Film and Media Studies Commons^™

Looking While Reading I, Ii, Iii, Sarah Minor

Journal of Creative Writing Studies

This article introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano.

Hindsight, Haley Elizabeth Moore

LSU Master's Theses

“Time travel is theoretically impossible, but I wouldn't want to give it up as a plot gimmick.”—Isaac Asimov

“Of all the concepts in Speculative Fiction, Time Travel is probably the one that, over time, has provided us with the most possibilities for storytelling, and therefore the one that has been (clocked as having been) exploited the most.”—TVtropes.org

Hindsight is a one-hour long show with an eight-episode arc per season. It is a story of authenticity and gimmicks, privilege and disadvantage, mediocrity and exceptionalism. These are all pretty big concepts, and yeah, we look at them on a macrocosmic scale, but …

Using Visual Resources To Teach Primary Source Literacy, Daniel Davis

Journal of Western Archives

Historic photographs provide an excellent teaching tool for promoting primary source literacy. People like to look at photographs, we all take them, and they illustrate the strengths and limitations of analyzing and interpreting primary sources. In 2019 I spent six months on sabbatical taking a “deep dive” into the new primary source literacy standards as well as the literature for teaching with primary sources. I then created a lesson plan, “Exploring the West in the Golden Age of Photography,” that focused on teaching primary source literacy through historic images. While this lesson plan was aimed at instructors teaching U.S. West …

The Writing For Healing And Transformation Project, Heather Elizabeth Osborn

Education Doctorate Dissertations

As a qualitative action research study, the purpose of The Writing for Healing and Transformation Project was to facilitate more inclusive writing strategies and to promote individual and collective healing on issues of social suffering and oppression (Kleinman, Das, & Lock, 1997; Pennebaker & Smyth, 2016) for diverse students at a community college located in the northeastern United States. The 18 participants in the study included students in my English II literature and composition course. The theoretical framework encompassed Pennebaker’s (2016) “writing for healing” paradigm, advocating the use of expressivist writing and “social suffering theory,” examining how power structures affect …

The Value Of Sleep: Aura And Aesthetics Of Cohabitation In Juha Lilja's Revision Of Warhol, Christopher Costabile

USF Tampa Graduate Theses and Dissertations

This thesis positions Juha Lilja’s 2013 digital video work, Sleep, as a prime example of what the author terms an “aesthetics of cohabitation” — a newly suggested method of artistic creation set in opposition to capitalist society’s commodification of both space and time, represented here through the work of Robert Hassan and Jonathan Crary. Lilja’s eight-hour-long video work, which is accessible on YouTube, is a reimagining and re-envisioning of Andy Warhol’s film of the same name. It subverts the intended function of digital streaming platforms while using digital technology to meet aesthetic criteria in shot length and overall duration, which …

Threatened By The Outback: Landscape And Ecology In The Australian New Wave, Richard T. Dyer

USF Tampa Graduate Theses and Dissertations

Scholarship discussing the Australian outback as a cinematic setting often conceives of this space as sharing a “frontier iconography” with the American west. A significant element of this conception is attributed to the natural features of these setting’s respective landscapes, which are said to share an arid climate, rugged geologic formations, and vast open spaces. In this project I instead strive to challenge the associations frequently conjured between these natural spaces by identifying an ecological stance within the Australian “new wave” outback film that is at odds with the presentation of the landscape in both classical Hollywood westerns and the …

Four Hollywood Film Adaptations Of Little Women: Identifying Female Subjectivity In Characters, Plots, And Authorship, Haiyu Wang

USF Tampa Graduate Theses and Dissertations

My thesis examines the expressions of the limits and possibilities of female subjectivity in the four Hollywood film adaptations of Little Women, filmed in 1933, 1949, 1994, and 2019 respectively, by combining textual and audience analysis with adaptation theory, feminist film theory, and feminist adaptation theory. In exploring the disparate femininity of female characters, the different representations of plots, and the authorship and changes of structure, I argue that the 1933 and 1949 versions present evidently conservative and patriarchal characteristics in the text, but their female subjectivity can be obtained through the complexity of emotion of the female audience …

The Outriders, Zak Rodgers

University Honors Theses

The Outriders is a portrait documentary filmed in Saudi Arabia. The film follows David, the head outrider, at the King Abdulaziz Racetrack in Riyadh. An Outrider is a mounted horseman who assists racehorses to facilitate and maintain safety on the track. The primary duties highlighted in the film are that of catching loose horses and escorting non-compliant horses to various stations along the track. The documentary delves into David's history, starting in the US, and the journey that led him across the world to Saudi Arabia. It offers a window into what it takes to be an Outrider in terms …

Peridot Pictures - Bowling Green-Warren County Bicentennial Film (Mss 715), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 715. Proposal, script materials, correspondence, publicity, interviews and other items relating to the production of a film for the Bowling Green-Warren County (Kentucky) bicentennial by Peridot Pictures and the Landmark Association of Bowling Green.

