Feminist, Gender, and Sexuality Studies Commons^™

The Intellectual Woman’S Cage: Complicating Ideals Of Fanon’S “Native Intellectual” In Nervous Conditions, Alyssa J. Mountain

The Review: A Journal of Undergraduate Student Research

This paper examines—through a post-colonial lens— Tsitsi Dangarembga’s novel Nervous Conditions. In particular, this paper analyzes the characters of Tambu, Nyasha, and Maiguru and how their Western education allows them to fit into their roles as “native intellectuals.” Imposing Franz Fanon’s phases of becoming a “native intellectual” onto these strong, educated female characters greatly complicates his term and process. The idea of the native intellectual is most often applied to men. However, in terms of Dangarembga’s work, it is the female characters that rise to this title. In this acquisition of education the female characters are truly “between two …

Private Deaths: The Impossibilities Of Home In The Modernist Novel, Ava Bindas

English Honors Projects

This project examines novels by Kate Chopin, Edith Wharton, Virginia Woolf, and Nella Larsen featuring female characters who contemplate or commit suicide. Relying on a composite theoretical framework that weaves together geography theories of spaces as well as gendered theories of bodies by authors like Judith Butler, Rita Felski, and Victoria Rosner, I argue women commit suicide because their modern homes fail to accommodate their gendered bodies. Focusing less on the moment of death than on the conditions that make choosing to live impossible, this project tracks how, during a moment of supposed liberation, conceptions of gender, modernity, and domestic …

The Formation Of The Autonomous Woman Through A Hegelian Lens: A Comparative Study Of The British Fin De Siecle "New Woman" And The Post-Mao "Amazing" Woman, Robyn L. Buro

English Department Theses

This thesis utilizes the Hegelian concept of self-consciousness development to explore the formation of the autonomous woman within the New Woman movement of the British fin de siècle and the literature of women writers in 1980s Post-Mao China. The sexual figuration of the New Woman via an unremitting male gaze as well as the absence of individual awareness due to limited reflective self-assessment lead to a misrepresentation of the female figurehead in fin de siècle Britain. Through an in-depth study of literature by Charlotte Mew, Victoria Cross, George Egerton, and Thomas Hardy, the reader can identify key points of failure …

Homosociality In Michael Radford’S "The Merchant Of Venice", Eric A. Pitz

Conspectus Borealis

No abstract provided.

Wendy's Story In J. M. Barrie's Peter Pan, Jessica Hedrick

Steeplechase: An ORCA Student Journal

Although known today as simply Peter Pan, J.M. Barrie’s classic children’s novel was originally titled Peter and Wendy. This paper explores the famous children’s story from Wendy Darling’s perspective, taking particular interest in the narrator’s contradictory stance on Wendy her agency in the original novelized text. Peter Pan may be the most well known of Barrie’s characters, but the novel’s story is Wendy’s. The relationship between a mother and her children forms the crux of the novel; without Wendy, without her relationship with her own mother and her desire to play grown-up, there is no story. Peter Pan …

Who Are These People? Let's Find Out!, Niall E. Walsh, Lindsay Kline, Anastasia E. Zaluckyj, Crystal O. Nwokoro, Belynn Hollers, Paul Z. Armstrong, Lindsay Caudill

Collin College Undergraduate Interdisciplinary Student Research Conference

Panel Chair: Camin Melton

Papers presented:

"Muted Group Theory: A Struggle for Representation" by Niall E. Walsh

Abstract: This paper examines the concept of Cheris Kramarae's Muted Group Theory as it applies to a range of texts. The theory asserts that women have historically been at a disadvantage in society due to their inability to properly communicate their experiences. This problem is a direct result of a patriarchal society that has constructed predominantly masculine modes of communication.

"Cloelia: Breaking Class Ceilings Before it Was Cool (and How it Inspired Me)" by Lindsay Kline

Abstract: Cloelia lived during the sixth century …

In Solidarity, Musselman Library, Salma Monani, Sarah M. Principato, Dave Powell, Brent C. Talbot, Charles L. Weise, Bruce A. Larson, Scott Hancock, Mckinley E. Melton, David S. Walsh, Jennifer Q. Mccary, Kristina G. Chamberlin

Next Page

This edition of Next Page is a departure from our usual question and answer format with a featured campus reader. Instead, we asked speakers who participated in the College’s recent Student Solidarity Rally (March 1, 2017) to recommend readings that might further our understanding of the topics on which they spoke.

