Feminist, Gender, and Sexuality Studies Commons^™

Triangulated Desire In Meyer's Twilight: A Queer Dynamic, Jami Mcfarland

Journal of Dracula Studies

No abstract provided.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Bread-Winning And Bread-Baking: On Being A Provider, Abigail Rine

Faculty Publications - Department of English

No abstract provided.

No Rape Victim, Male Or Female, Deserves To Be Blamed, Abigail Rine

Faculty Publications - Department of English

No abstract provided.

The Pros And Cons Of Abandoning The Word 'Feminist', Abigail Rine

Faculty Publications - Department of English

No abstract provided.

The Child Is The Father Of The Man - Mad Men, Episode 8, Abigail Rine

Faculty Publications - Department of English

No abstract provided.

Why Some Evangelicals Are Trying To Stop Obsessing Over Pre-Marital Sex, Abigail Rine

Faculty Publications - Department of English

No abstract provided.

The Postfeminist Mystique - Or, What Can We Learn From Betty Draper?, Abigail Rine

Faculty Publications - Department of English

No abstract provided.

Surviving The City: Resistance And Plant Life In Woolf’S Jacob’S Room And Barnes’ Nightwood, Ria Banerjee

Publications and Research

In Jacob’s Room (1922) and Nightwood (1936), Virginia Woolf and Djuna Barnes use plant life to express a profound ambivalence about the masculine-inflected ordering functions of art and morality. They show that these processes codify lived experience and distance it from the feminine and sexual. To counter this turn towards the urban inauthentic, both novels depict non-urban spaces to upend conventional notions of usefulness. They fixate on evanescent flowers, wild forests, and untillable fields as sites of resistance whose fragility and remoteness are strengths. In Jacob’s Room, I argue that the eponymous protagonist is destroyed by his conventional education …

Don Draper Was Raped, Abigail Rine

Faculty Publications - Department of English

No abstract provided.

George Eliot's Brazilian Critical Fortune And The Case Of Romola, Jaqueline Bohn Donada

The George Eliot Review Online, ISSN: 2831-5375

I would like to begin this paper with a comment by Professor Felicia Bonaparte about George Eliot's novels. In an introductory reflection, she once observed that

We have found nothing yet that Eliot did not deliberately put in her novels; [ ... ]. Indeed, the fact is we have not yet read in these novels all that Eliot wrote. We have not yet, for example, looked carefully at what Eliot had to say about women in society. Eliot was a great feminist, and her novels, although they never stoop to mere propaganda, urge a relentless war against the conditions by …

'And Her Wings Fall From Her And She Drops To The Ground': Reading Eliot's Mr Casaubon Through Benjamin Jowett's Phaedrus, Royce Best

The George Eliot Review Online, ISSN: 2831-5375

In the scene describing Casaubon 's pathetic mental state prior to his heart attack in Chapter XXIX of Middlemarch, the narrator makes an enigmatic reference: 'Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control'.' It seems odd to conclude this powerful passage, long read as a telling example of the hazards of over-study without meaningful application, with a reference to ancient Greek drama. Yet, perhaps not enough attention has been given to the indebtedness …

Review Of Heathen And Outcast: Scenes In The Life Of George Eliot, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

This fictionalized version of George Eliot's life between 1841 and 1854 takes as its starting point Edith Simcox's account of visiting the Midlands after the novelist's death and collecting material for a biography which, in the end, was never written. Thus the first section of four chapters is titled 'From Conversations with Maria Lewis' and is written in the latter 's voice, while the second section of two chapters follows the same pattern and is narrated by Charles Bray. The Simcox framework of posthumous interviews falters in the final section of eight chapters since here the narration is taken over …

The Two Felixes: Narrational Irony And The Questions Of Radicalism In Felix Holt And 'Address To Working Men, By Felix Holt', Helen Kingstone

The George Eliot Review Online, ISSN: 2831-5375

In this characterization of Dorothea by the narrator of Middlemarch (1871-2), the 'Great' Reform Act of 1832 is posited as a dividing line between two phases of history, so distinct as to have separate spheres of interest and judgements of normality. George Eliot flatters her mid-Victorian reader by insinuating that only the 'modem' mind of their shared present could understand the zeal of a humanistic 'exalted enthusiasm' that took its source of energy from within. In this passage, therefore, 'reform' seems to be the key to historical, social and personal change. The issue of reform - of society, of institution …

Review Of George Eliot In Society: Travels Abroad And Sundays At The Priory, Kathleen Mccormack

The George Eliot Review Online, ISSN: 2831-5375

This is a welcome and wholly worthwhile extension of the author's George Eliot's English Travels: Composite Characters and Coded Communication (2005), a densely written and stimulating examination of places and people in Eliot's life which have some resonance, in varying degrees of coding, from the seemingly casual to the subtly integrated, in her published work. McCormack there defined three categories of place identification. These range from 'absolute certainties' through 'pretty good cases' to 'alluring, probable, but irretrievably speculative suppositions', categories certainly applicable to herpresent study, in which her dedication and saturation in George Eliot, the works, the life, and a …

