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Articles 2341 - 2370 of 2398
Full-Text Articles in Film and Media Studies
Contributors: Vol 20 No. 4, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 20 No. 4, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 20 (1997): Pacific Studies Full Issue 4
Introduction: Imaging, Representation, And Photography Of The Pacific Islands, Max Quanchi
Introduction: Imaging, Representation, And Photography Of The Pacific Islands, Max Quanchi
Pacific Studies
No abstract provided.
Vol. 20 No. 4 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 20 No. 4 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
White Shadows In The Darkness: Representations Of Polynesian Women In Early Cinema, Margaret Jolly
White Shadows In The Darkness: Representations Of Polynesian Women In Early Cinema, Margaret Jolly
Pacific Studies
This article considers representations of Polynesian women in two early Hollywood films: Moana (1926) and Tabu (1931). It ponders the tensions not just between the cinematic visions of Robert Flaherty and F. W. Murnau, but between ethnographic recuperations and romantic celebrations of Polynesian women, in the light of de Lauretis’s contentions (in Technologies of Gender, 1987) that gendered identities are neither fixed nor immutable, but shifting and fluid effects.
Not So Nice Colored Girls: A View Of Tracey Moffatt’S Nice Coloured Girls, Caroline Vercoe
Not So Nice Colored Girls: A View Of Tracey Moffatt’S Nice Coloured Girls, Caroline Vercoe
Pacific Studies
Nice Coloured Girls is Tracey Moffatt’s first film. Produced in 1987, this seventeen-minute film describes a tradition that has been passed down from her grandmother’s and great-grandmother’s generation—that of “picking up Captain.” Moffatt explains “since colonisation ‘picking up Captain’ has been a way for Aboriginal women to survive off white men.” Rather than creating new and empowered Aboriginal heroines for the 1990s, Moffatt chooses to site her characters within a colonial continuum. Her tradition begins with postcolonial contact and it is clearly formed by cross-cultural experiences. This essay focuses on the narrative structure of Nice Coloured Girls and discusses the …
The Egyptian Cinema, Dalia El Toukhy
The Egyptian Cinema, Dalia El Toukhy
Archived Theses and Dissertations
No abstract provided.
Dan Jorgensen's Review Of John Davis's Mountains Of Gold: The People Of Porgera, Dan Jorgensen
Dan Jorgensen's Review Of John Davis's Mountains Of Gold: The People Of Porgera, Dan Jorgensen
Pacific Studies
No abstract provided.
Vol. 20 No. 2 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 20 No. 2 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 20 No. 2 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 20 No. 2 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 20 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 20 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 20 (1997): Pacific Studies Full Issue 2
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 20, No 2 Edition of the Pacific Studies Journal
Stuart Kirsch's Review Of Judith Hallet's Lords Of The Garden, Stuart Kirsch
Stuart Kirsch's Review Of Judith Hallet's Lords Of The Garden, Stuart Kirsch
Pacific Studies
No abstract provided.
Negotiating The Pō: The Hawai‘I International Film Festival, 8-15 November 1996, Alexander Mawyer
Negotiating The Pō: The Hawai‘I International Film Festival, 8-15 November 1996, Alexander Mawyer
Pacific Studies
No abstract provided.
The Not So Pacific: Pacific Islander Films At The 1996 Margaret Mead Film & Video Festival, 8–14 November 1996, Deborah A. Elliston
The Not So Pacific: Pacific Islander Films At The 1996 Margaret Mead Film & Video Festival, 8–14 November 1996, Deborah A. Elliston
Pacific Studies
No abstract provided.
Conjuring Post-Worthlessness: Contemporary Web Art And The Postmodern Context: Part 1, Brett Stalbaum
Conjuring Post-Worthlessness: Contemporary Web Art And The Postmodern Context: Part 1, Brett Stalbaum
SWITCH
This article is part one of two of an analysis of the Jean Baudrillard's essay, "A Conjuration of Imbeciles". This essay compares the idea of art as a metaphor for French politics and the “uselessness” of contemporary art. A sense of postmodernism is drawn from that comparison and relates to contemporary art shared on the World Wide Web. Inevitable messages and meaning found in art will change, but economics and distribution continues to ground the economy on a global scale. Therefore, contemporary art represented on the web actively dates the practice of art, and the value of the practice is …
Film Language And The Persistence Of Racial Stereotyping In The Last Of The Mohicans (1992), Gary Edgerton
Film Language And The Persistence Of Racial Stereotyping In The Last Of The Mohicans (1992), Gary Edgerton
Scholarship and Professional Work - Communication
Gary Edgerton's contribution to the Journal of Contemporary Thought, Vol. 7.
Three Film Reviews, John A. Drobnicki
Three Film Reviews, John A. Drobnicki
Publications and Research
Reviews of Advertising Missionaries, directed by Chris Hilton and Gauthier Flauder; Chastie (Paradise), a film by Sergey Dvortsevoy; and Wilbert: Street Kid in Nicaragua, a video by Bent Erik Kroyer.
