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Articles 31 - 37 of 37
Full-Text Articles in Queer Studies
Señoritas On And Off The Silver Screen: How Chicana Women Organized For Equality And Challenged The Cultural Prison Of Sexualized Media Representations In The First Half Of The Twentieth-Century, Rossandra Paloma Martinez
Señoritas On And Off The Silver Screen: How Chicana Women Organized For Equality And Challenged The Cultural Prison Of Sexualized Media Representations In The First Half Of The Twentieth-Century, Rossandra Paloma Martinez
Electronic Theses, Projects, and Dissertations
This research is personal for me due to lived experience and day-to-day situations where I have felt the pressures of unattainable beauty standards and society’s fluid definition of beauty and femininity surrounding Chicana, Latinas, Mexican, and Mexican-American women. What inspired me to pursue these issues and topics was the work of Dr. Vicki Lynn Ruiz in her book From Out of the Shadows: Mexican Women in Twentieth-Century America. This research focuses on rival and contested images of Chicana, Mexican, Mexican-American and Latina labor advocates and activists from the early twentieth as opposed to sexualized and eroticized packaged caricatures that Hollywood …
Queer Coding And Representation: The Motion Picture Production Code And Its Impact On The Lgbtq Community, Amber Leech
Queer Coding And Representation: The Motion Picture Production Code And Its Impact On The Lgbtq Community, Amber Leech
English and Creative Writing Summer Fellows
The Motion Picture Production Code was a set of guidelines for films imposed between 1934 and 1968 that prevented them from depicting immoral themes such as profanity, blasphemy, and glorification of criminal activity. While homosexuality was never explicitly mentioned, it was banned in films through a rule prohibiting the depiction of sex perversion. This resulted in many films using a technique called queer coding in which they could imply that a character was queer without alerting the Production Code Administration. Because queer characters could not be depicted without glamorizing homosexuality, however, many of these characters were villains, died in the …
Queering Tv In The Age Of Tiktok, Greta Reel
Queering Tv In The Age Of Tiktok, Greta Reel
Graduate Theses, Dissertations, and Capstones
This thesis asks how fans have created their own queer representation on the social media platform TikTok. It looks at the tools afforded by TikTok that fans have used to “ship” non-canon woman-loving-woman couples and to “queer” television show characters. It also examines how fans on TikTok have reacted to television plotlines they were unhappy with, such as the “bury your gays” trope. Four shows, all after the year 2000, are used as case studies. These shows are Wednesday (2022-present), Criminal Minds (2005-present), Stranger Things (2016-present), and Killing Eve (2018-2022). Numerous TikTok videos and comments revolving around each show are …
Seeking The Unspoken: Examining Queer Subtext In Storytelling, Morgan Stevens-Reidy
Seeking The Unspoken: Examining Queer Subtext In Storytelling, Morgan Stevens-Reidy
Postgraduate
This exegesis aims to examine the techniques of subtext that are used to determine creative decisions in narrative structures on various forms of fictional screen media with a specific focus on storytelling in an animation context and the creative mediums used to form it. The major focus of subtextual storytelling that is investigated during this exegesis is the themes and narratives used throughout the LGBTQ+ community and the diversity of its influences upon hidden signs within stories, which was studied through the process of creating the foundation of a short film with the use of methodological approaches such as practice-led …
More Than Representation Heartstopper: A Multimodal Critical Discourse Analysis, Tracyann Josephine Harmer
More Than Representation Heartstopper: A Multimodal Critical Discourse Analysis, Tracyann Josephine Harmer
Communication & Theatre Arts Theses
This thesis is a multimodal critical discourse analysis of Netflix’s Heartstopper, written with the goal of understanding its methods of representation and queer world creation. Through analysis of the ideology of heteronormativity as it relates to masculinity, internalized homophobia, homophobia, and mental health, I expand upon the significance of queer representation for queer audiences, heterosexual audiences, and producers of queer media. Through a nuanced analysis of these themes, I display how and why Heartstopper has had enormous success and expand upon the cultural phenomena surrounding this media. Finally, this thesis places these nuanced analyses into the real-world reaction to …
Queering The Troubled Tropics In Panx Solajes’ Post-Haiyan Short Films, Ian Harvey A. Claros
Queering The Troubled Tropics In Panx Solajes’ Post-Haiyan Short Films, Ian Harvey A. Claros
Filipino Faculty Publications
This article apprehends a precarious moment when the queer and the tropics coincide to form a new fabric of sensing in this age of climate crisis. Queer and tropics are intimate, not only because both embody their inherent openness and fluidity, but also because each is woven closely by the corollary contradictions that besiege them, such as heteronormativity, capitalism, and environmental degradation. Within such an intersecting framework, this study critically engages with a selection of three works by the queer Filipino filmmaker Panx Solajes who attentively observes the aftermath of Typhoon Haiyan (locally called Yolanda) in the Philippines, a tropical …
Aging On The Margins: The Older Woman As A Queer^ Subject, Taylor Austin
Aging On The Margins: The Older Woman As A Queer^ Subject, Taylor Austin
Film Studies Honors Papers
Across film genre and history, the figure of the older woman has remained largely invisible. “Frail, Frumpy and Forgotten: A Report on the Movie Roles of Women of Age,” a 2020 study conducted by The Geena Davis Institute on Gender and Media, finds that female characters made up just 25.3% of characters over the age of 50 in the top-grossing films of 2019 within the United States, the United Kingdom, France, and Germany. All of these characters occupied minimal, supporting roles: none of the leading characters in the selected films were women over the age of 50, and the large …