"To Live Deliciously": The Imaginary Father In Robert Eggers' The Witch, Charles Hicks

Far West Popular Culture Association Annual Conference

In this essay I re-examine the archetype of the witch, long viewed in scholarship as the antagonist of the Symbolic Order and phallocentric structures of oppression, through an analysis of Robert Eggers’ supernatural horror film, The Witch (2015). Bringing together Julia Kristeva’s work on primary narcissism and identification and Justyna Sempruch’s analysis of the witch as a trace of archaic, semiotic origins, I argue that the witch can be viewed as a representation of the Imaginary Father, the site of maternal desire that assists the child in its transition from the maternal body to the Symbolic. Specifically, this essay analyzes …

Nationalist Allegories In The Post-Human Era, Siqi Zhang

CLCWeb: Comparative Literature and Culture

As China’s expansion of influence now takes up the spotlight of the world stage, Chinese science fiction, a relatively little known genre, reaches a global audience. In 2015, Liu Cixin received the Hugo Award for Best Novel for his trilogy The Three-Body Problem, as the first Asian science fiction writer to receive the Hugo Award. A year later, Hao Jingfang’s Folding Beijing was awarded the 2016 Hugo Award for Best Novelette. The recent world-wide recognition of Chinese science fiction begins with English translation, U.S. publication and promotion. The New York Times cited The Three-Body Problem as having helped popularize Chinese …

From Franz Kafka To Franz Kafka Award Winner, Yan Lianke: Biopolitics And The Human Dilemma Of Shenshizhuyi In Liven And Dream Of Ding Village, Melinda Pirazzoli

CLCWeb: Comparative Literature and Culture

To date, many studies have exhaustively explained how and why Yan Lianke deals with both the intimate relationship between disease and biopolitics and the relationship between utopia and dystopia. These are certainly the most important themes in Liven (2004) and Dream of Ding Village (2006). However, biopolitical discourses cannot fully account for the complexity, depth and humanity of these novels, which in addition to exploring the complex and protean meaning of life also represent shenshizhuyi, an expression coined by Yan Lianke to describe his human dilemma in representing the complex relationship between shen 神 (soul, spirit, mind and myths) …

Hanay Geiogamah’S Body Indian And Foghorn As “Plays With A Purpose”, Danica Čerče

CLCWeb: Comparative Literature and Culture

In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.”

The Inappropriate/D Fantastic: A Proposal Beyond Feminism, Teresa López-Pellisa

CLCWeb: Comparative Literature and Culture

Teresa López-Pellisa’s article “The Inappropriate/d Fantastic: A Proposal Beyond Feminism” discusses a type of narration that goes beyond the feminist fantastic. These are fantastic texts permeated not only by a feminist discourse, but by intersectionality, transfeminism, ecofeminism, cyberfeminism, post-humanism, xenofeminism and/or necropolitics as well. Borrowing the term inappropriate/d others from Donna Haraway (The Promises of Monsters), who in turn takes it from the feminist theorist Trinh Minh-ha, we can analyze those fantastic stories that call into question the categories of gender, class, race and sexuality established by Western enlightened humanism. These types of non-mimetic narrations have …

The Female Fantastic Vs. The Feminist Fantastic: Gender And The Transgression Of The Real, David Roas

CLCWeb: Comparative Literature and Culture

Since Ann Richter coined the term “fantastique féminin” in 1977, many works in different languages have postulated a “female” way of writing fantastic texts, depending on the selection of themes, language, characters, supernatural elements, and the portrayal of the uncanny and the monstrous. This claim on the existence of a "female fantastic" reflects central issues in Feminist Literary Theory: on the one hand, the will to identify an aesthetic mode opposed to the dominant patriarchal discourse (female writing, the use of specific themes, etc.); on the other hand, the argument that there are marginal genres, forms and styles voluntarily removed …

Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia

CLCWeb: Comparative Literature and Culture

No abstract provided.

