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Film and Media Studies Commons™

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1999

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Articles 31 - 52 of 52

Full-Text Articles in Film and Media Studies

From The Order Of The Dragon To Dracula, Constantin Rezachevici Jan 1999

From The Order Of The Dragon To Dracula, Constantin Rezachevici

Journal of Dracula Studies

No abstract provided.


The Image Of Transylvania In English Literature, Carmen Maria Andras Jan 1999

The Image Of Transylvania In English Literature, Carmen Maria Andras

Journal of Dracula Studies

No abstract provided.


Overlooked Pearls: The Blue Oyster Cult And The Vampire In Modern Music, David F. Hallett, J. Robin Martin Jan 1999

Overlooked Pearls: The Blue Oyster Cult And The Vampire In Modern Music, David F. Hallett, J. Robin Martin

Journal of Dracula Studies

No abstract provided.


From Novel To Film: The Remains Of The Day And The Art Of Adaptation, Shirley S. Richardson Jan 1999

From Novel To Film: The Remains Of The Day And The Art Of Adaptation, Shirley S. Richardson

Honors Theses, 1963-2015

Both novelist and film-maker have stories to tell and both create a vision of their stories for their readers and viewers, one with words on a page, the other with pictures and spoken dialogue. A novel's descriptive passages may be very detailed or leave the reader with large visual gaps, whereas each frame of the film fills the viewer's vision with scrupulously attended images, from the props to the setting to the costumes to every gesture and expression of the actor. A novel allows the reader to pause, ponder, reread, and detect subtleties; a film takes the viewer by the …


Revisiting The Recordings Of Wars Past: Remembering The Documentary Trilogy Of John Huston, Gary Edgerton Jan 1999

Revisiting The Recordings Of Wars Past: Remembering The Documentary Trilogy Of John Huston, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribtution to "Studlar, Gaylyn, David Desser, and John Huston. Reflections in a Male Eye: John Huston and the American Experience. Washington: Smithsonian Institution Press, 1993."


Encircling Linearity In Carlos Saura's Peppermint Frappé, Linda M. Willem Jan 1999

Encircling Linearity In Carlos Saura's Peppermint Frappé, Linda M. Willem

Scholarship and Professional Work - LAS

Spanish director Carlos Saura is internationally famous for creating films where the past, the present, and the future are fused together and intermixed with reality, fantasy, and dreams. Although this practice is generally recognized by critics as one of Saura's strategies for circumventing the repressive censorship operating during the Franco era, María Delgado points out that Saura's continued reliance on non-linear narratives in his post-Franco work "indicates that his style was determined as much by a desire to interrogate the possibilities of the medium as by censorship" (375). Indeed, in an interview with Antonio Castro, Saura has been quoted as …


Bad Girls Video Come And Go, But A Lying Girl Can Never Be Fenced In, Alexandra Juhasz Jan 1999

Bad Girls Video Come And Go, But A Lying Girl Can Never Be Fenced In, Alexandra Juhasz

Publications and Research

No abstract provided.


They Said We Were Trying To Show Reality -- All I Want To Show Is My Video: The Politics Of Realist Feminist Documentaries, Alexandra Juhasz Jan 1999

They Said We Were Trying To Show Reality -- All I Want To Show Is My Video: The Politics Of Realist Feminist Documentaries, Alexandra Juhasz

Publications and Research

No abstract provided.


Hypertext Scholarship And Media Studies, James Castonguay Jan 1999

Hypertext Scholarship And Media Studies, James Castonguay

Communication, Media & The Arts Faculty Publications

No abstract provided.


Del Relato A La Pantalla: La Alteridad En Cabeza De Vaca, Cesar Valverde Jan 1999

Del Relato A La Pantalla: La Alteridad En Cabeza De Vaca, Cesar Valverde

Scholarship

No abstract provided.


Deslanting The Lens, Lui Amador Jan 1999

Deslanting The Lens, Lui Amador

CGU Theses & Dissertations

Deslanting the Lens examines the historical and sociological implications of how Asian men have been represented in popular American film. From the early days of “yellowface” to caricatures like Long Duck Dong, Asian men have been relegated to perpetual foreigner status in American cinema. This paper will explore why the portrayal of Asian men has been limited to very specific ideas about Asian and Asian Americans are in society. This analysis will also include how socio/political events have shaped and influence popular perceptions about Asians, that inform how Asian men continue to be depicted in film.


