Feminist, Gender, and Sexuality Studies Commons^™

Life As The Wife Of Buffalo Bill, Summer Weaver

Student Works

Buffalo Bill was and still is considered a symbol for the American West. His Wild West Show brought the excitement of frontier life to people in the Eastern U.S. and even in Europe. The more subtle frontier story, however, is told by his wife, Louisa Frederici Cody. In her memoir, Memories of Buffalo Bill, Louisa further idealizes her husband by giving an "inside look" at the life of the great American hero. Never mentioning William Cody's two divorce attempts, Louisa maintains a flawless depiction of her husband as they both "worked for tomorrow."

My essay examines the reasons why …

Uncovering The Voices That Have Been Silenced: How The Cherokee Young Women Are Continuing The Traditions Of Their Ancestors Through Literature And Rhetoric, Carly L. Callister

Student Works

When the Cherokee women, back in 1817, first heard the news that they were being stripped of their lands and being forced to journey through the Trail of Tears, they decided to fight for what was right by speaking up and using their voices to be heard around the world. They created petitions and speeches, explaining their love for their people, motherhood, and the land, and how it was “their duty as mothers” to fight for the right to stay in the southeastern part of the United States (Lauter 2399). Though the Cherokee women’s voices were silenced when their petitions …

A Subversão Dos Estereótipos De Gênero Nos Contos Fantásticos De Lygia Fagundes Telles, Gabriela Oliveira

Theses and Dissertations

Em meio às mudanças políticas e sociais no Brasil da segunda parte do século XX, Lygia Fagundes Telles começa a se destacar literariamente através de seus romances e coletâneas de contos com caráter intimista. Apesar de não se considerar naquela época uma escritora militante, ela era engajada socialmente e realizava sua crítica de maneira sutil utilizando-se de táticas literárias, como a presença do gênero fantástico. Ela escreve durante uma época de extrema censura e repressão, aonde o conservadorismo impera principalmente nos moldes familiares. A sociedade continha um modelo de como cada homem e mulher deveria agir para se encaixar e …

Plan B (Poetry), Madelyn Taylor

AWE (A Woman’s Experience)

Poetry. A young woman contemplates how an unplanned pregnancy can manifest the grace of God.

Metoo, Anna Rose Smith

AWE (A Woman’s Experience)

Autobiographical essay of #MeToo experiences: Three vignettes, three experiences.

Dragonflies (Poetry), Chloe Jensen

AWE (A Woman’s Experience)

No abstract provided.

Fashionable Child Labor (Artwork), Lupita Herrera

AWE (A Woman’s Experience)

photography

My Only Protection (Creative Work), Morgan Lewis

AWE (A Woman’s Experience)

Fictionalized memoir: a young woman working as a lifeguard in adolescence muses on sunscreen as her only protection in a world that sexualizes her body.

Feminist Typology-- I Am A Feminist

AWE (A Woman’s Experience)

No abstract provided.

The Language Of Love (Memoir Fiction), Sarah Justine Skriloff

AWE (A Woman’s Experience)

Fiction/memoir of a young woman's encounter with her mother over body weight issues.

Hallow Hallow (Poetry), Anna Salvania

AWE (A Woman’s Experience)

Poetry; experience of racism growing up

Gender And Religion In A Shifting Social Landscape: Anglo-Saxon Mortuary Practices, Ad 600-700, Caroline Palmer

Undergraduate Honors Theses

My thesis examines seventh-century East Anglian mortuary practices and cross-correlates grave goods and human remains to determine whether there was an expression of the sexual division of labor during this period of social and religious change. I argue that gender roles changed as a result of adopting kingdoms and Christianity. Prior to this time period, Anglo-Saxons were primarily pagan and were buried with extensive burial goods. In addition to changes in religious and burial practices, during the Final Phase (600-700 AD) there appears to have been a division of labor that was not as dichotomous in the Migration Phase (450-600 …

How Drag Culture Resolves Tensions In Victorian Shakespearean Cross-Dressing; Or, Slay, Feste, Slay, Isaac Robertson

Criterion: A Journal of Literary Criticism

In 2017, Madame Le Gateau Chocolat, a black drag queen, sashayed onto the stage of the Globe theater to portray Feste in Emma Rice’s production of Shakespeare’s Twelfth Night. This bold move not only gave anxiety to its investors (eventually leading to the stepping down of Emma Rice), but also raised questions about the validity of drag performance within Shakespeare plays. Shakespeare has historically been inseparable with traditional cross-dressing (both in performance and in the narrative itself), although the relationship has not always been cordial. In Victorian England, cross-dressing was often set equal to homosexuality or moral deviance, and …

"If It's Not Right, You Have To Put It Right": The Play And Work Of Children In Matilda The Musical, Kristin Perkins

AWE (A Woman’s Experience)

Perkins considers issues of subversive theatrical criticism and exploitative child labor as they combine in Matilda the Musical, examining the performances as a holistic, if ambivalent, production. In a play where the lead figure is a little girl, this essay uses the lens of gender and age to provide context for the revolutionary character of Matilda in a female-dominated play that critiques established norms, at the same time that the play is produced in, and by, a system that reproduces troubling power structures.

Good Enough To Love, Emma Croft

AWE (A Woman’s Experience)

In rare moments, I recall the days of not caring. Imagine: when your favorite shoes were white, Velcro-fastened Mary Janes, worn with lace-trimmed socks and pink, striped Oshkosh overalls. When your hair--a golden curly mess that stood on end each day as you jumped from your bed--never bothered you until your mother tried to fix it, pulling at knots as you wailed and wept.

Midwifery And Rhetoric: The Power Of Rhetoric In Influencing Social Attitudes About Authority In Female Reproductive Care, Mei Chan Lund

AWE (A Woman’s Experience)

Nowhere are the effects of that rhetoric on the practice of midwifery more evident than in the reactionary works of midwives themselves, such as those of Justine Siegemund and Jane Sharp in the seventeenth century. This paper will explore how the strategies and allusions used in Siegemund's The Court Midwife of the Electorate Brandenburg and Sharp's Midwives Book allow for the conclusion that gendered literary rhetoric was the primary cause of the shift from female to male authority in the practice of midwifery.