Film and Media Studies Commons^™

Reconciling Ethnicity, Subalternity And Chinese Eco-Aesthetics: Human And Animal Subjects In Lu Chuan's Kekexili: Mountain Patrol, Chia-Ju Chang

Reconstruction: Studies in Contemporary Culture

An ecological discourse has not yet arisen in the mainstream of Chinese film studies. Lu Chuan's Kekexili: Mountain Patrol (2004) is the first transnational feature film in China about the endangered Tibetan Antelope. This "eco-thriller" is based on a true event and is about a group of Tibetan volunteers trying to capture the leader of a poaching group who is responsible for mass-slaughtering and skinning the endangered Tibetan Antelope. The film engages a complicated politics of transnational capitalism, ethnicity, animal rights and aesthetics. In this paper, I first survey the history of animal poaching in the Kekexili area and the …

Bird Watching: Global-Natural Worlds And The Popular Reception Of Winged Migration, Lisa Uddin

Reconstruction: Studies in Contemporary Culture

This paper examines the contemporary visual cultures of economic globalization and natural history by considering the popular French wildlife film, Winged Migration (dir. Perrin 2001). Through the small-scale of a single film's reception, the paper offers a critique of the Euro-American tendency to conceptualize the global world and the natural world in totalizing and mutually constitutive terms. How have images of a timeless and universal global world become a way of imagining the natural world, and vice versa? How has Winged Migration's circulation amongst an American popular audience reproduced, but also undermined, these joint constructions? Analyzing the film's central theme …

The Body Of The Terrorist In Contemporary Cinema, Robert Duggan, Páraic Finnerty

Reconstruction: Studies in Contemporary Culture

This article will explore the presentation of the body of the terrorist in a range of British and American films with a particular emphasis on how these films combine political and romantic plotlines. As part of a broad consideration of how the terrorist is presented, this essay will concentrate in particular on Cal (1984), The Crying Game (1992), The Dancer Upstairs (2002) and The Quiet American (2002). Rather than fully engage with the more complex discourse of politics, often these films ask audiences to conceptualize the transgressive figure of the terrorist through the very familiar vocabulary of love and sexual …

Review Of Screenplay: Cinema/Videogames/Interfaces, By Geoff King And Tanya Krzywinska, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Recognizing the growing importance (at least for consumers) of video games as a popular form of narrative fiction, Geoff King and Tanya Krzywinska situate their collection, ScreenPlay: cinema/videogames/interfaces as a text which is corrective, informative and explorative. In the first case, the editors sought essays which would move the critical discourse on video games away from the more familiar but reductive debates surrounding the "effects" of video games (especially on children) and their modes of representation (especially of the female form and violence). Indeed, these have become the sine qua non of video game criticism and one feeds …

Review Of Film And Television After 9/11, By Wheeler Winston Dixon, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

One of the necessary compromises a book such as Film and TV After 9/11 must make is the amount and variety of examples it can provide. In order to be the first book to cover the subject, the book sacrifices the types of materials covered and the variety of themes they depict. Although the editor, Wheeler Winston Dixon, does not do so, the book’s twelve essays slot into four basic categories: analogies, productions altered to suit the "post-9/11" mindset, post-9/11 productions with metaphorical rather than literal linkages to the event and pre-9/11 productions whose viewing must now take …

Review Of The Tarantinian Ethics, By Fred Botting And Scott Wilson, Graham Barnfield

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Film And Television After 9/11 [Book Review], Marc Ouellette

English Faculty Publications

One of the necessary compromises a book such as Film and TV After 9/11 must make is the amount and variety of examples it can provide. In order to be the first book to cover the subject, the book sacrifices the types of materials covered and the variety of themes they depict. Although the editor, Wheeler Winston Dixon, does not do so, the book’s twelve essays slot into four basic categories: analogies, productions altered to suit the "post-9/11" mindset, post-9/11 productions with metaphorical rather than literal linkages to the event and pre-9/11 productions whose viewing must now take that day …

