Film and Media Studies Commons^™

From Object To Icon: The Unpredictable Path To Everlastingness, Donna M. Desideri

Dissertations, Theses, and Capstone Projects

This thesis explores how a squeaky-clean object transformed into a girl-next-door icon and became a role model for generations to come. And in an industry built on illusions and dreams, reality wore many masks.

Still in its beginning stages and looking to sell tickets, the motion picture industry needed to reconstruct its current downscale public image by presenting a much-improved polished and upscale public image to audiences, all while silencing contradictory images and information. Appealing to a middle-class sensibility to boost this new public image gave the motion picture industry the acceptance it was seeking. By marketing to middle-class audiences, …

“A Space Where You Can Imagine In”: Queer World Building With Wynne Greenwood’S Tracy + The Plastics, Colleen M. O'Shea

Dissertations, Theses, and Capstone Projects

Tracy and the Plastics was a video and music project conceived and performed by artist Wynne Greenwood from 1999 - 2006. In it, Greenwood played lead singer Tracy alongside keyboard player, Nikki and drummer, Cola (both also played by Greenwood) where Tracy performed live alongside prerecorded images of Nikki and Cola. For Greenwood, the interaction between Tracy, the Plastics, and the audience provided an opportunity to create new, intentional worlds together. In this paper, I will demonstrate that Greenwood relies on collisions and alternative temporalities to instigate the creation of these worlds with her audience. I will incorporate the principles …

Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal

Dissertations, Theses, and Capstone Projects

This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Transmedia Strategies For Participatory Politics In Russia: Alexey Navalny’S Grassroots Campaign, Sergei Medvedev

Doctoral

Transmedia storytelling scholarship has been progressing rapidly over recent decades. Yet, a question that remains open is the lack of analysis of political transmedia campaigns. This political communication thesis contributes to filling that gap. Its goal is to develop a flexible and locally-specific approach to analysing transmedia political campaigning. To understand the context that affects the destinies of transmedia grassroots campaigns, the study turns to social movement and grassroots activism scholarships. In particular, it employs the idea of political opportunity structures to conceptualise those external opportunities and threats that affects transmedia campaigns in politics. To mitigate the negative aspects of …

Coda, John C. Lyden

Journal of Religion & Film

This is a film review of CODA (2021), directed by Siân Heder.

Our Place: Notes On Love And Longing, Nadia M. Mohamed

Theses and Dissertations

Produced during the COVID-19 pandemic, this experimental documentary uses found footage from the personal and political archive to witness and question how personal and political transformation connect, particularly as it relates the material and conceptual legacies we inherit and innovate.

Theme-Based Second Language Learning Through Multimodal Experimental Animation, Bailu Li, Yuan Xu

Chinese Language Teaching Methodology and Technology

In a digital, multimedia, and globalized world, new theories such as multimodality, multiliteracies, and theme-based instruction have signaled a shift in the Chinese as language art and Chinese as second language teaching and learning. However, these theoretical frameworks have not been frequently integrated and implemented in the field of CFL. Focusing on the theme of "Personal and Public Identity'', the article proposed a new attempt to synthetically combine multimodal texts, multiliteracies pedagogy, and thematic learning in CFL classrooms. Through the three selected experimental animations, the article discussed teaching methods and procedures in the topics of individuals and families, individuals and …

Futurs Utopiques Et Dystopiques : Comment La Fiction Aide À Penser L’Évolution, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

Cet article aborde le thème des futurs utopiques et dystopiques tel qu’il nous est transmis à travers la philosophie et la fiction (littérature et cinéma), et montre comment ces notions nous aident à penser l’évolution. Il propose une exploration historique des termes « utopie » et « dystopie », agrémentée d’exemples appartenant à la littérature, à la philosophie et au cinéma. L’article souligne aussi l’importance de réhabiliter l’utopie comme moyen d’inventer un futur radicalement différent.

