Film and Media Studies Commons^™

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …

'A Great Disturbance In The Force:' Thematic Dissonance Between The Two Star Wars Trilogies, Lauren Baiers

Honors Theses

All fans, scholars, and critics have their favorite films. Some support all of the films equally, some embrace the special editions, and others deny the existence of any movies other than the original versions of the first three films released. No matter what critics and fans say, all of the live-action movies are Star Wars movies: they follow the same mythology and bear the words "Star Wars" in their titles. However, the themes of the two trilogies of the Star Wars saga conflict. The prequel trilogy undermines the concerns of the original Star Wars trilogy by subverting the themes of …

Sojourner Truth: A Video Essay, Christina Laemers

Honors Theses

To hear people talk about Sojourner in areal context, with real stories from her days in Battle Creek gives the story the human element that eluded me for quite a time. Though my story changed its focus several times, the meaning of the project was always in the back of my mind. I really had to struggle to keep it in focus as time went on and the project began to grow exponentially.

American Holocaust Films: A Case Study In Jewish American Identity (1937-1993), Jeff Daniels

Honors Theses

When examining the image of the Jew in American Holocaust films, one is truly determining how American Jews view themselves. These films' presentation of Jews exposes not only how Jewish Americans wished to see themselves but also how much Gentile Americans wanted to see of Jewish culture. An exploration of America's Holocaust films from the late 1930s to the early 1990s reveals an increasing concentration of Jews as the main victims of the event. The degree to which this specificity is emphasized exhibits how much the American public accepted Jews and their plight. At the same time, the prevalence of …