Feminist, Gender, and Sexuality Studies Commons^™

Discomforting Narratives: Teaching Eighteenth-Century Women’S Travelogues, Elizabeth Zold

ABO: Interactive Journal for Women in the Arts, 1640–1830

In this essay, I describe an undergraduate course I designed and taught on eighteenth-century women’s travelogues and advocate for more courses that explicitly focus on noncanonical genres and authors. Using student papers, I explore how students worked through their discomfort with new genre conventions and improved their overall reading and analytical skills. I hope that my outline of the course will be useful to those who teach or will be teaching women's travel literature or who wish to focus courses on noncanonical authors and genres.

In Their Hands: Students Editing Eighteenth- And Nineteenth-Century Letters, Thomas Mclean

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article describes an honours-year class conducted in 2013 at the University of Otago in New Zealand. Students transcribed, annotated and wrote essays about a little-known New Zealand collection of unpublished letters written by leading British women writers of the Romantic era. Their research was then collected and published as a book entitled "In Her Hand: Letters of Romantic-Era British Women Writers in New Zealand Collections." The success of this course suggests the benefits of allowing students the opportunity to undertake original archival research and serves as a reminder that rich archival collections are found all over the world.

Mcwilliams, Ellen. Women And Exile In Contemporary Irish Fiction, Maureen T. Reddy

Journal of Interdisciplinary Feminist Thought

No abstract provided.

A Document In Death And Madness: A Cultural And Interdisciplinary Study Of Nineteenth-Century Art Song Settings On The Death Of Opelia, Jennifer Leigh Tipton

Dissertations

In the nineteenth century the character of Ophelia transformed from a minor role in Hamlet into one of the great muses of the Romantic period. Ophelia’s rise to an archetype of feminine madness was not a result of Shakespeare’s pen alone, but of the accumulation of interpretations of her character from actresses, artists, critics, writers, musicians, and social attitudes toward women. This paper focuses on nineteenth-century interpretations of her death, specifically art song.

A brief survey of the nineteenth-century European cultural and social climate pertaining to Ophelia is included in the paper:

*Shakespeare in France and Germany

*Nineteenth-Century Actresses in …

“The Woman” And The Women Of Sherlock Holmes, Cassandra Poole

James Madison Undergraduate Research Journal (JMURJ)

Women appear in nearly every Sherlock Holmes novel and short story. The vast majority are victims. Against the recurring oppression of women and women’s sexuality in the Holmes canon, a few exceptional female characters escape their Victorian gender roles. One rises above all others. She is “the woman,” Irene Adler, whose strength, intelligence, and independence have made her a recurring star in extra-canonical books, television shows, film adaptations, and Sherlockian fan fiction. This essay focuses on women and women’s sexuality within and beyond the Holmes canon to explore our enduring fascination with “the only woman to ever best Sherlock Holmes.”

The Advance Of The Mobile Woman: Representations Of British Women's Physical Mobility, 1660-1820, Amanda Booth Springs

Dissertations, Theses, and Capstone Projects

Britain's long eighteenth century (1660-1820) underwent an infrastructure and transportation revolution. Over the same period of time, scholars argue, the ideology of "the domestic woman" grew increasingly prevalent. This dissertation explores the improvements to roadways and representations of the various ways in which British women of the period increasingly utilized transportation, equestrianism, and pedestrianism to traverse the nation, which was also reflected in the development of traveling clothing for women. It argues that these literary and pictorial representations depict the tensions around women's increasing capacity for physical movement, contending that the ideology of the domestic woman was largely reactionary rhetoric …

Review Of Bonnie Latimer, Making Gender, Culture, And The Self In The Fiction Of Samuel Richardson: The Novel Individual, Karen Lipsedge

ABO: Interactive Journal for Women in the Arts, 1640–1830

Latimer’s Making Gender, Culture, and the Self in the Fiction of Samuel Richardson answers a need in eighteenth-century Richardsonian studies. It is also a thoughtful and long overdue study, which deserves praise and attention. Latimer provides the reader with a greater understanding of the notion of female individuality in Richardson’s novels, and also of eighteenth-century culture and contemporary literature. Her research is gratifying in its level of detail, and she is deft in showing correspondences between eighteenth-century culture, fiction and Richardson’s novels. Although Sir Charles Grandison lies at the heart of this study, Latimer is equally skilful in devoting attention …

