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Articles 31 - 43 of 43
Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies
Believer, John C. Lyden
Believer, John C. Lyden
Journal of Religion & Film
This is a film review of Believer (2018), directed by Don Argott.
Show Us Your Omaha: Combating Lgbtq+ Archival Silences, Angela J. Kroeger, Yumi Ohira, Amy Schindler
Show Us Your Omaha: Combating Lgbtq+ Archival Silences, Angela J. Kroeger, Yumi Ohira, Amy Schindler
Criss Library Faculty Proceedings & Presentations
The University of Nebraska at Omaha (UNO) Libraries offers a variety of unique and specialized collections in the Archives & Special Collections (ASC) for UNO and Omaha community members. In 2015, ASC began planning for preserving and providing access to Omaha’s LGBTQ+ history through the Queer Omaha Archives. Archival silences were defined by archivist Rodney Carter as the manifestation of the actions of the powerful in denying the marginalized access to archives with further definition by archivists and researchers expanding this definition. The UNO Libraries has invested in developing digital engagement as a strategic priority through building infrastructure and expanding …
Two-Spirit Mexica Youth And Transgender Mixtec/Muxe Media: La Mission (2009), Two Spirit: Injunuity (2013), And Libertad (2015), Gabriel S. Estrada
Two-Spirit Mexica Youth And Transgender Mixtec/Muxe Media: La Mission (2009), Two Spirit: Injunuity (2013), And Libertad (2015), Gabriel S. Estrada
Journal of Religion & Film
Independent directors Peter Bratt, Adrian Baker, and Avila-Hanna create differing trans-border queer Indigenous media that resist Eurocentric cic-heteropatriarchy. While Bratt’s feature-length narrative film La Mission (2009) features a masculine Mexica gay teenager who survives fused homophobic and trans*-phobic violence, Baker’s short animation Two Spirit: Injunuity (2013) makes stronger trans* and two-spirit Mexica youth identity affirmations. Avila-Hanna’s short documentary Libertad (2015) offers the clearest transgender narrative of the three films as it focuses on a California transgender Mixtec immigrant activist who is coming of age as a woman with the aid of hormones and gender affirming surgery. This article’s trans*- and …
The Wound, John C. Lyden
The Wound, John C. Lyden
Journal of Religion & Film
This is a film review of The Wound (2016), directed by John Trengove.
The Queer Omaha Archives, Amy Schindler
The Queer Omaha Archives, Amy Schindler
Criss Library Faculty Proceedings & Presentations
The Queer Omaha Archives, in Criss Library Archives & Special Collections at the University of Nebraska at Omaha, preserves and provides access to the history of LGBTQIA+ life in the region. The archives collects, preserves, and makes available to the public material documenting the diverse people and organizations of the greater Omaha region and their experiences and work. In this session, we’ll share how this new community collecting initiative was begun and how the library is extending existing and establishing new relationships with campus and community members to preserve the region’s LGBTQIA+ history and make it available for use.
Hollywood Biblical Epics: Camp Spectacle And Queer Style From The Silent Era To The Modern Day, Kent L. Brintnall
Hollywood Biblical Epics: Camp Spectacle And Queer Style From The Silent Era To The Modern Day, Kent L. Brintnall
Journal of Religion & Film
This is a book review of Richard Lindsay, Hollywood Biblical Epics: Camp Spectacle and Queer Style from the Silent Era to the Modern Day (Denver, CO: Praeger, 2015).
An Evil Threat To Marriage, Children And The Future: Queer Theory, "The Passion Of The Christ," And Evangelical Political Rhetoric, Richard Wolff
An Evil Threat To Marriage, Children And The Future: Queer Theory, "The Passion Of The Christ," And Evangelical Political Rhetoric, Richard Wolff
Journal of Religion & Film
This article employs queer theory to analyze Mel Gibson’s film The Passion of the Christ (2004) for its portrayal of queer characters (Satan and Herod) in contrast with non-queer (Pilate and Claudia, Seraphia, Simon the Cyrene, and Mary, Christ’s mother), and how it depicts the former as evil and the latter as good. In particular, these contrasts involve self-indulgent or predatory sexual expression versus a healthy marital relationship, and evil versus loving influences over children, who represent hope for the future. Finally, the article looks at the film’s heavy marketing to American evangelicals and how the symbolic representations in the …
Pink & Baby Blue, William L. Blizek
Pink & Baby Blue, William L. Blizek
Journal of Religion & Film
This is a film review of Pink & Baby Blue (2013), directed by Catrin Hedström.
Where I Am, William L. Blizek
Where I Am, William L. Blizek
Journal of Religion & Film
This is a film review of Where I Am (2013) directed by Pamela Drynan.
C.O.G., Jeanette Reedy Solano
C.O.G., Jeanette Reedy Solano
Journal of Religion & Film
This is a film review of C.O.G. (2013) directed by Kyle Patrick Alvarez.
Interior. Leather Bar., Dereck Daschke
Interior. Leather Bar., Dereck Daschke
Journal of Religion & Film
This is a film review of Interior. Leather Bar. (2013) directed by Travis Mathews and James Franco.
Fall To Grace, John C. Lyden
Fall To Grace, John C. Lyden
Journal of Religion & Film
This is a film review of Fall to Grace (2013) directed by Alexandra Pelosi.
God Loves Uganda, John C. Lyden
God Loves Uganda, John C. Lyden
Journal of Religion & Film
This is a film review of God Loves Uganda (2013) directed by Roger Ross Williams.