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George Eliot Birthday Luncheon, 24 November 2013- The Toast To The Immortal Memory, Sheila Woolf

The George Eliot Review Online, ISSN: 2831-5375

First of all, may I say what an enormous honour it is to be asked to speak on this very special occasion. When John asked me in January what I was doing on 24 November, I was obviously not quick enough to think of a reason to duck out of the responsibility! In fact, I wondered he had asked several others more agile with their excuses before he got round to me.

John asked me to speak about 'What George Eliot means to me'. In consequence, my speech will not be an academic one - those who went to the …

Politics And Pastoral In Silas Marner, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

When eighteen-year-old sumameless Eppie stands by Silas Mamer and against Godfrey Cass she joins a line of subversive children in Victorian fiction. Charlotte Bronte's Jane Eyre speaks out against her aunt; Dickens's Oliver Twist asks for more gruel; his Paul Dombey asks the capitalist father, 'What is money after all?' One child rebels against adult power; one against institutional power; one against the cash nexus. The children are all economic dependants but there is no emphasis on class. Oliver behaves like a little gentleman; Paul is a little gentleman; Jane tells Brocklehurst she would not like to be poor, and …

Review Of Oscar Browing's Life Of George Eliot, Tapan Kumar Mukherjee

The George Eliot Review Online, ISSN: 2831-5375

I would like to draw the attention of interested readers and George Eliot scholars to one of the earliest biographies of George Eliot, that written by Oscar Browning. It is a book which, apart from many interesting anecdotes of her life, might still be valuable to them for the exhaustive annotated bibliography, compiled by John Parker Anderson of the British Museum, appended to the end of the volume. The extent and range of the bibliographical details collected there are the result of very thorough, painstaking research which may provide further new insights and give clues to unexplored areas in the …

George Eliot And Psychosomatic Illness: A Footnote To The Biographies, Brenda Mckay

The George Eliot Review Online, ISSN: 2831-5375

A reader of George Eliot's novels, with their luminous intelligence and authoritative command of a fictional world, might be surprised to learn that this author was actually frequently tormented by crises of confidence, exhaustion and bodily pain. Her illnesses were often exacerbated by her novel-writing; but certainly not always. '[M]y life’, as she wrote, 'has always been much broken by physical malaise'.' She later commented that, despite extensive medical tests, the doctors could find nothing wrong with her. The word 'malaise' suggests extreme somatic discomfort, not necessarily associated with disease, but also depression. Eliot herself was aware, as she acknowledged …

Obituary Of Andrew Brown, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

I first met Andrew Brown on the conference circuit in the early 1980s. As the recently appointed senior editor for literature at Cambridge University Press he was a regular presence at Victorian Studies conferences, wearing his Press hat, but unlike many other publishers, attending as a productive scholar in his own right. He got in touch with me in 1989 asking if he could come to Leicester to talk about a project he was contemplating, a new edition of the Cambridge Bibliography of English Literature, the nineteenth-century volume of which had been last updated under George Watson's editorship in 1969. …

Review Of George Eliot In Context, Margaret Harris

The George Eliot Review Online, ISSN: 2831-5375

This collection offers a wide range of individual and rigorous criticism, with essays by the most informed specialists: amongst others, Margaret Harris on 'Biographies’, John Rignall on 'Landscape' and 'Metropolitanism’, Melissa Raines on 'Language', Leonee Ormond on 'The Visual Arts', Ruth Livesey on 'Class' and 'Transport', Joanne Shattock on 'Editions ' and 'Publishing and Publishers’, Richard Menke on 'Industry and technology'. Texts in context include journalism as well as fiction and poetry.

