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Articles 211 - 240 of 557
Full-Text Articles in Film and Media Studies
Great Directors: Sidney Lumet, William Blick
Great Directors: Sidney Lumet, William Blick
Publications and Research
Given the breadth of Lumet’s oeuvre, it’s debatable whether or not he has a distinctive, recognizable style. The canon encompasses such a large canvas, it is impossible to say whether or not his films are instantly recognizable. There are, however, trademark characteristics: gritty New York urban realism, dynamic and snappy dialogue coupled with frequent collaborations with the best actors and writers in the business. These collaborations captivated film critics and the public alike, as both bore witness to Lumet’s talent for translating text to screen. Lumet’s politics are unabashedly liberal and often elicit distrust of the establishment as characters challenge …
What Do You Think She’S Gonna Do With A Set Of Real Claws?: Gender, Race, And Sexuality In Onscreen Portrayals Of Women Werewolves, Ashleigh K. Williams
What Do You Think She’S Gonna Do With A Set Of Real Claws?: Gender, Race, And Sexuality In Onscreen Portrayals Of Women Werewolves, Ashleigh K. Williams
Dissertations, Theses, and Capstone Projects
This thesis analyzes 13 disparate portrayals of werewolfism in film and television as they relate to uncontrolled and uncontrollable femininity. A necessary component of this project is the visual assemblage: my findings are displayed in the format of a zine, in an attempt to capture the bright, furious, aggressive sensory experience of witnessing women becoming werewolves onscreen. Research questions include: How are conventionally masculine werewolf markers feminized in werewolf narratives? How are the women in these pieces of media ultimately punished for embodying creatures that aren’t feminine enough, or are too feminine in exactly the wrong ways? Many she-wolf centered …
Video On Film: Video Essay, Videographic Criticism, And Digital Academic Publishing, Tian Leng
Video On Film: Video Essay, Videographic Criticism, And Digital Academic Publishing, Tian Leng
Dissertations, Theses, and Capstone Projects
In the 2010s, an academic practice called “videographic criticism,” utilizing video essay creation and digital academic publishing, became a popular form of film criticism in the field of film studies. The emergence of such a videographic trend in academia and the existence of video essays in public video-sharing websites have made the task of justifying the scholarly values of video essays an urgent one. Through the analysis of the relationship between the video essay and the essay film, this study shows that the essayistic mode is crucial to distinguish videographic criticism from popular commentary. To understand the potentials of videographic …
From Object To Icon: The Unpredictable Path To Everlastingness, Donna M. Desideri
From Object To Icon: The Unpredictable Path To Everlastingness, Donna M. Desideri
Dissertations, Theses, and Capstone Projects
This thesis explores how a squeaky-clean object transformed into a girl-next-door icon and became a role model for generations to come. And in an industry built on illusions and dreams, reality wore many masks.
Still in its beginning stages and looking to sell tickets, the motion picture industry needed to reconstruct its current downscale public image by presenting a much-improved polished and upscale public image to audiences, all while silencing contradictory images and information. Appealing to a middle-class sensibility to boost this new public image gave the motion picture industry the acceptance it was seeking. By marketing to middle-class audiences, …
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
Dissertations, Theses, and Capstone Projects
Nudist magazines and newsletters were among the first commercial, legal, and widely-available images of nudity which circulated in the late Comstock Era. To evade censorship, producers developed framing strategies that obscured the sexualized nature of these images, even as they also enabled the viewing practices their sales relied upon. This dissertation traces these framing strategies as they evolved through nudist still-imagery, camp films, and nudie cuties, and considers the evolution of spectatorial pleasures associated with Russ Meyer's early nudie cuties.
“A Space Where You Can Imagine In”: Queer World Building With Wynne Greenwood’S Tracy + The Plastics, Colleen M. O'Shea
“A Space Where You Can Imagine In”: Queer World Building With Wynne Greenwood’S Tracy + The Plastics, Colleen M. O'Shea
Dissertations, Theses, and Capstone Projects
Tracy and the Plastics was a video and music project conceived and performed by artist Wynne Greenwood from 1999 - 2006. In it, Greenwood played lead singer Tracy alongside keyboard player, Nikki and drummer, Cola (both also played by Greenwood) where Tracy performed live alongside prerecorded images of Nikki and Cola. For Greenwood, the interaction between Tracy, the Plastics, and the audience provided an opportunity to create new, intentional worlds together. In this paper, I will demonstrate that Greenwood relies on collisions and alternative temporalities to instigate the creation of these worlds with her audience. I will incorporate the principles …
Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal
Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal
Dissertations, Theses, and Capstone Projects
This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Dissertations, Theses, and Capstone Projects
This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …
Our Place: Notes On Love And Longing, Nadia M. Mohamed
Our Place: Notes On Love And Longing, Nadia M. Mohamed
Theses and Dissertations
Produced during the COVID-19 pandemic, this experimental documentary uses found footage from the personal and political archive to witness and question how personal and political transformation connect, particularly as it relates the material and conceptual legacies we inherit and innovate.
