Film and Media Studies Commons^™

"10 Things I Hate About You" And The "Not Like Other Girls" Trope, Jazmine Bryant

Symposium of Student Scholars

Critical Analysis Abstract: 10 Things I Hate About You & The “Not Like Other Girls” Trope

The phrase, “not like other girls,” is commonly used to describe a person or character that is quirky, emo, a loner, intelligent, or independent. In film, this description typically has a positive connotation – at least, it’s meant to. A common consensus is that the trope upholds negative stereotypes about women or the group the character is “unlike.” TV Tropes states that by using or conforming to this trope, “it’s implied that your gender is inferior by default,” (TV Tropes). On the other hand, …

Mother!: A Look Into A Religion Based Screen Play, Madeline Ivey

Symposium of Student Scholars

Darren Aronofsky’s movie Mother!, explores Christianity in a very different way. The movie takes place in a house with Mother, Mother Nature, and him, God. Throughout this chaotic and confusing movie, there are many scenes that symbolize biblical stories from the Old Testament to the New Testament. Through his movie he shows biblical times through Mother Nature’s eyes, which makes religion seem more destructive and selfish. The purpose of this paper is to find connections between the Christian religion and how it is portrayed in the movie. I will do this by researching scenes and how they relate to …

A Character Analysis Of Knives Out, Garrett Bell

Symposium of Student Scholars

Rian Johnson’s Knives Out (2019) has been praised by many for its dialogue and its slick, refreshing take on the mystery/thriller genre; but I argue, like many great stories of our time, that it’s the characters in Knives Out that really propel this film near the top of all mystery/thriller triumphs. Rather than reinventing the character archetypes that one would normally see in a film of this caliber, Johnson takes those characters and serves them up in a way that makes them unique to his story: his way. By providing an in-depth analysis of each character in the many twists …

Women Writers Of Film & Television Project: Nancy Meyers, Hannah Henderson

Symposium of Student Scholars

The suppression of women’s voices in the film industry is of no secret to our society. For over a hundred years, many women have been placed in the background and were not given credit for their work in the industry, and only recently have the gates of Hollywood been open to more representation. In the 1980s, many women screenwriters were in creative partnerships with their husbands, and it was difficult for a woman screenwriter to be recognized for her own work and talents aside from the man in her life. One screenwriter, Nancy Meyers was able to garner more fame …

From Stage To Screen: The Art Of The Movie Musical, Vanessa Lopez

Symposium of Student Scholars

In this article I take a deeper look into what it takes to make a successful movie musical. When sound was introduced into the movie industry, it was musicals that stole the show. From 1927’s first talkie, The Jazz Singer, to 2021’s movie rendition of Dear Evan Hansen, movie musicals have been a key component of the movie industry. Throughout this article I will be comparing the success of two different kinds of movie musicals. The first type that I will be analyzing are the movie musicals that were written and produced directly for the screen. This includes movies such …

The Journey Of Life Itself, Ashton Webb

Symposium of Student Scholars

Life Itself, written and directed by Dan Fogelman, is a heartbreaking tale featuring three different couples and the journey that life takes them on. Throughout the film there are common themes of heartbreak, marital problems, and death. The three stories are joined together by one devastating event, and Fogelman shows how beauty can be made from ashes. In this presentation, I will explore the themes of love, heartbreak, and depression and how these themes shaped the film, allowing Fogelman to intertwine three stories into one in order to tell an interconnected story. Though the film was not well received by …

The Complexity Of "The Hate U Give", Esosiye Alexander

Emerging Writers

"The Complexity of 'The Hate U Give'" discusses significant cultural and societal aspects of the 2018 N.A.A.C.P. award-winning film, "The Hate U Give." As part of evaluating the film, this essay analyzes the film's portrayal of police brutality in the black community, its long-term consequences, complex discussions that black adults have with youths and themselves, and how difficult it is to get justice for the victim.

Everyone's A Critic: My Review Of The Reviewer, Jessie Rigsbee

Emerging Writers

This article is an analysis of movie critic Oliver Jones’s Avengers Endgame film review. Through the inspection of rhetorical devices, the effectiveness of the review is assessed. The evaluation determines the faults of Jones’s argument for Endgame’s place with history’s greatest film sagas.

