Film and Media Studies Commons^™

Distributor As Tastemaker: Neon And The American Independent Film Sector, Lucie Boulet-Gercourt

Scripps Senior Theses

This thesis explores the role of independent film distributor NEON as a leading tastemaker in the American indie sector. Founded in 2017, NEON has distinguished itself from competing studios and streaming services by maintaining a commitment to the theatrical experience and to genres that Hollywood has been historically hesitant to embrace. Using Pierre Bourdieu’s concept of the ‘cultural intermediary,’ I analyze how NEON has demonstrated its viability within the indie sector through its promotional strategies, chosen avenues of distribution, and specific film products. While media industry scholars have recently revisited Bourdieu’s theory in order to study producers of cultural value, …

#Mentalhealthmatters: Mental Health Awareness Campaigns In Media And Its Effectiveness On Stigma Reduction In Third Culture Kids, Airi Sugihara

Scripps Senior Theses

The recent amplified attention towards mental health and overall wellbeing has been accelerated by awareness campaigns in media, which are culturally and regionally tailored to encourage efficacy and positive attitude changes. Some of these mental health awareness campaigns are disseminated on the social media platform Instagram, which is contradictory to Instagram’s corporate lack of acknowledgement towards its addictiveness and negative impacts on user mental health. The aesthetic and influencer culture surrounding social media empowers its systemic problems, which is exacerbated by modern society’s media dependency. Within its discriminatory and oppressive algorithm, mental health awareness campaigns created by Instagram represent corporate …

Seaglass: An Animated Rejection Of Narrative Permanence, Alejandra Louise Blackmore

Scripps Senior Theses

This thesis explores how popular narrative structures imply that our reality should be stagnant, thereby leaving us as viewers unprepared for the notion of change. I introduce the term “narrative permanence” as a story structure that assumes the foundations of a narrative are absolute. These stories therefore consider structural change as a threat or abnormal. I analyzed examples such as The Simpsons and news coverage of the BP oil spill to demonstrate how popular media frames change as an unnatural occurrence that must be neutralized. My thesis then culminated in an animated short about a person living in a seaside …

Family Tree, Yumeng Zhang

CGU MFA Theses

For the past two years I have been making works that attempt to describe the world from a subjective perspective as much as possible, striving to move beyond what I see around me to what I know. I create through my body, my memory and my subconscious, which is the truest expression of my inner self.

El Inmigrante En El Cine Del Siglo Xxi: Un Análisis De La Identidad Indocumentada Y Sus Esfuerzos Por Mantener Una Comunidad Unida Dentro Y Fuera De La Pantalla, Guadalupe Valente

CMC Senior Theses

El cine en los Estados Unidos ha sido una parte clave de su cultura por muchos años. La industria del cine en los Estados Unidos es un negocio de miles de millones de dólares y con unas de las influencias más inmensas en el país. En términos del género inmigratorio en el cine, existen varias percepciones negativas de la comunidad Latina – incluyendo entre ellas: el traficante de drogas, el violador, el ladrón de trabajo, el empleado doméstico o el trabajador de “blue collar.” Aunque existen muchos estereotipos para los latinos, unos de los personajes más maltratados es el inmigrante …

Reimagining The Black Body Through Portraiture: Interpreting The Functional And Societal Roles Of Photography And The Reconstructive Power Of Camera Technology And Photographic Images For African American Self Image, Robert Cain

CMC Senior Theses

This thesis addresses the multiple ways in which the medium of photography, and specifically the portrait photograph, enabled African Americans to visually contest degrading portrayals of blackness and reclaim stolen agency in producing depictions of self throughout the media and popular culture. The societal reverberations of camera technology on the emergence of black photographers like Richard Samuel Roberts, James VanDerZee, and Gordon Parks are analyzed, and the images taken by these artists are read against a history of racist stereotypes, reconsidered for their aesthetic contributions to the art world, and interpreted within the tradition of African American photography. A brief …

Reimagining Abandoned Community Space In A Post-Pandemic Environment, Julia Drooff