Unsettling, Cynthia Groya
Unsettling, Cynthia Groya
Theses and Dissertations
Unsettling is an experimental essay film created during COVID-19 shelter-in-place isolation, documenting remembrances of traumatic life events and the impact these memories have on my vision and life. Preparing to leave my home, my marriage and the lifestyle I have inhabited for fourteen years, I contemplate, “What are memories?” “What do you hold onto from the past and what do you let go?” This film documents my personal journey exploring love, loss, denial, grief and acceptance, told in the third person. The personal ramifications of historic racism, cancer, divorce and white supremacy and the role these issues play in the …
Article 6.21, Tatiana Stolpovskaya
Article 6.21, Tatiana Stolpovskaya
Theses and Dissertations
Article 6.21 is a short documentary film that aims to examine the state of censorship around queerness in Russia today and its effects on personal lives in the queer community.
Twenty years after Russia decriminalized homosexuality, on June 30th in 2013, President Vladimir Putin signed Article 6.21 "for the Purpose of Protecting Children from Information Advocating for a Denial of Traditional Family Values", also known as the "Gay Propaganda Law". Its broad and ambiguous wording allows the government significant leeway in deciding what kind of public queerness is punishable.
In 2020 Russia passed multiple constitutional amendments that affect many areas …
Morkovcha [Korean Carrot Salad], Lidiya A. Kan
Morkovcha [Korean Carrot Salad], Lidiya A. Kan
Theses and Dissertations
Morkovcha, Korean Carrot Salad is a short documentary that tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with my mother, personal stories, fragmented memories, and my family photo archive. This very personal film is my attempt to revisit the 160-year history of the Russian Korean diaspora and to record and preserve our unique fusion of cultures in the melting pot that is the United States. Its purpose is to help to process and accept the tragic past of my …
Kevin Macleod Documentary, Thomas E. Seymour
Kevin Macleod Documentary, Thomas E. Seymour
Theses and Dissertations
Kevin MacLeod is a film composer with over 2,000 songs that anyone can use for free in their films and projects as long as credit is provided to MacLeod. For over twenty years his music has been available to the public.
In Order To Escort Her, Kimberly Baglieri
In Order To Escort Her, Kimberly Baglieri
Theses and Dissertations
In Order To Escort Her is a thirty-five minute hybrid-documentary in which Lila, my great-aunt, converses with her niece, my mother, about various supernatural creature encounters and spirit visitations from relatives. This is interspersed with a “visitation” from another close relative, communicating from a different time and space dimension. By weaving together supernatural stories and matter-of-fact accounts of resilience and survival, a magical world is created where boundaries between the material and the invisible realms blur. The main thematic concerns of this film are love, care, presence in joy amidst terror, and the journey of the soul.
Animal-Human Vocabulary Builder, Domenick Acocella, Rene Cordero
Animal-Human Vocabulary Builder, Domenick Acocella, Rene Cordero
Open Educational Resources
The assignment helps students individually build a usable, expanding vocabulary of terms and concepts, enabling each to further contribute to the ongoing, evolving written, oral, and visual conversations centered on the use of and thought about animals for food, clothing, work, entertainment, experimentation, imagery, and companionship.
Natalie Bookchin In Conversation With Alexandra Juhasz: Performance Of Race And White Hegemony On Youtube, Natalie Bookchin, Alexandra Juhasz
Natalie Bookchin In Conversation With Alexandra Juhasz: Performance Of Race And White Hegemony On Youtube, Natalie Bookchin, Alexandra Juhasz
Publications and Research
In November 2019, in her house in Bedford-Stuyvesant, Brooklyn, I joined friend and fellow artist Natalie Bookchin for a conversation about her installation and film Now he’s out in public and everyone can see. The installation, which premiered at Los Angeles Contemporary Exhibitions (LACE), a venerable Los Angeles art space, in 2012, was remade into a film and released as a DVD double feature along with her film Long Story Short by Icaras Films in 2016. Our loose and lively conversation was recorded and transcribed and forms the basis for what follows. We have been in conversation about digital culture, …
The Self-Reflexive Praxis At The Heart Of Dh, Alexandra Juhasz
The Self-Reflexive Praxis At The Heart Of Dh, Alexandra Juhasz
Publications and Research
The author revisits a cancelled prison education class about YouTube and media literacy.
The World Would Be Better If They Hadn't Died: Alexandra Juhasz With Don’T Rhine, Alexandra Juhasz, Dont Rhine
The World Would Be Better If They Hadn't Died: Alexandra Juhasz With Don’T Rhine, Alexandra Juhasz, Dont Rhine
Publications and Research
In Final Transmission: Performance Art and AIDS in LA, eds. Brian Getnick and Tanya Rubbak. When we chatted for an hour before to prepare, the first thing I asked you was how old you are. I’m 52, and you’re 54. But we realized that we didn’t know a lot about our shared history because we met in an activist part of the AIDS scene in Los Angeles. I picked up pieces about your history, and we’ve even collaborated, but I actually don’t know that much about you personally. Checking in before this public conversation, one of the things we realized …
Virality Is Virility: Viral Media, Popularity, And Violence, Alexandra Juhasz
Virality Is Virility: Viral Media, Popularity, And Violence, Alexandra Juhasz
Publications and Research
The author takes ethical looks at viral images of black death and other violence wrought by fake media.
