Film and Media Studies Commons^™

She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall

Student Scholar Symposium Abstracts and Posters

Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …

Paint's Peeling, Nicholas A. Manning

LSU New Orleans Theses and Dissertations

No abstract provided.

Partizan: Separating The Human From Propaganda With Film, Raymond Hill

University Honors Theses

The relative protection Americans have for freedom of expression can allow stories to be told that would not be able to be told elsewhere. However, telling a story that does not belong to the storyteller and represents people of a different culture or nation can problematize the retelling of events and its perspective. The long-standing rivalry between United States and Russia complicates the matter further, making it difficult to find American film relating to Russia without the inclusion of propaganda and uneducated assumptions in film. Despite these issues, authentic storytelling can provide an informative view of events that the average …

Whose Protagonist Is It Anyway?, Ori Mckinney

Symposium of Student Scholars

The Favourite (2018), written by Deborah Davis & Tony McNamara and directed by Yorgos Lanthimos, transcends the traditional tropes associated with genre period pictures in its unique telling of the tale of two cousins vying to be in Queen Anne's favour during her monarchy. In this presentation I study the unique story structure of this film, which centers on three equally weighted characters. In contrast to the traditional single protagonist story structure, this film shifts the point of view making each lead character either the protagonist or antagonist depending on whose perspective you watch it from. The story is written …

Viral Modernism: The Influenza Pandemic And Interwar Literature By Elizabeth Outka (Review), James Fitz Gerald

English and Media Studies Faculty Publications

Elizabeth Outka begins Viral Modernism with an important and, given our own pandemic present, strikingly relevant question: “why does the deadly 1918–1919 influenza pandemic seem to make so few appearances in British, Irish, and American literature of the period?” (1). Until Outka, critics have largely left questions concerning the flu pandemic not just unanswered but unasked. Despite killing more than 50 million people worldwide—the US suffered more deaths in the pandemic than in World War I, World War II, and the imperial conflicts of Vietnam, Afghanistan, and Iraq combined—the Great Flu Pandemic has been consistently overshadowed by the Great War …

Sisterhood

DePaul Magazine

Jessica Sarowitz (LAS ’91) launched a media company dedicated to amplifying the voices of inspiring women through documentaries called Miraflores Films. The first film issued by the company is “With This Light,” about the late Franciscan nun Sor (Sister) María Rosa Leggol, sometimes called the Mother Teresa of Honduras, who seeded and grew Sociedad Amigos de los Niños (SAN), or the Friends of the Children Society. SAN has helped save more than 80,000 children from poverty through housing, education and medical programs.

Sweet And Sour: The Representations Of Chinese Americans In American Popular Culture, 2010-2020, Yu Dong

Student Theses and Dissertations

ABSTRACT Yu Dong SWEET AND SOUR: THE REPRESENTATIONS OF CHINESE AMERICANS IN AMERICAN POPULAR CULTURE, 2010-2020 The history of Chinese Americans can be traced back to the 1850s. From “filthy foreigner” to “model minority” to “virus spreader,” White Americans’ attitudes and perceptions toward Chinese Americans have been vague and ambivalent and constantly shifting back and forth in different time periods. However, one thing has never changed – Chinese Americans are perpetual foreigners. The purpose of this dissertation is to investigate the representations of Chinese Americans in American popular culture (2010-2020) by comparing these images in Americans’ minds with Chinese American …

Pirates Of The Caribbean: An Analysis Of The Curse Of The Black Pearl And The Adventure Genre On-Screen, Mezi Mulugeta

Symposium of Student Scholars

In Story: Style, Structure, Substance, and the Principles of Screenwriting, Robert McKee maintains that while action-adventure is “often dismissed as mindless fare, it is in fact the single most difficult genre in which to write today…simply because it’s been done to death.” Said death came swiftly for Cutthroat Island, the 1995 flop that sank the pirate subgenre—until Pirates of the Caribbean: The Curse of the Black Pearl premiered in 2003. The film was a risk that paid off massively for Disney, the pirate subgenre, and arguably the adventure genre as a whole in the modern age. This article …

Analysis Of Christopher Nolan's Interstellar, John Hunter Ray

Symposium of Student Scholars

In this study, I examine the ways in which Christopher Nolan developed the protagonist in Interstellar (2014). The protagonist, Cooper, played by Matthew McConaughey, is the audience’s window into the world Nolan creates in the film. Though typical Christopher Nolan screenplay structure is more complicated than the average feature film, I argue that it is the character development of the protagonist that engages viewers and ultimately allows us to connect with the story. The central conflict that cooper desires to be the best dad he can be he is forced to abandon his family to save the world. That is …