To Kill A Mockingbird, The Help, And The Regendering Of The White Savior, Brett Seekford

James Madison Undergraduate Research Journal (JMURJ)

Filmmakers continue to use the “White Savior “ archetype to construct racialized messages in the post-Civil Rights era. These protagonists, who resolutely defend the rights of African Americans, ultimately focalize whiteness and marginalize black characters and voices. Though a white savior features prominently in both To Kill a Mockingbird (1962) and The Help (2011), The Help’s regendering of the archetype invites viewers to imagine a world in which a white savior is no longer necessary. The Help’s update on the white savior trope from Atticus Finch to Skeeter Phelan allows for deeper development of black characters and a …

The Book That Made Me: A Girl, Daniel Pollack-Pelzner

Faculty Publications

In this installment of The Book That Made Me, a series from Public Books reflecting on the books that have changed our lives, Daniel Pollack-Pelzner reflects on the freedom he received—to become a whole other person, in a whole other place—from an unexpected source.

Final Project: Ignatian Pedagogy Certificate, Elisabeth R. Bayley

Ignatian Pedagogy Educational Resources

No abstract provided.

Ivy Leaves, Volume 92, Ivy Leaves Editorial Staff

Ivy Leaves

The 2017 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jenni Harris, Grant Looper, Shelby Swing, Ruthie Snow, Randi Adams, Cara Ann Hendsbee, Haley Schvaneveldt, Caitlyn Lamb, Jennifer Bowers, Meredith Lyons, Michaela Staon, Tara Stewart, Ben Boerma, Jennifer Jefferson, Matt Swank, Shelby Kenrick, Lindsay Higgins, Cameron Ohls, Anna Tabor, Dr. Randall Wilhelm, and Tim Speaker.

Recording Angels: Examining Female Narrators In Vampire Fiction And Film, Jacqueline T. Bashaw

College Honors Program

Authors of vampire fiction often grapple with the shifting gender norms of the late nineteenth century. They explore these shifting tensions through the creation of complex narrative structures, some of which incorporate female narrators. By making these women narrators, these authors carefully consider female perspectives and the authority women can wield, both as narrators in their respective texts, and as women in late nineteenth-century British society who were confined to rigid gender roles. The narrative tension that arises between the narrator and the text then allows these authors to use literature to explore and theorize about broader societal tensions.

This …

A Love Untaught By Law, Emma Oliver

VA Engage Journal

A self-proclaimed “live and let live” society, Laramie, Wyoming quickly became everything but when studied by the Tectonic Theater Company following the murder of Matthew Shepard. By drawing attention to disturbingly inherent elements of Laramie’s culture including verbal distancing, an elitist sentiment, and the belief that apathy is acceptable, the theater company exposes the hostile climate that has made this Wyoming city nearly unlivable for the Lesbian, Gay, Bisexual, Transgender, and Questioning community. In analyzing the language and attitudes of the residents of Wyoming as brought to light in the play The Laramie Project, this paper confirms the danger in …

Winter Wren By Theresa Kishkan, Vivian M. Hansen

The Goose

Review of Theresa Kishkan's Winter Wren.

The Fantastic Manifesto: Monstrosity Of Memory And Epiphany Of Selfhood In The Spirit Of The Beehive (1973), Layla Blodgett Carrillo

Dissertations, Theses, and Capstone Projects

The Spanish culture of storytelling suffered under the nearly forty-year dictatorship of Francisco Franco. The government-regulated cinema welcomed propaganda and melodrama, and denied the fantastic, the legendary, and the magical. These carefully manipulated histories, which served to romanticize the ideologies of the regime, also served to eulogize the delinquent and the depraved. In the early 1970s, at the heels of the collapse of Franco’s reign, the people of Spain bore witness to a new national cinema. The Spirit of the Beehive (1973), the feature debut from Victor Erice, exists at the threshold between a storied history of Spanish dictatorship and …

Ecologies Of The Passions In Early Modern English Tragedies, Roya Biggie

Dissertations, Theses, and Capstone Projects

Ecologies of the Passions recovers a neglected model for understanding early modern relationality, one that turns the seemingly inward experience of emotion outward toward the environment. Drawing on early modern medical texts, I argue that the period’s dramatists imagine bodies as humorally vulnerable to other bodies, both human and nonhuman, within dynamically affective environments. As such, my project illustrates the intimate configurations of human and nonhuman life in early modern tragedies. Building upon recent work in the emerging fields of ecocriticism and affect theory, I argue that the period’s dramatic literature exposes the porous fluidity of the Galenic body—its embeddedness …

Body Composition: Reading, Writing, And Resisting Weight Loss Autobiography As Biopolitical Pedagogy, Katherine Ann Browne

Theses and Dissertations

In this dissertation, I argue that autobiographical narratives of body size function as lifestyle guides based on an interpretation of obesity as an undesirable bodily condition. These narratives are anchored by the “weight loss success story” narrative trope, which represents the result of extreme weight loss processes synthesized as “Before and After.” This dissertation serves the dual purpose of historicizing weight loss autobiography in the United States from the late 19th century to present, and arguing that these texts have been taken up as instructional guides for living, or biopedagogical tools. After outlining my methodology in the first chapter, the …

The Power To Overcome: The Resistance And Resiliency Of Black Motherhood, Nathan Full

Theses, Dissertations and Capstones

Motherhood is not a monolithic experience. The intersections of race, gender, sexuality, and class are integral facets that influence and control how one practices maternity, especially in a white hegemonic state. Further, control and choice serve as contributing factors, influencing the level of control women have over entering maternity and how a mother claims ties to her offspring. With these intersectional factors and control measures combined, motherhood is a complicated matter, one that influences how women practice maternity. The practice of motherhood is influenced by race, with black women experiencing a historical struggle in their relationships with motherhood. These difficulties …

Oppressive Gender Roles In Crime Novels, Alexis Hardee

Bridges: A Journal of Student Research

Throughout history, women have been perceived as unequal or lower-class in comparison to men. This misogynistic opinion makes its way into movies, history books, politics, mass media, novels, music, and employment. Mystery novels are no exception. In this essay, I will specifically target British mystery novels that include these gender stereotypes. The works I chose to research were written by three of the "Queens of Crime" who were extremely famous and influential authors: The Tiger in the Smoke by Margery Allingham, The Mysterious Affair at Styles by Agatha Christie, and A Man Lay Dead by Ngaio Marsh. This analysis determines …

The Role Of George Henry Lewes In George Eliot’S Career: A Reconsideration, Beverley Rilett

Department of English: Faculty Publications

This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by fostering the mystery of her authorship; by managing her finances; by negotiating her publishing contracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. By reconsidering each element of Lewes’s devotion separately, Rilett challenges the prevailing construction of the Eliot–Lewes relationship as the ideal partnership of …

Victorian Dogs, Victorian Men: Affect And Animals In Nineteenth-Century Literature And Culture, Keridiana Chez

Publications and Research

Victorian Dogs, Victorian Men: Affect and Animals in Nineteenth-Century Literature and Culture by Keridiana W. Chez is the first monograph located at the intersection of animal and affect studies to examine how gender is produced via the regulation of interspecies relationships. Looking specifically at the development of the human-dog relationship, Chez argues that the bourgeoisie fostered connections with canine companions in order to mediate and regulate gender dynamics in the family. As Chez shows, the aim of these new practices was not to use animals as surrogates to fill emotional vacancies but rather to incorporate them as “emotional prostheses.”

Chez …

Towards A Synthesis: Tracing The Evolution Of Masculinity In The Eighteenth-Century Novel, Anthony Necastro Necastro

ETD Archive

Studies of eighteenth-century British novels are typically centered on the alleged “rise” of the novel; that is, the formation of the novel as a genre distinguished from the epics, dramas, romances, and satires of past centuries. These new novels betray the critical trajectory of masculinity throughout the politically turbulent long British eighteenth century (1688-1815). While critics have studied individual constructions of masculinity within particular novels, or masculinity presented by a single author’s corpus, this paper tracks the various constructions of masculinity and demonstrates the relationship between masculinity and political change. The novel’s century-long “rise” presents the reflection of the English …

The Complete Poems Of Anne Bannerman, Matthew Heilman

Electronic Theses and Dissertations

Anne Bannerman (c.1780-1829) spent most of her life in Edinburgh, Scotland and published three volumes of poetry in the early nineteenth century. For my dissertation, I have prepared the first fully-annotated critical edition of Bannerman’s complete works, including Poems (1800), Tales of Superstition and Chivalry (1802), and Poems, A New Edition (1807). A comprehensive introduction provides information on Bannerman’s life and background, and examines her work in the context of British Romanticism, the Gothic, Scottish nationalism, and the ballad tradition. Close-readings of the poems examine the ways in which Bannerman’s female narrators challenge early nineteenth-century conceptualizations of gender, particularly in …

I Need A Prince To Watch Over Me. Really?! Re-Visioning "Happily Ever After" In Gloria Naylor's Women Of Brewster Place, Anita August

English Faculty Publications

Chapter One ............................................................................................... 23

I Need a Prince to Watch Over Me. Really?! Re-Visioning ‘Happily Ever After’ in Gloria Naylor’s The Women of Brewster Place

Kathleen And Bill Adams - Memories Of Old Friends, Michael Harris, Ruth Harris

The George Eliot Review Online, ISSN: 2831-5375

About 55 years ago when we were engaged to be married, Ruth came down from Scotland to Coventry for a holiday, and I was concerned to demonstrate to her that Warwickshire had much to offer to the visitor and prospective resident. Having, as I thought, exhausted the possibilities of Coventry, Kenilworth, Warwick etc., I asked her if there was anywhere else she would like to visit. I ought not to have been surprised, knowing that she had an English degree and was an English teacher, when she expressed a wish to discover more about George Eliot. So we took the …

Against Egology: Ethics And Style In George Eliot And Emmanuel Levinas, Athanassia Williamson

The George Eliot Review Online, ISSN: 2831-5375

I will argue that the ethical pluralism characteristic of Eliot's late writings anticipates Levinas's rejection of legislative, deontological ethics in the early 1960s, especially from Totality and Infinity (1961) onward. Both Eliot and Levinas problematize an intellectualist or theoretical ethics that fails to attend to our moral experience as an embodied and affective process. They are both sceptics of their inheritances of moral theory, and in their work attempt self-consciously to re-orient or reconstruct that inheritance. For Eliot, Feuerbach is a major encouragement to rethinking the grounds for moral agency; for Levinas, it is the philosophy of Husserl and Heidegger …

'A Being Apart': Sympathy And Distance In Middlemarch, Charlie Tyson

The George Eliot Review Online, ISSN: 2831-5375

I wish to contend that Eliot in Middlemarch (1871-2) frequently tries to attenuate the sympathy that we, her readers, feel for her characters, and that this process of attenuation relies on emphasizing, rather than diminishing, forms of distance between reader and character. She checks our sympathies through techniques of visual staging that press her characters farther away from us in our imagined fields of vision, and through philosophical commentary that emphasizes the commonplace nature of the yearnings and sufferings these characters experience, instead of allowing us to see those circumstances as highly particularized. Despite the standard moral-philosophical observation that sympathy …

Felix Holt And 'A Fine Sight Of Lawsuits', Sheila Woolfe

The George Eliot Review Online, ISSN: 2831-5375

During the festivities surrounding the 400th anniversary of Shakespeare's death, much was said about his Warwickshire roots, and commentators noted, not for the first time, his use of Warwickshire dialect. The same is frequently said about George Eliot, of course. A good example occurs early in Felix Holt, in the coachman's words as he takes passengers up the hill past the village of Little Treby:

How many times in the year, as the coach rolled past the neglected-looking lodges which interrupted the screen of trees, and showed the river winding through a finely-timbered park, had the coachman answered the same …

Review Of Victorians Undone: Tales Of The Flesh In The Age Of Decorum, Kathryn Hughes

The George Eliot Review Online, ISSN: 2831-5375

This is a superb book, written with deep scholarship by one of our leading biographers, which breaks new ground in its attention to the physicality of its subjects. In her introduction Kathryn Hughes says that she has felt 'chronically short-changed by the lack of physical detail in biography'. This book, she says, is 'an experiment to see what new stories emerge when you use biography .... to put mouths, bellies and beards back into the nineteenth century' by introducing 'a certain lumpiness to canonical life narratives that have previously been rendered as smooth, symmetrical, and as strangely unconvincing as a …

Review Of Victorian Narratives Of The Recent Past: Memory, History, Fiction, Helen Kingstone

The George Eliot Review Online, ISSN: 2831-5375

The nineteenth century saw a number of ways in which amateurs and professional historians and novelists approached the presentation of history, especially histories of the recent past. Eminent, professional historians at universities, and those aspiring to join them, increasingly avoided commenting on periods within living memory on the grounds that one could quickly lose credibility debating subjects not yet fully digested. Kingstone clearly illustrates the point in chapter 9, Conclusions: writing 'both before and after the United Kingdom's 2016 referendum decision to leave the European Union, I am aware that any arc I try to draw, any judgment I try …