Film and Media Studies Commons^™

“‘The Most Fabricated Exception’: Islam, Immigration And The White-Saviour Narrative In Laurent Cantet’S The Class.”, Elizabeth Toohey

Publications and Research

This article suggests that the acclaim director Laurent Cantet received for his 2008 award winning film “The Class” obscures the way this film reinforces the very undercurrents in French culture he sets out to critique. Rather than unearthing or mirroring the racial dynamics of twenty-first-century Paris, Cantet brings to the film a set of fascinations and anxieties latent in the French imagination about blackness, Islam and Arab culture. His preoccupations and preconceptions with race, religion and nationality appear first in the portrayal of Muslim immigrants as threatening; next, in his image of a ‘white saviour’ bent on rescuing racial minorities; …

Who Are The Stewards Of The Aids Archive?, Alexandra Juhasz, Theodore Kerr

Publications and Research

How are returns to AIDS cultural production whitewashed, and how can we return, attending with care to the earlier video work of women and people of color. How can we practice decent stewardship of this vulerbale archive?

#Cut/Paste+Bleed: Entangling Feminist Affect, Action And Production On And Offline, Alexandra Juhasz

Publications and Research

I consider my media praxis project to be labs, encounters, theory-making and scholarly output where doing and thinking in community (often the classroom and its linked spaces) in the sites or technologies under consideration is the “scholarly” product. That is to say, the doing and the process is the product, and what remains can also be shared and/or evaluated, as needed. This sharing of process is what I model now. I describe my most recent project, Ev-Ent-Anglement, engaging again critically with social media networks from inside them, share some of my lessons learned about production and action-based New Media/DH research, …

News Literacy, Sissel W. Mccarthy

Open Educational Resources

"The digital age has created the need for a new kind of literacy-a literacy that empowers news consumers to determine whether information is credible, reliable and truthful. This is not just a skill; it is a new core competency for the 21st century. So-called “fake news” is hard to spot and spreads easily, leading to disagreements over basic facts. The antidote to the growing challenges posed by this digital revolution is news literacy. This mini news literacy course includes two three-hour sessions that will teach anyone to become a more critical consumer of news. "

The News Literacy course package …

The Dmz Responds, Seo-Young J. Chu

Publications and Research

Seo-Young Chu’s “The DMZ Responds” appeared in Telos 184 (Fall 2018), a special issue on Korea edited by Haerin Shin.

For An Afghan Minority Us Involvement Has Been A Blessing And A Curse, Sharif Hassan

Capstones

My capstone is about, Hazaras, an ethnic and religious minority long persecuted in Afghanistan. But after the U.S.-led invasion in 2001, they made remarkable progress in education, politics, economics, art and culture. That success did not go unnoticed by militant groups. Hazaras are increasingly becoming the target of deadly attacks. Over 350 of them have been killed and more than 750 wounded in at least 13 targeted bombings since June 2016. And these attacks forcing Hazaras to flee the country to Europe. They were massacred and forced from their lands throughout the 19 and 20^th centuries in religious and …

Post-Representational Presence: Disruptive Actions & Visibility Politics In New Media, Christian Hendricks

Theses and Dissertations

This text is a written component to a master’s thesis in the fine arts. It is a research-intensive text that conventionally examines contemporary conditions of politics and modes of representation, and analyzes the most innovative artists and visual producers working in these areas. However, the text also includes exercise modules with “challenges” for the reader, similar to a textbook. In the modules, the examples provided are works of my own. I also include text, images, and documentation of my own work from my MFA thesis exhibition.

Only The Strong Live, Dewayne Gage

Capstones

This is a documentary about the life of Cadeem Gibbs. A glimpse of his past that lead him to incarceration for six years. After being released in 2013, Gibbs is dealing with the life outside of incarceration as he uses his life to inspire others and connect with the youth.

http://www.dewaynegage.com/blog/2017/1/9/filling-the-void-1

Mask On: How Fashion Erased The Politics Of Streetwear In 2017, Frances Sola-Santiago

Capstones

This year, fashion embraced streetwear in the highest echelons of luxury. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, streetwear was catapulted into the fashion zeitgeist— hoodies, do-rags, sneakers, and chains included. But fashion’s history of temporary blackness questions the industry’s ability to deal with the politics of criminalization, discrimination, appropriation, and inequality that come with this trend.

In an era when white supremacy lives within the mainstream conversation and African Americans and Latinos are disproportionately targeted by police and criminal justice, it’s clear that what we wear and the culture …

Stopping Up The Works: Weir’S The Plumber And Social Class Conflict, William Blick

Publications and Research

The Plumber, an Australian film by director Peter Weir, is an exploration of different characters from diverse backgrounds thrown together in an awkward and challenging situation. It manages to play on audience’s biases about the working class. The director succeeds in is giving us is a Hitchcockian exploration of clashing socio-educational-economical forces, and straddles the line between value judgement and simple interpersonal experiment.

