Feminist, Gender, and Sexuality Studies Commons^™

What About The Boys?, Abigail Rine

Faculty Publications - Department of English

No abstract provided.

Creating Room For A Singularity Of Our Own: Reading Sue Lange's "We, Robots", Marleen S. Barr

Publications and Research

The accessibility of Lange’s text might mitigate against recognizing its importance. Lange’s simple sentence structure and direct communicative mode convey a presently overlooked logical moral assertion: the impending Singularity is not a male-dominated patriarchal domain. The Singularity, in other words, should not be construed in a manner which excludes women and feminism. This assertion is patently obvious. But, nonetheless, it is often ignored. Before I read Lange’s novella as a description of the Singularity which feminists can embrace, I include the following background information: 1) a discussion about why the discourse relating to the Singularity needs to be expanded and …

My Mother's Daughter, Monica Vanessa Martinez

Open Access Theses & Dissertations

In order to address the way the Chicano culture attempts to silence its women, My Mother's Daughter is a collection of short stories narrated by Chicanas. The collection uses the complicated relationship between mothers and daughters to highlight the conflicts that lead to the silencing of Chicanas. The collection attempts to challenge this silencing by utilizing the first person perspective to give a voice to these traditionally silenced women. Another literary technique employed is the use of dramatic irony. With multiple first person narrators in the same story the collection uses dramatic irony as a way of playing up the …

Haunted By Passion: Supernaturalism And Feminism In Jane Eyre And Villette, Laurel Lorber

Seton Hall University Dissertations and Theses (ETDs)

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Style And Substance: Isabel Archer As A New Type Of "Lady", Sandra Gulbicki

Seton Hall University Dissertations and Theses (ETDs)

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Reality And Imagination: The Authorial Decisions Of May Welland Archer And Emma Woodhouse, Melinda R. Vetter

EWU Masters Thesis Collection

The ideal woman of the eighteenth and nineteenth centuries was the "Angel in the House"-a woman who was sweet, shy, and modest. She lived to please the men in her life. She was also the child-woman who was sheltered from the knowledge of the world because it would be too painful and heavy for her fragile shoulders to endure. Edith Wharton, in The Age of Innocence, and Jane Austen, in Emma challenge this ideal picture by creating their respective heroines, May and Emma, to be the exact opposite of it. Though May constantly acts like the ideal woman mentioned earlier, …

Joan Rivers And Queen Elizabeth, Marleen S. Barr

Publications and Research

No abstract provided.

Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy

All-Inclusive List of Electronic Theses and Dissertations

Each year, approximately 835,000 men and 1.3 million women are victims of intimate partner violence (IPV; American Bar Association, n.d). Although the prevalence of same-sex intimate partner violence (IPV) is approximately the same as IPV in heterosexual couples (Alexander, 2002), fewer studies have examined perceptions of IPV in same-sex couples or of IPV perpetrated against heterosexual men compared to heterosexual women. In the current study, Just World Theory (Lerner & Miller, 1978) is used as a framework for understanding factors associated with perceptions of heterosexual and same-sex IPV, including sexual prejudice and gender self-esteem. Perceptions of IPV were examined in …

To Better Serve And Sustain The South: How Nineteenth Century Domestic Novelists Supported Southern Patriarchy Using The "Cult Of True Womanhood" And The Written Word, Daphne V. Wyse

History Theses

During the eighteenth and nineteenth centuries, American women were subjected to restrictive societal expectations, providing them with a well-defined identity and role within the male-dominated culture. For elite southern women, more so than their northern sisters, this identity became integral to southern patriarchy and tradition. As the United States succumbed to sectional tension and eventually civil war, elite white southerners found their way of life threatened as the delicate web of gender, race, and class relations that the Old South was based upon began to crumble. Despite their repressed status in southern society, most elite southern women chose to support …

On Editing The Merry Muses, Valentina Bold

Studies in Scottish Literature

Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Merry Muses of Caledonia (1799), in connection the 50th anniversary of the first modern scholarly edition, edited by Sydney Goodsir Smith, James Barke, and J. Delancey Ferguson in 1959.