"Down To Gehenna Or Up To The Throne": Rudyard Kipling's Poem "The Winners" As The Key To Sam Mendes Film 1917, Richard Logsdon

Far West Popular Culture Association Annual Conference

"The Applicability of Rudyard Kipling's Poem 'The Winners' to Sam Mendes' Film 1917.

The key to Mendes 1917 lies in the early recitation of the last couplet of Rudyard Kipling's poem "The Winners": "Down to Gehenna or Up to the Throne,/ He travels fastest who travels alone." The key words are Gehenna and Throne. Gehenna was a valley near Jerusalem where, in ancient times, children were burned alive as sacrifices to the war god Molech. (Outraged by such blatant transgression, God renamed Gehenna "the tvalley of slaughter" where thousands would lose their lives in combat, not only in ancient times …

Selections From Divinatio Diver, Sculptural Antipathia In Atonement Transcendo, And Mechanika Momento: Creatio Forecaster, Antonie Frankie Aquino

Far West Popular Culture Association Annual Conference

It is fated inspiration which penetrates the heart, satisfies the collective soul, and offers its spirit to the vastness of ceremonial vision. Vision becomes sound and sound forms a poetic voice displaced— this displacement radiates a mythologized poetic voice serving as a lyrical object, theogonic lyre, and the genealogical muse. Selected poems from Divinatio Diver, Sculptural Antipathia: In Atonement Transcendo and Mechanika Momento: Creatio Forerunner, the collected poems orchestrate a tryptic voice that dismantles the outward magnitude of the self by subverting the antithetical self through spiritual and organic sensualness.This mythopoeic tripartism simultaneously interconnects with religion, theology, and metaphysics which …

The Rhetoric Of Spirituality, Gender, And The Environment In The Wicker Man (1973) And Midsommar (2019), Emma Frances Bloomfield

Far West Popular Culture Association Annual Conference

The Wicker Man (1973) and Midsommar (2019) are horror films that address dominant ideologies including the patriarchy, anthropocentrism, and Christianity. Both films have a nature-connected cult that sacrifices for the community and performs rituals informed by pagan eco-spirituality. I perform an ecofeminist rhetorical criticism to analyze how, despite these shared themes, spiritual, gender, and environmental messages differ between the two films. In The Wicker Man, the audience is invited to sympathize with Neil’s character, his Christianity, and his individualistic masculinity as he is sacrificed in the cult’s harvest ritual. Alternatively, the main character in Midsommar, Dani, gets revenge …

Bong Joon Ho, Okja (2017): Wounding The Feelings, Nagehan Uzuner

Markets, Globalization & Development Review

Okja is a cute fictitious pig which is created in the laboratory as a solution for the meat industry to prevent hunger, which is one of the important problems of our contemporary century and the near future of the humanity. This pig-like, depicted as an ecological food source of the industrial society, is commodified for the mediation of the spheres within the society. Okja, as a film, falls within the intersections of food industry, feminism, orientalism, mediatization and globalization concepts. I try to understand and redefine the movie through contradictions such as East-West, women-men, good-evil. The review reexamines multiple interacting …

16mm Filmmaking Flm 316, Joanna Burkhardt

Library Impact Statements

No abstract provided.

Lost & Found: Samuel Fuller’S Tigrero And Accidental Ethnography, Andrew Howe

Far West Popular Culture Association Annual Conference

In 1954, Darryl Zanuck commissioned Samuel Fuller to journey to the Amazon and shoot footage of the Karaja tribe, around which the director would construct a screenplay based upon the life of Sasha Siemel, a big game hunter of note. Zanuck had optioned Siemel’s best-selling autobiography, Tigrero. Although John Wayne and Ava Gardner were soon attached to the project, executives at Fox would not sanction a shoot in such a dangerous location. The project was set aside and forgotten.

Nearly 40 years after his visit to Brazil, Fuller would return to the Karaja tribe. Out of this experience came …

Influential Storytelling At Its Finest: Why The Postwar West Took Notice Of Yasujirō Ozu’S Tokyo Story, Abigail Deveney

Japanese Society and Culture

Tokyo Story (1953) came to fame in 1958, when Yasujiro Ozu’s postwar film about a fragmenting family won the Sutherland prize at the London Film Festival – or so cinematic scholarship suggests. There is, however, a much more complex tale to be told. In fact, director Ozu’s shomingeki-genre film was being discussed and promoted internationally long before what is considered that watershed moment.