Screenplay: Cinema/Videogames/Interfaces [Book Review], Marc Ouellette

English Faculty Publications

Recognizing the growing importance (at least for consumers) of video games as a popular form of narrative fiction, Geoff King and Tanya Krzywinska situate their collection, ScreenPlay: cinema/videogames/interfaces as a text which is corrective, informative and explorative. In the first case, the editors sought essays which would move the critical discourse on video games away from the more familiar but reductive debates surrounding the "effects" of video games (especially on children) and their modes of representation (especially of the female form and violence). Indeed, these have become the sine qua non of video game criticism and one feeds the other …

"It'll Pass": Nypd: Blue's Sipowicz And Mundane Masculinity, Marc Ouellette

English Faculty Publications

(First paragraph) The development of the character of Det. Andy Sipowicz, on the ABC drama, NYPD: Blue, effectively demonstrates that the obstinance of traditional forms of masculinity may ultimately be a key factor in their undoing. Rather than effecting a superficial change based on consumer choice, as concurrent characters do, Sipowicz undergoes a transformation of his social behavior. Sipowicz regularly behaves in a manner consistent with Robert Connell’s definition of “hegemonic masculinity”: he resorts to violence, he resists change and he resents women and minorities (131). His alcoholism and quick temper tend to hinder his ability to adapt. However, change …

Contact: Little Orphan Ellie, Andrew Gordon

Reconstruction: Studies in Contemporary Culture

By featuring a woman scientist as protagonist, Contact (1997) is a welcome change in the largely male-dominated territory of American science-fiction film. The astronomer Dr. Ellie Arroway is an exceptional woman for recent SF film: a brilliant, dedicated visionary who defies the male scientific establishment, goes it alone, risks her career and life for her beliefs, and succeeds in the end by taking a dangerous journey to the stars to contact intelligent extraterrestrial life. Although the movie is largely faithful to the novel by Carl Sagan, it deviates from the novel in certain critical respects which end up making Contact …

Pushing Containment: The Tale Of The 1950s Science Fiction Vamp, Susan A. George

Reconstruction: Studies in Contemporary Culture

Starting with the observations of Janet Staiger and others regarding the female vampire or Vamp character, who has sucked men dry physically, financially, and/or morally for centuries, this essay looks at the representation of the Vamp in three science fiction films of the 1950s and 1960s—Them! (1954), The Wasp Woman (1960), and The Leech Woman (1959). The essay focuses on what the science fiction Vamp adds to the representation of the cinematic Vamp, first seen in films such as The Mothering Heart (1913) and A Fool There Was (1915), and how they represent age-old male fears regarding the feminine …

Review Of Alien Woman: The Making Of Lt. Ellen Ripley, By Ximena Gallardo C. And C. Jason Smith, Luke Vassiliou

Reconstruction: Studies in Contemporary Culture

No abstract provided.

It's Not Easy Being A Cast Iron Bitch: Sexual Difference And The Female Action Hero, Diana Dominguez

Reconstruction: Studies in Contemporary Culture

Lt. Ellen Ripley of the Alien series of films, Sarah Connor of the Terminator series, and Lindsey Brigman of The Abyss are examples of a special category of female role in Hollywood – the female action hero. To varying degrees of success, the three characters mentioned above defy the principal dilemma filmmakers seem to have in creating a character that can reconcile the presumably mutually exclusive aspects of cast iron bitch and traditional patriarchal societal views of femininity. Ripley, Connor, and Brigman infiltrate the male-dominated category of the action hero, but they are not a direct feminine challenge to the …

On Ethan Watter's Urban Tribes: A Generation Redefines Friendship, Family And Commitment, Danny Mayer

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Outside of the 60s generation, there are few if any generational groupings as well known and discussed as Generation X, the term coined by Douglas Copeland to describe the generation approaching adulthood in the post-Reagan boom-years of the 1990s. As the subject of books (Generation X), movies (Reality Bites, Clerks, Slacker), TV dramas and sitcoms (Seinfeld, Friends, Ally McBeal, Sex and the City), and Prime Time news specials, there is seemingly little new to say about Gen X. It has long since been tagged as a generation …

Discovering Your Cinematic Cultural Identity, John Shelton Lawrence, Marty S. Knepper

Reconstruction: Studies in Contemporary Culture

This paired set explores the experience of cultural identities constructed by and experienced through popular film. The essay “Discovering Your Cinematic Cultural Identity” reflects the authors’ decades of residence in the state of Iowa and their personal irritation with the stereotypes that Hollywood regularly calls upon in evoking the American rural. We gained a new perspective on this sort of imagery when it surfaced again in Field of Dreams (1989) and The Bridges of Madison County novel (1992) and film (1995). Each of these films triggered unprecedented film tourism for the state. Through an exploration of these films and others …

Review Of Hollywood Italians: Dagos, Palookas, Romeos, Wise Guys, And Sopranos, By Peter Bondanella, Marilyn Yaquinto

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Notes On Wittgenstein’S Method, The Practice Of Cultural History, And Early Film Theory, Markus Rheindorf

Reconstruction: Studies in Contemporary Culture

Markus Rheindorf's contribution offers some reflections on the critical potential of Ludwig Wittgenstein's uebersichtliche Darstellungor concise presentation, his self-consciously employed method of philosophical writing in the 1930s, and explores its theoretical and methodological potential for the practice of cultural history. In so doing, it articulates a substantial critique of conventional disciplinary historiography, taking as its case in point the history of (early) film theory. Rheindorf then takes up the suggestions gained from juxtaposing Wittengstein's method with conventional accounts of the history of early film theory and suggests concrete ways in which these might be put to practical use in the …

Nothing's Gonna Give? Age, Gender, And Cultures Of The Screen, Christine Scodari, Becky Mulvaney

Reconstruction: Studies in Contemporary Culture

Christine Scodari's and Becky Mulvaney's Nothing's Gonna Give? Age, Gender, and Cultures of the Screen investigates the 2003 romantic comedy Something's Gotta Give, written and directed by Nancy Meyers as exceptional in its featuring a fifty-something woman as leading actress. Beginning with an analysis of the filmic text itself, the authors do not confine themselves to it, but go on to critically engage with its reception in both the press and academia. While the focus is thus shifted from the film to the meta- and para-texts produced in the course of its reception and promotion, the underlying questions asked …

Now You're A Man [Book Review], Marc A. Ouellette

English Faculty Publications

No abstract provided.

On Gallardo And Smith's Alienwoman (2004), Stella Williams

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Ximena Gallardo C. and C. Jason Smith's recent book, AlienWoman, is a truly fascinating analysis of the relationship/conflict between the female protagonist Lt. Ellen Ripley, played by Sigourney Weaver, and the monstrous feminine Alien throughout the Alien saga consisting of: Alien (1979), Aliens (1986), Alien3 (1992), and AlienResurrection (1997). Lt. Ellen Ripley introduced viewers to their first self-reliant and successful female hero. The authors claim an important site for discussion on the changing ideas about gender, sex, and the female body is created by the Alien saga.

<2> Insightful scene-by-scene analysis reveals race, gender, and class distinctions operating …

On Kapell And Doty's Jacking In To The Matrix Franchise, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Jacking In to the Matrix Franchise is the red pill that makes us understand the world of the Matrix in ways we could not while we were immersed in it, since the volume's essays serve as a comprehensive look into the Matrix franchise, not just the film trilogy composed by The Matrix, The Matrix: Reloaded, and The Matrix: Revolutions. For the Matrix directors, Andy and Larry Wachowski, orchestrated an array of artistic endeavors, including a collection of short anime stories entitled The Animatrix, the video game Enter The Matrix and the The Matrix comics …

