Film and Media Studies Commons^™

Catastrophe Bonds: An Interview With Oliver Ressler, Brandon Bauer, Oliver P. Ressler

Faculty Creative and Scholarly Works

An Interview with Brandon Bauer and Oliver Ressler on the occasion of his exhibition at St. Norbert College and the University of Wisconsin - Green Bay: "Catastrophe Bonds", the first survey of Oliver Ressler‘s work in the United States. The exhibition focuses on forms of grassroots democracy as well as economic and political alternatives to the existing state of global affairs. This interview was published in the book that accompanied the exhibition.

Queer: Good Gay, Bad Gay, Black Gay, White Gay?, Ian Barnard

English Faculty Articles and Research

"As Deadline .com bluntly put it, 'Kevin Spacey Apologizes to Anthony Rapp for Alleged Sexual Advances; Chooses to "Live As A Gay Man."' The outraged response of progressive intellectuals, activists, and cultural critics to Spacey’s twofold tweet has demonstrated, inter alia, the resilience of old school assumptions and expectations about coming out and about gay identity and gay identifications. These outraged responses have come especially from younger generations of intellectuals, activists, and critics, but also across generations, genders, and sexual orientations. Despite decades of attacks on models of gay identity that center on teleological narratives of coming out, and critiques …

Central State Communication Top Paper Award For Different Rights (In)Different Times: Rendering The Invisible Visible Through A Comparative Iconographic Analysis Of The Women’S Suffrage Parade Of 1913 And The 2017 Women’S March On Washington, Sara Potter

Awards

CSCA Top Paper in Communication Ethics, Activism, and Social Justice
Understanding the differences between Mirzoeff’s (2012) usage of visuality and Ball’s (2016) usage of invisibility can help us understand how various women’s movements throughout history have shaped and reshaped women’s roles, identities, and power. The women’s suffrage movements at the turn of the 20^th century are a provocative place for identifying this shift. Women within the 1912 and 1913 suffrage movements understood the boundary points between (the history of) a women's place within society and the potential for a shift in the engendered power structures, from a patriarchal society …

Human Rights, Sharon Sliwinski

Data and Test Instruments

It is one of the most recognizable passages in the United Nations’ Universal Declaration of Human Rights (UDHR) – that slightly oblique, and yet grave reference to the Nazi death camps: ‘Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind…’ These barbarous acts were front-page news in most of the Allied countries in the spring of 1945, at the very moment when the United Nations was founded at a conference in San Francisco. The newsstands were filled with photographs from the newly liberated Dachau and Buchenwald camps. Illustrated magazines such …

Untangling Late-Victorian Anxieties: Hair Symbolism In Dracula, Nancy Rosenberg England

Journal of Dracula Studies

No abstract provided.

Gender And The Apotropaic In Charles Keeping's Illustrations To Dracula, Alice Mills

Journal of Dracula Studies

No abstract provided.

Homonormativity And The Contemporary Vampire, Christine Prevas

Journal of Dracula Studies

No abstract provided.

A Topography Of Darkness: Isabel Allende’S “If You Touched My Heart,” The Gothic, And Disability, Laura Alexander

Journal of Dracula Studies

No abstract provided.

Beast(S) Of Burden: Animal Anxiety In Bram Stoker’S Dracula, Lindsey Kurz

Journal of Dracula Studies

No abstract provided.

Why Can't They Let A Girl Marry One Man?: The Origins Of Lucy Westenra's Suitors, Leah Davydov

Journal of Dracula Studies

No abstract provided.

Medievalism In True Blood, Natalie Grinnell

Journal of Dracula Studies

No abstract provided.

Anatomy Of The Victorian Vampire: Bodily Imaginings In Four Pre-Stoker Texts, Jane Kubiesa

Journal of Dracula Studies

No abstract provided.

The Science Of Degeneration In Stoker’S Dracula And Wells’ The Island Of Dr. Moreau, Alessandra Albano

Journal of Dracula Studies

No abstract provided.

Liquor Store Theatre: Ethnography & Contemporary Art In Detroit, Maya Stovall, Ph.D.

