Feminist, Gender, and Sexuality Studies Commons^™

Incel Rhetoric: Origins Of Digital Misogyny, Virginia Sisemore

Honors College Theses

In this paper I outline the basic ideological beliefs of incels, which provide insight into the community’s violent tendencies. In addition, because I believe incel communities are more directly to blame for digital misogyny than a larger and more broad group of men, I examine posts from within their community and comments under Anita Sarkeesian’s video “Tropes vs. Women in Video Games” in order to demonstrate that the rhetoric in both online locations is from the same source. Finally, I discuss actions that can be taken to mitigate the online violence perpetrated by the incel community, which will, in turn, …

Visual Weimar: The Iconography Of Social And Political Identities, Kerry Wallach

German Studies Faculty Publications

In the Weimar Republic, images were perceived to be as unreliable as they were powerful. They helped create and codify difference while simultaneously blurring lines within the categories of gender and race. Visual culture provided a wild playground for discourses about gender presentation and sexuality that encompassed veterans, athletes, criminals, the New Woman, and androgynous figures. Despite the growing prominence of images in race science, it was widely held that images could not be trusted to convey accurate information about race. The propagandistic use of images for political purposes had the potential to be equally ambiguous. It was ultimately up …

Whose Sword? Materiality, Gender Subversion And The Fairy Women Of Middle English Romance, Jane Bonsall

Medieval Feminist Forum: A Journal of Gender and Sexuality

Though frequently steeped in elements of fantasy and featuring idealised or supernatural characters, Middle English romances are, at their core, concerned with the practicalities of material wealth and status among the gentry and aristocracy. This persistent concern with wealth and materiality is manifested in dramatic ways in some of the Middle English romances figuring magical women. In Melusine, Sir Launfal, and Partonope of Blois, the control of masculine-gendered objects of material wealth – and signifiers of chivalric identity – is given to the fairy ladies, rather than their knightly paramours. In their manipulation and control of these material symbols of …

Distaff As Weapon In The Margins Of Two Late-Thirteenth-Century Arthurian Romance Manuscripts, Emily Shartrand

Medieval Feminist Forum: A Journal of Gender and Sexuality

The marginal art of two late-thirteenth-century Arthurian romance manuscripts from French-Flanders are rife with motifs depicting violent battles. One such motif is that of a mounted joust between a knight and a woman. The knight is weaponless, but the woman wields a distaff, a tool used to spin wool or flax, as a lance in order to penetrate the knight. By contextualizing this motif with the text of the Vulgate Arthur, as well as the socio-political moment within which the manuscripts were produced, this article seeks to investigate how its inclusion could direct certain interpretations of the narratives in accompanies.

Possession, Production, And Power: Reading Objects In The Material Field, Anne E. Lester

Medieval Feminist Forum: A Journal of Gender and Sexuality

This response piece explores the revival of interest in materiality and the relationship between medieval material culture and gender. Offering a rich and extensive overview of the study of materiality and gender, including a new definition of the “material field” drawing on Bourdieu, the piece specifically discusses how objects obtain their value and meaning within medieval texts, including Arthurian romance literature. The response argues that material objects give a woman power and control, outlining how this is evident through objects within texts and in material production, as evidenced in the section’s articles. The response piece poses – and offers some …

Queering The Global Filipina Body: Contested Nationalisms In The Filipina/O Diaspora., Gina Velasco

Gettysburg College Faculty Books

Contemporary popular culture stereotypes Filipina women as sex workers, domestic laborers, mail order brides, and caregivers. These figures embody the gendered and sexual politics of representing the Philippine nation in the Filipina/o diaspora. Gina K. Velasco explores the tensions within Filipina/o American cultural production between feminist and queer critiques of the nation and popular nationalism as a form of resistance to neoimperialism and globalization.

Using a queer diasporic analysis, Velasco examines the politics of nationalism within Filipina/o American cultural production to consider an essential question: can a queer and feminist imagining of the diaspora reconcile with gendered tropes of the …

The Revival Of Scott Joplin’S Treemonisha In A Black Feminist Context, Alec Larner

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

President's Commission On The Status Of Women: Fall 2020 Report, University Of Dayton

Women's Center Reports, Commentaries and Other Resources

Announced in fall 2019, the President’s Commission on the Status of Women was convened to illuminate and ultimately enhance the status of women at the University of Dayton by advising the president and other senior leaders on gender equity issues and specific concerns of women-identified faculty, staff, and students. The commission makes recommendations on issues that have particular relevance for women, including but not limited to equity, access, retention, promotion and advancement, and safety and security.