I have a few reservations. Most of the essays are remarkably condensed but one or two have more breadth than depth. In 'Travel and Tourism' Judith 10hnston touches …

'In Isolation Human Power Is Limited, In Combination It Is Infinite': Tracing Ludwig Feuerbach's Essence Of Christianity Through Daniel Deronda, Milena Schwab-Graham

The George Eliot Review Online, ISSN: 2831-5375

Written between January 1873 and June 1876, Daniel Deronda was George Eliot's final and most ambitious novel. The Jewish-born, later excommunicated Dutch philosopher Baruch Spinoza, whose Ethics Eliot translated in 1856, would perhaps seem the more obvious choice of philosophical context for our analysis of Deronda, owing to his religious affinity with the eponymous protagonist. However, Ludwig Feuerbach's Essence of Christianity, translated by Eliot in 1854, provides a more thorough basis for drawing out the ethical complexities of her final novel. Feuerbach's philosophy, the influence of which is integral to all her novels, hinges upon 'the moral [ ...] qualitative, …

Chairman's Annual Report For 2013, John Burton

The George Eliot Review Online, ISSN: 2831-5375

We can be pleased with the Fellowship's year in 2013. For some time now we have tried to add extra events to the well-established series of meetings built up over the years. In 2013 we looked towards Coventry to provide a theme for the year, and were delighted with the results, much helped, it has to be said, by the enthusiasm and new ideas brought to the Fellowship by Vanessa Oakes, whose writing skills have much enhanced our programme. The other major event for the year was our emergence, blinking and floundering, into the world of websites and Facebook (Twitter …

Casaubon's Impotence: A Literary Libel?, Marianne Burton

The George Eliot Review Online, ISSN: 2831-5375

There are some literary hypotheses which so suit readers' impressions of a text that they become accepted almost as literary fact, as if they were stated in the text itself or had been confirmed by the author in an interview, letter or notebook. This seems to have become the case with Edward Casaubon's sexual impotence in Middlemarch. Gordon Haight complained that undergraduates 'despite a generation of sex-education' never failed to describe Casaubon as impotent simply by virtue of his age. Casaubon was around forty-eight. Haight was seventy-three when he wrote this essay, and indignantly listed the famous men who had …

Pursuit Of Empowerment: The Evolution Of The Romance Novel And Its Readership In Fifty Shades Of Grey, Amy Elizabeth Quale

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis examines the new-adult romance work Fifty Shades of Grey by E L James and the novel's readership to identify the evolution of the romance genre and the ways in which the genre is used as a tool for empowerment. As the genre evolves, subgenres develop with the new "empowering" characteristics. As new technologies present themselves to readers, readers have more opportunities to participate with one another and affect the genre's evolution. I assert that Fifty Shades of Grey and the romance community are limited by the patriarchal values traditionally portrayed by the genre; however, the nature of the …

Performative Gender And Pop Fiction Females: "Emancipating" Byronic Heroines Through A Feminist Education, Joy Smith

Masters Theses

"I can be a regular bitch. Just try me." With this phrase emblazoned across her t-shirt, Lisbeth Salander, pierced, tattooed, and bedecked in leather, waltzes from the pages of Stieg Larsson's The Girl with the Dragon Tattoo. This woman who subverts authority, maliciously tattoos and sodomizes a man, and intentionally distances herself from close relationships of any kind has somehow managed to capture both the attention and admiration of the American audience. This disheartening phenomenon stems from a renewed interest in the Byronic heroine, a female possessing those traits traditionally assigned to Byronic heroes and men, and the rise of …

What Jane Saw, Kate Singer

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of Professor Janine Barchas' "What Jane Saw?" a website that reconstructs Joshua Reynolds's 1813 retrospective art exhibit, which Jane Austen attended, with particular attention to the Regency social and cultural history depicted in Austen's novels.