Scripps Senior Theses

Earlier this year, the Covid-19 pandemic accelerated the demise of the Great American Mall by forcing temporary and permanent closures across the country. The low-end malls that remain are dealing with crippling debt and the closing of key department stores like JC Penney and Neiman Marcus[1]. With only super-luxury malls thriving, many of the standard malls set up in the eighties are just abandoned parts of a community. So, what should happen to these abandoned malls? And what role does that space now play in the post-pandemic community? Since malls began to shut-down pre-Covid-19 did the need for …

The Comfort Watch: Psychology And Media Theory Perspectives On Nostalgia And Film, Sohni Kaur

Scripps Senior Theses

This thesis explored the relationship between nostalgia, film, and coping mechanisms,

using both media theory and psychological lenses. Nostalgia, a concept with roots in both media theory and psychology, is best defined as homesickness for a time rather than a place. Nostalgia, when combined with film, leads to the concept of “comfort watches”, a scarcely researched topic. From a psychological standpoint, research suggests that nostalgia and media usage are commonly used coping mechanisms, yet there has been little to no research combining the two. The psychological study included in this thesis was conducted online in the United States using 83 …

What You Save: Cultures Of Collecting In The Digital Era, Sophia Davirro

Scripps Senior Theses

As children, we may have collected items around us such as a box of rocks, insects, stuffed animals, stolen items from a sibling’s room, or crayon drawings on sticky pieces of paper. As our curiosity grows, so do our collections, kept in the closet, soon forgotten but forever representative of a specific time in our life. While the types of objects we collect (and the way we collect them) may change, the desire to leave traces of ourselves behind doesn’t.

This project explores cultures of collecting through a digital media lens and examines how digital technology and our culture of …

The Mulder Effect: I Want To Believe...In Steam, Olivia Burgess

The Transdisciplinary STEAM+ Journal

The balance that Mulder and Scully discover in their partnership on The X-Files represents the balance we find in STEAM: trust in science with the ability to question, imagine, and dream.

Tracing Biometric Assemblages In India’S Surveillance State: Reproducing Colonial Logics, Reifying Caste Purity, And Quelling Dissent Through Aadhaar, Priya Prabhakar

Scripps Senior Theses

Tracing Biometric Assemblages in India’s Surveillance State seeks to understand the historical conditions that rendered the nation-state of India as having the world’s largest biometric surveillance system: Aadhaar. Surveillance practices used by the British Raj mirrors the current social order of the ruling Bharatiya Janata Party (BJP), as they use surveillance to similar ends in today’s political economy, through the intersecting forces of neoliberalism and ethnonationalism. This thesis is an exploration into how India’s current surveillance regimes cultivate biometric surveillant assemblages through Aadhaar. Contrary to claims that Aadhaar was created to empower the poor, I argue that these surveillance regimes …

"May We Be Buried Alive Together": Towards An Intersectional Feminist True Crime Praxis, Alexandra White

Pomona Senior Theses

Most mainstream true crime narratives revolve around a corpse. It is usually the body of a woman. The body is most often white. Not always, but in the cultural imaginary, she is blonde. She comes from a good family. She was a sweet girl. What happened to her? While this question haunts the general public, it also animates true crime communities as the victim becomes a symbol of innocence, a site of spectacular violence, and evidence of the incomprehensible extreme of human behavior. The question brings (primarily) white, cis women true crime fans together in the name of fascination, fear, …

Hear For You: Engaging With Vocal Authority And Vulnerability Through Podcasting, Rowen Light-Wills

Scripps Senior Theses

Through applications of literary and film theory, cultural analysis, and historical context this thesis project will deconstruct the text of the physical and metaphorical gendered voice. The podcast medium allows for exploration of the physical voice in a spontaneous format, which makes it the ideal platform for hosting conversations between college-aged students that examine cultural conceptions of the voice. Focusing primarily on the feminized[1] voice as a site of cultural tension, participants can tell the story of their voices, talking about experiences that have shaped their auditory self-perception. The work of this project is to demonstrate that the medium …

@Karlnarcs: A Comedic Critique On The Digital Age, Evelyn Davis

Scripps Senior Theses

An outline of the pre-production, production, and post-production of a five-minute comedic short on the digital age and its influence on Generation Z using Marxist theory.