Biljana Jovanović, A Rebel With A Cause Or: On ‘A General Revision Of Your Possibilities’, Tijana Matijević

Wagadu: A Journal of Transnational Women's & Gender Studies

By analysing Yugoslav writer Biljana Jovanović’s early novels, the essay follows her possible literary speculations on the capacity of the Yugoslav society to fulfill the promises of the revolution, together with her imagining of an alternative form of sociability, as that which could result in universal, human emancipation. Offering a peculiar portrait of the urban society of the late seventies in Yugoslavia, in her novels Jovanović tests if and how the problem of women’s emancipation is connected to the problems of class. Yet, a failure of class emancipation, an ‘impossibility to revise’ the society is antagonized from the scrupulous and …

Veronica Porumbacu’S ‘Return From Cynthera’ (1966): A Conceptual Manifesto Of Socialist Feminism, Ovidiu Ţichindeleanu

Wagadu: A Journal of Transnational Women's & Gender Studies

Veronica Porumbacu (1921-1977) was a Romanian poet and translator who has been unjustly forgotten today due to her proletcultist poems of the 1950s. Yet her work was widely published and well-known during the socialist regime, and is especially relevant for the two decades of growth and ideological innovation of the 1960s and 1970s. In my article I analyze a remarkable volume of hers published in 1966, situating it in the context of her work and in the wider frame of the political context of Romania. I argue that Return from Cythera can be considered a conceptual manifesto of socialist feminism, …

Agency, Biography, And Temporality: (Un)Making Women’S Biographies In The Wake Of The Loss Of The Socialist Project In Yugoslavia, Tanja Petrović, Jovana Mihajlović Trbovc

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay seeks to deepen our understanding of women’s agency in socialist societies. Focusing on socialist and post-socialist Slovenia, it explores the ways agency reveals itself in interviews with and biographical portraits of the socio-politically active women – or “political workers” (politične delavke), as they were called during Yugoslav socialism – Mara Rupena Osolnik and Aleksandra Kornhauser Frazer. In these texts, agency unfolds as a mosaic of multiple, naturally intertwined activities and engagements aimed at the common good and at improving the position of women and other socially marginalized groups. This kind of agency – understood as the ability to …

Like Looking In A Mirror: A Material Reading Of The Sisters In Galeran De Bretagne, Morgan Boharski

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article explores the story of Fresne from Renaut’s early thirteenth-century romance of Galeran de Bretagne and, moreover, the often overlooked story of her twin sister Flourie. In Marie de France’s version of the tale, the lai of Le Fraisne, the focus is on the character of Fresne, rather than her twin sister who is rarely mentioned in favour of encouraging the ultimate success of Fresne in winning the handsome knight at the end of the tale. However, inextricably linked to the success of Fresne is the failure of Flourie, and in Renaut’s romance, the reader is allowed a …

Textiles, Gender, And Materiality: A Response, Bettina Bildhauer

Medieval Feminist Forum: A Journal of Gender and Sexuality

This response outlines the predominant current conceptions of gendered materiality in contemporary theory (such as Karen Barad’s development of Judith Butler’s thought) and in medieval studies (such as work by Caroline Walker Bynum). It identifies and expands upon four themes from the two articles in the section that are pertinent to the descriptions of textiles and other material objects in a wider range of medieval texts and current medievalist scholarship: 1) the idea that textiles and other material things can have biographies; 2) the idea that textiles are today (but not necessarily in medieval writing) perceived as connective networks; 3) …

Making It Through The Wilderness: Trees As Markers Of Gendered Identities In Sir Orfeo, Danielle Howarth

Medieval Feminist Forum: A Journal of Gender and Sexuality

Wood was an essential material in the Middle Ages, but trees – and human relationships with them – are too often ignored. Using trees as a lens through which to view medieval romance can provide us with a new perspective on the genre, on medieval gender norms, and on human relationships with the material non-human. This article focusses on the trees in the Middle English Sir Orfeo in order to interrogate how Orfeo’s identity is linked to trees and wooden objects. Although Orfeo’s harp is the most obvious wooden marker of his identity, the ympe-tree in Orfeo and Herodis’s orchard, …

"The Best A Man Can Be": Subverting Masculinity’S Excess(Es) In Medieval Texts, Liz Herbert Mcavoy

Medieval Feminist Forum: A Journal of Gender and Sexuality

This response piece situates the articles in the section within current trends in the study of medieval masculinities – including the reclamation of the “femfog” and scholarly work by Carolyn Dinshaw, Jack Halberstam and Mads Ravn – and within current discourse of what it means to “be a man” in popular culture, citing the 2019 Gillette advert “We Believe: The Best Men Can Be” and the “Time’s Up” and “Me Too” feminist movements. The response identifies a performative display of gender – termed ‘psuedomedieval masculinity’ – which borrows from medieval culture to ‘medievalise’ modern toxic masculinity. Using Halberstam’s idea of …

Objectifying Love: Ladies And Their Tokens, Saints And Their Relics In Chrétien De Troyes, Lydia Hayes

Medieval Feminist Forum: A Journal of Gender and Sexuality

Relics are powerful signifiers of the relationship between humanity and the divine because they allow humans to physically touch a part of a saint’s body or an extension of the saint’s body. This type of symbolism may also be found in the relationship between ladies and knights in Chrétien de Troyes’ Arthurian romances, when a part of the lady’s body (her hair, for example) or an object that once belonged to the lady is touched by the knight. The objects that represent these ladies provide their knights with some form of power at crucial stages in the romances, usually encouraging …

Fabricated Muslim Identity, Female Agency, And Cultural Complicity: The Imperial Project Of Emaré, Amy Burge, Lydia Kertz

Medieval Feminist Forum: A Journal of Gender and Sexuality

Extant in only one mid-fifteenth-century manuscript, the Middle English romance Emaré has nevertheless captivated modern scholars and readers. The majority of studies have focused on the text’s material culture, centred on the description of a luxurious cloth that takes up 10% of the poem. A recent global turn in medieval studies has consistently highlighted the role of medieval Europe in defining and supporting imperial projects, simultaneously challenging the Eurocentrism of medieval studies and the supposed neutrality of medieval European culture. This article brings Emaré into conversation with material culture and postcolonial critique to investigate the imperial politics of the text. …

Front Matter, Medieval Feminist Forum, V.56, No.1, Summer 2020

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

Editorial: Gender Relations And Women’S Struggles In Socialist Southeast Europe, Dijana Jelaca, Nikolay Karkov, Tanja Petrović

Wagadu: A Journal of Transnational Women's & Gender Studies

For readers versed in the tradition of North Atlantic feminist theory, the intersection of “socialism” and “feminism” is relatively uncomplicated. As a rule, the theory proffers a critique of the “double oppression” that women experience under patriarchy and capitalism, with the exact relationship between these two systems then up for debate. While often not explicitly thematized, the theory’s geographical roots in North American and Western European struggles and contexts inform its epistemological practice and organizational protocols.

Towards Women’S Minor Cinema In Socialist Yugoslavia, Dijana Jelaca

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay theorizes the concept of women’s minor cinema in socialist Yugoslavia, conceptualized through examples of cultural texts that circulate within the so-called women’s genres: romance films, “chick flicks,” and TV soap operas. Women’s cinema is here not defined solely as films made by women, but rather, films that address the spectator as a woman, regardless of the spectator’s sex or gender. I argue that, in the context of Yugoslavia, such works frequently articulated emancipatory, feminist stances that did not demarcate a dichotomous opposition to the socialist state as such, but rather called for the state to fulfill its original …

The Return Of Jugoslovenka: An Unrequited Love Affair, Jasmina Tumbas

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay considers women’s emancipation in Socialist Yugoslavia as central to the socialist project. I focus on the feminist art of the 1970s and 1980s, aswell as contemporary engagements with the question of Yugoslavia. I put in conversation performance works by Sanja Iveković, Vlasta Delimar, Marina Gržinić, and Šejla Kamerić. The title of this essay, “Return of Jugoslovenka: An Unrequited Love Affair” points to how contested the position of Yugoslav women was during socialism, and how much it remains so today, albeit for very different reasons. As I show in the article, Yugoslav women in the arts embraced socialism as …

The Other Side Of Everything, Dir. Mila Turajlić (Hbo Europe, 2017), Dragana Obradović

Wagadu: A Journal of Transnational Women's & Gender Studies

The Other Side of Everything is a documentary about an apartment in Birčaninova 20, a leafy street in Belgrade, Serbia. It is the family home of Mila Turajlić, the film’s director (known for her much-lauded film Cinema Komunisto from 2010), who uses this well-appointed interior to explore the intimacy of history.

