Revolutionary Visions: Jewish And Politics In Latin American Film, Mirna Vohnsen

Articles

Stephanie Pridgeon’s Revolutionary Visions, a book that deals with the intersection of Jews and revolutionary politics in films from Latin America, is a welcome addition to the growing scholarship on Latin American Jewish studies. As the author herself notes, the cinematic depiction of Jewish experiences with revolutionary movements in Latin America has not received, until now, the scholarly attention it deserves, a neglect that Pridgeon has set out to remedy in her volume. The book brings to our attention the significance of the Latin American revolutionary culture of the 1960s and 1970s not only to Jewish life in the region …

Turning Red: Tradition, Repression, Mommy Issues, And A Millennial Way Of Growing Up, Hazal Bayar

Markets, Globalization & Development Review

No abstract provided.

Glass Onion: A Knives Out Mystery, Ken Derry

Journal of Religion & Film

This is a film review of Glass Onion: A Knives Out Mystery (2022), directed by Rian Johnson.

Quarantined Across Borders: Theorizing Embodied Transnationalism, Precarious Citizenship, And Resilience For Collective Healing, Srividya Ramasubramanian, Aisha Durham, Joëlle M. Cruz

Media Studies - All Scholarship

Embodied transnationalism is characterized by intimate experiences of human-made political borders that define, limit, and restrict flows of the “Other.” In the Quarantined Across Borders collection, contributors from immigrant and diasporic backgrounds address the material and discursive differences in how they experience the pandemic in terms of a public health crisis and public policy response that intersects racialized gender, class, citizenship status, and profession.

Introduction To Film, 2nd Edition, Teresa Fisher

Open Educational Resources

This textbook explores the world of cinema providing a students a look at the various elements of filmmaking to develop an appreciation for the film form. The textbook begins with a look at film history and the fundamentals of cinematic language. It then continues looking at film through a different lens for each chapter -- mise-en-scene, narrative, cinematography, editing, acting, and sound. The book ends with a look at documentary films, experimental films, and animation.

Umurangi Generation: The Red Skies Of Neo-Liberalism, Ian Byrne

The Goose

In this video essay I examine the themes of neo-liberal decay and Indigenous resistance present in the photography game Umurangi Generation. Photography games are a video game genre that make taking photos through an in-game camera the mechanical focus. This non-violent engagement prioritizes player expression and exploration, rather than the action and combat focused games that are typical of the medium. Umurangi Generation was released in May 2020 by Australia based developer Nephtali Faulkner and his team ORIGAME DIGITAL. Using a combination of Indigenous knowledge and academic theory ORIGAME DIGITAL aims to create games which challenge conventional video …

I Hear Spring Is Beautiful, Malachi Van Nice, James Westervelt

Emerson Authors, Researchers, & Creators

An original musical about a dance student who comes to terms with their gender identity as the USA succumbs to the horrors of fascism.

Different Tides: A Journey Of Loss, Loneliness, And Friendship, William Gilmer

All Theses

This project is an exploration of story, producing an animatic for the original story Different Tides. Different Tides is a story about loss and separation, and how we carry with us a piece of everyone that has ever been close to us. This thesis will explore the themes of loneliness and loss that pervade the short, as well as the methods of visually expressing those themes. The goal of this thesis is to produce an animatable story, complete with storyboards, animatic, and color script, as well as explore the psychology behind loss and friendship.

Biblography For George Takei Display, Ruby Blakesleay

Library Displays and Bibliographies

A bibliography created to accompany a display about George Takei in November 2022 at the Leatherby Libraries to commemorate his visit to Chapman University.

From Franco's Nightmare To A Globalized Spain: A Cinematic Analysis, Claire Maurer

Claremont-UC Undergraduate Research Conference on the European Union

Spain has had a long history of determining its own identity through successive regime changes, national crises and shifting international alliances. With Las Chicas de la Sexta Planta (Le Guay, 2011), Torremolinos 73 (Berger, 2003), Miente (De Ocampo, 2008) and The Way (Estévez, 2010) as a guide, I examine the distinctive characteristics of Spansh identity across three notable sections of its history: Francoist Spain (1939-1975), “free” Spain (1975-1986), and Spain as a member of the supranational European Union (EU) (1986-), or the European Economic Community (EEC) at that time. These films and time periods help to shed light on important …

