (Not Drawing "Crazy Conclusions About The Unholy Prince"), Tara Elliott

Journal of Dracula Studies

No abstract provided.

The Children Of The Night: Stoker's Dreadful Reading And The Plot Of Dracula, Dick Collins

Journal of Dracula Studies

My intention is to suggest that the plot of Dracula was modeled on the plot of The String of Pearls, the Penny Dreadful serial that created Sweeney Todd. I am not suggesting that Stoker deliberately or consciously “stole” the plot and “rewrote it” with “differences”; nor can I prove he had read it, let alone that he had it on the desk as he wrote. Instead I am making the altogether more ordinary claim that Stoker was familiar with the earlier book, and others like it; that the memory of it provided him with a basic framework of plot; and …

"The Coin Of Our Realm": Blood And Images In Dracula 2000, Alan S. Ambrisco, Lance Svehla

Journal of Dracula Studies

Since the publication of Bram Stoker’s Dracula, the vampire has always been our long lost twin, always held our gaze because we found ourselves translated there. Whether represented as demonized monopolist, stereotyped Jew, feudal aristocrat, or iconoclastic youth,1 what remains in all manifestations of the vampire is its ability to become what the culture both desires and reviles, to seduce in the act of producing fear. Wes Craven Presents: Dracula 2000, a film directed by Patrick Lussier, portrays the notorious vampire reveling in a world not only of blood but also of images. This rewriting of Dracula’s legend engages anxieties …