Who Contrives The Moment? On Cyberfeminist Dating, Alexandra Juhasz
Who Contrives The Moment? On Cyberfeminist Dating, Alexandra Juhasz
Publications and Research
Really Fake takes up story, poetry, and other human logics of care, intelligence, and dignity to explore sociotechnological and politico-aesthetic emergences in a world where information overload has become a new ontology of not-knowing.
Introduction To Filmf, Teresa Fisher
Introduction To Filmf, Teresa Fisher
Open Educational Resources
This textbook provides an introduction into the history of film and the filmmaking process. It begins with the history of film and how to watch a film. It then looks at specific areas of filmmaking: cinematography, mis-en-scene, acting, sound, editing, and narrative. The book ends with a look at documentary films, experimental films, and animation.
"Revolution", Noelle Lilley
"Revolution", Noelle Lilley
Capstones
When faced with gun violence in 1990s Canarsie, one 17-year-old carried his community on his back. “Revolution” chronicles the rise and fall of the Canarsie arts youth-led movement, Team Revolution, and the man at the center of it all: Divine Bradley.
Lgbtv - A Look Into Queer Representation In Television, Daisy J. Williams
Lgbtv - A Look Into Queer Representation In Television, Daisy J. Williams
Capstones
In 50 years, the LGBTQ+ portrayals on tv have come along way but with only 6.8% of characters being members of the queer community, there is still a significant amount of work to be done. A look into the rich queer history, the problem and triumph areas and the current state of queer television.
https://daisywilliams.github.io/dw_capstone/
Her Story: Ecuadorian Women In New York City, Benjamin Chambers
Her Story: Ecuadorian Women In New York City, Benjamin Chambers
Capstones
My Capstone Project is an 80-photo reportage about women of Ecuadorian origin living in New York City, including text and video elements. The project is broken down into a general introduction; four photo stories each with captions and story text; and two videos. The project is entitled:
HER STORY: ECUADORIAN WOMEN IN NEW YORK CITY
https://www.chambersphotojournalist.com/capstone/
When Are You Going To Catch Up With Me? Shu Lea Cheang With Alexandra Juhasz, Alexandra Juhasz
When Are You Going To Catch Up With Me? Shu Lea Cheang With Alexandra Juhasz, Alexandra Juhasz
Publications and Research
“Digital nomad” Shu Lea Cheang and friend and critic Alexandra Juhasz consider the reasons for and implications of the censorship of Cheang’s 2017 film FLUIDØ, particularly as it connects to their shared concerns in AIDS activism, feminism, pornography, and queer media. They consider changing norms, politics, and film practices in relation to technology and the body. They debate how we might know, and what we might need, from feminist-queer pornography given feminist-queer engagements with our bodies and ever more common cyborgian existences. Their informal chat opens a window onto the interconnections and adaptations that live between friends, sex, technology, …
No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello
No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello
Publications and Research
From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015).
Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past …
The Video Camera Spoiled My Ethnography: A Critical Approach, Katherine Gregory
The Video Camera Spoiled My Ethnography: A Critical Approach, Katherine Gregory
Publications and Research
As videography and other media technologies are normalized in the field of qualitative methods for the purpose of data collection, there is a growing need to discuss the benefits and limitations of these data collection tools. This article chronicles an ethnographic video study focused on the experiences of Muslim adults living in the Netherlands, and why the author opted to end the project. Issues focus on reckoning with the imperial gaze of the camera, performative behavior of participants before the camera and interdisciplinary tensions the researcher faced from conflicting trainings as a qualitative methodologist and media practitioner.
Watching And Talking About Aids: Analog Tapes, Digital Cultures And Strategies For Connection, Alexandra Juhasz, Theodore Kerr
Watching And Talking About Aids: Analog Tapes, Digital Cultures And Strategies For Connection, Alexandra Juhasz, Theodore Kerr
Publications and Research
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer Theodore (ted) Kerr that explores the contemporary role of AIDS activist videos from the past.. Key to the text are ideas around history, technology, time, and community. Together they discuss and enact intergenerational dialogue, what to do with the imperfection of archives, and strategies for shared looking at the history of HIV through epochs. Their conversation is focused on a community created tape from, Bebashi — Transition to Hope, a Philadelphia non-profit.
“Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The ‘Limits Of Fabricated Realism’.”, Elizabeth Toohey
“Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The ‘Limits Of Fabricated Realism’.”, Elizabeth Toohey
Publications and Research
My paper juxtaposes Laurent Cantet’s films The Class (2008) and The Workshop (2017) to explore how they are infused with concerns about radical Islam and the place of Muslim immigrants in the West. Both films center on "angry young men" facing class-based marginalization, who are prone to anti-social behavior. In The Workshop, however, a great effort is made to reveal the intellectual potential and moral complexity of the young white French-born Antoine, whose alienation is defined by his attraction to the xenophobic and Islamophobic rhetoric of the Far Right, whereas viewers of The Class are kept at arm’s length …
The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox
The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox
Dissertations, Theses, and Capstone Projects
Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …