Film and Media Studies Commons^™

Terre Brûlée : Une Éco-Poétique Du Vide, Pierre Taminiaux

20th and 21st Century French and Francophone Studies International Colloquium

Au XXIe siècle, les sociétés occidentales sont confrontées à de nouvelles formes de chaos. Celui-ci comporte plusieurs dimensions, à la fois sociales, culturelles et écologiques. L’art doit dès lors prendre en considération cette situation d’une manière ou d’une autre. C’est ce qui m’autorise à parler ici de mes images photographiques rassemblées sous le titre de Terre brûlée.

Celles-ci ont été prises à l’automne 2017, au Portugal, près de la ville de Leiria, dans une forêt de bord de mer (une pinède, plus exactement) qui fut longtemps considérée dans l’histoire de ce pays comme un domaine royal. Cette saison fut …

Introduction: Consumer Contexts And Divine Presences In Hungarian Catholicism, Marc Roscoe Loustau

Journal of Global Catholicism

Introduction to Hungarian Catholicism: Living Faith Across Diverse Social and Intellectual Contexts, highlighting both the specific contributions of the articles to the study of Hungarian Catholicism and situating them within the broad sweep of Hungarian and Catholic Studies.

Overview And Acknowledgements, Mathew Schmalz

Journal of Global Catholicism

Overview of Hungarian Catholicism: Living Faith Across Diverse Social and Intellectual Context, highlighting the articles' contribution to the study of Global Catholicism.

Burden, John C. Lyden

Journal of Religion & Film

This is a film review of Burden (2020) directed by Andrew Heckler.

Expanded Cinema: Fiftieth Anniversary Edition [ Table Of Contents], Gene Youngblood

Cinema & Media Studies

Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category.

First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic tools. Long considered the Bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth-anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world.

A unique eyewitness account of burgeoning experimental film …

Publication Dissemination Of Film Research Results In Indonesia, Rangga Saptya Mohamad Permana, Hanny Hafiar, Jimi Narotama Mahameruaji, Sri Seti Indriani

Library Philosophy and Practice (e-journal)

The interest of the younger generation in Indonesia to pursue the world of films began to show an increase. Universities responded to the high interest by opening study programs in the field of film. This positive condition expects to expand further and deepen knowledge in the field of film that can be generated by research in the field of film. Therefore we need a mapping of the distribution of film research topics in Indonesia. The purpose of this study is to examine trends in film research in Indonesia. The study underwent an analysis of several publications in indexing institutions. The …

The Ethics And Politics Of Breastfeeding: Power, Pleasure, Poetics By Robyn Lee And Wild Child: Intensive Parenting And Posthumanist Ethics By Naomi Morgenstern, Gina M. Granter

The Goose

Book Review of:

The Ethics and Politics of Breastfeeding: Power, Pleasure, Poeticsby ROBYN LEE

and

Wild Child: Intensive Parenting and Posthumanist Ethicsby NAOMI MORGENSTERN

A Year After Blackface: Where Are We Now? A Mustang News Campus Climate Special Edition, Quinn Augusta Fish

Journalism

The following is the introductory editorial I wrote for Mustang News’ special edition newspaper entitled “A Year After Blackface: Where Are We Now? A Campus Climate Special Edition” (Fish, 2019). Though lengthy, it serves as an effective abstract for this research paper:

I’m Quinn Augusta Fish and I’m a journalism and ethnic studies senior at Cal Poly San Luis Obispo. I am a white, cisgender, heterosexual, upper-middle class woman; most of which I knew nothing about before coming to Cal Poly. In the class structure that is America today, I exist in the second ring, just under white, cisgender, heterosexual …

Medusa As Victim And Tool Of Male Aggression, William S. Duffy

Verbum Incarnatum: An Academic Journal of Social Justice

While Medusa, like many monsters from Greek Mythology, has multiple origin stories, the one arguably best known to modern audiences is the one related in Ovid’s Metamorphoses 4.5750-803, in which Medusa is raped by Neptune in Minerva’s temple and subsequently punished by the goddess by being turned into the monster we all know. This means that Medusa is, to use the modern parlance, a survivor. Furthermore, Medusa’s experience after her violation echoes common elements of the survivor’s experience even millennia later. This suggests that many of the institutional responses to sexual assault that bedevil survivors today existed in some form …

Free Battered Texas Women: Survivor-Advocates Organizing At The Crossroads Of Gendered Violence, Disability, And Incarceration, Cathy Marston Phd

Verbum Incarnatum: An Academic Journal of Social Justice

This article recaps my symposium presentation, where I argue that feminist organizing strategies are central to healing our society and creating restorative justice from my perspective as a survivor of occupational injury, battering, and criminalization for self-defense. This includes the creation of Free Battered Texas Women. We prefer to think of ourselves as survivor-advocates who use a variety of tactics to empower ourselves, incarcerated battered women, and citizens. These strategies include pedagogy; poetry and other written forms; art; and legislative advocacy. I blend this grassroots activism with feminist disability theory, radical feminist theory, feminist ethnography, and feminist criminology.