Godzilla (1954) Research Analysis, Cyrus Aldridge

Symposium of Student Scholars

Cyrus Aldridge

FILM 3105

Prof. Anna Weinstein

10/20/2021

Abstract Research Analysis: Godzilla (1954)

According to Michael Maher, two years after World War 2 the United States’ military presence attempted to control Japanese media including its cinema. Despite this fact, Japanese filmmaker Tomoyuki Tanaka was able to produce Godzilla (1954), symbolizing the horror of nuclear holocaust. In this presentation, I argue that Godzilla is one of the greatest monster movies of all time due to its cultural relevance and its use of musical scoring, set design and costume design. In this study I demonstrate how Tanaka implements its score, set …

The Impact Of Endings, Carolina Solis

Symposium of Student Scholars

This presentation explores the importance of movie endings, and how an ending can impact the audiences’ opinion of a movie. I look at Ronald Bass’ Sleeping with the Enemy, and how he developed Julia Roberts’ character in a way that made the audience believe that not only was she capable of killing her abusive husband, but that she should kill him. I also look at Frank Darabont’s The Shawshank Redemption and discuss how Andy’s eventual escape from prison was too much of a surprise to the audience, and how the movie should have ended with Norton’s suicide. Finally, I …

Marriage Story Screenplay Analysis, Kaitlyn Bauer

Symposium of Student Scholars

This presentation examines the story structure of the Oscar-nominated film, Marriage Story (2019), written and directed by Noah Baumbach. The film captures the dissolution of a marriage, following a couple as they navigate life with their son as their marriage unravels. In this analysis, I study how Baumbach crafts the screenplay to explore both subjective viewpoints in the story so the audience does not pick sides in the divorce. This differs from most single-protagonist divorce stories, where the writer tackles the narrative from one character's point of view, favoring one parent over the other. Marriage Story is a dual-protagonist film, …

Gifted Screenplay Analysis, Chloe Ford

Symposium of Student Scholars

Gifted, the film directed by Marc Webb released in 2017, details the story of a single man named Frank (Chris Evans) raising his young niece Mary (McKenna Grace), who just so happens to be a 7-year-old genius. He plans for her to live a normal life; go to public school, make friends, play sports, truly be a kid, but his mother has something else in mind. Mckenna’s grandmother Evelyn (Lindsay Duncan) threatens to rip Mary away from her little life in the suburbs, as well as her beloved Uncle Frank. This study analyzes the complexity of the characters in …

Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond

Symposium of Student Scholars

In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …

The Portrayal Of Trial By Jury In American Entertainment, Kimberly Satterfield

Undergraduate Honors Thesis Projects

Numerous American films have portrayed jurors who make difficult decisions together in order to fairly and justly decide a case. Serving on a jury is the main role that an average American plays in the legal system, which helps explain why movies about court cases, and specifically about juries, are popular in America. In this thesis, I will use the film theory of spectatorship, which studies how a spectator comes to view themselves in relation to a film, to look more closely at the portrayal of trial by jury in American cinema. I will also be using the idea of …

Designed For The Camera: Irish Interior Makeover Television 1996–2014, Neville Knott

Dissertations

This thesis examines how television makeover programmes, broadcast in Ireland between 1996 and 2014, mediate the professional practice of interior design. It argues that the programme-makers, in seeking to engage viewers, used a series of strategies—notably the suppression of professional and educational knowledge about interior design—to convey an image of staged coherence that was arrived at unproblematically. In that process, it will be argued, interior design knowledge got lost, and entertainment triumphed. Focusing on these strategies, the thesis considers how the production process used interior design, nonetheless, to attract an audience and generate ratings, focusing on the relationship between amateurs …

Experiencing Cinematic Vr: Where Theory And Practice Converge In The Tribeca Film Festival Cinema360, John V. Pavlik

Proceedings of the New York State Communication Association

Cinematic virtual reality (VR) production has reached enough capacity to support a festival. This paper offers a theoretical framework of VR narrative structure to critically examine one such festival in cinematic VR. The spotlight here is on the fifteen entries in the 2020 Tribeca Film Festival Cinema360. Findings suggest that although the field of cinematic VR has advanced substantially in recent years in terms of narrative design and user experience, there is still a considerable distance for VR storytellers to travel to fully utilize the nature and potential of the developing medium of virtual reality.