Creating And Measuring Media Literacy : A Case Study, Darin M. Johnson
Creating And Measuring Media Literacy : A Case Study, Darin M. Johnson
Graduate Research Papers
Seven years later, I stood before high school students in Ames, Iowa, with the proposition that we study media as a collection of cultural artifacts. Behind many of our discussions was the assumption that media convey values and that these values influence our personal values. What was missing from my instruction was an organizational structure that would help students see the necessary patterns, methods and stereotypes in order to better comprehend the values in these messages.
After a summer of contemplation, I decided thematic instruction would most naturally allow us to examine important media while capstoning themes from the required …
Uncanny Performances In Colonial Narratives: Josephine Baker In "Princess Tam Tam", Elizabeth Coffman
Uncanny Performances In Colonial Narratives: Josephine Baker In "Princess Tam Tam", Elizabeth Coffman
School of Communication: Faculty Publications and Other Works
No abstract provided.
Implications Of A Feminist Narratology: Temporality, Focalization And Voice In The Films Of Julie Dash, Mona Smith And Trinh T. Minh-Ha, Jennifer Alyce Machiorlatti
Implications Of A Feminist Narratology: Temporality, Focalization And Voice In The Films Of Julie Dash, Mona Smith And Trinh T. Minh-Ha, Jennifer Alyce Machiorlatti
Wayne State University Dissertations
This dissertation conducts feminist narrative textual analysis of films by three independent women film-makers-of- color: Julie Dash, Mona Smith and Trinh T. Minh-ha. The research utilizes traditional cinematic narratological methods combined with a feminist perspective. Narratology is the structural/textual study of narrative organization, style and content. Feminism is a theoretical body of inquiry which lends implications of gender difference, power relationships, cinematic stereotypes, and cultural significance to textual analysis. Feminist inquiry contributes a social, cultural, ideological and historical perspective to the taxomony of a structuralist narrative methodology. By combining this contextual perspective with a topological textual method, I propose consideration …
12 Monkeys, Collette Sweeney
12 Monkeys, Collette Sweeney
SWITCH
The article depicts the visual and conceptual significance of the film “12 Monkeys”, directed by Terry Gilliam and starring Bruce Willis and Brad Pitt. In this film, movie genres and tropes are called into question. Terry Gilliam presents a visions of the future, but relies on the conventions of the American Western Formula. Gilliam tales a distinct approach to typical characters, allowing his proragonists to become onlookers to the foreboding issue at play. What Gilliam achieves in his 12 Monkeys is making the viewers “entertain” that the future depicted in the movie may be seen as a warning.
A Survey To Determine How The Media Affected Operational Security Of The 1st Armored Division In Bosnia, Stanford E. Angion
A Survey To Determine How The Media Affected Operational Security Of The 1st Armored Division In Bosnia, Stanford E. Angion
Theses, Dissertations and Capstones
The purpose of this study is to survey the commanders and public affairs officers who were mobilized and deployed to Bosnia in 1995 with the U.S. Army’s 1st Armored Division as part of Operation Joint Endeavor, for their views about how they think the media affected their units’ operational security. Many articles have been written concerning the adversarial relationship between the military and the media, but little scientific research has been published on the effects of the media on military operational security during times of conflict. This study will build on the research previously conducted by Capt. John B. Snyder …
Animal Issues In The Media: A Groundbreaking Report, George Gerbner
Animal Issues In The Media: A Groundbreaking Report, George Gerbner
Film and Television Production Collection
What kinds of animals do we see on television and in print media? What are the trends, themes, scenes, and contexts in which animals appear? How are they treated? What are the roles for which they are cast and the fate for which they are destined? What issues drive press and magazine coverage, and how do animal activism, legislation, science and other issues play out in the coverage? Finally, what are some implications for further research, activity, and policy?
These are questions we shall address in this report. The report presents the findings of a benchmark study that begins the …
Integrating Students Into The Operation Of A University-Owned Television Station, Christine Taylor
Integrating Students Into The Operation Of A University-Owned Television Station, Christine Taylor
Scholarship and Professional Work - Communication
Most journalism and mass communication programs provide opportunities for students to acquire some "hands-on" experience as undergraduates.
There remains some considerable argument as to whether this "hands-on" educational experience should be part of the academic curriculum. I will review this debate briefly.
Media Studies Students Occasional Papers May 1995, School Of Communication, Media & The Arts
Media Studies Students Occasional Papers May 1995, School Of Communication, Media & The Arts
Communication, Media & The Arts Undergraduate Publications
Table of Contents:
Alfred Hitchcock's Villains: Alter Egos and Victims in Lifeboat and Frenzy / César Muñoz -- Sending the Message Home / Timothy M. Brosnan -- Manilow Magic / Julie Ann Sidhu -- Media Ideology in the Soviet Union / Cheryl Casey -- "naDev tlhlnganpu' tu' lu' " (There are Klingons Around Here): An Analysis of Star Trek as an American Myth / César Muñoz.
Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 17 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 17 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 17 (1994): Pacific Studies Full Issue 3
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 17, No 3 Edition of the Pacific Studies Journal
Rapanui Images, Grant Mccall