On Dixon's Straight: Constructions Of Heterosexuality In The Cinema, Markus Rheindorf

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Wheeler Winston Dixon's Straight is an odd book. An interesting book, to be sure, but one that falls short of its promise or, rather, its many promises. While its title, especially the definite article in its subtitle, would seem to suggest a rather abstract and general treatment of constructions of heterosexuality in the cinema, a cinema somehow constructed as a totality, the book is both inspiring and frustrating in its unsystematic approach to its object(s). Object(s) because it would be difficult, even without raising any objections to the construction of the cinema as a singular totality, not to …

'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Traditionally considered a monster in outer space series, the four films comprising the Alien saga: Alien, Aliens, Alien³, and Alien Resurrection, contain a vision of the Alien creature as an agent of human evolution that, taken to its logical extreme in Alien Resurrection, produce an uncommon posthuman subject: the Alien/Woman protagonist named Ripley. In the following article, Ximena Gallardo C. explores the introduction of the series' conception of human evolution through fusion with the Alien as a driving theme in Alien. It then briefly follows through Aliens and Alien^{3, …}

Racial Discourse In Planet Of The Apes, Mandy Sheidah Allen

Sociology & Criminal Justice Theses & Dissertations

The purpose of the study is to explore the racial discourse in the six Planet of the Apes films. The films range from 1968 to 2001 and portray the radical advances and the slow progression of race relations during this time frame. The racial discourse will be examined using themes of race and devolution, looking at the race class hierarchies of the ape society (a subversive metaphor for human society) and race as it is associated with power and political movements. The earlier films will be contrasted with Burton's 2001 version to explore how the concept race has shifted its …

From Butler To Buffy: Notes Towards A Strategy For Identity Analysis In Contemporary Television Narrative, Rob Cover

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Given the increasing significance of questions of identity, subjectivity and selfhood in contemporary postmodern western cultures, it is important to begin acknowledging how these questions are reflected in contemporary media and television and to develop new strategies by which to analyse television characters in terms of identity and subjectivity. The scope for analysing television series' characterizations through recent postmodern and poststructuralist theories of non-essentialist, non-foundationalist subject/identity performativity has not yet been considerably explored. It is my contention here, however, that such a method both reflects the representation of self and identity transformation in new television series as well …

Contesting Identities: Sports In American Film [Book Review], Marc Ouellette

English Faculty Publications

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in the book's …

Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

English Faculty Publications

The editors of Reel Baseball begin by acknowledging the roots of their collection, which explores the intersection between movies and baseball. Since 1989 the National Baseball Hall of Fame has hosted the Cooperstown Symposium on Baseball and American Culture. Since 1997, McFarland has published all papers presented at the symposium. Reel Baseball, then, functions both as a document and as an artifact of the "integral" place of baseball movies in American culture. Indeed, the book not only includes essays presented at the symposium, it has two foreword sections: one written by Hall of Fame President Dale Petroskey and the …

"Two Guns, A Girl And A Playstation™": Gender In The Tomb Raider Series, Marc A. Ouellette

English Faculty Publications

This article considers the combination of game play and narrative which combine to produce cross-gender identifications in video games, a previously underexamined potential for the production of alternate genders, one which calls into question the stability of gender, particularly masculinity, as a construct.

On Aaron Baker's Contesting Identities: Sports In American Film And Stephen C. Wood And J. David Pincus's Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in …

Of Technology And Apocalypse, Or Whose Independence Day?, Christopher Keep

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The scene is now familiar. The cities of the world are in ruins. The Empire State Building obliterated. The White House reduced to rubble. The remnants of humankind gather in the desert, scrounging together what remains of their air defence systems for one last effort to repulse the alien invaders. Haggard but determined, the last American President prepares to lead his motley crew of resistance fighters into the fray. He takes the hand mic, tests it once or twice, and his voice crackles over the speakers. In less than one hour, he announces, aircraft from here will join …