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Articles 151 - 180 of 519
Full-Text Articles in Film and Media Studies
Review Of Chris Ware: Conversations, Carly Diab
Review Of Chris Ware: Conversations, Carly Diab
SANE journal: Sequential Art Narrative in Education
No abstract provided.
Review Of Pioneering Cartoonists Of Color, Carly Diab
Review Of Pioneering Cartoonists Of Color, Carly Diab
SANE journal: Sequential Art Narrative in Education
No abstract provided.
Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels, Alex Romagnoli
Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels, Alex Romagnoli
SANE journal: Sequential Art Narrative in Education
Indexing identity through writing responses among ELL students in response to a graphic novel helps provide insight into how writing responses represent people and how graphic novels can aid in that process of self-discovery through their inherent multimodalities. This study takes looks at four students in an ELL class at an urban high school in southern Pennsylvania as they responded in writing to a portion of Will Eisner's New York: Life in the Big City (2006). All of the participants took events from the portion of the graphic novel provided to them and indexed their urban, cultural perspectives through their …
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa Mcgrail, Alicja Rieger, Gina M. Doepker, Samantha Mcgeorge
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa Mcgrail, Alicja Rieger, Gina M. Doepker, Samantha Mcgeorge
SANE journal: Sequential Art Narrative in Education
The study presented in this article examines the use of comic books, specifically the TOON comic books during guided reading instruction. The instruction was provided to struggling readers by the Literacy Center at a comprehensive university in southeastern United States. What most pre-service teachers in this study agreed upon was that comic books served as an effective tool for getting their students interested in reading. Reading comic books with tutors as partners in conversation with the struggling readers in this study was also a powerful medium for facilitating students’ literacy skills development, particularly in the areas of reading fluency and …
Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette
Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette
The Qualitative Report
Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …
Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique, Suzanne Crosta
Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique, Suzanne Crosta
Présence Francophone: Revue internationale de langue et de littérature
When it comes to China and Africa, one thinks spontaneously of immensity versus mosaic, but one can also be fascinated by the rooting in the past. To create La legende des siècles, a French epic, Victor Hugo allowed himself to be carried by "history listened through the gates of legend", according to his own words. Imagine what would be the writing of The legend of the millennia for China and Africa, impressive asteroids launched in the sky of time? Thousand eyes scrutinize with their camera the interactions between the people of the great country and those of the African …
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé
Présence Francophone: Revue internationale de langue et de littérature
This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.
La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau
La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau
Présence Francophone: Revue internationale de langue et de littérature
The different North African cinemas, which appeared after the independences and were the work of film directors trained in Europe, were, as a principle, an art-house cinema at odds with the classical cinema type. Presented at festivals very often, they were not really embraced by the national audiences, who were mainly consumers of popular productions, either western or Egyptian. But the production of genre films (especially comedies) which were very rare until the 1990s is increasing today, at least in Morocco. Their arrival at the top of the Moroccan box-office where they compete with the American blockbusters prove that the …
Abstracts (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo
Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo
Présence Francophone: Revue internationale de langue et de littérature
The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present …
Parties Annexes (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Front Matter And Table Of Contents (N° 90)
Front Matter And Table Of Contents (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présentation, Françoise Naudillon
Présentation, Françoise Naudillon
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 90
Présence Francophone, Numéro 90
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard
Présence Francophone: Revue internationale de langue et de littérature
Cinomade is an association that tries to sensitize the populations about the HIV pandemic in Burkina Faso. Télé Vaka, literally the "Neighborhood Television" in more language, was an itinerant local television around Koudougou in Burkina Faso. By comparing the reception of screenings organized in rural areas by Télé Vaka and Cinomade, this article describes a popular form of consumption of audio-visual images in West Africa. By causing the debate inside the communities using a heterogeneous device connecting endogenous (the chief's words, those of the elders, etc.) and exogenous (video projection and public testimony), ways of communication, this experiment modifies our …
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba
Présence Francophone: Revue internationale de langue et de littérature
In this article, I discuss the uses and the reception of African films (popular films and films d'auteur) in Brazil, especially in some Mostras. I examine, among other issues, the role of these mini-festivals in the establishment of what we can call a popular African cinema experience in a community. These contexts of reception produce in the audience a level of expectation, but also some constraints that impact the films' reading and interpretation.
Du Folklore Au Cinéma: La Transformation D'Un Classique De La Littérature Orale, Désiré Nyela
Du Folklore Au Cinéma: La Transformation D'Un Classique De La Littérature Orale, Désiré Nyela
Présence Francophone: Revue internationale de langue et de littérature
Michel Ocelot's film Kirikou et la sorcière became a great success as soon as it hit the screens in 1998. It even inspired a sequel, Kirikou et les betes sauvages, whose release in 2005 earned the figure of the small African boy a permanent place in a wider Francophone imaginary. Originating in a traditional tale, Kirikou et la sorcière is an adaptation and, as such, the result of a transformation. Indeed, it is the result of a two-fold transformation involving a transition from the oral to the written, on one hand, and from the written to the visual, on …
Index (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Editorial, Linda Haverty Rugg, Salma Monani
Editorial, Linda Haverty Rugg, Salma Monani
Environmental Studies Faculty Publications
The editorial frames a special issue that introduces Scandinavian cinema and media scholars to ecomedia studies and its potentials.
The Buffered Slayer: A Search For Meaning In A Secular Age, Kari Willinger
The Buffered Slayer: A Search For Meaning In A Secular Age, Kari Willinger
Masters Theses
Charles Taylor, in A Secular Age, claims that over time, modernity has given way to a new secular age, and with this new era comes cultural shifts in our perception of ourselves and the world. Given Taylor’s notion of a world haunted by transcendence, we can notice this haunting throughout aspects of modernity, especially in literature and entertainment where we can see authors and creators deal with issues of identity and morality from a purely modern perspective. Specifically, Taylor’s concepts connect with Buffy the Vampire Slayer because the characters in Buffy align with Taylor’s understanding of the buffered self, which …
Remembering World War I In 2014: Films And Tv Productions In Austria And A New Path Of Visual Memory, Karin Moser
Remembering World War I In 2014: Films And Tv Productions In Austria And A New Path Of Visual Memory, Karin Moser
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
World War I In Hungarian Motion Picture History, 1914 To 1945, Márton Kurutz
World War I In Hungarian Motion Picture History, 1914 To 1945, Márton Kurutz
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
’The Empire Means Order’: Images Of The Austrio-Hungarian Monarchy In Romanian Fictional Films About The First World War, Enikö Dácz
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Preface To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Günther Bischof
Preface To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Günther Bischof
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
The First World War In The Czech And Slovak Cinema, Václav Šmidrkal
The First World War In The Czech And Slovak Cinema, Václav Šmidrkal
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Introduction To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Hannes Leidinger
Introduction To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Hannes Leidinger
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Films About World War I In Hungary After 1945, László Deák-Sárosi
Films About World War I In Hungary After 1945, László Deák-Sárosi
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
The Contact Zone: In Search Of The Galician Theater Of War In German Cinemas Of The 1920s, Philipp Stiasny
The Contact Zone: In Search Of The Galician Theater Of War In German Cinemas Of The 1920s, Philipp Stiasny
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
The Decaying Empire And The Human Dilemmas: The Last War Of Austria-Hungary In Polish Cinematography From 1918 Onwards, Piotr Szlanta
The Decaying Empire And The Human Dilemmas: The Last War Of Austria-Hungary In Polish Cinematography From 1918 Onwards, Piotr Szlanta
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Postscript: A Cinema Of Liminality, Thomas Ballhausen
Postscript: A Cinema Of Liminality, Thomas Ballhausen
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.