Film and Media Studies Commons^™

"El Corregidor" At The Crossroads: Desire, Law, And Coloniality In Martel's Zama, Leisa Kauffmann

CLCWeb: Comparative Literature and Culture

In "'El Corregidor at the Crossroads: Desire, Law and Coloniality in Martel's Zama" Leisa Kauffmann discusses Lucrecia Martel's filmic adaptation of Antonio DiBenedetto's 1952 novel, Zama. Highlighting the director's emphasis on the psychoanalytic (as opposed to the existentialist) dimensions of the novel, the essay follows the titular characater's unravelling and shows how Martel's film allegorizes colonial(ist) subjectivity. In Kauffmann's essay, various psychoanalytic theories (such as the work of Bhabha, Fanon, and Žižek), and critiques centering the notion of race in the Lacanian tradition are applied. In addition, differences between the novel and film, particularly regarding Zama's mutilation and …

Intersectional Realities, Multi-Dimensional Films: Reading Julie Dash's Illusions As An Activist Text, Amelia Morrison

University Honors Theses

This paper reads Julie Dash's 1982 film Illusions as an activist text, which challenges dominant cinematic and historical narratives through its Black feminist perspective. It explores the cinematic and narrative devices that Dash uses--including the weaving of fantasy and history, the strategic use of period aesthetics, and masking--to expose and subvert the mechanisms of white supremacist and patriarchal hegemony within Hollywood. Drawing on intersectional feminist theory from scholars like Kimberlé Crenshaw, Patricia Hill Collins, and bell hooks, alongside cinematic theory, this analysis demonstrates how Illusions critiques the historical erasure of people of color from United States cinema and history. By …

Love And Power: Narrative Resistance In The Contemporary Literature And Film Of The Americas, Tania Nicolaou

Dissertations, Theses, and Capstone Projects

This project analyzes the ways in which narratives of love, care, and intimacy support sociocultural change through cinema, literary fiction, and memoir in Indigenous, immigrant, and diasporic communities in the United States, Haiti, and Cuba. The project’s intervention revolves around how we compare and examine narratives of the marginalized, underrepresented, and misremembered in a way that does not focus primarily on pain and trauma, but on experiences that embody radical change, healing, and a shift in the colonial matrix of power. The chapters consider love as constructed through family, identity, memory, and nationhood, all in relationship to what love looks …

Sound Of Berberia, Sheila Petty

Journal of Amazigh Studies

N/A

‘Amazigh Literary Space’: Intersection And Hybridity Across Languages And Media, Daniela Merolla

Journal of Amazigh Studies

My contribution will focus on multilingualism and multimedia in the ‘Amazigh literary and cinematographic space’ (Merolla De l’art, “Amazigh/Berber Literature”). Examining this notion coined in the 1990’s (Merolla “Gender and Community”) allows us to reflect on ongoing debates regarding North African literatures in postcolonial contexts. It also helps to see that Amazigh/Berber literature solely defined as Amazigh-language production tends to isolate works and performances that engage with multiple languages and literary traditions, cultural intersections, and hybridization in North Africa and its diasporas. The discussion is contextualized within the historical development of what is sometimes referred to as the “North …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

The Inescapable Ideology: How Third Cinema And Afrofuturism Can Change The Future, Daniel Silver

James Madison Undergraduate Research Journal (JMURJ)

Ryan Coogler’s Black Panther films brought the genre of Afrofuturism to a mainstream audience. Afrofuturism seeks to reclaim a past that was stolen by Western colonial and imperialist powers; because that past has been erased, it must be imagined in fiction. Afrofuturistic stories are then used to address issues in the present and look towards a better future. This paper examines how those stories are told using the words and symbols of the dominant ideology in society. It uses Althusser’s theory of Ideological State Apparatuses, Gramsci’s concept of cultural hegemony, and Solanas and Getino’s understanding of the Third Cinema movement, …

The Tales Of Maruni, Sikuma Rai

Theses and Dissertations

Sikuma Rai journeys into the fading indigenous genre of Maruni—an eastern Nepali song and dance form—narrating letters to her late grandfather. Accompanied by her father, and a devoted folk musician from an upper-caste background, she traces echoes of memory, identity, and the fragile inheritance of indigenous culture.

Fugitive Colors, Natalie Rose Eddings

Theses and Dissertations

My objects are meditations on intertwining themes of labor, rest, and interiority and their shadow sides—power, subjugation and the gaze. I couple materials that have millenia-long histories such as metals, glass, paper and clay with found objects and plat materials to illustrate narratives and exhume memories. Drawn from nature and technologies of land, plant stewardship and the domestic realm, I imagine my sculptures as life supporting vessels or magical enclosures.

