Film and Media Studies Commons^™

The Role Of Nollywood Film In Combating Sexual Violence Among Female Adolescents In Selected Secondary Schools In Lagos State, Nigeria, Onyinyechi Nwaolikpe

Andrews Research Conference

Sexual violence which has a profound impact on the physical and mental health of women and girls, is one of the most wide spread abuses on women’s rights. It affects the social well being of victims and its effects may be long lasting. This descriptive cross-sectional study therefore, sought to determine the role of Nollywood film in combating sexual violence among secondary school female adolescents in Lagos State, Nigeria. Three hundred and fifty female adolescents between the ages of 12-17 years were selected in four secondary schools in Ikeja, Lagos State, Nigeria using multi-stage sampling. Data were collected using self-administered …

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …

East Asian "China Doll" Or "Dragon Lady"?, Joey Lee

Bridges: An Undergraduate Journal of Contemporary Connections

This paper argues that the representation of East Asian women in popular media is harmful through its exaggerated portrayal of the ‘China Doll’, and ‘Dragon Lady’, ultimately further exoticizing and dehumanizing East Asian women, ensuring the dominance of the West. I will study these portrayals and their impacts through historical and modern film, modern magazines, and intersectional oppression that the restrictive categorizations place upon women of East Asian descent.

Public Opinion & U.S. Foreign Policy: Investigating The Impact Of Political Television Dramas On Audience Perceptions Of Current U.S. Foreign Policy Engagement And Effectiveness, Lynzee Flores

Electronic Theses & Dissertations

Political TV dramas have become increasingly popular with audiences as a source of entertainment after the 2016 presidential election, particularly programs depicting the functions of the executive branch of government (CenturyLink, 2017).

This research investigates how political TV dramas, as compared to network news coverage of U.S. foreign policy events, influence the perceptions, attitudes, and beliefs of U.S. audience viewers.

Using agenda-setting as the theoretical frame, this study employs a quantitative experimental design in order to measure participants’ pre- and post- attitudes on two variables; perceived issue familiarity and perceived issue importance of U.S. foreign policy events and U.S. diplomacy …

Las Montañas Desheredadas: Lo Fantástico Y Las Hurdes (Luis Buñuel, 1933) Como Docuficción, Mario Sánchez Gumiel

Nomenclatura: aproximaciones a los estudios hispánicos

En este ensayo me propongo argumentar dos ideas: la primera, cómo, pese a su conocido e incuestionable carácter subversivo, Las Hurdes (Luis Buñuel, 1933) respeta en verdad las convenciones del género documental y, en consecuencia, cómo el cineasta calandino, a pesar de sus juegos formales con el surrealismo, era un hombre conocedor de (y alineado con) la práctica vigente de tales códigos genéricos. La segunda, que por medio de dicho respeto escrupuloso a las convenciones del documental, Buñuel consigue articular ese momento que Tzvetan Todorov (1938-2017) localiza alrededor de la duda que, entre creencia y descreencia, surge hacia aquello que …

Invisible In 'The Archive': Librarians, Archivists, And The Caswell Test, Bridget Whearty

English, General Literature, and Rhetoric Faculty Scholarship

This presentation, "Invisible in 'The Archive': Archivists, Librarians, and The Caswell Test," was given at the 53rd International Congress for Medieval Studies, on May 11, 2018. It argues that medievalists, and humanities scholars more broadly, have erred in writing and theorizing about "the archive" as an abstract, depopulated space, untouched by human labor and laborers. Building on the work of M. L. Caswell, Eira Tansey, Amy Hildreth Chen, Myron Groover, and other scholars of library and information sciences, it proposes that humanities scholars adopt what I call "The Caswell Test."

Based on the famous "Bechdel Test" for gender representation in …

Player-Response: On The Nature Of Interactive Narratives As Literature, Lee Feldman

English (MA) Theses

In recent years, having evolved beyond solely play-based interactions, it is now possible to analyze video games alongside other narrative forms, such as novels and films. Video games now involve rich stories that require input and interaction on behalf of the player. This level of agency likens video games to a kind of modern hypertext, networking and weaving various narrative threads together, something which traditional modes of media lack. When examined from the lens of reader-response criticism, this interaction deepens even further, acknowledging the player’s experience as a valid interpretation of a video game’s plot. The wide freedom of choice …

Luncheon, Tomasz Gubernat

Theses and Dissertations

Documenting the apparently prosaic activities of nearly two hundred Polish immigrant senior citizens, “Luncheon” is an observational portrait of a place that seems foreign and significantly removed from its New York City surroundings. For this dwindling demographic, daily activities and commemorative performances provide a way to revivify collective memories and maintain individual identities that are still deeply connected to a place far removed in both space and time. “Luncheon” is an exploration of how memory and identity are constructed and maintained, nationality imagined, and communities preserved.

The Market, Claudia Zamora Valencia

Theses and Dissertations

The Market is a short science fiction essay film that explores ideas and values attached to the “local food” movement, and how they manifest themselves in the act of consumption at a farmers’ market in a gentrified neighborhood in Brooklyn, New York.