Frances Burney’S Cecilia: A Publishing History, By Catherine M. Parisian, Lee Kahan

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Matters Of Fact In Jane Austen: History, Location, And Celebrity, By Janine Barchas, Laura E. Thomason

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Crossing Borders: An Interdisciplinary Course In The "Enlightenment", Carol White, Kathryn P. Russell

ABO: Interactive Journal for Women in the Arts, 1640–1830

In this essay, we present a twofold version of the first team-taught course on the eighteenth century designed by faculty at Clayton State University who plan to develop and teach this course again in the near future. We hope that our explanation of the original course and our projected future version of the course will be useful to scholars who teach in the eighteenth century, as well as to specialists in other historical periods who wish to plan revisions of courses to make them more reflective of current scholarship in gender studies. Authors taught in this course include Benjamin Franklin, …

Bosom Friends And The Sapphic Breasts Of Belinda, Ula E. Klein

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article examines Maria Edgeworth’s 1801 novel Belinda in order to argue that the breast at the center of Lady Delacour’s narrative signifies not maternal failure but Sapphic feelings and connections. While previous studies of the novel have discussed the wounded breast of Lady Delacour as a punishment for her transgressions or as an emblem of her patriarchal oppression, this article claims that the wounded breast is both a sign of and a means to female same-sex desire and relationships. This article contrasts the wounded, festering breast with the tableau that ends the novel. The tableau, a constructed vision of …

Conference Report: Romola And Felix, Institute Of English Studies, 23 November 2013., A.G. Van Den Broek

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's two Marmite novels - given their reputations, not everyone tries them, and when they do, they often leave them only partially digested - Romola (1862-3), the one she famously said aged her, and Felix Holt (1866), the one with that involved legal plot, were the focus of last year's George Eliot Conference sponsored by the Institute of English Studies at the University of London. Nevertheless, despite their uneven appeal, the Conference drew a tolerably-sized audience. Barbara Hardy (Birkbeck and Swansea) and Louise Lee (Roehampton) once again organized the Conference, bringing together a group of speakers who variously dealt …

‘A River Is Not A Woman’: Re-Visioning Finnegans Wake In Eavan Boland’S ‘Anna Liffey.’, Melissa Dinsman

Publications and Research

"This essay argues that Eavan Boland's 1994 poem “Anna Liffey” is, in part, a re-visioning of James Joyce's famous river-woman and mother, ALP. Although Joyce's deconstructive tendencies provide an added challenge for any author looking to engage with Finnegans Wake, Boland manages to reclaim ALP, both channelling and challenging Joyce's portrayal of the Liffey as “Anna Livia Plurabelle.”--From the Journal.

Donne’S 'Elegy 19': To His Mistress Transcending The Bed, Femininity, And Gender Distinction, Christopher Sarachilli

Faculty Curated Undergraduate Works

No abstract provided.

Revolutionary Imaginings In The 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald By Amy Garnai, Jennifer Golightly

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Collecting Women: Poetry And Lives, 1700-1780 By Chantel M. Lavoie, Holly Faith Nelson

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

'Lactilla Tends Her Fav'rite Cow': Ecocritical Readings Of Animals And Women In Eighteenth-Century British Labouring-Class Women's Poetry By Anne Milne, Dometa Wiegand

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Numbering The Streaks On A Digital Tulip: Eighteenth-Century Women Poets On The World Wide Web, Emily Bowles

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Hearing Eighteenth-Century Occasional Poetry By And About Women: Swift And Barbauld, Elizabeth Kraft

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

"Calmly To Heav'n Submit Your Cause": Jane Cave Winscom And The Bristol Bridge Riots Of 1793, Catherine Ingrassia

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Missing Immortality: The Case Of Melesina Trench (A Neglected, Celebrated, Dismissed And Rediscovered Woman Poet Of The Long Eighteenth Century), Katharine Kittredge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Lady Mary's Imperfect Employment, Danielle Bobker

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Anna Seward And The Sonnet: Milton's Champion, Claudia Thomas Kairoff

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Women's Poetry: 2011, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Handling A Social Threat : The Fate Of Women Beyond Victorian Societal Definition., Alexandra Clifton

College of Arts & Sciences Senior Theses

No abstract provided.