Queer Studies Commons^™

Ancestors, Sherry Coman

Journal of Religion & Film

This is a film review of Ancestors (2026), directed by David Turpin.

Representasi Kehidupan Sosial Remaja Queer Di Belanda Dalam Film Out (2024), Ajie Kelana, Barbara Elisabeth Lucia Pesulima

Multikultura

Belanda dikenal relatif terbuka terhadap homoseksualitas, kondisi yang tercermin dalam film Out (2024) karya Dennis Alink tentang dua remaja queer, Ajani dan Tom, yang menjalani kehidupan baru di Amsterdam. Penelitian ini mengkaji representasi kehidupan sosial remaja queer dalam film tersebut dan relevansinya dengan realitas sosial remaja queer di Belanda, menggunakan teori representasi Stuart Hall dengan pendekatan konstruksionis serta konsep congruence Carl Rogers, melalui metode deskriptif kualitatif. Hasil analisis menunjukkan bahwa film merepresentasikan kehidupan sosial remaja queer sebagai proses adaptasi yang dipengaruhi ruang sosial: keluarga sebagai ruang penerimaan tanpa syarat namun idealis dibanding realitas Belanda, desa sebagai ruang yang membatasi …

A Twilight World Of Unspeakable Horror: Lesbian Camp And The Vampire Lovers (1970), Mirielle Lemay

University Honors Theses

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how …

Trans-Cyber Cinema: Digital Embodiment In Science-Fiction Films, Sophia R. Schrock

Dissertations, Theses, and Capstone Projects

This thesis aims to define the trans-cyber genre within cinema. By looking retroactively at a selection of nine films made across various decades and countries, this genre connects these films through their visualization and thematization of both trans and cyber embodiments, whereby the trans-cyber being emerges. Before the cinematic analysis and explanation of the three generic conventions selected for this thesis – transformation of body/gender; altered reality, memory, and temporality; and, radical death – the two intertwining theoretical frameworks will be established. This includes a brief summary of applicable transgender theory, and an introduction to cyborg theory (using Donna Haraway’s …

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

Fetishismus:Facism, Sodomy, And The Exhibition, Matthew P. Gershovich

Masters Theses

Fetishismus examines the contemporary dislocation between homosexuality and queerness. Homosexuality is the biological, innate quality of same-sex attraction. Queerness is rooted in deviance, perversion, and sociologically attached to the “other.” Although almost always used in an explicitly homosexual connotation, “queerness” is not entirely contingent on the physical engagement of homosexual acts. In historical usage, queer is used as a pejorative adjective, implying a lack of masculinity with the intent to invoke repulsion. In contemporary parlance the two are treated as synonymous. This intertwined relationship relies on the forced lack of social and spatial belonging that is rooted in a foundational …

Art In An Apocalypse: Aids, Activism, And Abolition In Work Of Essex Hemphill And Alternative Video Production, Sydney E. Guntharp

Honors Theses

This thesis is an exploration of Black, POC, feminist, and queer art in the late twentieth century, examining both the AIDS crisis and the increasing privatization of the prison industrial complex as key factors in the development of Essex Hemphill’s poetic, expressive works and the filmmaking activism of various videotape collectives. Through employing the lens of critical prison studies, this work seeks to understand how Black and POC art emerged as a site of political resistance to a carceral state as well as the broader social punishment doctrine that influenced the public health response to AIDS in the United States. …

The Weight Of The Unknown: Xenophobia In Lucía Puenzo’S Xxy, Daylen Motamed

Student Scholar Symposium Abstracts and Posters

This project examines how Lucía Puenzo’s film titled XXY critiques societal responses to unique identities (specifically intersex as an example), asking how xenophobia and normative gender expectations shape the marginalization of bodies that exist outside the binary. Situating the film within scholarship on queer adolescence and intersex representation, the analysis of this poster will argue that XXY exposes how institutions such as medicine and family reinforce harmful notions of “normalization.”

Drawing on close textual analysis of key scenes and engagement with critical sources, including Guillermo Olivera’s work on space and visibility and testimonies from intersex individuals, this study investigates how …

Pussy Protest! Protest Zines To Uplift Marginalized Voices, Alekz Nelson

Theses/Capstones/Creative Projects

A publication of 4 separate zines made up of 12 pages each. The zines delve into the history of the Americans with Disabilities Act, trans women and their music artistry, lack of lesbian media, and inmate working conditions. These zines aim to not only raise awareness towards these issues, but spark action from readers by providing practical and doable options to pursue. With societal attitudes and political administrations becoming more conservative, spreading this information and awareness is vital to ensure that these alternatives ways of life are not forcibly erased.