Performing Literacy: How Women Read The World In The Late Eighteenth-Century British Novel, Amy Hodges

Graduate Theses and Dissertations

This dissertation explores the intersection of sensibility, Social identity, and literacy practices among representations of women readers in four late eighteenth-century British novels. Through an analysis of the authors' use of identity constructs which shaped and were shaped by reading practices, this study documents the rise of Social identity formation as mutually constitutive with the history of reading. The first chapter reveals how Charlotte Lennox's The Female Quixote uses Arabella's follies as education for readers about the corresponding processes of reading their society and reading novels. The second chapter argues that Frances Burney's Evelina considers women's ability to read others …

The Heroine's Journey, Catherine Bailey

The Hilltop Review

My current research focuses on representations of gender in contemporary literature and visual culture, with a particular emphasis on feminist criticism. Furthermore, I am interested in the ways in which ancient mythology, fairy tales, and folklore have shaped--and continue to shape--societal ideals about normative gender behavior. While some myth critics profess the benefits of framing one's life in terms of a grand narrative--an archetypal "hero's journey"--feminist critics and queer theorists argue that these sweeping narratives can be damaging to people of all genders by forcing them into limiting social scripts. Much of my recent research has explored the question of …

Lost In Space No Longer: The Visionary Union Of 'The Wire', Brett Dupré

LSU New Orleans Theses and Dissertations

In its serial space, David Simon’s The Wire season two relates the seemingly “disconnected” union men, foreign sex worker women, and African-American drug traders and crosses constructed boundaries of race, gender, sexuality, and geography to evoke the possibility of a transnational working class. The Wire’s serialized narrative trespasses the limitations of money and numbers games and of individual characters to build, scene by scene, what Roderick Ferguson calls in Aberrations in Black: Toward a Queer of Color Critique “the location for new and emergent identifications and social relations” (108).

"I Enter Into Its Burning": Yvonne Vera's Beautiful Cauldron Of Violence, John C. Hawley

English

Commentators inevitably remark upon Yvonne Vera's prose and upon its startling application to the violent episodes she recounts. Some find it inappropriate, self-conscious, more suited to poetry than to prose. Others (and sometimes the same folks) describe it as by far her strongest suit, wherein descriptive powers overtake narration and plot becomes inevitably amorphous - but lovely. In this essay I wish to analyze why this conflicted response would not have concerned the author and why, in fact, she would have sought to discomfort the reader while bringing pleasure. Many writers before Vera have struggled over the applicability of art …

Modernist Women In Three Acts: The Stage For Political Protest, Jennifer B. Redmond

Undergraduate Honors Thesis Collection

In this essay, I will draw upon Katherine Mansfield's New Zealand Sh011stories, "Bliss" (1918), "The Woman at the Store" (1912), "Je Ne Parle Pas Francais" (1918), George Bernard Shaw's play Mrs. Warren's Profession (1893), and Virginia Woolf's extended essay A Room of One 's Own (1929), to defend Jeffreys's idea that "lesbianism" was, in many cases, nothing more than a bond of friendship between two women - a private experience that took on a different meaning in the public eye.

Additionally, I wish to support Gubar's notion that gender norms frequently existed secondarily to the importance of women gaining more …

The Emergence Of Feminism During The Late Eighteenth And Nineteenth Centuries By Female Artists And Authors, Tracy S. Koubek

Master of Liberal Studies Theses

This thesis paper identifies the ways in which the painters Elisabeth Vigée-Lebrun and Mary Cassatt and the writers Charlotte Brontë and Elizabeth Barrett Browning challenged the limitations of their sex by engaging in professions outside of the domestic sphere during the late eighteenth and nineteenth centuries. This essay first focuses on the negative effects that a separation between the private and public spheres had on women, how these changes came about, the expectations society imposed on women, and how many women learned to cope and step forward into the public sphere. The emphasis shifts to an examination of the lives …