Whose Protagonist Is It Anyway?, Ori Mckinney

Symposium of Student Scholars

The Favourite (2018), written by Deborah Davis & Tony McNamara and directed by Yorgos Lanthimos, transcends the traditional tropes associated with genre period pictures in its unique telling of the tale of two cousins vying to be in Queen Anne's favour during her monarchy. In this presentation I study the unique story structure of this film, which centers on three equally weighted characters. In contrast to the traditional single protagonist story structure, this film shifts the point of view making each lead character either the protagonist or antagonist depending on whose perspective you watch it from. The story is written …

Pirates Of The Caribbean: An Analysis Of The Curse Of The Black Pearl And The Adventure Genre On-Screen, Mezi Mulugeta

Symposium of Student Scholars

In Story: Style, Structure, Substance, and the Principles of Screenwriting, Robert McKee maintains that while action-adventure is “often dismissed as mindless fare, it is in fact the single most difficult genre in which to write today…simply because it’s been done to death.” Said death came swiftly for Cutthroat Island, the 1995 flop that sank the pirate subgenre—until Pirates of the Caribbean: The Curse of the Black Pearl premiered in 2003. The film was a risk that paid off massively for Disney, the pirate subgenre, and arguably the adventure genre as a whole in the modern age. This article …

Analysis Of Christopher Nolan's Interstellar, John Hunter Ray

Symposium of Student Scholars

In this study, I examine the ways in which Christopher Nolan developed the protagonist in Interstellar (2014). The protagonist, Cooper, played by Matthew McConaughey, is the audience’s window into the world Nolan creates in the film. Though typical Christopher Nolan screenplay structure is more complicated than the average feature film, I argue that it is the character development of the protagonist that engages viewers and ultimately allows us to connect with the story. The central conflict that cooper desires to be the best dad he can be he is forced to abandon his family to save the world. That is …

Godzilla (1954) Research Analysis, Cyrus Aldridge

Symposium of Student Scholars

Cyrus Aldridge

FILM 3105

Prof. Anna Weinstein

10/20/2021

Abstract Research Analysis: Godzilla (1954)

According to Michael Maher, two years after World War 2 the United States’ military presence attempted to control Japanese media including its cinema. Despite this fact, Japanese filmmaker Tomoyuki Tanaka was able to produce Godzilla (1954), symbolizing the horror of nuclear holocaust. In this presentation, I argue that Godzilla is one of the greatest monster movies of all time due to its cultural relevance and its use of musical scoring, set design and costume design. In this study I demonstrate how Tanaka implements its score, set …

The Impact Of Endings, Carolina Solis

Symposium of Student Scholars

This presentation explores the importance of movie endings, and how an ending can impact the audiences’ opinion of a movie. I look at Ronald Bass’ Sleeping with the Enemy, and how he developed Julia Roberts’ character in a way that made the audience believe that not only was she capable of killing her abusive husband, but that she should kill him. I also look at Frank Darabont’s The Shawshank Redemption and discuss how Andy’s eventual escape from prison was too much of a surprise to the audience, and how the movie should have ended with Norton’s suicide. Finally, I …

Marriage Story Screenplay Analysis, Kaitlyn Bauer

Symposium of Student Scholars

This presentation examines the story structure of the Oscar-nominated film, Marriage Story (2019), written and directed by Noah Baumbach. The film captures the dissolution of a marriage, following a couple as they navigate life with their son as their marriage unravels. In this analysis, I study how Baumbach crafts the screenplay to explore both subjective viewpoints in the story so the audience does not pick sides in the divorce. This differs from most single-protagonist divorce stories, where the writer tackles the narrative from one character's point of view, favoring one parent over the other. Marriage Story is a dual-protagonist film, …

Gifted Screenplay Analysis, Chloe Ford

Symposium of Student Scholars

Gifted, the film directed by Marc Webb released in 2017, details the story of a single man named Frank (Chris Evans) raising his young niece Mary (McKenna Grace), who just so happens to be a 7-year-old genius. He plans for her to live a normal life; go to public school, make friends, play sports, truly be a kid, but his mother has something else in mind. Mckenna’s grandmother Evelyn (Lindsay Duncan) threatens to rip Mary away from her little life in the suburbs, as well as her beloved Uncle Frank. This study analyzes the complexity of the characters in …

Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond

Symposium of Student Scholars

In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …

Native American Representation In Film, Matthew Mccadden

Symposium of Student Scholars

Abstract: This paper looks at the history of indigenous portrayals in popular culture and how it influenced future film makers to create the Native stereotype in film. The purpose of this research paper is to discuss the representation of Native Americans in film and how it affects people’s perception of Native Americans. It looks at the negative associations with Native Americans that viewers tend to think of when viewing cinema, and it discusses the help and harm it has done to the Native American community. I used evidence from classic and contemporary films, Buffalo Bill’s Wild West Show, older genre …

Native American Representation In Film, Matthew Mccadden

Symposium of Student Scholars

Abstract: This paper looks at the history of indigenous portrayals in popular culture and how it influenced future film makers to create the Native stereotype in film. The purpose of this research paper is to discuss the representation of Native Americans in film and how it affects people’s perception of Native Americans. It looks at the negative associations with Native Americans that viewers tend to think of when viewing cinema, and it discusses the help and harm it has done to the Native American community. I used evidence from classic and contemporary films, Buffalo Bill’s Wild West Show, older genre …

Home, Kandace James

Master of Arts in Professional Writing Capstones

My feature-length screenplay follows an anxious girl who, after her mother kicks her out of the house, is forced to live in her car. She’s in love with the dog walker but she’s the one who got her kicked out in the first place. Possessing the voices of queer, Black women, I display one possible outlook on the queer experience. “Home” broadens the narrative of young Black girls lived realities in America. “Home” depicts the realities of what it means to be young, Black, queer women in a world marked with religiosity, abuse, and grief, while in the process of …

Mental Illness In Horror Films, Nix Bradly

Emerging Writers

The depiction of mental illness within in the horror film genre has historically been non-inclusive or demonizing of the mentally ill. When we look at the genre today, there are still many instances of this villainization of the mentally ill, although there are recent examples of more progressive depictions of those afflicted. This article looks at the history and current trends of depictions of mental illness in films and argues that we can help move the genre away from stigmatizing mental illness by uplifting and supporting those who have mental illness to express themselves through the art of horror film …

Officer Ryan: The Misjudged, Simona Berenych

Emerging Writers

This short essay analyzes the character of Officer Ryan in the film Crash in terms of his racist and sexist attitudes. The author argues that the film shows the character's development throughout the film in order to complicate the stereotype of a white, racist police officer.

Drawn To Peace: Comics As Multimodal Narratives In Peace And Conflict Education, Laurence Stacey

Doctor of International Conflict Management Dissertations

Comics, a type of multimodal narrative, have historically been used as platforms for political discourse. Through a combination of visual, verbal, and spatial devices, comics often explore issues of peace, conflict, and justice “from below,” in ways that reveal the complexities of narrative and identity. In doing so, they have the potential to interrogate grand narratives that often go undisrupted. Humanities scholars have long recognized the value of literary and visual arts in preparing students to engage the salient themes of peace education. However, the medium of comics remains undertheorized in that field, despite the increasing popularity of comics as …

Panoptic Vision: Disjuncture, Transgressions, And Imagination In Laila Marrakchi’S Film Rock The Casbah, Touria Khannous

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This article focuses on Laila Marrakchi’s film Rock the Casbah (2013), which reflects the exchange between global and local cultural and sociopolitical ideologies of a new Morocco. The film highlights the contradictions of globalization as it occurs through disjuncture. Arjun Appadurai’s theory of the world in motion and “a world of flows” provides a relevant framework for this analysis. The article uses Appadurai’s notion of “disjuncture” as a theoretical framework to discuss the dynamics and interrelationships involved in the protagonist’s movement between Western mediascapes as a filmstar and her Moroccan family’s local context. Appadurai’s conceptualization of globalization is crucial for …

Age Of Failure, Amber Stokes

Emerging Writers

Third-place winner of the Academic Category for the 2018 Emerging Writers Contest. The essay analyzes the use of sequels in the Avengers film series.

Language: The Amicable Monster In Arrival By Denis Villeneuve, Nicolas Franco-Roldan

Emerging Writers

Second-place winner in the Academic Category of the 2018 Emerging Writers Contest. The essay analyzes the use of language and its depiction as monstrous in Denis Villeneuve's film Arrival.

Pink Is The New Bull: The Feminization Of Pit Bulls In Visual And Literary Discourses As A Rescue Tactic, Stephanie Hogue

Master of Arts in American Studies Capstones

Since the 1980s, pit bulls have been portrayed in a raced, classed, and gendered national discourse that has associated them with minority males of color in low-income urban areas. This discourse has led to a villianization of the breed that has resulted in restrictions on pit bulls and their owners. This project seeks to explore the raced, classed, and gendered representations of pit bulls in cultural productions and the nuanced ways in which the intersectional identities ascribed to pit bulls have impacted their status as acceptable pets in the United States.

I aim to demonstrate that through visual and literary …

The Anti-Black Hero: Black Masculinity Media Representation As Seen In Netflix Series Luke Cage And Fox Series Empire, Meya Joyell Hemphill

Master of Arts in American Studies Capstones

The reoccurrence of the Black Brute, the Thug, and the modern day Coon stereotypical images on current television narrowly defines Black masculinity as a monolithic experience. Young Black boys, are often unable to see themselves as those who are portrayed on television. The images they see on screen are sometimes not realistic. Unfortunately, for some young Black boys, these stereotypical images may heavily influence their own behavior. Society often criminalizes and demonizes young Black men as angry, violent, and dangerous. They pose as a supposed threat to society and are thought to be even more problematic as they age. Currently, …

Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper

The Kennesaw Journal of Undergraduate Research

This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.

The Legends Of Bigfoot: Or How I Regained My Manhood, Blaine Mccarty

Master of Arts in American Studies Capstones

Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly …

The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen

Oglethorpe Journal of Undergraduate Research

In this article, the question of whether or not video games could be considered art is explored, as well as what this means for video games as cultural products. Using an interdisciplinary approach, I suggest that there are some games we can consider “art”, and that these games are not only different aesthetically speaking, but are also different from a media-effects standpoint. The article consists of three main sections, an aesthetic review, a content analysis, and a pilot study. In the aesthetic review, I employ different perspectives from aesthetic philosophy in order to come up with criteria for what an …