The School Of The One: A Mystery On Canvas, Noah Salomon

Regards

In late 20th century Sudan, a new school of visual art emerged that sought to bridge what it saw as a gulf between contemporary Islamic renewal and the arts. Lamenting that the latter had gone in the direction of secular life, while the former had taken on a deeply anti-aesthetic bent, the school looked to Sufism’s aesthetic archive to revitalize Islamic artistic practice for the 21st century. Calling itself “The School of the One” (Madrasat al-Wāhid), its artists sought to harness the power of beauty inherent in Islamic theological and ritual traditions while suturing it to new ends …

Lumad Image-Making In Baboy Halas (2016) Through Intercultural Filmmaking, Katrina Ross A. Tan

Akda: The Asian Journal of Literature, Culture, Performance

This essay examines the processes involved in intercultural filmmaking, a mode of filmmaking practiced in the production of Baboy Halas (2016) directed by Bagane Fiola where the non-Indigenous filmmaker and the Indigenous community of Matigsalug collaborated in creating their screen images. It discusses how intercultural filmmaking allows the Lumad to enact cinematic agency in constructing their identities on screen. In addition to this, it outlines how this mode of production enables groups from different cultures to forge connections through filmmaking and cultivate ethical relations between Indigenous and non-Indigenous groups. I draw from interview data with the filmmaker and an analysis …

The Region In Motion In The Road Movie Patay Na Si Hesus (2016), Mary Anne D.C. Mallari

Akda: The Asian Journal of Literature, Culture, Performance

Utilizing the theories of Bakhtin’s dialogism, Hall’s cultural identity, and Gidden’s globalization, this article analyzes the Cebuano regional road movie Patay na si Hesus (2016). The road film genre reveals that the Philippine regions have a diverse identity, as shown in the image of the regional landscapes and unconventional characters. The use of camera techniques such as the traveling shot and other related styles reveals a dialogue among the diverse cultures of the regions. Furthermore, the image of the automobile in road movies and its mobility also illustrate that the regions combine an image of tradition and modernity as they …

Imagining Lebanon With Islamic Art: The 1974 Exhibition At The Nicolas Sursock Museum, Sarah Sabban

Regards

Focusing on the first exhibition of Islamic art in Lebanon, organized by the Nicolas Sursock Museum in 1974, this article shows how the construction and the operationalization of the concept of Islamic art overlapped with postcolonial endeavors to foster national identity. By closely examining the making of the art exhibition and tracing material histories intersecting in Beirut, it elicits constructions of the national, the secular, and the spiritual via the notion of art. It contributes to the growing scholarship on the historiography of Islamic art, regional museums, and nation-building in the second half of the 20th century.

Résumé

S'intéressant à …

"This Is Not An Exhibition. And This Is Not Beirut" A Free-Format Curatorial Platform Exploring The Space Of Beirut In The Aftermath Of The August 4 Explosion, Philippa Dahrouj

Regards

This is not an exhibition. is a platform for experimentation in the public spaces of the city through timely interventions in the form of installations, performances, discussions, walks, etc. These interventions aim to question and contest established artistic and curatorial practices by transgressing the normalization of social, political, and urban dynamics in the spaces in which they take place. They invite the audience to participate in the production of the works.
The pilot version, This is not an exhibition. And this is not Beirut., engages with Beirut in the aftermath of the August 4 explosion through artistic interventions in …

"In This Place: Reels Of Beirut" Une Installation Filmique De Hady Zaccak, Entre Nostalgie Et Amertume, Yara Nashawaty

Regards

“My Government Did This”: Exploring The Erasure Of The Beirut Port Wall, Lara Sabra

Regards

This paper draws on ethnographic fieldwork to examine the affective and agentive power of graffiti in Beirut after the August 4 Beirut explosion, specifically the graffiti on the port wall: “My government did this.” The paper investigates the whitewashing of the port wall, the erasure of this phrase, and the subsequent policing that took place.
It studies how graffiti holds an emotional or affective grip on civilians and is intrinsically tied to the practice of agency. In short, the paper discusses how graffiti opens a space for the transgression of dominant or hegemonic systems of power.