Unsettling, Cynthia Groya

Theses and Dissertations

Unsettling is an experimental essay film created during COVID-19 shelter-in-place isolation, documenting remembrances of traumatic life events and the impact these memories have on my vision and life. Preparing to leave my home, my marriage and the lifestyle I have inhabited for fourteen years, I contemplate, “What are memories?” “What do you hold onto from the past and what do you let go?” This film documents my personal journey exploring love, loss, denial, grief and acceptance, told in the third person. The personal ramifications of historic racism, cancer, divorce and white supremacy and the role these issues play in the …

Article 6.21, Tatiana Stolpovskaya

Theses and Dissertations

Article 6.21 is a short documentary film that aims to examine the state of censorship around queerness in Russia today and its effects on personal lives in the queer community.

Twenty years after Russia decriminalized homosexuality, on June 30th in 2013, President Vladimir Putin signed Article 6.21 "for the Purpose of Protecting Children from Information Advocating for a Denial of Traditional Family Values", also known as the "Gay Propaganda Law". Its broad and ambiguous wording allows the government significant leeway in deciding what kind of public queerness is punishable.

In 2020 Russia passed multiple constitutional amendments that affect many areas …

Morkovcha [Korean Carrot Salad], Lidiya A. Kan

Theses and Dissertations

Morkovcha, Korean Carrot Salad is a short documentary that tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with my mother, personal stories, fragmented memories, and my family photo archive. This very personal film is my attempt to revisit the 160-year history of the Russian Korean diaspora and to record and preserve our unique fusion of cultures in the melting pot that is the United States. Its purpose is to help to process and accept the tragic past of my …

Kevin Macleod Documentary, Thomas E. Seymour

Theses and Dissertations

Kevin MacLeod is a film composer with over 2,000 songs that anyone can use for free in their films and projects as long as credit is provided to MacLeod. For over twenty years his music has been available to the public.

In Order To Escort Her, Kimberly Baglieri

Theses and Dissertations

In Order To Escort Her is a thirty-five minute hybrid-documentary in which Lila, my great-aunt, converses with her niece, my mother, about various supernatural creature encounters and spirit visitations from relatives. This is interspersed with a “visitation” from another close relative, communicating from a different time and space dimension. By weaving together supernatural stories and matter-of-fact accounts of resilience and survival, a magical world is created where boundaries between the material and the invisible realms blur. The main thematic concerns of this film are love, care, presence in joy amidst terror, and the journey of the soul.

الصحافة النسائية الاسلامية في العراق مخلة بنت الاسلام انموذجاً, د. بشرى حسين محمد

Midad AL-Adab Refereed Quarterly Journal

No abstract provided.

Officer Ryan: The Misjudged, Simona Berenych

Emerging Writers

This short essay analyzes the character of Officer Ryan in the film Crash in terms of his racist and sexist attitudes. The author argues that the film shows the character's development throughout the film in order to complicate the stereotype of a white, racist police officer.

Eggs, Hair, Seeds, Milk, Patrick West

Landscapes: the Journal of the International Centre for Landscape and Language

Short story

Looking For Marianne North, John Charles Ryan

Landscapes: the Journal of the International Centre for Landscape and Language

This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.

Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …

Issue Introduction Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Issue Introduction and Editorial for Volume 10, Issue 1.

Complete Issue 1, Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Complete Issue 1, Volume 10

Ophelia, The Monster: Representations Of Female Madness In The Western Horror Film, Alexandra Fitzpatrick

Theses and Dissertations

Horror, as a whole, is preoccupied with madness. How else can one characterize a genre largely based in ambiguity and potential hallucination? So it should come with no surprise that horror is also preoccupied with gender. Mental instability has been associated with femininity from the dawn of Western civilization. The Ancient Greeks coined the term hysteria from their word for uterus, subscribing to the theory that the womb could move about a woman’s body and cause her to behave irrationally. Up until the nineteenth century, hysteria was believed to be an exclusively feminine condition. With potential symptoms comprising a seventy-five …

Cultural Programming And The Early History Of Hbo’S Signature Style, 1978–1988, Shayne Pepper

Communication, Media and Theatre Faculty Publications

Between 1978 and 1988, HBO began creating original programming that was most often associated with public television. This included PBS mainstays such as documentaries, family programming, concerts, and filmed theater. HBO pursued such cultural programming to develop a brand identity, to respond to industry discourse about the public service role of cable, and to cheaply fill their own programming schedule. This article draws upon a largely untapped resource of the industry trade journal CableVision to trace HBO’s programming decisions within the context of broader trends in the cable industry.