The Archivettes, Megan D. Rossman

Theses and Dissertations

The Archivettes is a feature-length documentary film about the Lesbian Herstory Archives and the personal lives of the women involved in it. The film provides a comprehensive look at the history of the group, the materials it protects and the challenges arising as the founders face their final years.

The Lesbian Herstory Archives began in 1974, when a group of women involved in the Gay Academic Union realized that lesbian history was disappearing as quickly as it was being made (Edel). It is now home to the world's largest collection of materials by and about lesbians and their communities.

The Pond & The Sauna, Kaija Siirala

Theses and Dissertations

Combining interviews, observational footage, animation, archival images, video and film, The Pond & the Sauna examines the construction of home and family through an intergenerational collection of memories. Drawing on oral history traditions, the project traces the foundational threads that run through the lives of an extended family from past into the present. How do the values we learned as children manifest in our lives now? How do we negotiate our place within a wider social context? How are we moving through the cycles of life and what do home and family mean to us now?

Vengeance Is Ours: Safe Spaces And Critical Empathy In Horror Films, David S. Hooker

Honors Program Theses and Projects

Many genres of film seek to bring viewers to heightened emotional states, perhaps this is most true of horror films. Although often displaying extreme violence, such films paradoxically provide openings for critically empathetic viewings which allow viewers with diverse backgrounds and experiences to identify with victims and survivors and transcend elements of subjective identity. This project analyzes the capacity of horror films, including those of William Friedkin, David Cronenberg, Brian DePalma and others, to offer viewers space in which to be critically empathetic. Regarding gender issues in the genre as outlined by such scholars as Carol J. Clover, and the …

Instituting Protest (Film), Joshua Eisenberg

Theses and Dissertations

The road-trip story of one man looking at how first and fourteenth amendment rights have effected college campuses over time in the United States, while also looking at the possibility of revoking a diploma from a white nationalist for having different views than ones preferential to a certain college.

Study Abroad Blog: A Comprehensive Exploration Into Country And Culture, Kristin Zimney

Senior Honors Projects, 2010-2019

This writing serves as the reflective/contextual essay component of my creative thesis project. My creative project includes a detailed study abroad blog with photos, videos, and translated interviews I conducted with Salamanca locals regarding certain aspects of Spanish culture. This essay details the workings, text, and video content of my study abroad blog, and is intended to inform on a deeper basis with supporting research, the topics covered in the interviews.

The Mythological Perspective Of Modern Media: Cross-Cultural Consciousness And Modern Myths, Rebecca E. Evans

Senior Honors Projects, 2010-2019

This piece assesses the cultural implications of modern narratives that incorporate classical mythology, specifically focusing on the hero’s journey. When the similarities of different myths across different cultures are analyzed, it becomes clear that there are modern analogs that incorporate mythic qualities and cultural values. These mythic foundations are analyzed here in popular works like Harry Potter, Star Trek, and Legend of Zelda, where the hero’s journey becomes an almost universal experience that inspires cross-cultural consciousness. The hero’s journey has evolved from a simple literary tool into a cross-cultural touchstone that shapes narratives into familiar works of cultural significance across …

Observational Representation Of A Rural Chinese Family's Life: The Return, Lingyun Zheng

Theses and Dissertations

The Return is a 60-minute observational documentary film that follows a Chinese family's life story from 2013 to 2016.

Consistent Passion, Little Fanfare: Rbg, Elizabeth Toohey

Publications and Research

Review of the 2018 documentary RBG

Student Film Festival 2018 Playbill, Providence College

Playbill and Promotion

Student Film Festival

Introductory Remarks: Rev. Kenneth Gumbert, O.P.

Competing Films

Griff Massey ‘20, Abdel Zadieyh ‘21, Gerardo Davila ‘20, Matt Calogero ‘20, & Ricardo Saca ’20 - Road to the Shirt: The Movie

Trapper Phillips ‘18 - Kiss the Cook

Chris Paganelli ‘19 - Millennials

John Chatfield ‘19, Joe Ahart ‘18 - The Final Week

Jack Shanahan ‘19 - Pine Outfitters

Conor Holway ‘18 - Golden Dear Productions Gear Series

Blaine R. Payer ‘18 - Quail Hunting

Manya Glassman ‘19 - How to be Alone

Joe Fromer ‘19, Zach Gandara ‘19, Alex Poch ‘19 - Coffee Run

Jury Deliberations …

Student Film Festival 2018 Poster, Providence College

Playbill and Promotion

Student Film Festival

Angell Blackfriars Theatre

May 3 at 7PM

Race In Romance: Racialized Femininity And Intimacy Between Asian Female And Non-Asian Male, Minju Kim

Media and Cultural Studies Honors Projects

The film “Racing Romance” is a study of Asian female and non-Asian male intimacy. The film is based on an understanding that intimacy, desire and love are critical parts of one’s self-identification, while these desires are inevitably influenced by the historical and social contexts of race to varying degrees. There has been a limited academic interest in the female agency of Asian women in interracial intimacy. Too often, interracial marriages and relationships are simply celebrated as part of multiculturalism or anti-racism, without getting proper attention to the subtleties of racial and gendered dynamics that influence both members of the relationship. …

The Moving Collage, Tian Leng

Publications and Research

Video is a medium based on space and time, and its forms and structures change how audience perceives and understand its content. This project will construct the interaction of videos in collage and explore the spiritual side of human experience with urban environment in New York City. Local museums and historical sites will be visited to understand the context of immigration history and culture.