The Bitter Relicks Of My Flame: The Embodiment Of Venereal Disease And Prostitution In The Novels Of Jane Austen, Melanie Erin Osborn

Master of Liberal Studies Theses

Resembling the mercurial, black beauty mark used as an ornamental concealment of syphilitic sores, Jane Austen’s comedy of manners likewise acted as a superficial cosmetic device that concealed the ubiquity of venereal disease and prostitution hidden within. Through her characters, Austen used veiled narrative to highlight the reality of venereal disease and prostitution in eighteenth-century England. This thesis uncovers the hidden narrative in Jane Austen’s novels, as a means of better understanding the impact venereal disease and prostitution had on sexual issues with women and the female body during the eighteenth century. Beginning with an almost comic reference to venereal …

Happily Ever After? Redefining Womanhood And Marriage In Nineteenth-Century Novels, Laura Elizabeth Cox

Graduate Theses and Dissertations

Jane Austen, Elizabeth Gaskell, Charlotte Brontë, and Henry James challenged patriarchal conventions and assumptions by redefining womanhood and marriage in their novels, particularly by breaking from the traditional marriage ending. While Pride and Prejudice, North and South, and Jane Eyre end in marriage, these novels depict a freely chosen companionate marriage based on equality; Villette replaces the typical marriage ending with complete independence; and Washington Square and The Portrait of a Lady both portray the decisive rejection of the marriage ideal for a life of renunciation. This thesis analyzes the ways in which these novels challenge nineteenth-century society, as well …

The Androgynous Tomboy: Adolescent Liminality In The Contemporary Southern Bildungsroman, Brooke Alexandra Shippee

Graduate Theses and Dissertations

The Androgynous Tomboy: Adolescent Liminality in the Contemporary Southern Bildungsroman is an analysis of the adolescent, specifically, of the young tomboy characters central to three Bildungsroman texts set in the American South during the twentieth century: Carson McCullers' The Member of the Wedding (1946), Bobbie Ann Mason's In Country (1985) and Dorothy Allison's Bastard Out of Carolina (1993). I seek to challenge the very notion of the conventional tomboy within the coming of age literary genre by defining these youths as androgynous, rather than as young individuals who assume a singular gender opposite of their biological sex. Throughout my work, …

"Where Angels Fear To Tread": Tracing The Journey Of The Female Poet In Aurora Leigh, Dorcas Y. Lam

Senior Honors Theses

Through Aurora Leigh, Elizabeth Barrett Browning explores the role of female poets as agents of social change in the Victorian society. During the Victorian period, the role of women was largely confined to the domestic setting. While women were allowed to write, female writers were limited to the realm of novels, which was perceived by the Victorian society to be the less distinguished genre. In writing Aurora Leigh, Barrett Browning challenged this gender stereotype by producing a "novel-poem" that unites the feminine voice with masculine authority and superiority. Like Barrett Browning, Aurora Leigh, in her fictional role as a …

Unbreakable Glass Slippers: Hegemony In Ella Enchanted, Tori Shereen Mirsadjadi

Scripps Senior Theses

The way Gail Carson Levine’s Ella Enchanted simultaneously conforms to its late-20^th-century American standards and rebels against its Cinderella origins is analyzed in this thesis. As an analysis of a piece of literature written for children, the thesis works to defend the notion that playful literature produces a serious dialogue with its readers, and that young female readers are a particularly apropos group for the dialogue about hegemony that Ella Enchanted allows.

Between Catastrophe And Carnival: Creolized Identities, Cityspace, And Life Narratives, Cynthia Dobbs, Daphne Lamothe, Theresa Tensuan

Africana Studies: Faculty Publications

No abstract provided.