Asian-German Filmography: A Teaching Guide, Qingyang Zhou, Zach Ramon Fitzpatrick, Qinna Shen

German Faculty Research and Scholarship

This filmography includes fifty critically acclaimed, aesthetically creative, and/or thematically interesting Asian-German films produced by filmmakers in both the larger German-speaking world and in Asia, focusing mainly on East Asia, Southeast Asia, and South Asia. The list is organized geographically and chronologically. The countries represented are listed in descending order based on the size of the corresponding immigrant groups in Germany (see the figure below for exact numbers). Each entry includes both a short description that highlights unique features of the film and selected works of secondary literature—listed chronologically—that may be assigned as course readings.

Through Their Eyes: An Analysis Of Misrepresentation In Popular Lesbian Television Narratives, Delana Janine Price

Theses, Dissertations and Capstones

The purpose of this thesis is to explore lesbian television narratives that shape popular discourse. My goal is to find and expose the implications of monolithic expressions of queerness through both queer and heteronormative presenting television narratives. This exploration of the queer narrative voice addresses three distinct movements of cultural production: the proclaimed self-represented queer television narrative, the connotatively queer heterocentric television narrative, and the queer narrative produced in fan-based literature. For concision, I focus on the popular television dramas The L Word and Rizzoli & Isles, as well as the fan works produced for the latter. Through the lens …

Reflections On Posthumanism: In The Beginning, The Face., Russell J A Kilbourn

English and Film Studies Faculty Publications

No abstract provided.

Re-Drowning Ophelia: The Representation Of Female Disintegration In Recent Films Of Hamlet, Joanne E. Gates

Presentations, Proceedings & Performances

Presented at the Fall 2001 Popular / American Culture Association of the South, Atlantic Beach, Florida, this paper examines several depictions of Ophelia in films of Hamlet starring Kenneth Branagh, Ethan Hawke, Mel Gibson, Kevin Kline, Derek Jacobi, Richard Burton, Campbell Scott. The title hints at Mary Pipher's Re-Claiming Ophelia, in light of then widely circulating Julia Stiles interpretation, where we repeatedly see her contemplating her suicide by drowning. My study elevates the Ophelia of LisaGay Hamilton in the Campbell Scott Hamlet, released the same year. The presentation featured video clips from this Campbell Scott production, originally airing on …

Teaching The Structure Of Hamlet: The "To Be Or Not To Be" Soliloquy Repositioned In Recent Film Adaptations, Joanne E. Gates

Presentations, Proceedings & Performances

At a crucial turning point in online access to quality productions of Shakespeare, the (April 2010) Great Performances airing of Hamlet (with David Tennant and Patrick Stewart), the occasion arose to turn the open access to it into teaching strategies. Along with all else quirky about it, the production accepts what seems to be a trend in recent film adaptations, dating from at least Zeffirelli's with Mel Gibson in 1991; that is, to rearrange the sequence of Hamlet's 2.2 and 3.1 soliloquies. The precedent dates to the 1603 First Quarto, perhaps, but everything else about the first quarto …

Implicating Buddhism In Madame Butterfly’S Tragedy: Japonisme And Japan-Bashing In Fritz Lang’S Harakiri (1919), Qinna Shen

German Faculty Research and Scholarship

This chapter extensively examines Fritz Lang’s Harakiri (1919), an adaptation of the Madame Butterfly story made by Lang during his first year as a director. It studies the production and reception histories of the film, which was believed to be lost until a print was discovered in the Netherlands. In comparing the restored version of Harakiri with earlier versions of the story, the chapter observes that Lang’s film distinguishes itself by dramatizing the double hara-kiri of O-Take-San and her father and by transforming the Buddhist bonze (monk), who makes only a brief appearance in Puccini’s opera, into Butterfly’s principal antagonist. …

Introducing Interconnections, Christine Daigle, Russell J A Kilbourn

English and Film Studies Faculty Publications

No abstract provided.