Traumatized Characters In Traumatized Environments: A Look At Repression And Horror, Rebecca L. Goldman

Scripps Senior Theses

Using Sigmund Freud’s theory of ‘return of the repressed’ as a theoretical basis, this paper takes a case study approach using three critically acclaimed horror films. These films include Nicholas Roeg’s Don’t Look Now (1974), Stanley Kubrick’s The Shining (1980), and Ari Aster’s Midsommar (2019). With use of each film, the interaction between the repressed trauma of the protagonists’ and the film environment is explored, utilizing the notion that repressed trauma will always manifest itself as a symptom of the unconscious mind. Supporting theories include Slavoj Zizek’s notion that dreams must be read in terms of their form, stemming from …

Indominable, Kathleen A. Fox

CGU MFA Theses

INDOMINABLE, Kathleen A Fox

The reformation of the feminine portrait from that of idealistic sexual beauty into a portrait of strength, community, longevity, transformation, and inane human foundational essence of societal value. This collection of portraits illustrates the uniqueness that is often overlooked for the fast, idealistic and instantly read images of women hailed as beautiful. These women contain a space they have earned with their strength of character, spirit, and unwillingness to be moved from their places of significance. Created with an expressive abstractive edge to traditional portraiture, these female portraits refuse to be easily glossed over, for their …

Negotiating Political Identity In Community-Based Film Festivals: Reflexive Perspectives From Curator-Scholar-Activists, Eve Oishi, Marisa Hicks-Alcaraz

Faculty Papers and Conference Presentations with CGU Graduate Co-authors

This article is a cross-generational exchange of ideas and experiences that explores the intersections of film curating and activism. Its authors set forth accounts of their own experiences as scholars who have worked as film festival curators “on the side” from the 1990s to the present within the context of the new yet rapidly growing field of film festival studies, which provides a useful set of perspectives and methods for understanding how film festivals function and what significance and impact they can have on the multiple stakeholders involved, including but not limited to the filmmakers, festival organizers and staff, and …

A Geocritical Approach To Coloniality And Aesthetics: Mapping The Spatial Narratives Of The Amazon Basin, Michael Wang

CGU Theses & Dissertations

Coloniality, or the living legacies and practices of the 500 years of European colonization, has produced racial, political, and cultural hierarchies around the colonial difference dividing East from West, center from periphery, civilization from the Global South. This dissertation examines a particular strand of coloniality in the Western narration and aesthetics of the Amazon basin, particularly the consequences of travel writing, science fiction and cinema of Amazon’s tropicality and its enduring effects on spatial cartography. In addressing Western representations of the jungle terrain, this paper focuses on the dichotomous relationship between the metropolitan center and the colonial outer-periphery exemplified by …

Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta

Scripps Senior Theses

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.

The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals …

The Winchester Gospel: The 'Supernatural' Fandom As A Religion, Hannah Grobisen

CMC Senior Theses

This thesis explores how fandom can be interpreted as a religious experience, specifically examining the fandom of the television show Supernatural. I focus on how fans are emotionally influenced by and drawn to the source material, fan labor/content creation, LGBTQ content and interpretations by the fandom, and toxicity within the fandom.

Constructing Memory In The Wake Of Tragedy: An Analysis Of Film As A Tool Of Collective Memory In The Aftermath Of The Dictatorships In Argentina And Chile, Megan C. Schneider

CMC Senior Theses

Acting as an audiovisual vector of catharsis, film has proved an innovative and effective tool in the process of reconstructing collective memory in the aftermath of traumatic events. This thesis focuses on the emergence of filmmakers and their movies in the post-dictatorial periods in Argentina and Chile as both nations sought to confront their violent pasts. A general overview of the process of memory construction is included to provide background for the subsequent analysis of film as a vector of collective memory following trauma. An examination and comparison of various films produced for both domestic and international audiences detail each …

Evolution Of The Final Girl: Exploring Feminism And Femininity In Halloween (1978-2018), Maya Zhou, Maya Zhou

Scripps Senior Theses

Decades of horror film research and theorizations have shown us that there is a reason why this particular genre has been an important part of film history from the beginning: namely, the idea that horror both reflects and shapes our historically and culturally specific anxieties.

By examining the Final Girl trope in Halloween (the 1978 original versus 2018 version), this paper traces the evolution of female protagonists and whether a more modern film accurately reflects the increasing role of feminism in society, or sticks to traditional conventions of misogyny and male-dominated visual pleasure. Placing the newer film in the context …

The Attention Crisis Of Digital Interfaces And How To Consume Media More Mindfully, Kristen M. Liu

Scripps Senior Theses

Digital forms of media are monopolizing individuals' attention spans, utilizing visual strategies that demand our interactions. Throughout the history of media technology, mediums have become increasingly immersive, presenting more information than ever before. The user interface designs of digital platforms can damage our ability to focus and distribute attention in meaningful ways. Through analysis of our digital media consumption, this capstone project ultimately proposes mindful practices that help us lead more balanced lives and thrive in the digital age. The second half of this capstone project is a digital zine with digital illustrations, animations, and editorial-style articles. The digital zine …

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

Globalized Interfaces And Anticolonial Engagements With Material Technologies Of Empire: Tabita Rezaire And Morehshin Allahyari’S Works, Neelufar Franklin

Scripps Senior Theses

The virtual is far from immaterial and its expressions are multifarious. The infrastructure of a technologic-globalism has opened new pathways of desecration, created new networks of exploitation, and reinforced fraught foundations. Tabita Rezaire and Morehshin Allahyari are two artists whose radical technofeminist and new materialist practices engage with counterdiscourses in the face of the globalized interfaces of technology; from mappings of submarine fiber optic network cables or understanding water as a knowledge repository, to 3D printed queered figures of Islamic mysticism and hypertext narratives. In these anachronistic approaches to technological use and analyses, archives become possibilities for renderings of futurity …

Damn Spot: Navigating Emotional Trauma In The Body, Emma M. Elliott

Scripps Senior Theses

I researched the history of emotional trauma and its portrayal in modern media and Shakespearean plays and created a film based on my personal experience with the topic. This film utilizes Shakespearean song and monologue from Hamlet and Macbeth to narrate the inner journey of a girl working through emotional trauma. We follow her as she feels the impact of her trauma in her body and as she tries to hide it from her friends and maintain a normal facade. This film does contain a fictionalized portrayal of an anxiety attack, so viewer discretion is advised. This project does not …

Emerging Dark Matter: La’S Underground Women Musicians In The Digital Age, Linnea Rosenberg

Scripps Senior Theses

Virtual Angel is an independent e-zine publication that attempts to frame an emerging canon of self-made, women musicians that work in the margins of Los Angeles’ music and culture industries.

Democracy At Stake In The Digital Age: Engaging In The Net Neutrality Debate For The Preservation Of Free Speech And The Redemption Of Public Interest, Christina (Sung Min) Yoh

CMC Senior Theses

Net neutrality is currently one of the most topical government policies up for debate. In the following paper, I will examine three cases in which net neutrality has been threatened by internet service providers and the Federal Communications Commission and reinforced by public interest groups, major website companies, and the public. The online regime has been a critical instrument in the outcome of all three cases, highlighting the role and influence of internet users in the virtual and physical public spheres.

Some say that the battle is already lost. FCC Chairman Ajit Pai and his Republican majority in the agency …

Jocks For Justice: How Sports Media Reflects And Propagates Societal Narratives, Laura Kathryn Reifsnyder

CMC Senior Theses

Sports presents one of the most popular forms of entertainment in society, and sports media continues to expand its billion-dollar influence through new television deal and broadcasting rights. But with a population of journalists who are overwhelmingly white, straight, and male, sports media is promoting the hegemony of said image by reproducing stereotypes in its broadcasts to audiences around the country. Mainstream media regurgitates these stereotypes in their coverage of minority athlete by portraying black players as unintelligent or “thug”-ish, women as “butch”, and gay athletes as effeminate. These representations allow for the perpetuation of the white, heterosexual male narrative …

21st Century Film Criticism: The Evolution Of Film Criticism From Professional Intellectual Analysis To A Democratic Phenomenon, Asher Weiss

CMC Senior Theses

Film criticism has changed since its inception and will continue to change moving forward. The evolution of film criticism has largely been a story of the shift from an elite field of intellectual exploration by a few knowledgeable experts to a democratic phenomenon where expert analysis is aggregated and averaged, and the lines are blurred between true expertise and the random opinions of the masses. This paper will address the transition from the birth of film criticism to its popularization through the 90s, to what it has become today. By exploring the nature of film criticism historically and reviewing the …