High-definition video will be used to capture the imagery of several performers in field. The collage of shots, rather than the edit of them, provides a new perceptual experience for this medium. The structure of video …

Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom, Reynaldo Lastre

The Quiet Corner Interdisciplinary Journal

Breve análisis de los tópicos característicos en la obra fotográfica del fotógrafo cubano Juan Carlos Alom, en especial las que resumen su reciente exposición en el Jorgensen, Center for the Performing Arts, de la Universidad de Connecticut.

Polarization And The Modern Media Landscape, Mark Walsh

3690: A Journal of First-Year Student Research Writing

Overview: This paper serves as an in-depth look into the partisan bias that exists in today’s mainstream and social media outlets and platforms, and concludes that this lack of objectivity further divides, polarizes and radicalizes the American populace. The evidence gathered supports the general claim that the mainstream media is indeed politically and ideologically biased to a certain extent, as are numerous influential social media blogs and news sites. Both loyal Democrats and Republicans enclose themselves within these ideological echo-chambers of their own making, based upon the news outlets they choose to use, as well as the way they choose …

Universal Truths, Verisimilitude, And Hyperreality: Baudrillard’S Simulacra And Simulation In Pride And Prejudice And The Lizzie Bennet Diaries., Kathryn M. Kohls

Electronic Theses and Dissertations

This project applies Jean Baudrillard’s Simulacra and Simulation (1981) to Jane Austen’s Pride and Prejudice (1813) and Hank Green and Bernie Su’s The Lizzie Bennet Diaries (2012). By applying Baudrillard’s theory, one can see that Austen’s marriage plot is a shrewd critique of how social simulacra, simulations of reality, dictate how society is structured and interacts. These manipulative simulations are able to be transgressed by the novel’s protagonists, Elizabeth Bennet and Fitzwilliam Darcy. Their ability to find an unsimulated real is appealing to contemporary audiences caught in the hyperreality of the internet age. This leads to a panicked production to …

Age Of Failure, Amber Stokes

Emerging Writers

Third-place winner of the Academic Category for the 2018 Emerging Writers Contest. The essay analyzes the use of sequels in the Avengers film series.

Language: The Amicable Monster In Arrival By Denis Villeneuve, Nicolas Franco-Roldan

Emerging Writers

Second-place winner in the Academic Category of the 2018 Emerging Writers Contest. The essay analyzes the use of language and its depiction as monstrous in Denis Villeneuve's film Arrival.

Introducing Godzilla To Marianne Moore's Octopus Of Ice At The Intersection Of Global Warming, Environmental Philosophy, And Poetry, David Seter

Dissertations, Masters Theses, Capstones, and Culminating Projects

This paper explores the question: how can a poet write an ecologically aware poem about global warming? Global warming impacts everything on earth, most visibly the glaciers melting away before our eyes. Adopting Aldo Leopold’s environmental philosophy of thinking like a mountain, the poet may describe the impact of global warming upon the mountain, glacier, flora and fauna, that form an interconnected web of life. A poem that thinks like a mountain already exists: Marianne Moore’s “An Octopus” (published in 1924), which takes its title from the system of glaciers (or octopus of ice) on Mt. Rainier. For a contemporary …

Global Muslim Audiences’ Polysemic Reading Of “My Name Is Khan”: Toward An Emergent Multiculturalism, Priya Kapoor

International & Global Studies Faculty Publications and Presentations

In this study, we learn how audiences make sense of a non-dominant text that is conveying a nonWestern story about the Global War on Terror (GWOT). The audiences affective narratives affirm Deuze’s argument that media is not separate from our lived experience; we live in media rather than with media. This study was conducted on an urban campus in the Pacific North-West, with film audiences of over fifty Saudi Arabian, Baharanian, Iranian, Iraqi, Yemeni, and other Arab and non-Arab Muslims. Multiple screenings of Hindi language film, My Name is Khan, shows that it speaks to a global, transcultural, primarily Muslim …

Hortus Conclusus 囚, Lantian D.

Artists-in-Residence Programme : Exhibition Catalogues

The Work of Lantian D.

One of the most basic things to understand about Lantian D.’s work is that it is born out of an acute awareness of the weaknesses inherent in contemporary art. The sorry state of the contemporary artworld is even the theme of one her earliest paintings, Crime and Punishment, which contains some suggestive depic­tions of artists and intellectuals who may bear some responsibility for the present situation: Jacques Derrida, Marcel Duchamp, Tracy Emin, Michel Foucault, Clement Greenberg, Damien Hirst, Jeff Koons, Charles Saatchi, and Andy Warhol are all depicted as witch-like creatures from one of …

Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson

Dissertations, Theses, and Capstone Projects

When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of her collaborations …