Wayne State University Dissertations

ABSTRACT

LIQUOR STORE THEATRE:

ETHNOGRAPHY AND CONTEMPORARY ART IN DETROIT

by

MAYA STOVALL

2018

Advisor: Dr. Andrew D. Newman

Major: Anthropology

Degree: Doctor of Philosophy

Liquor Store Theatre is a study of the struggle for the city in contemporary Detroit. An ethnography completed over several years in an east side Detroit neighborhood called McDougall Hunt, the project exists in a variety of registers, working across contemporary art, performance, urban anthropology, critical geography, visual studies, film and new media, African American studies, and urban studies. The visual work of Liquor Store Theatre includes a four-volume, twenty-plus video episode meditation on city …

Stranger Danger: The Inversion Of Suburban Stranger-Danger Symbolism In Stranger Things, Gregory Shea

The Graduate Review

A dramatic shift took place in the suburban conception of children in America during the early 1980s. The high-profile abductions and murders of a small number of children led to a profound shift in suburban thinking about child safety. Suburban parents embarked on a wild search for methods of safeguarding their children against the largely symbolic threats of stranger danger, but, in the end, many of the reactions to stranger danger only served to disempower children in the suburbs. In this paper, I contend that Matt and Ross Duffer’s Stranger Things enters into a symbolic discourse with the stranger danger …

The Diaspora And The Nation : A Cultural Poetics Of Re-Membering In Lai Shengchuan’S Taiwan Trilogy, Jon Eugene Von Kowallis

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Lang And Law: Analyzing Representations Of Law, Justice, And Violence In The Films Of Fritz Lang, Dante Fresse

Honors Theses

This thesis analyzes the representations of Law, Justice, and Violence in the German and American films of Fritz Lang. Through an overview of legal and social unrest in Germany and courtroom drama, criminal conviction, mob violence, and police corruption in America, Lang challenges the legitimacy of Law and shows how it is subverted by outside forces. At other times, Lang shows Law working in collusion with criminal agencies or against the interests of the public. In doing this, Lang’s films present images of legal decay in the urban sphere, prompted by anxieties which come about through spatial alienation, city structure, …

In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz

Publications and Research

No abstract provided.

Review Of Seeing Like The Buddha. Enlightenment Through Film By Francisca Cho, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.

Your Iphone Cannot Escape History, And Neither Can You: Self-Reflexive Design For A Mobile History Learning Game, Owen Gottlieb

Articles

This chapter focuses on the design approach used in the self-reflexive finale of the mobile augmented reality history game Jewish Time Jump: New York. In the finale, the iOS device itself and the player using it are implicated in the historical moment and theme of the game. The author-designer-researcher drew from self-reflexive traditions in theater, cinema, and nonmobile games to craft the reveal of the connection between the mobile device and the history that the learners were studying. Through centering on this particular design element, the author demonstrates how self-reflexivity can be deployed in a mobile learning experience to …

Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin

Articles

Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and Jean Renoir’s La Règle du jeu (1939) both portray the romantic union of two parties within a greenhouse. This article aims to elaborate on these images in two central ways: first, it theorises glass in cinema with reference to the writings of André Bazin and Gilles Deleuze; second, it situates Carné and Renoir’s greenhouses within their respective dramatic, aesthetic and political contexts. In both cases, the …

Manipulations Of Stereotypes And Horror Clichés To Criticize Post-Racial White Liberalism In Jordan Peele’S Get Out , Jillian Boger

The Graduate Review

In Jordan Peele’s 2017 horror movie Get Out, Peele makes both white liberalism and the horror genre targets of satire. The subversion of traditional horror clichés and tropes such as Carol Clover’s Final Girl and body stealing/identity theft allows Peele to parody the genre as well as reorient audiences against stereotypes of blackness. In order to discuss the subversion of expectations, it is important to first identify moments of codeswitching. Another point of importance is noticing how Chris Washington’s role as Get Out’s Final Girl challenges stereotypical representations of black masculinity in other media. Additionally, to discuss automatic revulsion towards …

“After Hollywood And Its Ever-Blue Skies, How Beautiful Paris Looks!”: Jacques Feyder Between France And America, 1928-1934, Barry Nevin

Articles

Although generally relegated by present-day historians to the footnotes of film history, Belgian director Jacques Feyder (1885–1948) strove to elevate the artistic standards of French film production throughout the 1920s and 1930s. His departure for Metro-Goldwyn-Mayer studios on the cusp of the transition to sound in France was viewed as a crisis, and his return was hailed as an event. Drawing on contemporary periodicals, this article answers two fundamental questions: Why did France's leading am bassador leave his adoptive homeland? And what factors motivated his return to France despite the country's notoriously anarchic mode of production? Core concerns include Feyder's …

Storms Named After People, Sarah E. Ballard

Honors Undergraduate Theses

Storms Named After People is a coming-of-age film about loneliness, Florida's disposition during holidays, freedom within abandonment, and how one translates time and space when alone.

I intend for this film to capture a unique and authentic representation of young women that I find difficult to come by in mainstream cinema. Some other things I plan to accomplish with Storms Named After people include subverting the audience's expectations, challenging tired stereotypes of women and various relationships among them, capturing loneliness from an optimistic point of view and embracing availability within a micro-budget filmmaking process. A final product that accomplishes all …

Pathos, Winter 2017-2018, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

Volume 12 No. 2

More Than Meets The Eye: Special Effects And The Fantastic Transmedia Franchise, Bob Rehak

Film & Media Studies Faculty Works

From comic book universes crowded with soaring superheroes and shattering skyscrapers to cosmic empires set in far-off galaxies, today’s fantasy blockbusters depend on visual effects. Bringing science fiction from the studio to your screen, through film, television, or video games, these special effects power our entertainment industry. More Than Meets the Eye delves into the world of fantastic media franchises to trace the ways in which special effects over the last 50 years have become central not just to transmedia storytelling but to worldbuilding, performance, and genre in contemporary blockbuster entertainment. More Than Meets the Eye maps the ways in …

The Abcs Of Top Hat (1935), Allison Witcofski

Undergraduate Research Journal

Speaking about the kind of filmmaking now known as classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli gave away its secret: “I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience is not conscious of, but that accumulate” (qtd. in Schickel 257). The ABC method provides a way for finding those “hidden things” Minelli spoke about. Starring Fred Astaire and Ginger Rogers, Top Hat (1935) is a musical masterpiece from the classic Hollywood period that portrays the struggles of love in a …

“‘The Most Fabricated Exception’: Islam, Immigration And The White-Saviour Narrative In Laurent Cantet’S The Class.”, Elizabeth Toohey

Publications and Research

This article suggests that the acclaim director Laurent Cantet received for his 2008 award winning film “The Class” obscures the way this film reinforces the very undercurrents in French culture he sets out to critique. Rather than unearthing or mirroring the racial dynamics of twenty-first-century Paris, Cantet brings to the film a set of fascinations and anxieties latent in the French imagination about blackness, Islam and Arab culture. His preoccupations and preconceptions with race, religion and nationality appear first in the portrayal of Muslim immigrants as threatening; next, in his image of a ‘white saviour’ bent on rescuing racial minorities; …

Who Are The Stewards Of The Aids Archive?, Alexandra Juhasz, Theodore Kerr

Publications and Research

How are returns to AIDS cultural production whitewashed, and how can we return, attending with care to the earlier video work of women and people of color. How can we practice decent stewardship of this vulerbale archive?

#Cut/Paste+Bleed: Entangling Feminist Affect, Action And Production On And Offline, Alexandra Juhasz

Publications and Research

I consider my media praxis project to be labs, encounters, theory-making and scholarly output where doing and thinking in community (often the classroom and its linked spaces) in the sites or technologies under consideration is the “scholarly” product. That is to say, the doing and the process is the product, and what remains can also be shared and/or evaluated, as needed. This sharing of process is what I model now. I describe my most recent project, Ev-Ent-Anglement, engaging again critically with social media networks from inside them, share some of my lessons learned about production and action-based New Media/DH research, …