The Golden Gates Are Passed, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

There have always been attempts not just to conceal knowledge of George Eliot's life but also to manipulate it into conformity with a preconceived profile. In the Preface to his edition of The George Eliot Letters in nine volumes, Gordon Haight revealed that those pages of her Journal from immediately after her father's death in 1849 until shortly before she went to Weimar with Lewes in 1854 were tom out and presumably destroyed, probably by Cross. Charles Lewes, George Eliot's main literary executor, also seems to have destroyed nine of his father 's journals, the first volume extant beginning in …

'The Antigone And Its Moral': George Eliot's Antigonean Considerations, Kathryn Brigger Kruger

The George Eliot Review Online, ISSN: 2831-5375

As early as 1856 with the publication of the essay, 'The Antigone and Its Moral' ,1 George Eliot turned her literary attention to the Sophoclean figure of Antigone. Scholars such as Gerhard Joseph' and David Moldstad' have enumerated Eliot's multiple references to Antigone, and they have argued that Eliot makes Antigone a relevant figure for '"modern" life' (Joseph, 27) and an example of 'the continuity of man's elemental self, concerned in all ages with similar needs and problems, though moral codes have come and gone' (Moldstad, 531). Where Joseph traces the specific Antigone references in Eliot's fiction - especially in …

Review Of Reading For Our Time: 'Adam Bede' And 'Middlemarch' Revisited, J. Hillis Miller

The George Eliot Review Online, ISSN: 2831-5375

As his sub-title indicates, J. Hillis Miller is returning in his latest book to the study of George Eliot, bringing to bear on Adam Bede and Middlemarch the insight and erudition acquired in a long and distinguished career as a scholar and critic. He pursues a similar line to his wellknown articles from the 1970s on 'Narrative and History' and 'Optic and Semiotic in Middlemarch', subjecting that novel to a close and tenacious deconstructive reading that brings out the sophisticated self-qualifying nature of George Eliot's fiction. This is preceded by a shorter discussion of Adam Bede which shows how its …

Japanese Branch Report- 2012, Shinsuke Hori

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 1 December 2012, the Sixteenth Annual Convention of the George Eliot Fellowship of Japan was held at Kansai University of Foreign Studies.

The morning session started with an opening address by Chizuko Watari (Kansai University of Foreign Studies). Three papers were presented in the morning session. The first two were commented upon by Midori Niino (Kobe University of Foreign Studies) and the third by Masayuki Kato (Kobe University).

The first speaker was Ayako Tani (Fukuoka University), whose subject was 'The Idea of a Double in Daniel Deronda: Grandcourt's Death and Gwendolen's Rebirth'. Grandcourt's death has been often criticized …

The Forty-First George Eliot Memorial Lecture, 2012- Romola's Artists, Leonee Ormond

The George Eliot Review Online, ISSN: 2831-5375

2012-2013 marks the one hundred and fiftieth birthday of Romola. Originally published in the Comhill Magazine from July 1862 to August 1863, it later appeared in a three volume edition in 1863. An illustrated edition followed in 1865.

George Eliot had begun work on the novel in 1861, when she was forty-one. She had recently published Silas Mamer, and The Mill on the Floss, preceded by Adam Bede, had come out not long before that. The genesis of Romola came in May 1860 when George Eliot and George Henry Lewes spent two weeks in Florence. Lewes noted that, …

Review Of Form And Feeling In Modern Literature: Essays In Honour Of Barbara Hardy, Isobel Armstrong, William Baker

The George Eliot Review Online, ISSN: 2831-5375

Does criticism move in circles and cycles? Perhaps, like a Yeatsian gyre, it progresses by revolving and rotating. If times have changed utterly since the appearance of Barbara Hardy's first book, The Novels of George Eliot (1959), then it is also hard to ignore how some new directions in criticism appear to be rediscovering matters close to this great critic's heart. Form and feeling, certainly, are both back. Professor Hardy used these two unfussy terms to describe, respectively, literature's structured way of happening and its potential to arouse or enrich a reader's felt experience; now, in the more modish guises …

George Eliot, Marcel Proust, And The Logic Of Desire, Kenichi Kurata

The George Eliot Review Online, ISSN: 2831-5375

The influence of George Eliot's fiction on Marcel Proust's In Search of Lost Time has often been discussed. For instance, L. A. Bisson drew attention in 1945 to 'the possibility, even the likelihood, of[ ... ] [an] immediate and sympathetic suggestion' by Eliot, citing Proust's claim in 1910 that 'II n'y a pas de litterature qui ait sur moi un pouvoir comparable a la litterature anglaise ... deux pages du Moulin sur la Floss me font pleurer.'2 Bisson goes on to suggest that three specific passages in The Mill on the Floss have their counterparts in Proust's work, the …

Chairman's Annual Report 2012, John Burton

The George Eliot Review Online, ISSN: 2831-5375

The year began in March with an introduction to Romo/a for the Nuneaton George Eliot Study Group which was attended by nearly forty local members. This was followed up by more in depth sessions on Romola at Bedworth Almshouses after Easter. These sessions were aimed at those going to Florence in November, to walk in Romola's footsteps. Numbers were constant throughout the sessions and we ended the ten sessions by watching the 1924 silent film version of the book. The study notes for these sessions will be made available to members worldwide on the website

Following the AGM that same …

Review Of The Ladislaw Case, Inke Thormahlen

The George Eliot Review Online, ISSN: 2831-5375

We live in an age of prequels and sequels either in book form or in television serials, with nineteenth-century novelists providing the majority of the material for contemporary writers to develop or elaborate. It was perhaps only a matter of time before one of George Eliot's novels was to form the basis for such treatment. In this case the novel is probably her greatest, Middlemarch, and the sequel, The Ladislaw Case, is the first major work of a young Swedish graduate of Lund University, Imke Thormahlen.

Twelve years after the conclusion of Middlemarch, Will Ladislaw, now married to Dorothea (Brooke, …

George Eliot, Scientific Materialism And Literary Form: Some Relfections On Felicia Bonaparte's Will And Destiny, K.M. Newton

The George Eliot Review Online, ISSN: 2831-5375

Felicia Bonaparte's study of Eliot's fiction, Will and Destiny: Morality and Tragedy in George Eliot's Novels, was published in 1975. I read it rather quickly towards the end of the 1970s because at the time I was working on a study of Eliot of my own and inevitably my attention was somewhat focused on whether there was going to be any overlap with my book. Since Bonaparte's book argued strongly that Eliot was intellectually committed to empiricism and scientific rationality and mine attempted to bring out her relation to aspects …

Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek

English Faculty Publications

At the midpoint of Mansfield Park (1814), the Bertram family dines at the Parsonage, and card games make up the after dinner entertainment. The characters form two groups, with Sir Thomas, Mrs. Norris, and Mr. and Mrs. Grant playing Whist, while Lady Bertram, Fanny, William, Edmund, and Henry and Mary Crawford play Speculation, This scene is central not only because Speculation reveals certain characters' personalities, but also because another type of “speculation” occurs during the game as the players contemplate or conjecture about one another. Moreover, “speculation” in the sense of gambling functions as a metaphor for the vicissitudes of …

Gender, Nature, And The Fairytale Structure In Robin Mckinley's Works, Molly Rogers

Honors Theses

Robin McKinley is an American fantasy author who uses fairytale structure to explore themes of gender and nature. Her first book, Beauty, a retelling of “Beauty and the Beast” was published in 1978. She continues to write fairytales and other fantastic fiction, utilizing the fairytale form and structure. She has won a few awards, including the Newbery Award in 1985 for her novel The Hero and the Crown. Her latest book, Pegasus, was published in 2010. Jack Zipes describes McKinley’s heroines as "self-confident, courageous young women who take the initiative in a world which they help to define with men…it …

Queering The Sublime: Virginia Woolf, Sexology, And Sexuality, Emily Whitmore

Masters Theses

Using Virginia Woolf's novels, The Voyage Out, Mrs. Dalloway, To the Lighthouse, and Orlando, I begin to explore moments where the characters experience the sublime as defined by Edmund Burke. Woolf uses the traditional sublime, but complicates the concept beyond its initial intention. The moments that mimic the sublime, but include the body, the natural world, and artistic creativity grows into what I will call the "queer sublime," which is new for both Woolf scholarship and for the sublime. Woolf's experimentation with the term and part of the "queer sublime" also helps to create a different …

Ua35/11 Honors Program, Wku Archives

WKU Archives Collection Inventories

Records created by and about the Honors Program. Includes brochures, awards programs, student handbooks, newsletters and research publications.

She's A Brick House: August Wilson And The Stereotypes Of Black Womanhood, Amelia Tatum Grabowski

Student Publications

In his Century Cycle of plays, August Wilson tells ten distinct stories of families in or linked to the Hill District, an African American community in Pittsburgh; one play taking place in each decade of the twentieth century. Through these plays, Wilson's audience sees the Hill District and America evolve, while prejudice, oppression, and poverty remain constant. Many scholars argue that sexism provides a fourth common factor, asserting that Wilson portrays the female characters in the male-fantasized, stereotypical roles of the Mammy or the Jezebel figure, rather as realistic, empowered, and complex women. However, close examination of the women with …