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Articles 541 - 557 of 557
Full-Text Articles in Film and Media Studies
Review Of Two For The Road, Michael Adams
Review Of Two For The Road, Michael Adams
Publications and Research
Review of Stanley Donen's Two for the Road: http://www.media-party.com/discland/2005/11/two-for-the-road.html
Review Of The Strange Love Of Martha Ivers, Michael Adams
Review Of The Strange Love Of Martha Ivers, Michael Adams
Publications and Research
Review of Lewis Milestone's The Strange Love of Martha Ivers: http://www.media-party.com/discland/2005/11/the-strange-love-of-martha-ivers.html
Review Of Masculin Feminin, Michael Adams
Review Of Masculin Feminin, Michael Adams
Publications and Research
Review of Jean-Luc Godard's Masculin feminin: http://www.media-party.com/discland/2005/09/masculin-feminin.html
Review Of Somewhere In The Night, Michael Adams
Review Of Somewhere In The Night, Michael Adams
Publications and Research
Review of Joseph L. Mankiewicz's Somewhere in the Night: http://www.media-party.com/discland/2005/11/somewhere-in-the-night.html
Review Of Seven Men From Now, Michael Adams
Review Of Seven Men From Now, Michael Adams
Publications and Research
Review of Budd Boetticher's Seven Men from Now: http://www.media-party.com/discland/2006/01/seven-men-from-now.html
Media, Message And Meaning: The "Queer As...What?" Symposium, Andrew Ingall
Media, Message And Meaning: The "Queer As...What?" Symposium, Andrew Ingall
Center for LGBTQ Studies (CLAGS)
On October 11, scholars, journalists, media watch activists, and community intellectuals examined depictions and productions of LCTBQ people in television, the World Wide Web, and print journalism at a CLAGS symposium with the wily title, "Queer as . . . What?"
No Woman Is An Object: Realizing The Feminist Collaborative Video, Alexandra Juhasz
No Woman Is An Object: Realizing The Feminist Collaborative Video, Alexandra Juhasz
Publications and Research
Feminist video does collectivity exceedingly well. Certainly other politicized cultural movements and individuals work through this method, and, of course, feminists also produce work in collaboration in film and other media (as Julia Lesage testifies above). However, I assert that there is a profound natural mechanics to women's work in video that makes the medium's method, theory, and theme the interactive and politicized subjectification of the female sex. Film and patriarchy share the project of women's objectification-they make victims. Video and feminism see women as complex, worthy selves-they produce subjects. In feminist collaboration: video, the medium (inexpensive, debased, nonprofessional), the …
The Phallus Unfetished: The End Of Masculinity As We Know It In 90s "Feminist" Cinema, Alexandra Juhasz
The Phallus Unfetished: The End Of Masculinity As We Know It In 90s "Feminist" Cinema, Alexandra Juhasz
Publications and Research
No abstract provided.
On The Double: The Hidden (Queer And Jewish) Career Of Danny Kaye, Michael Bronski
On The Double: The Hidden (Queer And Jewish) Career Of Danny Kaye, Michael Bronski
Center for LGBTQ Studies (CLAGS)
Last year, in the early stages of applying for the Duberman Fellowship, I began by trying to discern a topic, a subject, that would involve me intellectually as well as emotionally. As a free-lance writer and cultural critic I am, more frequently than not, assigned subjects, books, movies, performances by my editors. If I received the Duberman I wanted to research and write about something that resonated with my life and current interests.
Bad Girls Video Come And Go, But A Lying Girl Can Never Be Fenced In, Alexandra Juhasz
Bad Girls Video Come And Go, But A Lying Girl Can Never Be Fenced In, Alexandra Juhasz
Publications and Research
No abstract provided.
They Said We Were Trying To Show Reality -- All I Want To Show Is My Video: The Politics Of Realist Feminist Documentaries, Alexandra Juhasz
They Said We Were Trying To Show Reality -- All I Want To Show Is My Video: The Politics Of Realist Feminist Documentaries, Alexandra Juhasz
Publications and Research
No abstract provided.
A Dissonant Declaration From The Fed-Up Humans Of America, Stuart Ewen Ph.D.
A Dissonant Declaration From The Fed-Up Humans Of America, Stuart Ewen Ph.D.
Publications and Research
In October of 1997 a Media and Democracy Congress was held in the Great Hall of The Cooper Union. Appearing under his nom de plume, Archie Bishop, the author delivered a revision of the Declaration of Independence which, for many years, was unavailable in printed form. Then, a few years back, Hideaki Hirano—a prominent Japanese sociologist—posted a written version in Japanese translation. Now, Academic Works will serve as the repository in which the original document will be made available to a reading and thinking public.
Three Film Reviews, John A. Drobnicki
Three Film Reviews, John A. Drobnicki
Publications and Research
Reviews of Advertising Missionaries, directed by Chris Hilton and Gauthier Flauder; Chastie (Paradise), a film by Sergey Dvortsevoy; and Wilbert: Street Kid in Nicaragua, a video by Bent Erik Kroyer.
Knowing Each Other Through Aids Video: A Dialogue Between Aids Activist Videomakers, Alexandra Juhasz, Juanita Mohammed
Knowing Each Other Through Aids Video: A Dialogue Between Aids Activist Videomakers, Alexandra Juhasz, Juanita Mohammed
Publications and Research
No abstract provided.
One Against All: The New England Past And Present Responsibilities In The Devil And Daniel Webster, Robert Singer
One Against All: The New England Past And Present Responsibilities In The Devil And Daniel Webster, Robert Singer
Publications and Research
No abstract provided.
Disseminating Heterotopia, Robert F. Reid-Pharr
Disseminating Heterotopia, Robert F. Reid-Pharr
Publications and Research
Focuses on the motion picture The Passion of Remembrance by Isaac Julien and Maureen Blackwood, and the book Tales of Neveryon by Samuel Delany. Highlights of the motion picture and the book; Author's argument that the tendency to ossify myths only leads to further confusion; Understanding of the mythic process.
"How Come Everybody Down Here Has Three Names?": Martin Ritt's Southern Films, Michael Adams
"How Come Everybody Down Here Has Three Names?": Martin Ritt's Southern Films, Michael Adams
Publications and Research
The treatment of the American South in six films by director Martin Ritt (1914-1990) from 1958 to 1979 reveals an emphasis on outsiders, family dynamics, and race relations.