This dissertation explores why the western world took note. It argues that Tokyo Story’s nuanced and humanist narrative was a unique form of soft power, attracting and persuading decades before that concept was formally articulated. Tokyo Story’s …

Gazetarët Ndërmjet Ligjit Dhe Zbatimit Të Tij Në Mediat E Kosovës, Pajtim Çuni

Theses and Dissertations

Kosova si shtet i ri e me demokraci në zhvillim, vlerësohet se ka ligje mjaftë të mira dhe në harmoni me praktikat ndërkombëtare, ndonëse problem mbetet zbatimi i brishtë i ligjit. Mbi këtë bazë, punimi trajton aspektin teorik të kornizës ligjore që ndërlidhet me lirinë e shprehjes, punën dhe lirinë e mediave e gazetarëve në Kosovë si dhe zbatimin e saj në mediat kryesore në vend. Për realizimin e punimit është përdorur metoda deskriptive, intervistimi, anketimi dhe krahasimi. Mbështetur në shqyrtimin teorik dhe gjetjet nga puna hulumtuese, punimi arrin në përfundimin se: Kosova e ka mjaftë mirë të zhvilluar dhe …

Black Magic & White Supremacy: Witchcraft As An Allegory For Race And Power, Nicholas Charles Peters

University Honors Theses

This paper examines dramatic representations of witchcraft in contemporary television, and their roots in stereotypes from 17th century dramas, exploring the function of witchcraft as an allegory for race and power in America. Television is a form of cultural media that can explore these stereotypes and create representation that influences the audience's perception of society, and can function as a call to action for social justice.

Impossible Origins: Trauma Narrative And Cinematic Adaptation, Linda Belau

Literatures and Cultural Studies Faculty Publications

In this essay, I explore the cinematic adaptation and the representation of trauma, while I further consider the role and significance of the notion of the origin in both trauma and in cinematic adaptation. Through an initial consideration of the relationship between the theory of the impossible origin, particularly as it is articulated by Walter Benjamin, the essay goes on to analyze the significance and role of an impossible origin in the elemental form of adaptation. To this end, the essay considers the movement of adaptation from an autobiographical trauma memoir to a feature film, considering the success or failure …

Challenging Faith And Gaining Power: Women In Film Who Reject And Subvert Religion, Annika Murrah

Religion and Film

This paper examines the ways that women seize power through rejection and subversion of religion by relating women in film to the real world. Rejection of faith is exemplified by characters in the films The Little Hours (2017) and The Miseducation of Cameron Post (2018). Subversion of faith is understood through the films Whale Rider (2003), Jennifer’s Body (2009), and Transparent (2014). Narrative analysis of these films is contrasted with studies of orthodox religion as examined by Dr. Brenda E. Brasher and Dr. Mary Gerhart. The importance and effect of women’s newly-gained power is applied to social change as recorded …

What Do You Think She’S Gonna Do With A Set Of Real Claws?: Gender, Race, And Sexuality In Onscreen Portrayals Of Women Werewolves, Ashleigh K. Williams

Dissertations, Theses, and Capstone Projects

This thesis analyzes 13 disparate portrayals of werewolfism in film and television as they relate to uncontrolled and uncontrollable femininity. A necessary component of this project is the visual assemblage: my findings are displayed in the format of a zine, in an attempt to capture the bright, furious, aggressive sensory experience of witnessing women becoming werewolves onscreen. Research questions include: How are conventionally masculine werewolf markers feminized in werewolf narratives? How are the women in these pieces of media ultimately punished for embodying creatures that aren’t feminine enough, or are too feminine in exactly the wrong ways? Many she-wolf centered …

The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam

Dissertations, Theses, and Capstone Projects

Nudist magazines and newsletters were among the first commercial, legal, and widely-available images of nudity which circulated in the late Comstock Era. To evade censorship, producers developed framing strategies that obscured the sexualized nature of these images, even as they also enabled the viewing practices their sales relied upon. This dissertation traces these framing strategies as they evolved through nudist still-imagery, camp films, and nudie cuties, and considers the evolution of spectatorial pleasures associated with Russ Meyer's early nudie cuties.

Video On Film: Video Essay, Videographic Criticism, And Digital Academic Publishing, Tian Leng

Dissertations, Theses, and Capstone Projects

In the 2010s, an academic practice called “videographic criticism,” utilizing video essay creation and digital academic publishing, became a popular form of film criticism in the field of film studies. The emergence of such a videographic trend in academia and the existence of video essays in public video-sharing websites have made the task of justifying the scholarly values of video essays an urgent one. Through the analysis of the relationship between the video essay and the essay film, this study shows that the essayistic mode is crucial to distinguish videographic criticism from popular commentary. To understand the potentials of videographic …