Destabilizing Tradition: Gender, Sexuality, And Postnational Identity In Four Novels By Irish Women, 1960-2000, Sarah Nestor

Dissertations (1934 -)

This dissertation examines four novels that represent Irish women and girls confronting the typical narrative of Irish national identity in the twentieth century. The post-independence construction of Irish national identity depended upon prescriptive roles that aligned with its founders’ beliefs about the nation’s ethnic homogeneity and moral superiority. Irish women’s identity and roles as wives and mothers were imperative to upholding this idea of the nation, particularly its morality. Irish women were therefore charged with maintaining well-defined gender roles and the nuclear family in an effort to define a distinctive Irish identity. Thus, when women’s roles are challenged or changed …

Regina Maria Roche’S The Children Of The Abbey: Contesting The Catholic Presence In Female Gothic Fiction, Diane Hoeveler

English Faculty Research and Publications

This article examines Regina Maria Roche’s immensely popular gothic novel, The Children of the Abbey (1796), in light of the ideological and political campaigns that occurred in Britain leading up to the passage of the Catholic emancipation bill in 1829. The Children of the Abbey has been the subject of recent critical interpretation by a number of scholars who attempt to argue that it is pro-Catholic. However, by confronting the portrait of her dead mother in the final volume, Roche’s heroine Amanda discovers not a magical representation of the unknowable and inexplicable past that often stands for Catholicism but instead …

Ivy Leaves, Volume 86, Ivy Leaves Editorial Staff

Ivy Leaves

The 2012 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Anna Davis, Brianne Holmes, Emmy Wheatley, Cara Dillon, Drew Welborn, Jesica Hooper, Robert Causey, Rachel Spoon, Mandie Wines, Jenni Elledge, Naomi Nakazato, Emily Weiland, Laura Jones, Jivan Davé, Teresa Jones, and Tim Speaker. Photography by Jivan Davé and Rachel Spoon.

El Choteo En Cien Botellas En Una Pared Y Raining Backwards: El Gracioso Disfraz De Las Circunstancias Trágicas Durante La Revolución Cubana Y El Período Especial, Kristin Nicole Lisenby

World Languages and Cultures

This project attempts to explore the idea that the combination of tragedy and humor in Cuban and Cuban-American literature is a form of “choteo” or “no tomar nada en serio,” which demonstrates a coping strategy used by Cubans during hard times. In the case of Ena Lucía Portela's Cien botellas en una pared, and Roberto Fernandez's Raining Backwards, I believe that the two authors use his and her own personal insight into a Cuban's life during the Cuban Revolution of the 60's and the Special Period of the 90's, and that those personal experiences are reflected throughout the novels …

A Feminist Critique Of Beowulf: Women As Peace-Weavers And Goaders In Beowulf's Courts, Charles Phipps

Theses, Dissertations and Capstones

This thesis documents the relationship between “Goaders" and "Peace-Weavers" amongst the women of Beowulf. These roles have a large place to play within the framework of the Beowulf narrative and all of its female characters fall into one of these descriptors. Goaders are women who have the role of driving men to violence with words. They do not actually perform the violence themselves but instead induce it in others, souring relationships and compelling men to war. Peace-weavers, by contrast, urge men toward reconciliation with speech and encouragement. Examining the poem's context for these two roles and how they relate to …

Feminine Realism In Cornhill Magazine: Anne Thackeray Ritchie And Frances Parthenope Verney, Alexandra Virginia Scamahorn

Electronic Theses and Dissertations

This thesis explores the literature published by two lesser known women writers in Cornhill Magazine during the 1860s: Anne Thackeray Ritchie and Frances Parthenope Verney. By using the magazine as a context for their fiction, I examine the ways in which these writers both reflect Cornhill's brand of realism, which privileged masculine ideology, and diverge from it, inserting a feminine perspective. Because the magazine's representation of the multiple facets of its society is varied and complex, my thesis examines a particular aspect of societal representation: one that depicts mid-nineteenth-century society in transition from traditional to progressive values. Caught between …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel

Department of English Publications

Introduction:

Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …