Film and Media Studies Commons^™

For The Record: Bill Schurk, Katlyn Westhoven

Honors Projects

For the Record: Bill Schurk is a half hour long documentary about the life and work of William Schurk, also known as Bill. Bill has helped to create the country’s largest music collection and helped advance the study of popular culture within the academic community. The documentary will be told from a first person perspective by Bill with supplemental content coming from interviews with family, friends, and colleagues of Bill through the years. Bill Schurk founded the Bowling Green State University Music Library and Bill Schurk Sound Archives and worked as the head archivist for 50 years before his retirement …

Media Erotics & Adaptation: A Comparative Textual Analysis Of Carmilla, Rebecca Wait

Honors Projects

This project is concerned with understanding the different ways in which Carmilla (1872), a gothic novella, and it’s 2014 web series adaptation differently approach the same basic narrative, especially with regards to their respective representations of individuals who identify as sexual and gender minorities. One of the major functions of importance in this study was to understand the temporality and cultural conditions, which lead to the perceived need for a postmodern adaptation of a pre-modernist text. Through textual analysis, the author compared J. Sheridan Le Fanu's Carmilla (1872) to Jordan Hall's adaptation (2014). In this analysis, significant differences existed between …

Tuesday In Winter Valley, Nicholas Redding

Honors Projects

Tuesday in Winter Valley is a short student film about a difficult day in the life of a college transgender woman and how she stands up for herself. The film was shot in the Spring 2017 semester and its anticipated premiere is the Fall of 2017. Tuesday is an entirely student-run production with help from the BGSU Department of Theatre and Film.

"This Aggression Will Not Stand": The Coens On Masculinity, Evan Kelly

Honors Projects

This research examines the constructions of masculinity within the films of Joel and Ethan Coen. Through textual analysis of three film, Raising Arizona (1987), Fargo (1996), and The Big Lebowski (1998), three key themes emerge: masculinity as performance, children and family as ego extensions, toxic masculinity personified, and children and redemption through rejection of hegemonic masculinity. Comprehensively, the paper seeks to prove the Coens uniquely construct masculinity as a performance which can override public policy and interpersonal prosperity. This research serves several functions. First, it recasts the Coens as cutting-edge progressive filmmakers, despite their protestations to the contrary. What we …

Relocating Pictures: An Interdisciplinary Analysis Of Transnational Islamic Images, Mary S.W. Campbell

Honors Projects

This paper and accompanying photo series analyze and discuss Western images of Islamic migration. Incorporating a variety of disciplines, they evaluate the emotional responses of Americans towards images of Muslim migrants and transnational issues. Through surveying and literary analysis, they demonstrate the need for new images of the Muslim migrant that allow for greater emotional engagement that leads to action. My photographs, taken in Spain and Morocco, are a first step at discovering what is needed in these new images.

Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight

Honors Projects

Megan Whalen Turner’s The Thief follows the story of a thief who seeks to steal an item for fame and glory and to save his country. Though he initially does not believe in the gods, he finds that they exist and are more involved in his life than he would want them to be. The screenplay is a loyal adaptation of the book. The analysis follows the thief’s journey from skepticism to faith and draws a comparison between the gods in the novel and the Christian God.

Found In Translation: An Analysis Of Popular American Film In Spain, Emily Dushek

Honors Projects

This research examines American popular film in Spain with the aim of understanding if and how removing a popular text (such as a film) from its original language and socio-cultural context and translating it for consumption in a different language and culture affects the interpretation of the film. The study delves into the very successful 2012 films The Avengers (Joss Whedon) and Django Unchained (Quentin Tarantino) and uses textual analyses and comparisons of the original English and the translated Castellano Spanish versions of the films, specifically focusing on the translations, as well as analyses of film reviews and critiques written …

An Unchained Analysis Of Racial Tension In America, Moriah Angott

Honors Projects

Modern race issues stem not only from the past but also from a lack of understanding and empathy for each other. How we talk about race will not only inform how we are able to move forward as a society, but it will also say a great deal about how we are evolving as human beings. It is important, and has been recognized as such, that black Americans have the freedom to grapple with that past, to understand it, and to feel connected to those ancestors who suffered in order for the foundation of this country to be built. Is …

Seeking Solace: Regret, Grief, Anxiety, Rebecca Schroeder

Honors Projects

Seeking Solace: Regret, Grief, Anxiety is a triptych video and artifact piece inspired by the abstract analysis of my dreams. It recognizes worries held within my subconscious and brings them to life through graphic design, photography, and video. The process of creating provides a new perspective of looking at both art and occupational therapy as methods of solving emotional distress.

I have recorded over 80 of my dreams in the past year. In these dreams, regret, grief, and anxiety are common themes. These themes are represented in three triptychs that cycle through past, present, and future problems. The cycling of …

Honors College Recruitment Video, Michael Pirt

Honors Projects

My Honors project was delivered through the medium of video as I attempted to find out what the Honors College means to its members in hopes of using their answers to inspire incoming students to join the Honors College.

The Lost Row, Roman Buetel

Honors Projects

Set in 2032, The Lost Row chronicles the pre-dystopian city of Fostoria, where three citizens have taken it upon themselves to combat crime.

The Ohio Renaissance Festival: A Look Inside, Skye Mccullough

Honors Projects

Every year during the months of August-October, the Ohio Renaissance Festival takes place in Haverysburg Ohio. Here, happy fair goers eat, drink, and maker merry in some of the most unique and truly entertaining ways. My project is a short documentary about the Ohio Renaissance Festival and the people who are involved in putting it on year after year. This documentary consists of five interviews with individuals involved in the festival both on the administrative lever and the performance. We get to explore the festival through their eyes and learn what makes this fair a worthwhile experience for one and …

Malaria: The Story Of Struggle, Suffering, And Eradication, Stevey Willey

Honors Projects

Every year over two million men, women, and children around the world are affected by malaria, a disease that can easily be prevented with awareness, education, and support. In April 2014 I held a malaria event in which guests had the opportunity to witness the effects malaria has on people, not just physically, but emotionally and economically as well. The death rate has moved from one person every 30 seconds to one every 60 seconds since 2010. The improvement in the rate of deaths has resulted from the increase in awareness of this disease. It is my goal with this …

Staying Alive: Dynamic Equivalence Theory And Film Adaptation, Sarah Welch

Honors Projects

Translation is a task that must be done every day in order for the world to function. A perfect translation is impossible, because there is no way to provide exact equivalents of meaning in different languages. However, methods such as dynamic equivalence focus on conveying the message of a text in terms that a new recipient audience can understand. Dynamic equivalence could apply to all textual translations, not just Bible translation. If this is the case, then dynamic equivalence may be applied to adaptations of different types of text, such as book to film adaptations. Film adaptations are popular, largely …

Counter-Narrating The Nation: Homi K. Bhabha's Theory Of Hybridity In Five Broken Cameras, Rachel Evers

Honors Projects

This paper examines the theories of Homi K. Bhabha, a major figure in contemporary post-colonial study. His work on hybridity, mimicry, and counter-narrative helps to illuminate the documentary film Five Broken Cameras, which shows five years in the life of Palestinian farmer, Emad Burnat, under Israeli occupation in the West Bank. The film is shown to be a performative counter-narrative representing Palestinian national becoming.

Honors Senior Project, Matthew T. Dayton

Honors Projects

No abstract provided.