Dark Wave - Comics And Transgender Studies In Practice, Mieke Vanderveen

Dartmouth College Master’s Theses

This is a thesis in two parts. Its goal is to provoke the intersection of superhero comics and transgender studies in order to interrogate the parallels between those two identities and explore ways in which pairing them together can strengthen each other narratively and academically. Rather than seeking an answer to a question, the project as a whole serves as a way of communicating trans internalities from a transfeminine perspective in a format that brings the issues to the forefront of the narrative in an in-depth and entertaining way. The result is hopefully a coherent artistic work that achieves those …

The Ghosts Of Times Square: A Zine Exploring Representations Of Times Square Through Film, Kel R. Karpinski

Publications and Research

My zines are often an extension of my research—either a jumping off point or a way to create a more visual project (or both). They are in their own way a form of excess - they are often too scandalous, too smutty, too much — everything that is spilling out of the margins.

My zines and research focus on lesser known queer histories, trying to highlight them and bring them to a new audience and new generations.

Using zines as a creative form of research, I am able to reach a broader audience both inside and outside of academia. I …

Opening The Door Of The Celluloid Closet, Melissa Hernandez

Student Scholar Symposium Abstracts and Posters

While watching the documentary, The Celluloid Closet, I was instantly intrigued by how queer people and cinema mixed. Going as far back to the black and white, silent films era, queer people have been used as comedic relief, but not in an appealing way. Constantly being the butt of the joke, disregard for queer people became so normalized that certain tropes started popping up in cinema. One trope that we can still see be used frequently in today’s films is the “bury your gays” trope (also known as the “dead lesbians syndrome”) where queer characters in cinema are not …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

(Ba)Ding, Ang Bato!: Queering Duterte's Drug War In Jun Lana's Big Night! (2021), Jenno Roquero

Akda: The Asian Journal of Literature, Culture, Performance

Though there are studies around Duterte’s war on drugs and human rights violations, scholarship focusing on the relationship between Duterte’s politics and gender, particularly queerness and kabaklaan, is limited despite his frequent derogatory use of bakla, gay, or homosexual to demean rivals and critics. This article analyzes Jun Lana’s Big Night! (2021) through the Filipino concept of batak—intoxication, being forcibly dragged, and musculature—to examine the intersections of queerness, state violence, and survival in Rodrigo Duterte’s “War on Drugs.” Through close readings of key scenes, the article maps how batak operates as a framework for understanding the bakla’s shifting position: …

Pretty And Problematic: The Use Of Music In Guadagnino's 'Call Me By Your Name', Brandon L. Foskett

Deliberately Queer Journal

Tension in the reception of the American-Italian film Call Me by Your Name (dir. Guadagnino, 2017)—as a beautiful film that implicitly condones a problematic narrative—is shaped in part by its compilation soundtrack. Already lauded as a timeless masterpiece in cinematography, sensuality, and music, the film also receives steadfast criticism regarding its portrayal of homosexuality and alleged condoning of interage desire between Elio, a 17-year-old Italian-French boy, and Oliver, a 24-year-old American man. In this paper, I analyze five musical episodes from the film, including The Psychedelic Furs’ “Love My Way,” Ravel’s Une barque sur l’océan, and Sufjan Stevens’s “Mystery …

Cultural Shadows: Vampires And The Shifting Fears Of The West, A Creative Exploration Of Vampire Media And Its Reflection Of Evolving Social Anxieties, Tasha Sayre

University Honors Theses

Cultural Shadows: Vampires and the Shifting Fears of the West is a creative-critical thesis that explores vampire media as a reflection of evolving social anxieties in Western culture. Focusing primarily on film and television, with reference to key literary texts, this study examines how the vampire figure is used to articulate and dramatize recurring societal fears—particularly those surrounding women's sexuality and autonomy, queer identity, and class-based inequality. Through close readings of influential vampire narratives, the thesis demonstrates how these stories mirror cultural tensions and moral panics, transforming the vampire into a symbol of both fear and fascination. Drawing on gender …

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Sabar Bonda (Cactus Pears), Sheila Nayar

Journal of Religion & Film

This is a film review of Sabar Bonda (Cactus Pears) (2025), directed by Rohan Parashuram Kanawade.

Deuce Redemption: Grindhouse Cinema, Moral Panic, And Urban Renewal, Robert Brenner

Dissertations, Theses, and Capstone Projects

If you consult standard histories of the “redevelopment” of 42^nd Street between Seventh and Eighth Avenue, AKA “the Deuce,” you will read that it was filled with nothing but criminals and pornographers, that decent people avoided it at all costs, and the only way the block could be “saved” was by seizing it via eminent domain, evicting all the current tenants, and replacing them with Disney and its fellow entertainment corporations.

The purpose of this thesis is to offer a more nuanced alternative to these standard histories. I will argue that the Deuce was a lower-class, multiracial, queer entertainment …

Plainclothes, Chris Deacy

Journal of Religion & Film

This is a film review of Plainclothes (2024), directed by Carmen Emmi.

Myth, Murder, And Mayhem: Discerning The ‘Other’ In Our Flag Means Death, Sara Brown

Mythopoeic Society Seminar Proceedings

Although the television series Our Flag Means Death presents on the surface as a romantic comedy, it is enhanced by mythic elements that infuse the narrative with a clear sense of the fantastic. Here, the pirates exist in a Secondary World that openly draws upon the Primary (both in terms of historiography and legend); hence 18th-century piracy and British colonialism can interact seamlessly with human-to-animal-transformations (paying homage to the Greek myth of Ceyx and Alcyone) without seeming either disconcerting or anomalous – all co-exist comfortably in Faerie. OFMD both inverts and deconstructs mythopoeia; the Primary World myths of the Gentleman …

Gen Z Sexual And Gender Fluidity In Us Scripted Television, Traci B. Abbott

English and Media Studies Faculty Publications

This essay addresses the rise in sexual and gender-fluid characters in scripted US television targeting the Gen Z audience (born 1997–2012), based on their moniker as the “queerest” generation, with over 20% of younger US and international respondents identifying as LGBTQ in polls, the majority as sexually fluid (bi/pansexual) or non-binary (genderfluid/genderqueer). By analyzing six series (2019–2023) marketed as “authentically” Gen Z, I argue this shift invests in Gen Z’s “hip” attitude towards such fluidity the same way Caldwell argues that 1990’s diversification of the televisual audience produced a “programming agenda…that cultivates and rewards distinction in ethnic, racial, and class …

Post Opera, Suzy Lykins

Theses and Dissertations

Post Opera is a spell and work of embodied research which explores medicalization, desire, labor, and belief. Through methods of performance, sound, text and installation, I facilitate encounters of trans-femininity, spiritual power and connectivity. An opening wound, a set of psychic scalpels, sutures and bandages prepare this text for your consumption, take care to digest her well.

Lust, Labor, & Legitimacy: Visibility And Precarity In Platformed Sex Work, Sable J. Augustyn

Theses and Dissertations--Geography

This thesis examines the labor of platformed sex workers, positioning their experiences as a site for understanding the entanglement of multiple intersecting economies. Through qualitative interviews, it explores how sex workers navigate platform infrastructures, manage audience engagement, and contend with visibility as both an economic necessity and a site of risk. Drawing on theories of emotional labor, visibility labor, and platform governance, the project highlights how sex work on digital platforms is shaped by overlapping systems of economic extraction, technological constraint, and cultural regulation. Platformed sex work emerges here as a layered and context-specific practice—embedded within creator ecologies, attraction economies, …

A Monstrous [Un]-Becoming: Defining The Final Boy, Rhys Crumpton

College of Graduate Studies: Theses & Dissertations

Through an exploration of horror theory, monster theory, queer theory, and disabilities studies, this thesis defines a 21st century archetype within the serial horror narrative, known as “the Final Boy.” This character is a manifestation of a queer, often neurodivergent man in peril at the hands of a monstrous society. This harmful socionormativity is narratively represented by a monster wearing the face of a man, one whom the Final Boy must subdue and overcome if he wishes to survive. The seven tenets found in this project highlight the fluctuating morality the Final Boy is forced to engage in per the …

Reject Modernity, Embrace Tradition: Unpacking Gender Roles In Social Media Performances Of "The Good Life", Lauren Mar

Scripps Senior Theses

What do JD Vance, tradwife influencers, and the “sprinkle sprinkle” movement have in common? They all have something to do with the increasing popularity of an apparent return to traditional gender roles. This thesis is an intersectional investigation of women’s gender roles in relation to class and race as they appear in different performances of “the good life” on social media. Through a series of personal essays, this thesis explores how these media examples represent a deeper political unhappiness with present conditions. This thesis takes the time to unpack the different sides of discourse surrounding each subject, and counters the …

Voices To Faces: The Midnight Cowboy’S Picaresque Journey, Dave Patterson

Anthós

John Schlesinger’s 1969 film, Midnight Cowboy, tells the story of Joe Buck, a Texan who dreams of working as a hustler in New York. Schlesinger’s resulting tale follows the framework of the picaresque, wherein a naive rube ventures to the big city to pursue a better life and exposes societal ills along the way. In this article, Patterson reveals how Joe Buck’s internal tension derives from his materialism, symbolized as disembodied voices, and his devaluing of human connection and empathy, symbolized as faces. The voices from his radio’s advertisements and game shows reinforce his flawed assumptions about life. A midpoint …

Ephemeral Legacy, Allison Hall

Master's Theses

Recently, my thoughts have centered on the problem of legacy. How do we forge bonds with other humans? What happens on an interpersonal level when these humans pass away, or when we pass, and they continue in life? How do queer spaces consistently offer deeper phenomena of interpersonal legacies; how does death operate as generational catalyst? I am particularly interested in putting these questions in the context of queer spaces. In queer culture, kinship is formed in ways that break from typical western notions of kinship. Despite being incoherent to western notions of family, queer bonds are extremely strong (Bradway …