A Preservationist’S Guide To #100hardtruths-#Fakenews: One Fake News Preserve, Alexandra Juhasz

Publications and Research

The author created a media project, #100hardtruths-#fakenews, to collect and preserve media relating to fake news that was generated during the first 100 days of the U. S. Presidency of Donald J. Trump. Her resulting website chronicles fake news as well as the many media responses to it. This article describes the author’s construction of the site, characteristics of the posts, and ways in which she navigated the large volume of fake news and related posts. The project explores the complex issues that attend such a project. The goal was to induce energy and insight so that thoughtful professionals might …

The State Of Hollywood Between The World Wars, George R. Robinson

Open Educational Resources

No abstract provided.

L.A. Rebellion: Creating A New Black Cinema, Book Review, Peter Catapano

Publications and Research

No abstract provided.

Modernism And Citizen Kane, George R. Robinson

Open Educational Resources

Lecture traces the rise of High Modernism vis-a-vis cinema, focusing on why mainstream American film didn't adapt modernist tropes until Welles's 1941 debut feature Citizen Kane

Smita Patil: Fiercely Feminine, Lakshmi Ramanathan

Dissertations, Theses, and Capstone Projects

Smita Patil is an Indian actress who worked in films for a twelve year period between 1974 and 1986, during which time she established herself as one of the powerhouses of the Parallel Cinema movement in the country. She was discovered by none other than Shyam Benegal, a pioneering film-maker himself. She started with a supporting role in Nishant, and never looked back, growing into her own from one remarkable performance to the next. She quickly became the go-to actress for most of the film-makers working in Parallel Cinema at the time. Patil was soon critically acclaimed both within …

Impressive Failures: Mavericks Of Film Authorship And The Impossibility Of Success In Hollywood, Tom S. Davies

Dissertations, Theses, and Capstone Projects

This dissertation directly challenges the critical and commercial primacy of success attached to Hollywood films and their filmmakers, especially when one argues for or against their quality and/or importance within cinematic history. Through a process of shifting and multiplying perspectives within a broader narrative that is critical of what separates success and failure, certain films and filmmakers that were judged as failures or disappointments under impossible prerequisites of creating a successful film––commercially, aesthetically, or both–– are, instead, reconsidered as constructive counterpoints to the expectations of the Hollywood economic field of production as well as to the inevitable disappointment of the …

Butch Between The Wars: A Pre-History Of Butch Style In Twentieth-Century Literature, Music, And Film, Karen Allison Hammer

Dissertations, Theses, and Capstone Projects

Butch Between the Wars is a pre-history of “butch,” a twentieth-century masculine style that became an identity category for lesbians in the 1940s and ’50s. Between the two world wars and in the early postwar period, women used the energy of butch to create literature, music, and character on film. Butch-styled artists expressed a muscular orientation to the world, one with close associations to lower and working class black and white masculinities. Those who were recognizably lesbian and those with less clearly defined sexualities challenged the idea that strength, authority, and independence are qualities “naturally” bound to the male body. …

Heavy Ink: A Documentary On The Comicbook Revolution, Renzo Adler

Dissertations, Theses, and Capstone Projects

Heavy Ink is a documentary short focusing on the comic anthology magazine, Heavy Metal, examining its history as both a standout comic magazine, and how it fits into the larger tradition of comic books. What started off in 1977 as a sci-fi offshoot of National Lampoon ushered in a new era of comics by bridging the gap between American and European comic sensibilities with a talent pool from all over the world.

Heavy Metal would go on to have reverberations beyond comics into music, movies, and the global entertainment landscape of today. Heavy Metal introduced the world to artists such …

You Need Violence And Sincerity: Godard And The Manufacturing Of A Revolutionary Cinema, Matthew Ballinger

Dissertations, Theses, and Capstone Projects

Godard’s cinema of the mid-to-late-sixties offers a compelling body of work in which we can witness the director making a more conscious effort to renounce the tendencies of what Peter Wollen terms ‘orthodox cinema,’ through a more disruptive and textual approach, which, of course, mirrored his increasingly radical politics. This attempt to marry politics and art raises the question of what a genuinely revolutionary cinema would look like, or if it is even possible at all. This thesis will attempt to tackle just such a question, discussing three of Godard’s films from the period to examine this evolving radical tendency: …

Una Democracia Aterrorrizada: Justicia Y Afecto En Los Textos De La Transición Democrática Argentina, Mariana Graciano

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the links between justice and affect in some of the most emblematic texts of the democratic transition in Argentina. Films, novels and photos are incorporated here as texts or complex utterances, as they constitute a framework of signs with a communicative intention that makes sense in a given context. In order to analyze these links, I consider terms from the field of transitional justice (reconciliation, forgiveness, restoration) and specific affects (terror, empathy, guilt, resentment, tenderness, happiness and cruelty).

The key questions guiding this thesis are: what links did visual arts and literature have in relation to the …

The Queer Allure Of Digital Sociality, Benjamin Parrish Haber

Dissertations, Theses, and Capstone Projects

This dissertation explores the resonance between queer sociality and emergent forms of digital communication. Drawing from queer theory and LGBTQ social histories, this dissertation charts the convergence of digital social modulation with the polyvalence, promiscuity, and mutability of queer sociality. A close analysis of the infrastructure and design of Facebook, Snapchat, Grindr, and other queered social media platforms demonstrates how digital capitalism’s desire for lifelong compulsive engagement is in part facilitated by an appropriation of the ongoingness of queer sexuality and relationality. In highlighting the key role of temporality, aesthetic, and affect in regulating the creation and circulation of digital …

Aesthetic Geographies: Art, Crises, Urban Imaginaries, Erin Siodmak

Dissertations, Theses, and Capstone Projects

Performance art, with its origins in Dada, Futurism, and Surrealism, has long been a political, politicized, and transgressive form of art, posing challenges to art world institutions, political and social norms, and the nature of art itself through practitioners’ unconventional uses of the body, space, and audience/viewer participation. Much of the power of performed art comes from its performative and transitory nature: it does not simply express, represent, or communicate information. Rather, performative art forms such as installation or performance are productive of political aesthetics. Art may not necessarily intervene directly with political, legal, and legislative decisions or acts, but …

Of Stars And Solitude: Two Mexican Documentaries, Paul Julian Smith

Publications and Research

By happy coincidence, Mexico in 2016 yielded two expert and moving documentaries on women, sex, and aging: María José Cuevas’s Bellas de noche (Beauties of the Night) and Maya Goded’s Plaza de la Soledad (Solitude Square). Both are first-time features by female directors. And both are attempts to reclaim previously neglected subjects: showgirls of the 1970s and sex workers in their seventies, respectively. Moreover, lengthy production processes in which the filmmakers cohabitated with their subjects have resulted in films that are clearly love letters to their protagonists.

“On Soulless Feet We Cross The Floor...” The Illusion Of Control In Grim Fandango And Virtual Spaces, Christina Cicchetti

Theses and Dissertations

Even though users can choose what they do in virtual spaces, they are forced to operate within the confines of realms designed by the invisible authors of the game’s code. The illusion of choice blinds users to an assessment of the hidden structure supporting immersive virtual worlds.

You'll Be Home By When?, Rebecca Centeno

Theses and Dissertations

You’ll be home by when? is a short personal documentary about trying to locate home. Through exchanges with my grandmother, I seek home in city and country. Reflections on family and loss reveal how we relate to spaces and to each other.

My Name Is Jing, Jing Wang

Theses and Dissertations

My Name is Jing is an essay film about my family and a commentary on the rapid changes that have taken place in Chinese society over the past five decades. The film explores personal and national memories. It shows the impact of large-scale economic and social changes on an ordinary Chinese family.

On Variety: The Avant-Garde Between Pornography And Narrative, Kevin L. Ferguson

Publications and Research

This article analyzes Bette Gordon’s first feature film Variety (1983), reassessing how experimental novelist Kathy Acker’s contributions to the screenplay awkwardly positioned the film within contemporary cultural debates over pornography and the future of avant-garde filmmaking. While centered on an erotic thriller narrative concerning a woman’s entrée into the scuzzy world of New York City porno theaters, Gordon and Acker also take up in the film a series of three related representational problems for the 1980s: feminist approaches to pornography, narrative in an avant-garde tradition, and the role of speech and writing in film.

Some Basic Material For An Introduction To The Moving Image, George R. Robinson

Open Educational Resources

Originally intended as a Power Point presentation, this is a basic introduction for an intro film appreciation or analysis course, covering the initial concepts of the shot, mise-en-scene and the simplest editing.

Things We Dare Not See: Media Revisions Of Incestuous Relationships, Mattheus M. Oliveira

Dissertations, Theses, and Capstone Projects

Nowadays we can see a steadily growing acceptance of queer relationships in our films and novels, whether they are romance films or violent war movies. What we don’t get to see are examples of incestuous relationships that are consensual and harmless. For example, when Luke and Leia accidentally share some romantic feelings in Star Wars, that bond is suppressed. We don’t get an acknowledgment of a brother and sister’s emotional support in the movie adaptation of V.C Andrews’ Flowers in the Attic. This erasure stems from a long history of cultural and legal censorship of incest that only discusses …

The Willfulness Of A Missing Frame: Ahmed Zaki And The Politics Of Visual Resistance, Miriam M. Gabriel

Dissertations, Theses, and Capstone Projects

Ahmed Zaki (1949-2005) is one of Egyptian cinema’s most prominent leading actors, with work spanning three decades of critical films that informed a generation’s visual register of masculinity. However, the beginnings of his career were marked by public skepticism around his place as a leading actor due to him being “too dark” and “too poor”; as his career continued to flourish, those very markings of racing and classing Zaki because a foundation for increasingly stamping his public image with the “authenticity” of an Egyptian citizen. At a particularly neoliberal moment in the Egyptian economy, that of the early 80s, new …