Novels, Philosophies, And Sex, Aleksondra Hultquist

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Enit Karafili Steiner, Jane Austen's Civilized Women: Morality, Gender, And The Civilizing Process, Sarah Raff

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Paula Backscheider, Elizabeth Singer Rowe And The Development Of The English Novel, Sarah H. Prescott

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Carol Stewart (Ed.), The Rash Resolve And Life's Progress, Sarah R. Creel

ABO: Interactive Journal for Women in the Arts, 1640–1830

This review gives an overview of Carol Stewart's edition of Eliza Haywood's The Rash Resolve and Life's Progress. Providing a modern edition of these texts in print for the first time, Stewart's edition brings the two novels to life with careful attention to historical and contextual details.

You’Re An Austen Heroine! Engaging Students With Past And Present, Caroline Breashears

ABO: Interactive Journal for Women in the Arts, 1640–1830

In my senior seminar on Jane Austen, I seek to engage students in multiple ways. On one hand, I want them to connect with Austen’s world and to reflect on what it means to them; on the other hand, I want them to understand the very real differences of that world and how they inform her novels. One strategy for engaging students in these ways is through interactive games. Studies have shown that many modern games have features similar to those stressed by engaged learning, so game design can be adapted for pedagogical purposes. I discuss the purposes, design, and …

Teaching Willmore, James Evans

ABO: Interactive Journal for Women in the Arts, 1640–1830

Teaching Aphra Behn’s The Rover for nearly four decades, I have witnessed a considerable shift in students’ attitudes toward the play, especially toward Willmore. More positive about his character in the 1970s and 1980s, they have had a much more negative assessment since then. The only available video version, the Women’s Theatre Trust production, compounds my pedagogical problem through filming techniques and choice of actor; emphasizing male violence against women, its interpretation parallels feminist criticism of the 1990s. Asking students to examine theater history may lead them to see that Behn does not completely match this ideological paradigm. The original …

Charlotte Smith's Beachy Head: Science And The Dual Affliction Of Minute Sympathy, Kelli M. Holt

ABO: Interactive Journal for Women in the Arts, 1640–1830

Greatly illustrative of Adam Smith’s statement in his Theory of Moral Sentiments that the sympathizer must “adopt the whole case of his companion with all its minutest incidents; and strive to render as perfect as possible that imaginary change of situation upon which his sympathy is founded”––while also complementing notions of feeling from the work of Anna Barbauld––Beachy Head and its minutiae “renders” an utterly sympathetic argument, one void of gender conventions, that comments on nature's inhuman and human condition.

The Secret Life Of Archives: Sally Siddons, Sir Thomas Lawrence, And The Material Of Memory, Laura Engel

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay is in two parts, in the first I attempt to map out strategies for considering archival materials through the lens of performance, and in the second I enact or perform some of those strategies through a close reading of a letter from Sally Siddons, daughter of the famous actress Sarah Siddons, to the renown portrait painter and rakish bad boy, Sir Thomas Lawrence. I present a methodology that considers archival researchers as tourists who approach archival objects and images as material for curating a virtual exhibition. I argue that this strategy allows us to recognize and attempt to …

Adrianne Wadewitz, 1977-2014, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Gender Differentiation And Gender Hierarchy In C. S. Lewis, Alicia D. Burrus

Honors College Theses

This thesis explores the evidence of sexism in the literary works of C. S. Lewis. Lewis’s relationships with women in his personal life were often estranged, and his works frequently display a predominant view of women as inferior. Each of Lewis’s major fictional works shows evidence of sexism, though such evidence lessens in frequency and prominence with each subsequent work. Lewis’s opinion and portrayal of women did change with his marriage to Joy Davidman Gresham, though his fiction never achieved a complete lack of prejudice against women.

