Feminist, Gender, and Sexuality Studies Commons^™

The Mask, Emily Felt

AWE (A Woman’s Experience)

No abstract provided.

Haunted, Amanda Reece

AWE (A Woman’s Experience)

No abstract provided.

Tender, Eliza Peterson

AWE (A Woman’s Experience)

No abstract provided.

A Girl That Grows, Jinhee Nelson

AWE (A Woman’s Experience)

Copper print, intaglio

Independence Day: A Song For Silent Liberty, Vernie Lynn Demille

AWE (A Woman’s Experience)

No abstract provided.

Revolution. Every Piece Of You, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

I Wanna Get Better, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

Seraph’S Simple Act, Jane Wilson

AWE (A Woman’s Experience)

I was drawn to the women’s suffrage movement because of its impact on our world today. 2020 marked the 150th anniversary of America’s first female vote, cast by Seraph Young in Utah. That day made history, immortalizing the effort of countless other women beforehand, coming together to achieve a common goal. Speaking up and advocating for what we know we deserve has been, and will continue to be, a historical struggle. However, anything is possible if we work together and fight for it long and hard enough. Recognizing the efforts and successes of women who came before us brings inspiration, …

Front Matter

AWE (A Woman’s Experience)

No abstract provided.

“Something Large And Old Awoke”: Ecopoetics And Compassion In Tracy K. Smith’S Wade In The Water, Kaitlin Hoelzer

AWE (A Woman’s Experience)

Susa Young Gates Award Essay

First Place

Both historical and contemporary Black poets have used their work to identify, condemn, and suggest solutions to problems stemming from racism in American society. Indeed, as Arnold Rampersad notes in his introduction to The Oxford Anthology of African American Poetry, many Black poets use “poetry as a vehicle of protest against social injustice in America.” Art is inherently political, even when its arguments do not overtly engage in political debates. As Lorraine Hansberry argues, all art is rooted in a particular social and political consciousness. The choice is “not whether one will …

The Passion Of Eve, Anna Lo Russo

AWE (A Woman’s Experience)

Minerva Teichert Award Winner 2022

First Place Winner

Over the centuries, women belonging to the Judeo-Christian world have been subjected to live on the margins of society because of the traditional, male-centric perspective of the Adam and Eve story. Cultural traditions have limited women through claims that they are inherently disobedient, gullible, evil, and carnal, or that subordination to a husband and child labor are women’s punishments for Eve’s disobedience. Over time, these labels and accusations have limited the voice and overall freedom of women. Eve’s story, originally recorded by a male (and yet holy) prophet, has contributed to the …

Zero-Waste Design: Closing The Gap, Brittney Porter

AWE (A Woman’s Experience)

Minerva Teichert Award Winner

Second Place Winner

My Fierce Love, Elizabeth Marie Cox

AWE (A Woman’s Experience)

No abstract provided.

Translation For Effa Baird, Clare Hamn

AWE (A Woman’s Experience)

No abstract provided.

Beautiful Wreckage, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

Nv, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

I’M Wide Awake, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

Lady Macbeth As The Mourning Mother: Melancholy And Hysteria In Macbeth, Bailey Winget

AWE (A Woman’s Experience)

Throughout the short time frame of Shakespeare’s Macbeth, Lord and Lady Macbeth are childless. However, textual evidence suggests that the Macbeth’s did conceive a child who passed away prior to the opening acts of the play. At the end of act 1, Lady Macbeth tells her husband, “I have given suck,” clearly acknowledging her experience with motherhood and feeding a child (1.7.54). As suggested by Alice Fox, other references to death and childlessness occur throughout the text as the Macbeth’s use early modern language associated with gynecology and obstetrics to describe the events of the play (127). Because childlessness was …

Our Own Complicity: The Unnamed Woman In Judges 19 And Mmiwg, Cassidy Crosby

AWE (A Woman’s Experience)

Singular brutality marks the unnamed woman’s story in Judges 19—perhaps the most disturbing and upsetting story in the Hebrew Bible, in which a group of men rape and then murder her. Our religious discussions therefore usually ignore this story, preferring to focus on tales that are not as difficult to deal with. However, ignoring the woman’s story does a disservice to her life and death, and to ourselves. If we believe the content in the Bible is divinely inspired, then we have a duty to search for the divine in this story. Perhaps the most important path comes in applying …

Loving One Another, Emma Taylor

AWE (A Woman’s Experience)

I still remember exactly where I was when I heard the news. It was a chilly February afternoon in 2020. I was in my senior year of high school, half asleep in my history class with about two minutes to waste before the bell rang. Groggy from a long day of dull lessons, I tugged on my sweater and pulled out my phone, intending to mindlessly scroll until students were set loose in the halls.

“Where Do We Belong?”: A Brief Collection Of Immigrant Daughter Musings, Andrea Amado-Fajardo

AWE (A Woman’s Experience)

My friend groups have always been ethnically and racially diverse. Once, while pouring over pictures from my quinceañera celebration, my mom laughed and pointed out that my friend group could be on the cover of a magazine that celebrates diversity. I think that children of immigrants understand each other on an instinctive level, so we flock to each other. Regardless of mom’s and dad’s countries, we feel this shared sense of displacement. We’re too different from “typical American” kids, and we’re “too American” when we go back to our parents’ countries. For most of my life, this feeling went unsaid.

In Their Image, Danielle Kemp

AWE (A Woman’s Experience)

No abstract provided.

Mary, Martha, And The “Good Part”: A Feminist Evaluation Of The Glorification Of Sacrifice In Latter-Day Saint Culture, Harriet Norcross

AWE (A Woman’s Experience)

Susa Young Gates Award Essay

Honorable Mention

In the tenth chapter of Luke, Jesus Christ visits the home of sisters Mary and Martha. While Mary sits at the Savior’s feet and listens to his words, Martha bustles about doing what she thinks is her duty, serving others (The Holy Bible, Luke 10:38-42). When she complains to Christ that her sister is not helping her with the work, He will not instruct Mary to leave his side, instead telling Martha that her sister has chosen the good part.

A Woman With A Phd., Lydia Shaw

AWE (A Woman’s Experience)

No abstract provided.

Excuses, Dana Lovell

AWE (A Woman’s Experience)

https://www.youtube.com/watch?v=nxc_etjxxk0

Dear Mother, Danielle Kemp

AWE (A Woman’s Experience)

No abstract provided.

Homemaker, Eliza Peterson

AWE (A Woman’s Experience)

No abstract provided.

October, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

Home, Maddie Yamamura

AWE (A Woman’s Experience)

I stood in the brightly lit bathroom, a giggle bubbling out of me as I inhaled the coconut and gardenia scented hand soap. The gentle breeze I’d missed tickled my skin. The Hawaiian humidity hugged me. The rustling palm fronds outside the window whispered hello. Welcome home.

Almost Mother, Blake Knecht

AWE (A Woman’s Experience)

Minerva Teichert Award Winner

First Place Winner

I have always found myself inspired by the work of other female filmmakers, specifically those who portray common themes of motherhood. In the creation of my short documentary film “Almost Mother,” I chose to represent the concept of motherhood through the lens of miscarriage.