How Audiovisual Composition Reveals Gendered Limitations And Possibilities In Lady Bird In The Wake Of #Metoo, Chandler Micah Reeder

USF Tampa Graduate Theses and Dissertations

This thesis focuses on the film Lady Bird and the historical coincidence of its release one month after the online movement #MeToo began. By giving frame and sound equal importance in my analysis of the film, rather than opposing these elements, I emphasize audiovisual composition and reveal the mutual dependence within what are considered traditional divisions of theory in cinema. These oppositions relate to control and escape, as they are portrayed through the mother and daughter characters, Marion and Lady Bird, as well as through image and sonic elements. My work demonstrates how the audiovisual composition of the film mediates …

La Strada, Federico Pacchioni

World Languages and Cultures Faculty Books and Book Chapters

"Released in 1954, La strada was the third solo directorial work of Federico Fellini and followed the critical and commercial success of I vitelloni (1953). Together with the films that preceded La dolce vita (1960), La strada represented a more traditional narrative and sober visual style that contrasted with Fellini's later experimental work. It is also an important film for understanding Fellini's reputation and evolution as an auteur director, especially in the light of the debate that it triggered among the Italian and French critics of the time regarding the true 'calling' of Italian neorealism. The idea for La strada …

Now Is The Time, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Now is the Time (2019) directed by Christopher Auchter.

Abortion Helpline, This Is Lisa, William L. Blizek

Journal of Religion & Film

This is a film review of Abortion Helpline, This is Lisa (2019) directed by Barbara Attie, Janet Goldwater, and Mike Attie.

Song Of Clouds, William L. Blizek

Journal of Religion & Film

This is a film review of Song of Clouds (2019) directed by Ankit Poudel.

A Thousand Sails, William L. Blizek

Journal of Religion & Film

This is a film review of A Thousand Sails (2019) directed by Eric Tsang.

Church And The Fourth Estate, William L. Blizek

Journal of Religion & Film

This is a film review of Church and the Fourth Estate (2020) directed by Brian Knappenburger.

Tahara, William L. Blizek

Journal of Religion & Film

This is a film review of Tahara (2019) directed by Olivia Peace.

1986, William L. Blizek

Journal of Religion & Film

This is a film review of 1986 (2019) directed by Lothar Herzog.

Former Cult Member Hears Music For The First Time, William L. Blizek

Journal of Religion & Film

This is a film review of Former Cult Member Hears Music For the First Time (2019), directed by Kristoffer Borgli.

Benevolent Ba, William L. Blizek

Journal of Religion & Film

This is a film review of Benevolent Ba (2019), directed by Diffan Norman.

Postinternet Art Of The Moving Image And The Disjunctures Of The Global And The Local: Kim Hee-Cheon And Other Young East Asian Artists, Jihoon Kim

CLCWeb: Comparative Literature and Culture

Jihoon Kim discusses in his "Postinternet Art of the Moving Image and the Disjunctures of the Global and the Local: Kim Hee-cheon and Other Young East Asian Artists” ways in which moving image works by East Asian artists Chen Chen-yu, Lu Yang, and Kim Hee-cheon engage the postinternet condition, a situation in which the internet and digital technologies are no longer perceived as new but as fundamentally restructuring our subjectivity and world. By opening a platform for intersecting the postinternet condition with a discourse on globalization, which has yet to be fully discussed in the existing Western-centric discourses on postinternet …

Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain

CLCWeb: Comparative Literature and Culture

Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …

Performing The Global: The Mediated Mobility Of Virtual Cosmopolitans, Hye Jean Chung

CLCWeb: Comparative Literature and Culture

This article examines how contemporary media art and popular culture, vernacular cultural practices, and digital technologies express and actualize aspirations for global mobility. This task is propelled by the need to question the limited scope of how we envision globalization. Here I explore how people use forms of visual media to “perform the global” through mediated experiences of mobility. I propose the concept of “virtual cosmopolitans” to describe those who participate in the experience of global citizenship through their use of photography, film, and digital media. Although they do not have access to conventional forms of cosmopolitan mobility, these virtual …

Making The Global Visible: Charting The Uneven Development Of Global Monsters In Bong Joon-Ho’S Okja And Nacho Vigalondo’S Colossal, Ju Young Jin

CLCWeb: Comparative Literature and Culture

In her essay, “Making the Global Visible: Charting the Uneven Development of Global Monsters in Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal,” Ju Young Jin examines the entanglement of the global and the monstrous in two recent films that position Korea on the cusp between Cold War politics and global capitalism: Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal. The Korean filmmaker Bong Joon-Ho and Spanish filmmaker Nacho Vigalondo offer viewers films that challenge conventional notions of monster by fusing it with a coming-of-age plot of the female protagonist that takes place on a global scale, which contests the …

A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong

CLCWeb: Comparative Literature and Culture

Seung-hoon Jeong discusses in his paper global action thrillers about the war on terror. He highlights the biopolitical abjection of counterterrorist agents from their state agencies. This abjection ends up either self-reaffirming in the manner of a sovereign agent (the Bond series) or terrorizing their sovereign system (the Bourne series), while both are trapped in the vicious cycle of terror and counterterror. More notable is the “mind-game” sci-fi genre. Source Code, among others, stages a loop of a traumatic counterterrorist mission with retroactive causality, a closed circuit of neoliberal productivity and pathological abjection in a video-game narrative. The time-travel …

"The Headwaters Of A River Of Failure": Detroit As An Icon Of American Decline, Jae H. Roe

CLCWeb: Comparative Literature and Culture

This essay analyzes films (8 Mile, Gran Torino, It Follows) and television series (Hung, Low Winter Sun) that use the setting of Detroit to depict characters who are dealing with deteriorating socioeconomic conditions and whose choices and relationships reflect their difficulties in, and anxieties about, adjusting to such conditions. While the familiar icons of Detroit's decline appear in all of these texts, the narratives evolve from working class realism to satire and ultimately horror, or from anxieties about white working class displacement to the displacement of such anxieties. The history of Detroit illustrates the complex ways …

Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.

CLCWeb: Comparative Literature and Culture

The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …

Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe

CLCWeb: Comparative Literature and Culture

This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …

Bastards' Road, William L. Blizek

Journal of Religion & Film

This is a film review of Bastards' Row (2019) directed by Brian Morrison.