The Beauty And The Barrister: Gender Roles, Madness, And The Basis For Identity In Lady Audley's Secret, Corey Hayes

Senior Honors Theses

This thesis examines the concept of identity in the novel Lady Audley’s Secret by Mary Elizabeth Braddon. In the mid to late Victorian period, self-definition was strongly tied to gender roles. Men were expected to be mentally active, physical strong, and morally guiding leaders of society, and women were to be their passive, pious, domestically minded followers. These expectations for behavior were so strong that those breaking them were in danger of being considered insane. In Braddon’s novel, the behavior of most characters does not align with the expectations for their gender. The exception is Lady Audley, the apparently ideal …

A Love That Lasts: Jane Austen’S Argument For A Marriage Based On Love In Pride And Prejudice, Katlin A. Berry

Senior Honors Theses

During the period of Regency England, a woman’s life was planned for her before she was born, and her place in society was defined by her marital status. Before she was married, she was her father’s daughter with a slim possibility of inheriting property. After she was married, legally she did not exist; she was subsumed into her husband with absolutely no legal, political, or financial rights. She was someone’s wife; that is, if she was fortunate enough to marry because spinsters had very few opportunities to earn enough money to live on alone. Therefore, it was imperative that women …

Poetry Archives On The Web: Thomas Gray Archive, The Poetry Of The Gentleman’S Magazine, 1731-1800: An Electronic Database Of Titles, Authors, And First Lines, And The Poetess Archive, Kate Parker

ABO: Interactive Journal for Women in the Arts, 1640–1830

Recent innovations in digital scholarship have enabled new online archives, editions and bibliographies to flourish. Three such online resources--the Thomas Gray Archive, the Poetess Archive, and The Poetry of the Gentleman’s Magazine, 1731-1800: An Electronic Database of Titles, Authors, and First Lines--are explored in depth in this review, with an eye to how each archive specifically encourages scholarly collaboration and makes use of crowd-sourcing technologies.

Convict Voices: Women, Class, And Writing About Prison In Nineteenth-Century England, Anne Schwan

University of New Hampshire Press: Open Access Books

In this lively study of the development and transformation of voices of female offenders in nineteenth-century England, Anne Schwan analyzes a range of colorful sources, including crime broadsides, reform literature, prisoners' own writings about imprisonment and courtroom politics, and conventional literary texts, such as Adam Bede and The Moonstone. Not only does Schwan demonstrate strategies for interpreting ambivalent and often contradictory texts, she also provides a carefully historicized approach to the work of feminist recovery. Crossing class lines, genre boundaries, and gender roles in the effort to trace prisoners, authors, and female communities (imagined or real), Schwan brings new insight …

Romola And Politics, Andrew Sanders

The George Eliot Review Online, ISSN: 2831-5375

It could properly be argued that Romola is George Eliot's most overtly political novel. Unlike Felix Holt or Middlemarch it doesn't directly refer to near contemporary political events, or to those of George Eliot's childhood and youth. Unlike Adam Bede it does not deal with the ramifications of the French Revolutionary and Napoleonic Wars which cast their long shadow over the Victorian years. Nevertheless, Romola demands that readers respond to a whole range of complex political issues: historical, sexual, feminist, religious and, of course, to a whole range of historical concerns which can be seen as fore-shadowings of the vital …

Supplementary Annotations To Daniel Deronda, Rodney Stenning Edgecombe

The George Eliot Review Online, ISSN: 2831-5375

The annotations to the first and second Penguin Classics editions of Daniel Deronda, by Barbara Hardy and Terence Cave respectively, and those of the Oxford World's Classics edition, by Graham Handley, weave a web like that attributed by Marvell to Cromwell - 'a net of such a Scope'' that very little has escaped its threefold curtain. Even so, one or two leavings that they missed or deliberately passed over might be worth recording here.

Chapter 1, p. 42:2 Do you mean that old Adonis in the George the Fourth wig?

