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Articles 841 - 870 of 1025
Full-Text Articles in Film and Media Studies
Information Professional Or Caretaker Of "Old Stuff", Daniel Davis
Information Professional Or Caretaker Of "Old Stuff", Daniel Davis
Library Faculty & Staff Publications
Do archivists emphasize their role as technicians with specialized skills and knowledge or do they emphasize their role as sort of "semi-pro" historians? This debate has been around since the 1930s and is not likely to be decided any time soon. My argument is that young archivists cannot afford to take an either/or approach and must incorporate elements of both paths or risk obsolescence and/or continued low salaries.
Beyond That “It's Just A Flesh Wound...” Kind Of Feeling: A Medieval Game1 Proposal, Carol Robinson
Beyond That “It's Just A Flesh Wound...” Kind Of Feeling: A Medieval Game1 Proposal, Carol Robinson
UNIversitas: Journal of Research, Scholarship, and Creative Activity
In his book, What Video Games Have to Teach Us About Learning and Literacy, James Paul Gee argues that “the power of video games, for good or ill, resides in the ways in which they meld learning and identity…,” and he cautions that this power can be used to miscommunicate wrong ideology (such as might be found in a neo-Nazi game that encourages the player to conduct ethnic cleansing (199). However, Gee advocates “understanding the ‘play’ of identities and perspectives as they work for and against each other in the world, now and throughout history” (200). The art – …
Summer 2006, 90.9 Wmpg Fm
Dogs In A Village, Karen Porter
Dogs In A Village, Karen Porter
Electronic Theses and Dissertations
Nearly all of the histories of Shays's Rebellion point to debt as the reason why farmers in western Massachusetts rose against the courts and the state government in the fall and winter of 1786-87. Recent scholarship demonstrates a new line of reasoning based on the tax records of those involved. The following thesis, a screenplay, offers a fictional telling of this insurgency. The story is told using language pulled from contemporary letters and documents and follows a line of causation pointing to inequitable state tax structure and poor representation as the provocation. The response that ensued was not a rebellion …
Una Entrevista Con El Montador De Sonido Español Leopoldo "Polo" González Aledo, 2006, Patricia Hart
Una Entrevista Con El Montador De Sonido Español Leopoldo "Polo" González Aledo, 2006, Patricia Hart
School of Languages and Cultures Working Papers
Ésta es una entrevista llevada a cabo en 2006 con el desaparecido montador de sonido cinematográfico, Leopoldo “Polo” González Aledo (muchas veces conocido simplemente como “Polo Aledo”). En esta conversación informal y alegre, Aledo describe sus comienzos en el cine, y su formación en la profesión. Como muchos de sus contemporáneos, más que nada fue autodidacta. Por el camino, relata anécdotas, algunas simpáticas y otras más serias, sobre directores de la talla de Luis García Berlanga, Emilio Martínez-‐Lázaro, Daniel Monzón, Julio Medem, Gracia Querejeta, Juanma Bajo Ulloa, Alejandro González Iñárritu, Fernando León de Aranoa, Álvaro Fernández Armero, Manuel Iborra, Alfonso …
0747: Robert C. Shank Collection, 1937-1992, Marshall University Special Collections
0747: Robert C. Shank Collection, 1937-1992, Marshall University Special Collections
Guides to Manuscript Collections
Scrapbooks of activities of the Huntington, W. Va., Community Players; movie posters; some books.
Entre Intertextualité Et Réécriture, Alexie Tcheuyap
Entre Intertextualité Et Réécriture, Alexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
Présence Francophone: Revue internationale de langue et de littérature
In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.
Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler
Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler
Présence Francophone: Revue internationale de langue et de littérature
The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.
Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani
Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani
Présence Francophone: Revue internationale de langue et de littérature
As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …
L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam
L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam
Présence Francophone: Revue internationale de langue et de littérature
Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.
Le Français D’Origine Maghrébine Face Au Prisme Médiatique, Hassiba Lassoued
Le Français D’Origine Maghrébine Face Au Prisme Médiatique, Hassiba Lassoued
Présence Francophone: Revue internationale de langue et de littérature
Whether we admit it or not, the mass media manipulates the masses. This fact proves to be especially dangerous in the context of French people of Maghrebian origin. The media presents them as either incapable of being “assimilated” or as models of integration. At any rate, there seems to be no middle ground between these two extremes.
Summer 2005, 90.9 Wmpg Fm
Spring 2005, 90.9 Wmpg Fm
Fall/Winter 2005, 90.9 Wmpg Fm
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
Conference Papers
The paper analyses the metaphorical visual and philosophical depiction of Spanish Civil war and its aftermath in Carlos Saura's La Caza.
Conglomeration, New Media, And The Cultural Production Of The "War On Terror", James Castonguay
Conglomeration, New Media, And The Cultural Production Of The "War On Terror", James Castonguay
Communication, Media & The Arts Faculty Publications
Comments on the role of the mass media in promoting the war on terrorism launched by United States President George W. Bush in the wake of the September 11, 2001 terrorist attacks. Eagerness of the U.S. film industry to participate the war on terrorism; Support of the U.S. Central Intelligence Agency on intelligence-related television programs and film projects; Role of the Internet in disseminating information regarding the war on terrorism.
Summer 2004, 90.9 Wmpg Fm
Spring 2004, 90.9 Wmpg Fm
Fall 2004, 90.9 Wmpg Fm
Teaching 9/11 And Why I'M Not Doing It Anymore, Louise Spence
Teaching 9/11 And Why I'M Not Doing It Anymore, Louise Spence
Communication, Media & The Arts Faculty Publications
Offers information on Reading Seminar in Media and Cultural Theory, a course which tackles advanced work in the theoretical and critical context of the mass media as a social phenomenon. Issues about the September 11, 2001 terrorist attacks on the U.S. covered in the course; Psychological implications of the terrorist attacks; Social relevance of the course and the instructor's reasons for ending the course.
0736: James D. Francis Film Collection, 1932-1954, Marshall University Special Collections
0736: James D. Francis Film Collection, 1932-1954, Marshall University Special Collections
Guides to Manuscript Collections
This collection consists of 57 reels of 16 mm film primarily of family activities and travels abroad dating from 1932 until 1952. Special films of note include footage of coal mines and footage of the 1937 flood in Huntington, West Virginia. Also included are an Eiki film projector, VHS and DVD copies of selected film, and oversize family and business related photographs.
Pasado Soterrado Y Ánima Reprimida En La Muñeca Reina Y Chac Mool, Cesar Valverde
Pasado Soterrado Y Ánima Reprimida En La Muñeca Reina Y Chac Mool, Cesar Valverde
Scholarship
No abstract provided.
Fall 2003, 909 Wmpg Fm
De L’Aliénation À La Libération, Alexie Tcheuyap
De L’Aliénation À La Libération, Alexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
This essay addresses the issue of education in pre and post-colonial Africa. It examines the ideological discourses, challenges and consequences associated with the adoption of western education in African countries. Based on novels and films, some of which are set in universities, the article analyses the effects of violence and irrelevant syllabi on African education, and argues that in order for knowledge to serve as a tool for real liberation, it has to be relevant to the social environment. It contends further that, paradoxically, even colonial education can contribute towards the liberation of Africans from some problematic aspects of their …
Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek
Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Winter/Spring 2003, 90.9 Wmpg Fm
Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek
Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek
Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
The Casasola Legacy In El Paso, Samuel E. Sisneros
The Casasola Legacy In El Paso, Samuel E. Sisneros
University Libraries & Learning Sciences Faculty and Staff Publications
This article brings to light the historical context of El Paso’s unknown and uncelebrated connection to the legendary Casasola family photo dynasty in Mexico. The local El Paso Casasola portrait studio photographer and owner did not capture iconic Mexican Revolutionary images like those of his contemporary famed photographer family members in Mexico City, but instead he recorded the visual memory of ordinary individuals and families residing in the US/Mexico border region.