Résumé

Cet article s’appuie …

"Hady Zaccak: 'In This Place: Reels Of Beirut'" La Scénographie Comme Chassé-Croisé Entre Plusieurs Espaces/Temps, Joanna Raad

Regards

Ce compte-rendu tente d’inscrire l’installation de Hady Zaccak, In This Place: Reels of Beirut, dans un concept théâtral de « scénographie d’exposition ». L’article conjecture un dialogue entre l’espace-temps des films et celui de l’observateur/spectateur. Pourquoi la fiction peut-elle jouer le rôle d’archive ? Comment le passé dialogue-t-il avec le présent ? L’ancien Beyrouth, la « Suisse de l’Orient », est-il un mythe ou une réalité ? Autant de questions abordées dans un langage interdisciplinaire.

Theorizing The Spiritual-Secular Binary In Modern And Contemporary Art Of – And By Artists From – The Swana Region, Valerie Gonzalez

Regards

The present article critically examines the spiritual–secular binary in modern and contemporary art from the SWANA region and by artists with heritage from that region who live or have lived elsewhere. Given this binary’s origin in the European Enlightenment’s view of religion, and its epistemic canonization through post-Enlightenment ideas on art and culture in the colonial era, this examination is carried out within the framework of current decolonizing art historical discourses and their postcolonial background.
The reflection begins with a key moment of global modernism, underpinned by the colonial diffusion of secularism. It then proceeds to explore the cultural shifts …

Ambient Athleticism: Politicizing Akira’S Accelerationist Olympiad, Thomas G. Chaplin

USF Tampa Graduate Theses and Dissertations

This thesis politicizes Katsuhiro Otomo’s 1988 animated cyberpunk film, Akira, specifically through how it stages its myriad neoliberal crises as opportunities for accelerationist solutions mediated by the Tokyo Olympics. Akira’s display of fully animated and intense action physics produces an aesthetic relation to its own athletes that contracts around their bodies in an attempt to transgress classical and oppressive compositions. Akira’s vague utopic promise receives broad acceptance and affirmation by extant scholarship, often relying on the accelerative impulses found in the works of Gilles Deleuze to substantiate Akira’s hopeful ending. Invoking Gilles Deleuze’s notion of athleticism, this thesis critically rereads …

P-13 El Laberinto Del Fauno: A Child’S Imagination And Coping With The Trauma Of War, Psychology And Spanish, Hannah Cruse

Celebration of Research and Creative Scholarship

Abstract of “El laberinto del fauno: A Child’s Imagination and Coping with the Trauma of War”

Guillermo del Toro’s film El laberinto del fauno, known as Pan’s Labyrinth to English speaking audiences, opens up a fantastical world that is just a touch away from reality, but everyone believes this to be the imagination of one child, Ofelia. She tries to complete tasks and learns the truth of the land of post Civil War Spain that she currently resides in while she yearns for another. A child's imagination can be transported by a simple story; there seems to be a special …

On The Avenue Of The Mystery: The Postwar Counterculture In Novels And Film, Gary Hentzi

Publications and Research

This volume is a study of eight major novels from the postwar period (1945–65) in conjunction with the films made from them during a later period of a little less than three decades straddling the millennium (1985–2012). The comparison of these novels (by Ken Kesey, Paul Bowles, Carson McCullers, Jack Kerouac, James Baldwin, Alexander Trocchi, William Burroughs, and Peter Matthiessen) with their film adaptations offers the opportunity for a historical reassessment not only of the novelsthemselves but also of the global counterculture of the years 1965–75, which they prefigure in a variety of ways. Appearing more than a decade after …

Tellers Of Dark Fairy Tales: Common Themes In The Works Of C.S. Lewis And Terence Fisher, Gabriel C. Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article explores connections between C.S. Lewis and filmmaker Terence Fisher, notably how their works explore themes like the charm of evil, white magic’s dubious nature, and myth hinting at divine truths. By viewing these themes, Fisher and Lewis’s common views on fairy tales, and how feedback informed their work, scholars discover nuance in the perceived “Inklings versus secular British culture” dichotomy.

L’Italia, L’Altrove Luoghi, Spazi E Attraversamenti Nel Cinema E Nella Letteratura Sulla Migrazione, Simone Brioni Dr.

Department of English Faculty Publications

This monograph is a meditation on how transnational migrations have influenced how the sense of place and the politics of space are represented in literature and film about migration to, from and within Italy. It examines work produced in Italian and English, and it emphasizes how culture and national identity can be reconsidered in a more inclusive way within a world marked by increased mobility. The text is divided into three main sections – “Places”, “Spaces” and “Crossings” – each of which contains two chapters. Chapter 1 argues that bridges, as they are represented in literature, movies and paintings about …

Potentiality, Resistance And Bare Life: Giorgio Agamben On Melville’S Bartleby, Yanjun Wang, Yaping Wang

Theoretical Studies in Literature and Art

The idea of potentiality runs through Giorgio Agamben’s political philosophy. In his analysis of Herman Melville’s Bartleby, the Scrivener, Agamben thoroughly interprets potentiality and bare life through Bartleby’s “I prefer not to”. Agamben believes that Bartleby’s inoperativeness is the highest form of resistance, which exists as pure potentiality against the power apparatuses in modern society. Agamben considers Bartleby’s inoperativeness as the exact way to redeem bare life in modern society, where the state of exception already becomes normality. This article starts with Agamben’s reading of Bartley, focuses on potentiality, resistance and bare life to analyze the pure and thorough way …

Digital Dissemination Of Islam Among Dubai Expatriates, Uae: A Mixed Methods Study, Urwa Mohammed Tariq

CoHSS Faculty Work

Dubai is a metropolitan city that attracts many foreigners due to its growing economy and tourism. When many non-Muslims observe the Islamic culture and lifestyle, they become interested in learning more about the faith. This research focuses on non-Muslims and new Muslims in Dubai and how information about Islam is disseminated to them. It also examines the challenges they encounter when searching for information. Though the researcher employed a mixed-methods approach, this study highlights the quantitative analysis. A total of 541 survey responses were collected from expatriates residing in Dubai, UAE; their demographic profile was analysed, especially in relation to …

Collaborative Constructions: Designing High School History Curriculum With The Lost & Found Game Series, Owen Gottlieb, Shawn Clybor

Articles

This chapter addresses design research and iterative curriculum design for the Lost & Found games series. The Lost & Found card-to-mobile series is set in Fustat (Old Cairo) in the twelfth century and focuses on religious laws of the period. The first two games focus on Moses Maimonides’ Mishneh Torah, a key Jewish law code. A new expansion module which was in development at the time of the fieldwork described in this article that introduces Islamic laws of the period, and a mobile prototype of the initial strategy game has been developed with support National Endowment for the Humanities. The …

Critique Beyond Judgment: Exploring Testimony And Truth In The Classroom, Sean Sidky

Genocide Studies and Prevention: An International Journal

This essay offers a set of strategies for utilizing the words of survivors and of witnesses to genocide in the classroom. Including the voices of survivors and victims in our classroom conversations about genocide, its impact, representation, and the possibilities for its prevention is crucial to an ethical and wholistic pedagogy of genocide. Discussion of these events in the classroom often finds us confronting questions from students about truth, historical accuracy, authenticity, and authority. Addressing such questions requires careful framing that takes into account student assumptions and cultural discourses about memory and witnessing, as we work with students to develop …

Deconstructing The University: Contemporary Dei, Neoliberal Rationalities, And The Abolition Of The Administrative Apparatus, Jonah Henkle

Media and Cultural Studies Honors Projects

The following chapters attempt to develop some working theories to combat capitalist exploitation and racist and gendered oppression in the university, culminating in a call for the abolition of the university’s administrative apparatus. The project is divided broadly into two parts, which are referential to each other, but maintain slightly different areas of focus. Part 1 details a preliminary critique of the political-economy of the contemporary neoliberal university, drawing influence from Marxian economics and structuralist theories of ideology, critiquing contemporary discourses of diversity, equity and inclusivity (DEI). Part 2 focuses more directly on issues pertaining to oppression and difference, maintaining …

Girls From The Heights: From Mexican Spitfire To Maddy Perez, Gabi Martinez

[Archive] Belmont University Research Symposium (BURS)

The stereotype of the “Spicy Latina” is as prevalent today as it was in the early days of film, and tracing its origins leads to the discovery of a complicated root system of prejudice and stereotype. From the days of Lupe Velez and the film Mexican Spitfire, to the TV shows Modern Family and Jane the Virgin, Hollywood has never seemed to know how to portray Latinas in all of their complexity. This paper investigates how the white male gaze has shaped the perception of Latinas in the media, and how even the modern, more diverse media landscape contributes …