Terence Cave passes over this entirely, but Barbara Hardy …

A Response- 2014, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

Against Marianne Burton's carefully argued case for the consummation of the Casaubon marriage are images and hints which I mentioned in The Appropriate Form: an Essay on the Novel' and Particularities: Readings in George Eliot,' especially: the Cadwallader and Chettam opinions: 'A great bladder for dried peas to rattle in, and 'no good red blood'; the onanistic echo of 'the seeds of joy are forever wasted', (Middlemarch, Ch. 42); Casaubon's lack of bliss; post-marital absence of expectations of issue; 'the way' in which 'years to come' ... might be filled with joyful devotedness' became less clear …

Laughter Vesus Sympathy In Romola And Felix Holt, Louise Lee

The George Eliot Review Online, ISSN: 2831-5375

I want to start with a useful rather than a funny question posed by the critic Hilary M. Schor: 'What acts of information-organization do we perform on the Eliot career?'! The answer is possibly a succession of familiar base-touchings: Eliot's Warwickshire childhood and family life, the loss of her evangelical faith, her London journalism and reviewing, the development of her artistic values through engagement with European art and literature - the works of Baruch Spinoza, Ludwig Feuerbach, David Strauss, and Auguste Comte - and, of course, her partnership with George Henry Lewes. Other notable Eliot 'themes' might include science, religion, …

Review Of The Victorian Diary: Authorship And Emotional Labour, Anne-Marie Millim

The George Eliot Review Online, ISSN: 2831-5375

The diary genre has been repeatedly explored both as a confessional, retrospective form of writing and 'as an inherently female genre' (p. 17). Refreshingly, Millim challenges these approaches by stressing not only the genre's multiplicity, but also its ability to shape future, rather than past, experiences. This study is positioned alongside the more recent 'pragmatic, rather than ideological' (p. 23) approaches of Delafield's Women's Diaries as Narrative in the Nineteenth-Century Novel (2009) and Steinitz's Time, Space, and Gender in the Nineteenth Century British Diary (2011). Millim's The Victorian Diary is less wide-ranging (unlike Delafield and Steinitz, she does not also …

In Memoriam Of Andrew Brown, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

Andrew Missak: Cleverley Brown died peacefully at home on 21 January 2014, days short of his sixty-fourth birthday, and only months after his retirement from the position of Development Director for Academic Publishing at Cambridge University Press. He joined the Press as a Graduate Trainee in 1976, and over subsequent decades was influential in developing first the literary studies list, then Humanities and Social Science more broadly, and finality the whole of Academic and Professional Publishing. While he had an extraordinary range of interests, his scholarly heartland was Victorian fiction: his Cambridge doctorate was on 'The Metaphysical Novels of Edward …

Japanese Branch Report- 2013, Ayako Tani

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 7 December 2013, the Seventeenth Annual Convention of The George Eliot Fellowship of Japan was held at Keio University.

The morning session started with an opening address by Maiko Otake (Obirin University). Three papers were presented in the morning session. The first two were commented on by Toyotsugu Matsui (Daido University) and the third by Hideo Takano (Komazawa University).

The first speaker was Nanae Hama (Seinan Gakuin University), whose subject was 'The Hero Worship and the Imperial Consciousness: How George Eliot Described Heroes among Children'. In her presentation on The Mill on the Floss (1860), Hama argued that …

Romola's Religious Experience, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Romola can be seen as a landmark in George Eliot's career, when we bear in mind her striking confession to her second husband, John Cross: 'I began it a young woman -, I finished it an old woman' (Haight [1968] 362). Many of her readers, indeed, felt it represented a new departure, far from the world of Adam Bede, Mrs Poyser and Silas Mamer. It was a more ambitious novel, with more refined and educated characters, set in a foreign country, in a distant past. Her first works of fiction were also set in the past, but only one or …

Review Of After Darwin: Animals, Emotions, And The Mind, Angelique Richardson

The George Eliot Review Online, ISSN: 2831-5375

This extremely interesting and well organized collection of 11 original essays and an 'Afterword' is not greatly concerned with George Eliot, although it would seem every major Victorian concern somehow ends by involving her. As a study that aims at what its title indicates, it includes George Eliot and G. H. Lewes as direct subjects, hut only in one essay, Angelique Richardson's 'George Eliot, G. H. Lewes, and Darwin: Animals, Emotions, and Morals'. Although, she concedes, both 'maintained human distinction in their writing' (p. 137), George Eliot felt and expressed through anthropomorphism, a real kinship with animals. With Lewes (whose …