General, Dir. Antun Vrdoljak (Hrvatska Radiotelevizija, 2019) The Diary Of Diana B., Dir. Dana Budisavljević (Pff, 2019), Sanjin Pejković

Wagadu: A Journal of Transnational Women's & Gender Studies

Ideologically charged arguments about truth, often linked to fabrications of the past, have been discussed for decades in post-Yugoslav countries. They have also contributed to memory conflicts in different discourses. In addition to relativizing historical facts, marginalization of one’s own crimes and enlargement of others have also contributed to fragmentation of the truth and the emergence of parallel stories about the historical past.

Review Of Gender In 20th Century Eastern Europe And The Ussr, Edited By Catherine Baker. London: Palgrave Macmillan, 2017, Katharina Wiedlack

Wagadu: A Journal of Transnational Women's & Gender Studies

The anthology Gender in 20th Century Eastern Europe and the USSR is a collection of fourteen essays on a wide range of gender-related topics, from motherhood to concepts of masculinity, sexuality, and professional work.

Lilijana Burcar, Restavracija Kapitalizma: Repatriarhalizacija Družbe [Restauration Of Capitalism: Re-Patriarchization Of Society], Sophia, Ljubljana 2015, Iva Kosmos

Wagadu: A Journal of Transnational Women's & Gender Studies

In her book Restavracija kapitalizma: repatriarhalizacija družbe (Restauration of capitalism: Re-patriarchization of society), Lilijana Burcar compares the systemic and structural conditions of women’s position in socialism and capitalism.

Chiara Bonfiglioli, Women And Industry In The Balkans. The Rise And Fall Of The Yugoslav Textile Sector. (I.B.Tauris 2019, 230 Pages, 1st Ed.), Agata Zysiak

Wagadu: A Journal of Transnational Women's & Gender Studies

“For us it was much better, for us personally, for people it was much better during socialism than it is today, in any case.” (p. 1) This quote from a textile worker opens Chiara Bonfiglioli’s book, but the story presented is by no means a nostalgic tour exploring collapsed factories or reproducing homo-sovieticus stereotypes.

Kristen Ghodsee. Second World, Second Sex. Socialist Women’S Activism And Global Solidarity During The Cold War. Durham & London: Duke University Press, 2018. Isbn 978-1-4780-0181-2 (Pbk), 328 Pp., Renata Jambrešić Kirin

Wagadu: A Journal of Transnational Women's & Gender Studies

While most recent feminist studies on the socialist heritage are preoccupied with the conjunctures of postcolonial and postsocialist conditions of the 1990s and beyond, Kristen Ghodsee’s book Second World, Second Sex (2018) evokes the most vibrant decade of women’s global activism marked by joint initiatives of women from both socialist and decolonized societies from the Global South.

Introduction: New Approaches To Medieval Romance, Materiality, And Gender, Amy Burge, Morgan Boharski, Jane Bonsall, Lydia Hayes, Danielle Howarth, Vanessa Wright

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

Transfat Representation, Jessica "Fyn" Asay

USF Tampa Graduate Theses and Dissertations

This study defines and analyzes representation of transfats, those who are both transgender and fat, through the examination of two popular media texts, Jabba the Hutt from The Return of the Jedi and Pat from the Saturday Night Live tv program in the 1990’s. I analyze these two texts using a queer feminist media studies lens to reveal the media construction of a transfat representation that is rooted in racism, transnormativity, and fatphobia and that positions the transfat body as non-normative and grotesque through the use of abject horror and fear. My analysis reveals how racism, transnormativity, and fatphobia shape …

The Validity Of Online Learning And Teaching Of A Spanish Using An Online Delivery Mode, Rosalind Arthur

South East Coastal Conference on Languages & Literatures (SECCLL)

Incorporating Online learning as an optional delivery mode of instruction in tertiary institutions with traditional campuses has been the trend in recent years. The question is whether it should be offered universally or with some discrimination. The presenter teaches Spanish at an HBCU which has been offering some general education courses online during the summer.

Needless to say, while online programs are lucrative, it behooves the instructors and institutions to ascertain the viability of the product in terms of the learning needs of the target population. Must enrollment into these courses be open to all or be vetted in order …