Through sculpture, photography and printmaking, I build structures that are space of quiet to be filled with thought, healing and development. Like incubators and seed pods, my work is protective …

Dekonstruktion Der Afd: Eine Analyse Der Rechtspopulistischen Deutschen Partei Der„Alternative Für Deutschland”, Elizabeth A. Breckenridge, Elizabeth Breckenridge

Departmental Honors & Graduate Capstone Projects

Die Alternative für Deutschland (AfD) ist eine rechtsextreme populistische Partei, die innerhalb eines Jahrzehnts rasch an Macht gewonnen hat, insbesondere in den ostdeutschen Bundesländern, aufgrund ihrer Betonung der Nationalisierung, ihrer populistischen Rhetorik und ihrer Anziehungskraft auf Wähler, die Ängste vor Einwanderung und kulturellem Wandel hegen. Die AfD hat es innerhalb von fünf Jahren geschafft, eine starke Wählerschaft zu mobilisieren, 2017 Sitze im Bundestag zu erringen und gilt nun als wichtigste Oppositionspartei zu den etablierten Parteien. Die AfD ist die erste rechte Partei seit 1945, die aufgrund des Aufstiegs rechtspolitischer Ideologien bedeutende Wahlerfolge erzielen konnte. Aufgrund des reaktionären Pendelschwungs nach dem …

Cultural Of Authenticity And Commodification: Analyzing The Aesthetic Waves And Collective Culture In The 2010s And 2020s, Stefanny Leung Yu

Student Theses

The “authentic self” is curated, aestheticized, and most notably, commodified. Digital algorithms, likes, views, and engagement are more than just digital metrics, they are the management of performance. For millions of other users — including the author herself — social media is the locus of personal expression. Most notably, sites like Tumblr, where users in the 2010s posted hazy images or overly filtered graphics along with melancholic song lyrics that match the vibe of the moment, expression was earnest and idealized. Today, social media in the 2020s, new creators like Hannah Neelaman, better known as Ballerina Farm, dress in pastoral …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Sacred Connections In Cartoonish Places: Exploring The Implications Of Teotl In Avatar: The Last Airbender (2008), Makenzie P. Morrison

Electronic Theses and Dissertations

Taking Avatar: The Last Airbender (2008) seriously, Sacred Connections in Cartoonish Places explores the animated children’s series and how it is understood through the monistic Nahua (Aztec) concept of teotl. Relying on James Maffie’s text Aztec Philosophy: Understanding a World in Motion (2014), this thesis determines that Avatar: The Last Airbender benefits from monistic analysis. This analysis results in a breakdown of the show into four body chapters. These chapters respectively explore Aang’s role as a monistic representative, the differences between the physical and spirit worlds presented in the show, the kind of relationships that appear in the series, and …

Deconstructing The Afd: An Analysis Of The German Right-Wing Populist Political Party, The Alternative For Germany (Vchc Poster), Elizabeth A. Breckenridge

Research and Creativity Symposium

The Alternativ für Deutschland (Alternative for Germany) (AfD) is a far-right populist party that has quickly grown in power within the past decade, particularly in Eastern German states, due to its emphasis on nationalization, populist rhetoric, and attraction to voters’ fears about immigration and cultural change. The AfD has managed to mobilize strong voting support within five years, gaining parliamentary seats in the Bundestag (Federal Parliament) in 2017, and is now considered the main opposition party to the established parties. The AfD is the first right-wing party to gain significant voting attention since 1945, capitalizing on the rise of right-wing …

Review Of Sudan, Remember Us, Esther Sprague

The Journal of Social Encounters

No abstract provided.

“Time Is Our Only Ally!”: Indigenous Heroism And Native Slipstream In Turok, Son Of Stone, Justin Wigard

Heroism Science

In this article, I draw on Frederick Luis Aldama’s framework of Graphic Indigeneity to revisit the long history of an Indigenous hero figure in comics: Turok, a pre-Columbian Mandan warrior lost in a prehistoric space known as the Lost Valley. First appearing in Dell’s Four Color Comics #596 (1954), Turok has appeared throughout comics history for nearly 70 years, primarily written and drawn by white creative teams, yet a visually, narratively prominent Indigenous hero in the comics page, one who has periodically been a top-selling popular character in the comics industry. To this end, I argue that Turok is a …

What's The Art In Artificial Intelligence?, Emily Verla Bovino

Open Educational Resources

This workbook learns from Black and Indigenous artists working with Artificial Intelligence to confront issues of ethics and aesthetics in its technologies. It features guided learning activities with links to publicly available video lectures and online articles, and includes options for experiential learning through both a tutorial in Midjourney and a visit to the public art collection at York College in Jamaica, Queens. Featured artists include: American Artist, Rizvana Bradley, Beth Coleman, Denise Ferreira da Silva, Suzanne Kite, Sondra Perry, Mimi Onuoha and Alisha B. Wormsley. Works by Martin Puryear and Maren Hassinger are explored in the Midjourney exercise.

About …

Last Days, Sheila Nayar

Journal of Religion & Film

This is a film review of Last Days (2024) directed by Justin Lin.

Endless Cookie, Sheila Nayar

Journal of Religion & Film

This is a film review of Endless Cookie (2025), directed by Seth Scriver and Peter Scriver.

Inherited Wounds: Generational Trauma In Postcolonial Film And Narrative Fiction Of The Global South, Sabrina Testi Melgarejo

Dissertations, Theses, and Capstone Projects

The theorization of trauma in literary studies emerged in the 1990s, evolving from its physiological origins to a multidisciplinary framework encompassing literature, psychology, and history. However, classical trauma theory, rooted in Western scholarship and focused on singular traumatic events, has been criticized for its limitations in addressing collective and ongoing trauma in non-Western contexts. This thesis responds to a call for a more inclusive approach to trauma studies, examining how multi-generational and cultural trauma is represented in non-Western postcolonial films and literature from the Global South, including works from the Philippines, Sri Lanka, Cuba, Angola, Mozambique, Vietnam, and Lebanon.

The …