Representations Of History In Popular Cinema : Schindler's List And Jfk As Postmodern History Texts, Kieran L. Murphy Jan 1999

Representations Of History In Popular Cinema : Schindler's List And Jfk As Postmodern History Texts, Kieran L. Murphy

Theses : Honours

The concept of this dissertation is to research specific filmic representations of historical situations, and to discuss arguments presented in Spielberg's Holocaust by critics such as Bartov, Hansen and Zelizer (1997), that popular films such as Schindler's List are unable to represent history to the same extent as traditional historical texts. I will also attempt to locate specific interest groups who reaffirm the truth claims of traditional historical narrative, the gatekeepers of 'historical truth', and to examine the nature of 'popular history', and how it is negotiated in the modern cultural sphere. I will analyse the concept of the 'unrepresentable' …


Tötösy De Zepetnek, Steven Curriculum Vitae, Steven Tötösy De Zepetnek Jan 1999

Tötösy De Zepetnek, Steven Curriculum Vitae, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Selected Comparative Literature And Comparative Humanities Journals, Steven Tötösy De Zepetnek Jan 1999

Selected Comparative Literature And Comparative Humanities Journals, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Annual Reports Of Clcweb: Comparative Literature And Culture 1999-, Steven Tötösy De Zepetnek Jan 1999

Annual Reports Of Clcweb: Comparative Literature And Culture 1999-, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


I Was A Teenage Necrophiliac: A Screenplay, Walter Howard Jan 1999

I Was A Teenage Necrophiliac: A Screenplay, Walter Howard

Masters Theses

The critical essay that introduces this thesis pays homage to three people in the movie business who have most influenced my original screenplay, I Was a Teenage Necrophiliac. Also included is a section that briefly explains the impetus for this project, and a closing argument that examines the intentional use of cliche as a creative tool.

The zany style of writer/director John Waters is the first major creative influence described. Although my story is not as graphically extreme as some of Waters' earlier work (it would be easy to make a comedy about necrophilia a vile exploitation film), it does …


Corporate Television: Its Effects On Employees' Learning And Memory Of Corporate Messages, Laura M. Grigni Jan 1999

Corporate Television: Its Effects On Employees' Learning And Memory Of Corporate Messages, Laura M. Grigni

Seton Hall University Dissertations and Theses (ETDs)

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Masculinidad Natural Y Masculinidad Autoconsciente En Don Segundo Sombra Y El Reino De Este Mundo, Cesar Valverde Jan 1999

Masculinidad Natural Y Masculinidad Autoconsciente En Don Segundo Sombra Y El Reino De Este Mundo, Cesar Valverde

Scholarship

No abstract provided.


The Perception Of Arabs And Media's Influence, Abdou Nader Jan 1999

The Perception Of Arabs And Media's Influence, Abdou Nader

Dissertations and Theses @ UNI

The purpose of this study was to examine the perceptions of Arabs by American students. The study sought to answer three questions. These questions focused on the perceptions of Arabs by American students and the influence that mass media and specifically TV has on students.

The literature reviewed in this study indicated that historical events played an important role in shaping the current relations between Arabs and Americans. Further, the literature discussed the relationship between television exposure and the creation of consumer social reality and perceptions. According to the literature review, there was no conclusive evidence that media shaped stereotypes …


Aliens, Bodies And Conspiracies: Regimes Of Truth In The X-Files, Leanne Mcrae Jan 1999

Aliens, Bodies And Conspiracies: Regimes Of Truth In The X-Files, Leanne Mcrae

Theses: Doctorates and Masters

The X-Files is a television program that first screened on Australian television in 1993. This thesis will investigate the role of The X-Files as a cultural text. The X-Files is a significant program, and has contributed to a shift in the way in which television texts represent ideas about society, knowledge and truth. This thesis argues that The X-Files presents ‘knowledge’ in particular ways, and makes it possible to think about the relationship between the body, knowledge, and society in ways which have not previously been so visible.


Suck My Dick: G.I. Jane, Demi Moore And The Action Heroine, Matthew Mckeown Jan 1999

Suck My Dick: G.I. Jane, Demi Moore And The Action Heroine, Matthew Mckeown

Theses : Honours

The content of my thesis sits at the tail end of about three decades of feminist criticism that has examined women's place in film texts. During which, theoretical work has been done studying the types of roles given to women, how they are constructed visually and narratively across different genres. This thesis then sets out to examine the action genre and the room it makes for the central female protagonist. How does this genre, largely ignored by critics and academics and inherently masculine and dominated by males, allow for a central female heroine? What room is there for any femininity, …


Digital Imaging: Creating New Realities, Mark Datodi Jan 1999

Digital Imaging: Creating New Realities, Mark Datodi

Theses: Doctorates and Masters

More and more it is becoming increasingly difficult to discern photo reality from digital reality. Digital imagery is revolutionising photography and challenging preconceived notions of this art form. Over the years, photography has been viewed metaphorically as a window on the world and on the past. No longer however, is the creation of photographic imagery reliant upon its intrinsic relationship with reality. Using computer technology original photographic material can be altered, manipulated and seamlessly combined with other fictional imagery without obvious detection and with relative ease. The proliferation of digital imaging is producing two apparent crises for photography. The first …