The Virtualization Of Schooling During The Covid-19 Pandemic, Jared Brown, Kaila Folk, Jenna Swerdlow

Proceedings of the New York State Communication Association

Schooling is driven by economic, political, societal, and cynical inclinations. Education has no rest, and it is continuous, even outside of the classroom. One thing that interconnects these terms together is a narrative. The narrative gives meaning to the world and exerts an end goal of success and happiness. Yet, the only way to reach this shared goal is through intrapersonal and interpersonal relationships. Undoubtedly, the technological landscape in the 21st century is robust and evolving. When a natural force beyond human control corrupts every aspect of society, such as a pandemic, these technologies are relied upon for human interaction. …

Vhs Archives, Committed Media Praxis, And ‘Queer Cinema', Alexandra Juhasz

Publications and Research

Committed media praxis is a doing as much as it is a knowing. Queerness is a manner of being as much as it is a politics, theory, or set of modish objects. This chapter about topics that are also processes—queer, media praxis, cinema—performs these across two acts: “Part 1: A Hesitant or Maybe Just Slightly Defiant Preamble,” is a creative unfolding, in the body of the text and as much so in its footnotes, of the author’s “queer feminist media praxis”: “Part 2: VHS Archives” is a demonstration of VHS Archives, a multi-sited, many-yeared project in experimental pedagogy, web-based archival …

A Politics And Ethics Of Viewing Photographs Of Duterte’S “Drug War”: Towards Reconceptualizing The Political Community, Rosa Cordillera A. Castillo

Akda: The Asian Journal of Literature, Culture, Performance

This paper proposes a framework for a politics and ethics of viewing photographs of atrocities and suffering through an analysis of photographs of Rodrigo Duterte’s “drug war” in the Philippines and responses to these images. It situates these politics and ethics of viewing in a context of violent othering and Ariella Azoulay’s conceptualization of “regime-made disaster.” This framework is grounded on fellow-feeling and imagined identification as well as on the relationality, powers of mourning, and ethical responsibility that Judith Butler asserts and is operationalized through the “civil contract of photography” called forth by Azoulay. Following Azoulay and Butler, this paper …

Lost In Adaptation: Antifidelity And/In Mike De Leon’S Bilanggo Sa Dilim And Bayaning 3rd World, Anne Frances N. Sangil

Akda: The Asian Journal of Literature, Culture, Performance

Following the tenets of auteur criticism that proposes a film auteur to have an autonomous, original, and individual voice despite the nature of filmmaking as an art form that follows the Fordist model, this essay looks at how Mike De Leon’s artistic style has become the ordering agent for his two films: Bilanggo sa Dilim and Bayaning 3rd World. This study puts under the lens De Leon’s signature and confronts the difficulty of assigning authorship and originality within a collaborative, institutionalized medium that aims to adapt for the screen one literary and one historical material. De Leon has his …

The Haunting Power Of Sound In Aswang, Katrina Macapagal

Akda: The Asian Journal of Literature, Culture, Performance

This paper examines the audibility of Aswang (2019), the first feature-length documentary that tackles Philippine President Rodrigo Duterte’s war on drugs. I locate the documentary against the audibility of terror produced by the Duterte regime, accentuated by the primary metaphor of the aswang legend where the documentary initially draws its political charge. Inspired by theories of sound and haptic listening, I argue that Aswang, through its composition of key sound elements such as the voice-over, music, and urban noise, configures an overall audibility that amplifies, rather than reduces, the humanity of the documentary’s subjects.

Crossings Of Heritage, Memory And Archives: A History Of Moroccan Cinema In The Bouanani Archives, Sarah Dornhof

Regards

This article interrogates archival forms and practices in relation to remembering the “lost archives” of Moroccan cinematographic history.
It presents the Bouanani Archives — a private, fragmented, and still largely uncatalogued collection located in the Bouanani family apartment in Rabat, comprising a variety of texts, visuals, and objects connected to Morocco’s cinematographic and cultural memory.
The archive is the personal legacy of filmmaker, writer, and artist Ahmed Bouanani (1938–2011), his wife Naïma Saoudi (1947–2012), and their daughter Batoul Bouanani (1969-2003), all of whom worked for Moroccan cinema.
Today, it is preserved and cared for by his daughter Touda Bouanani and …

Towards A Decentered History Of Palestinian Revolutionary Cinema? Case Study Of The Film “Tall El Zaatar” In The Audiovisual Archives Of The Italian Communist Party, Hugo Darroman

Regards

The film Tall El Zaatar (1977, Abu Ali, Pino, Chamoun, Palestine/Italy), a co-production between the Palestinian Cinema Institute and the Italian Communist Party’s (PCI) audiovisual company, was considered lost for three decades and finally rediscovered in 2011.
Beyond the dramatic stories surrounding this film, Tall El Zaatar reveals the importance of considering the transnational dimension of Palestinian militant cinema.
In this article about Tall El Zaatar, I approach the history of Palestinian revolutionary cinema through the traces left within the archives of an institution with which the Palestinian filmmakers collaborated.
On the basis of a set of interviews and …

Iraqi Cinema Beyond The Screen And The Archives Of Leisure, Pelle Valentin Olsen

Regards

The emergence of new forms of leisure in Iraqi urban landscapes, such as cinemas, nightclubs, and theaters, unleashed debates about the dangers and potentials of leisure.
The result of this process is a vast, albeit scattered, archive of texts that deal with practices and institutions of leisure.
The archive of leisure, as it pertains to cinema, can be located across a variety of texts including memoirs, short stories, student essays, police records, official discourse, medical texts, and works by Iraqi historians.
Given the limited access to Iraqi film and cinema archives, the archive of leisure can offer an important addendum …

Ciné-Archivistes And The Metaleptic Archive Of Lebanese Cinema, Claire Launchbury, Marilyn Matar, Max Silverman

Regards

The article considers three Lebanese films – Il était une fois, Beyrouth (1995) by Jocelyne Saab, the short Le Liban à travers le cinéma (2003) and the documentary Cinéma de guerre au Liban (2003), both by Hady Zaccak – to explore the archival impulse in their composition.
We suggest that this impulse takes two major forms: the use of a montage of sequences from Lebanese films, or films about Lebanon, and crossovers between narrative thresholds and between fact and fiction.
We draw on Gérard Genette’s version of metalepsis to analyze the nature of these crossovers, and on the notion of …

سيميولوجيا جمالية الفضاء في فيلم: "السنونو لا يموت في القدس" لرضا الباهي, Abdel Salam Shaaban

Regards

In this study, we aim to conduct a perceptual experiment and a semiological reading of the aesthetics of space in the film El Sounounou La Yamoutou Fil Kods by Tunisian director Ridha Behi.
This film, produced in 1994, came as a response to the accusation that Tunisian cinema ignored the Palestinian cause. It also combines three genres of cinematic practice: fiction, documentary, and political.
The film tells the story of the search for a mother who has been lost since 1948. A daily newspaper publishes a recent photo of this mother. The director takes her story as a starting point …

Le Cinéma Maghrébin Entre Traçabilité Coloniale Et Déterminations Nationales, Malika Gueddim

Regards

This article focuses on the beginnings of cinema in the Maghreb countries (Algeria, Morocco, and Tunisia), which suffered the same process of enculturation in favor of the culture of the French occupier.
From the end of the Second World War, the colonial authorities understood the importance of cinema, through fiction or newsreels, and the urgency of creating cinematographic centers: in Morocco in 1944, and in Tunisia in 1946.
Algeria, considered a French department rather than a protectorate, was provided with a cinematographic service by the Algerian governorate in 1947.
Then comes the period of independence, in which directors from these …

Restarting Plural Modernity: The Lyrical Tradition Of The Hometown In Kaili Blues, Huadong Fan

USF Tampa Graduate Theses and Dissertations

The dichotomous paradigm constituted by the realist tradition of Chinese cinema has become the epic and inertial discourse for understanding Chinese modernity. However, I argue that some new filmmakers after the sixth generation of directors have used the narrative and aesthetics of the hometown to change this dominant logic of Chinese modernity. The revolutions and wars of the twentieth century transformed the hometown from a relatively stable agrarian civilization to a modern society in violent turmoil. Recent hometown films are no longer satisfied with this realist aesthetic duality and strive for a pluralistic discourse of Chinese modernity, releasing it from …

Representation Of Terror And Terrorism In Two Arab Films: Paradise Now (2005) By Hany Abu-Assad And Horses Of God (2012) By Nabil Ayouch, Mustapha Hamil

CLCWeb: Comparative Literature and Culture

Middle Eastern violence and terrorism are not novel subjects in world cinema, especially American cinema. The Arab or Muslim other in these films is always presented as someone who epitomises a culture of violence, directed mostly against innocent civilians. Against the backdrop of Hollywood’s stereotypical representation of Middle-Easterners as advocate of indiscriminate terror and terrorism, Arab filmmakers have turned in recent years to the representation of terror and religious extremism. Paradise Now (Abu Assad 2005) and Horses of God (Ayouch 2012) address the controversial issue of suicide bombing with the same motivation: to examine the choice of suicide bombing within …