Film and Media Studies Commons^™

Mythology In Children's Animation, David L. Emerson

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In recent years, there have been several animated films, ostensibly for children yet appreciable by adults as well, which have made attempts to incorporate various mythologies of the world into their settings and plots. There is considerable variation in the amounts of mythology included, from offhand mentions to integral components of the story. There is also a wide range of the degree of faithfulness to the mythologies being depicted. This note gives an overview of some of the most well-known and readily available animations from 1992 to 2017, and show how the mythologies of many different cultures are represented. Some …

Orientalism, Resistance Or Global Harmony? Entangled Strands In The Film Isle Of Dogs, Soonkwan Hong

Markets, Globalization & Development Review

No abstract provided.

Representative Biodiversity: The Ecosystem Of Cartoon Network, Carl Suby

Film and Media Studies (MA) Theses

As a capitalist organism the television program, as explained by Todd Gitlin, uses its slant to sell itself to advertisers with similar leanings on contemporary social issues to maintain its flow of revenue. However, this concept of slant does not account for the broader network, which, like the singular program, cultivates a catalog of programming into a singular slanted message becoming an ecosystem of shows relying on each other to maintain viewership. The successful televised ecosystem will then be home to programs who enjoy long runs and display an easily recognized shared slant. As an example of the televised ecosystem, …

A Cauldron Of Chaos And Cultivation: Rediscovering Disney Animation Of The 1980s, Thomas Price

Film and Media Studies (MA) Theses

This thesis examines the four transitional Disney animated features of the 1980s The Fox and the Hound (1981), The Black Cauldron (1985), The Great Mouse Detective (1986), and Oliver and Company (1988)— in order to reassess the significance of this period in Disney history. The Walt Disney Studio is internationally hailed for its animated features produced over the last eight decades, however, the animated films released in the 1980s have been ignored and neglected due to the negative evaluations of scholars and historians who favor Walt’s era and the 1990s renaissance period. A closer examination of the films reveals that …

To Listen: Semiotics, Deaf Representation, And A Silent Voice, Kristen Stedman

Senior Capstone Theses

A Silent Voice, a Japanese film released in 2016, serves as an example of how deaf communities in media can be more accurately portrayed.

Semiotics, the study of how we assign and derive meaning from language, images, and cultural phenomenon, often overlaps with film analysis and representational studies. These three fields are inherently interrelated in the power of film in conveying messages about an issue, location, or group to a wide audience. Too often, inaccurate portrayals of minority groups in film lead these groups to be simplified culturally, fostering misunderstanding and conflict between groups. Just one group that is …

A Study Of Animating To Music, Brianna Phylice Edmonds

Undergraduate Honors Theses

I have always had an interest in musicals. I enjoy the way storytelling can happen through a single musical segment. I have always been interested in how music can set the tone in an instant. Because, of this I decided my thesis would be more of a conceptual one. My vision for my thesis project was to create a sequence that is animated to music and will tell a story through a sequence that is set to music.

“Goth Barbies”: A Postmodern Multiperspective Analysis Of Mattel’S Monster High Media, Danianese Woods

Dissertations

This research examines the historical, cultural, and social context in relation to the monster characters of Mattel’s Monster High, a franchise about animated dolls that are the offspring of famous horror monsters. The animated dolls are an intersection of complex gender and racial identities that are constructed in a postmodern reality. The goal of this research is to formulate a more complex understanding of the social and cultural contexts, relationships, interactions and meanings within production, circulation, and distribution of Monster High media.

The preferred reading of the Monster Highseries is postmodernism. Monster Highdisplays a multitude of postmodern …

Modes Of Cartoon Corporeal Performance, Gregory Langner

LSU Doctoral Dissertations

This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corporeality. The phenomenon refers to the varied ways in which cartoons “escape” their usual two-dimensionality through performance, appearing to manifest in physical environments in ways that should be understood as culturally impactful. Cartoon corporeality encompasses different modes of performance wherein the explicit visual presence of a cartoon subject informs an immediately observable physical impact through the body of the performer. I interrogate the phenomenon by focusing on four select modes of cartoon corporeal performance: videogame play, cosplay, theatrical adaptation, and the active weaving of cartoons …

Animated Encounters: Transnational Movements Of Chinese Animation, 1940s-1970s By Daisy Yan Du (Review), Li Guo

World Languages and Cultures Faculty Publications

In her groundbreaking monograph, Daisy Yan Du offers a rigorous discussion of Chinese animation by highlighting the historical course of Chinese animation and how animated filmmaking contests the notion of nationhood and opens up a spatialized conception of intercultural encounters and collaboration. The book contains a theoretical introduction essay, four substantial chapters, a concise epilogue, and three appendices on animated films by Mochinaga Tadahito, on leaders of Shanghai Animation Film Studio, and on major publications on Chinese animation. It contributes valuable discussions on the “disjuncture between politics and aesthetics in the sense that politics cannot fully control arts” (Du 2020, …

The Puppets Look Like Flowers At Last, Evie Metz

Theses and Dissertations

The urge to uncover aspects of human condition permeates my work, from the fundamental curiosity of a child tearing apart their doll to uncover what lies within to continuing a quest in uncovering basic human urges through my puppet animated dramas and tragedies. There is a controversial line between the childlike and the adult-like that can be ambiguous, and at some times more discernible while other times less. I create handcrafted stop-frame puppet animations that explore self-conscious emotions such as embarrassment, shame, and envy within unpredictable life scenarios. These are animations about inner life, attempting to resolve conflicting elements of …

The Flow Of Art: A Study On The Human Experience And Nature, Matthew R. Schott

Undergraduate Honors Theses

Through all of human history, artists and other creators have been able to access the extraordinary state of flow to achieve amazing feats. Whether it be for a divine purpose, or simply making someone’s day a little better, art has been used to lift the spirits and nourish humanity. In our attempt to cope with the world in which we live, we have found this great mental resource, that has allowed for achievements that not one person could not attain on their own. In my observation, I have seen this euphoric cycle of flow change the lives of so many …

Work/Death, Of Each In Their Own, Micah H. Weber

Theses and Dissertations

Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential.

The Value Of Parental Co-Viewing On Children And Families, Alison Work

Cinesthesia

When we think back to movie watching in the sixties, we typically picture a family sitting around the television and experiencing the film together. Nowadays, it is common for parents to put on a movie for their child to watch while they focus on other tasks. In our modern, fast paced environment, with movies available to stream at all times, the act of watching a movie as a family has become increasingly rare, and there has been a lack of parental monitoring of media. Consequently, films are not being utilized to their full potential. Films can have a tremendous impact …

Animated Landscapes: History, Form And Function, "Evoking The Oracle", Tom Klein

Faculty Pub Night

No abstract provided.

Dancing Silhouettes: Lotte Reiniger's The Adventures Of Prince Achmed: A Critical Study, Maria N. Rhodes

Dissertations, Theses, and Capstone Projects

Lotte Reiniger’s The Adventures of Prince Achmed has been relegated to a curiosity in film history textbooks for some time. Known as the first surviving feature length animated film, it is talked about but rarely seen. However, it is more than just a point in a film history timeline. The film is a beautiful piece of art that engages with the time period in which it was made in a critical and political way. The subject matter, silhouettes as animation, the political atmosphere of Weimar Republic Era Berlin and the role of the spectator are all explored in this thesis …

The Power Of A Flying Pig: Carl Stalling, Looney Tunes, And America's Need For Escape., Jordan Virginia Clark

Wayne State University Theses

This thesis examines the creation of Looney Tunes cartoons and how the powerful pairing of music and animation created a convincing reality and escape for audiences. Looney Tunes was created in 1933 by Warner Brothers animation under the stipulation that one song from a Warner Brothers feature film was used in each short. In 1936 the company hired composer Carl Stalling, who worked closely with the animation directors, progressively learning how to better pair music and animation. Stalling often used familiar popular, classical, and folk melodies within his compositions. An analysis of the Looney Tunes short “Speaking of the Weather” …

Visions: Chaos In Naango, Katarina J. Klask, Hunter Gibson, Taylor Roseberry, Summer Shigetani, Mattie Coccia, Alena Siu, Caitlin Mihm, Gaston Dondero, Sophie Rudell

Honors Thesis

Trailer: https://www.youtube.com/watch?v=kxjqjJNMSFQ

Website: http://www.visionsthegame.com

Development Blog: http://visionsthegame.tumblr.com

Facebook: https://www.facebook.com/visionsthegame/?fref=ts

Twitter: https://twitter.com/visionsthegame

Email: [email protected]

Creating 3d Smear Frames For Animation, Matthew R. Drury

Undergraduate Honors Theses

In the transition between 2D and 3D animation animators tried to be able to replicate all of the styles and techniques in 3D that they utilized in 2D. Motion blur eventually came to replace a popular 2D technique known as a smear frame. A smear frame is much more than a path of motion or a blur though, it has a style that cannot be replicated with such methods. I present a creative project with the intent on creating 3D smear frames in a self-made character rig. In order to achieve this I will be designing, modeling, texturing, rigging, animating, …

In God’S Land: Cinematic Affect, Animation And The Perceptual Dilemmas Of Slow Violence, Salma Monani

Environmental Studies Faculty Publications

In this paper, I argue that Indian independent filmmaker Pankaj Rishi Kumar's documentary In God’s Land (2012) blends animation and live-action to illuminate the destructive nuances of postcolonial literary scholar, Rob Nixon's notion of slow violence. In turning to cinema, I also suggest that In God’s Land’s “aesthetic strategies” further eco-film scholarship’s recent interests in animation, which have tended to highlight the mode's "feel good affect." I draw attention to In God's Land's hybrid of dark, discordant animation spectacle interspliced in the documentary live-action to articulate the potential of eco-animation outside of this affect. Ultimately, the film not only draws …

Where Are Those Good Old Fashioned Values? Family And Satire In Family Guy, Reilly Judd Ryan

Theses and Dissertations

This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others. Though neither judgment of the show is necessarily mutually exclusive, the intention of this study is to reconcile those disparate viewpoints in order to measure the show's purposefulness. After all, if Family Guy succeeds in its satire, it is full of social purpose, offensiveness notwithstanding. This thesis focuses on arguably the main point of contention in Family Guy: the family. …

(Re)Animating The Horror Genre: Explorations In Children's Animated Horror Films, Megan Estelle Troutman

Graduate Theses and Dissertations

This project seeks to define the subgenre of children's animated horror film by examining its classification within the children's film genre and its use of generic conventions of horror. While this project does not aim to conflate children's film as a genre and animation as a medium, the scope of this project will be limited to children's animated horror films from 1993 - present day. In order to explore the subgenre of children's animated horror films from 1993-present, I will focus specifically on the following films: Tim Burton's The Nightmare Before Christmas (1993), Wallace and Gromit: Curse of the Were …

Cute As A Button, Marta R. Finkelstein

Theses and Dissertations

Cute As A Button explores powerlessness, vulnerability, illness and addiction all wrapped up in tender buttons and a cute, cuddly creature. Using animation, sculpture, sound and an intimate space, I surround the viewer in a saccharine nightmare, one that references the dark underbelly of the cute and the sweet. The visual and aural elements are representative of the psychological and emotional states of powerlessness, which are overcome by the act of making and exploring a medium over which I can have complete control.

Volumetric Cloud Rendering: An Animation Of Clouds, Zhaoxin Ye

All Theses

This paper demonstrates a production workflow for a volumetric-rendering-based short animation about clouds. The animation is based on the concept of a giant fish swimming in the sky from Zhuangzi's philosophical story. The algorithm and implementation for the modeling and rendering of clouds are also presented. A renderer was developed that uses the OpenVDB library for data storage, fast retrieving and grid manipulation. A user-friendly pipeline was also developed for cloud modeling and rendering, which used Python and XML for adjusting rendering parameters. The pipeline includes Maya to build the rough cloud model and Houdini to calculate the interior light …

The Effect Of Color On Emotions In Animated Films, Andrew Kennedy

Open Access Theses

Lighting color in animated films is usually chosen very carefully in order to portray a specific mood or emotion. Artists follow conventional techniques with color choices with the intention to create a greater emotional response in the viewer. This study examined the relationship between color variations in videos and emotional arousal as indicated by physiological response. Subjects wore a galvanic skin response (GSR) sensor and watched two different videos: one portraying love and one portraying sadness. The videos were watched multiple times, each with variations in the lighting color. No significant effects on emotion for either hue or saturation were …

Animando Al Dibujo: Del Guión A La Pantalla, José García Moreno

Faculty Pub Night

No abstract provided.

Scripting Therapeutic Screen Stories : Animating The Healing Potential Of Film Narratives, Andrew Levett

Theses : Honours

Beyond entertainment, animated narratives can potentially induce psychological healing, termed “individuation.” Stories exist in many forms, like literature, film and conversation, as well as in the human mind, or “psyche.” These “self-narratives” use life experience to shape consciousness. Therefore, effective storytelling based on archetypal myths can restructure the psyche. Film narratives communicate meaning through symbols, termed “textual cues”, while screenwriters employ specific templates, which organise story information into familiar structures. These guide audiences towards predetermined meaning. Through bibliotherapy, which is the use of literature for therapeutic purposes, audiences project their unconscious content onto narrative components that resonate with it. Ego-consciousness …

The Transience Of The Interior Self: Exploring The Lost Real Within A Creative Visual Praxis, Jacqueline Monks

Theses: Doctorates and Masters

This research investigates psychological ideas of the interior self as transient and its relationship to the Real within a creative practice that includes video, projection and animation. The significance of the research is in the critical development of my creative practice and its creative outcome as a means of visually manifesting ideas of the interior self as explored by the theorist Slavoj Zizek. Theoretically, the notion of the interior self is defined as a transient state of co-existing contradictions. Its definition is located in Zizek’s reading of Jacques Lacan’ s triad of orders that comprise the thinking self (Zizek, 2007a, …

A Pitch For Microfinance: Using An Animation To Promote An Economic Movement, Yelena Kozlova

Art and Design

Microfinance refers to the idea of providing financial services to low-income clients. The purpose of this project was to create an animation using Adobe Flash that could be published online to inform the public about microfinance and to encourage the viewers to take part in this movement.

Early Connections Between Film And Emerging Media As Evidenced In The Animated Worlds Of Adam Beckett, Pamela Turner

Kinetic Imaging Publications and Presentations

Making a “film” today rarely involves a journey to the lab as images are more often recorded digitally and not on celluloid. Even video’s electromagnetic record is transformed to bits and bytes. There is no frame to splice. The visual material exists as a virtual reference only. As McLuhan points out, new media doesn’t replace the old, existing media, but changes it. Theorists often point to the photograph and its impact on the painting. A similar event was the emergence of video technology and its ensuing relationship with film, a relationship whose differences have become increasingly transparent.

Looking at the …

Persistence Of Vision: The Value Of Invention In Independent Art Animation, Pamela Turner

Kinetic Imaging Publications and Presentations

The focus of this investigation is in the realm of animation that straddles the ever-shrinking gulf between a screening and an exhibition, the theater and the art gallery. There is a subtle maturity and movement in the animation art world that not only continues but also extends the often-overlooked legacy of independent animation while engaging the conceptual dialogue of contemporary art. This tradition of an art aesthetic is passed from the early inventors who fashioned the necessary tools and images. The myriads of techniques and concepts evidenced throughout this history inform the current practitioner, just as digital technology and the …