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Articles 511 - 519 of 519
Full-Text Articles in Film and Media Studies
Cosmopolitan Cinema: Cross-Cultural Encounters In East Asian Film [Book Review], Espena Darlene Machell
Cosmopolitan Cinema: Cross-Cultural Encounters In East Asian Film [Book Review], Espena Darlene Machell
Research Collection School of Social Sciences
In this exceptional book, Felicia Chan dives deep into the complexities of cosmopolitanism and cinema, questioning the meaning of ‘foreignness’ and aspirations of ‘belonging’ in the global context. Grounded on the premise that transnational cinema, or cinema in general, is an important platform for the production, imagination, and interrogation of cosmopolitan ideals, the book focuses on East Asian cinemas from China, Hong Kong, Japan, and Singapore, challenging notions of definitive cultural boundaries. The book offers a way to understand cross-cultural encounters that emphasises the nuances and subjectivities of cultural imaginaries that cinema itself advances and challenges at the same time. …
Why Sociology Needs Science Fiction, Daniel Hirschman, Philip Schwadel, Rick Searle, Erica Deadman, Ijlal Naqvi
Why Sociology Needs Science Fiction, Daniel Hirschman, Philip Schwadel, Rick Searle, Erica Deadman, Ijlal Naqvi
Department of Sociology: Faculty Publications
Grokking Modernity by Philip Schwadel
Resistance and the Art of Words by Rick Searle
A Planet Without Gender by Erica Deadman
Beware of Geeks with Good Intentions by Ijlal Naqvi
In this issue, our contributors take up these concerns in four short essays. Philip Schwadel applies theories of communicative functions to look at sci-fi ’s potential to shape our social understandings. Ijlal Naqvi returns to Isaac Asimov’s Foundation to argue that dreams of perfect social prediction will remain elusive and perhaps undesirable. Erica Deadman showcases how well LeGuin’s Left Hand of Darkness illustrates ideas from the sociology of gender. And …
Photography And Mourning: Excavating Memories Of My Great-Grandmother, Eva Weiner
Photography And Mourning: Excavating Memories Of My Great-Grandmother, Eva Weiner
Scripps Senior Theses
This paper explores how photographs have affected mourning processes in the past and how photo-technology may be able to change the way in which we mourn in the future. It includes an overview of the history of post-mortem photography and discusses the perspectives of well-known media theorists such as Roland Barthes and Susan Sontag. It engages with psychologists by including their perspectives on the effect that photographs have on the mourning process. A project was created to investigate how photo-technology can affect the bereaved. The project places photographs of a mother into pictures of her children taken after she had …
Why Weight? Zines As Effective Health Communication Tools Against Fat Phobia, Evelyn Gonzalez
Why Weight? Zines As Effective Health Communication Tools Against Fat Phobia, Evelyn Gonzalez
Scripps Senior Theses
The current models for health care hold at their core a pathologization of fat bodies informed by discriminatory methods and ideologies leading to an explicit lack of quality medical care for those who fail to meet normative standards of health and size. This project is interested in examining alternative public health models that provide interventions into those systems. Specifically, this work will seek to understand how the grassroots movement, Health at Every Size (HAES), serves to interrupt current limited understandings of health and weight. HAES individualized, weight-neutral approach to health and wellness exists in seeming opposition to contemporary ideas around …
Pacing Your Fears: Narrative Adaptation In The Age Of Binge Culture, Samantha Richards
Pacing Your Fears: Narrative Adaptation In The Age Of Binge Culture, Samantha Richards
Scripps Senior Theses
Entertainment is an ever-changing medium, and television specifically has gone through many technological innovations since its bright beginnings. These innovations have consistently changed the way stories are told. Stylistic shifts in key elements ranging from shot format to the way shows are constructed can be seen especially clearly in horror which does not have the same narrative constraints as many other genres, and therefore more room to experiment. By tracking changes in the narrative formats of serialized and anthology horror shows, I define a new era of television brought about by the prevalence of streaming, and the rise of binge …
Skinny Girls Bleed Flowers, And Other Sick Lies, Isadora Steiger
Skinny Girls Bleed Flowers, And Other Sick Lies, Isadora Steiger
Scripps Senior Theses
This short film visualizes the experiences of seven Scripps students who have or have had eating disorders, using interview audio and projected imagery to critique existing media portrayals of eating disorders, as well as humanizing those who actually suffer from them.
Tradition And Novelty: Food Representations In Irish Women’S Magazines 1922–73, Marzena Keating, Máirtín Mac Con Iomaire
Tradition And Novelty: Food Representations In Irish Women’S Magazines 1922–73, Marzena Keating, Máirtín Mac Con Iomaire
Articles
Based on a qualitative content analysis of selected Irish women’s magazines, this paper provides a brief overview of Irish food culture from 1922 to 1973. It illustrates how selected texts from women’s magazines, mainly recipes, food columns, practical suggestions for cooking and housekeeping, as well as articles on food topics mirrored social, cultural, economic, and religious characteristics of a particular period. The paper discusses various culinary trends apparent in the content and style of cookery pages focusing on a paired category of novelty and tradition adapted from the quantitative research conducted by Alan Warde.
The Beloved: A Documentary Film On The History And Aftermath Of Fremantle’S Rajneesh Sannyasin Community – And – Hidden Realities: Transcendental Structures In Documentary Film: An Exegesis, Joseph London
Theses: Doctorates and Masters
This creative work and its associated exegesis examines the concept of what I have termed a ‘transcendental structure’ in relation to a documentary film form, and what outcomes, specific to a non-fiction mode of representation, result from the application of this structure. A transcendental structure in film has a long history of investigation and interpretation in narrative fiction film theory and practice, but is substantially absent from documentary scholarship. The topic appears, in different forms, in the critical writings of Zavattini (1940), Bazin (1946), Pasolini (1965), Schrader (1972), Deleuze (1985), and more recently, Perez (1998) and Minghelli (2016). All of …
The Cinematic College Professor: Conceptions And Representations, John C. Fitch Iii
The Cinematic College Professor: Conceptions And Representations, John C. Fitch Iii
Theses and Dissertations--Educational Policy Studies and Evaluation
Depictions of college professors in American films are common, and while a number of studies have investigated various aspects of college life in motion pictures, few have focused exclusively on the cinematic professoriate. In addition to being an indelible part of history, cinematic depictions of college professors are part of the national discourse on the role and function of the faculty and university. An investigation of how college professors have been represented in American films, and how these representations are read and created by real-life college professors and filmmakers may provide a deeper understanding of the relationship between popular culture …