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Articles 1261 - 1290 of 3257

Full-Text Articles in Feminist, Gender, and Sexuality Studies

Embodying Character, Adapting Communication; Or, The Senses And Sensibilities Of Epistolarity And New Media In The Classroom, Jodi L. Wyett Jun 2017

Embodying Character, Adapting Communication; Or, The Senses And Sensibilities Of Epistolarity And New Media In The Classroom, Jodi L. Wyett

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay describes a classroom role-playing activity that incorporates both modern social media and the tools of eighteenth-century composition. Students communicate with each other as characters in the assigned novel, by either texting, tweeting, or writing longhand with quill pens. The exercise aims to help students grasp the sometimes-elusive historical contexts of eighteenth-century writing as well as the ways in which we interpret and adapt those contexts and their attendant modes of communication when we read for meaning in our own moment. My experiences suggest that the activity is particularly effective at helping students to reflect upon their own interpretive …


Embodying Gender And Class In Public Spaces Through An Active Learning Activity: “Out And About In The Eighteenth Century", Ann Campbell Jun 2017

Embodying Gender And Class In Public Spaces Through An Active Learning Activity: “Out And About In The Eighteenth Century", Ann Campbell

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article explains how and why the learning activity "out and about in the eighteenth century" fosters students' understanding of historical and cultural issues related to gender and class in eighteenth-century novels.


“Less Of The Heroine Than The Woman”: Parsing Gender In The British Novel, Susan Carlile Jun 2017

“Less Of The Heroine Than The Woman”: Parsing Gender In The British Novel, Susan Carlile

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay offers two methods that will help students resist the temptation to judge eighteenth-century novels by twenty-first-century standards. These methods prompt students to parse the question of whether female protagonists in novels—in this case, Daniel Defoe’s Roxana (1724), Samuel Johnson’s Rasselas (1759), and Charlotte Lennox’s Sophia (1762)—are portrayed as perfect models or as complex humans. The first method asks them to engage with definitions of the term “heroine,” and the second method uses word clouds to extend their thinking about the complexity of embodying a mid-eighteenth-century female identity.


Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm Jun 2017

Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article describes two digital assignments that ask students to imaginatively embody characters from eighteenth-century texts written by women in order to cultivate a greater awareness of the critical role of gender and gender critique in these works. The first of these assignments, “Arabella’s Valentines,” asks students to translate dialogue from Charlotte Lennox’s The Female Quixote as humorous Internet memes. The second assignment, “Literary Connections [dot] com,” asks students to imagine how characters from the course archive might represent themselves on an internet dating site. Through creative role-play facilitated by these digital genres, students engage with the texts in stimulating …


Review Of Ill Composed: Sickness, Gender, And Belief In Early Modern England, Amy Mallory-Kani Jun 2017

Review Of Ill Composed: Sickness, Gender, And Belief In Early Modern England, Amy Mallory-Kani

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.


Review Of Teresa Barnard, Ed. British Women And The Intellectual World In The Long Eighteenth Century., Judith Dorn Jun 2017

Review Of Teresa Barnard, Ed. British Women And The Intellectual World In The Long Eighteenth Century., Judith Dorn

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of Teresa Barnard, ed. British Women and the Intellectual World in the Long Eighteenth Century.


Charlotte Charke’S Gun: Queering Material Culture And Gender Performance, Jade Higa Jun 2017

Charlotte Charke’S Gun: Queering Material Culture And Gender Performance, Jade Higa

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay juxtaposes readings of material culture and gender performance in Charlotte Charke’s Narrative of the Life of Mrs. Charlotte Charke (1755). It argues that the transient relationship Charke has to the objects in her life mirrors the fluidity of her gender. The essay ultimately uses Charke’s narrative as a case study in a questioning of a binarized gender matrix. The thesis suggest that, though we lack language to fully describe it, characters and historical figures like Charke move beyond and explode gender binaries.


General Editor's Note, Laura Runge Jun 2017

General Editor's Note, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.


Restoration Raillery: The Use Of Witty Repartee To Gain Power Within Gendered Spaces Of Restoration London, Bonnie Soper Jun 2017

Restoration Raillery: The Use Of Witty Repartee To Gain Power Within Gendered Spaces Of Restoration London, Bonnie Soper

Madison Historical Review

“Restoration Raillery: The Use of Witty Repartee to Gain Power within Gendered Spaces in Restoration London,” examines the creation of gendered spaces to gain political and social power through the use of satire and wit in poetry, theater, and the court of Charles II in Restoration London. During the Restoration period, mentions of wit and incivility in print and theatre increased over previous eras due to the heightened importance placed on wit as a tool to gain popularity within the court of Charles II. At the same time, witty repartee and well-executed satire provided political power to men within Parliament, …


A Girlhood Among Ghosts, An Experimental Project, Maple Wu Jun 2017

A Girlhood Among Ghosts, An Experimental Project, Maple Wu

Dissertations, Theses, and Capstone Projects

“If a woman is going to write a Book of Peace, it is given her to know devastation” – Maxine Hong Kingston, The Fifth Book of Peace.

I do not believe I know devastation. I think to be devastated means one has to experience extreme pain, and live in the aftermath of trauma. I think of this in terms of war, famine, and immigration. A little self-reflection shows that in the twenty-something years of my life, I have not encountered any of the three things listed.

What I do recall, however, is the first time I picked up Maxine …


Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths Jun 2017

Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths

Dissertations, Theses, and Capstone Projects

Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …


Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri Jun 2017

Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri

Dissertations, Theses, and Capstone Projects

Lyrical Mysticism: The Writing and Reception of Catherine of Siena (https://caterina.io) affirms the 14th-century mystic Catherine of Siena as a writer through contextualizing her texts among the corpus of contemporary Italian literature, and studying her reception in the Renaissance period of Italy and England. Joining an increasing body of recent meaningful scholarship that has been making significant progress to recover many overlooked and peripheral female voices of the Middle Ages and the Renaissance, this work serves to fully assert Catherine as a writer of work that is literarily significant and worthy of textual analysis alongside contemporary male Italian …


Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith Jun 2017

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …


Invisible Injuries: The Salvific And Sacramental Roles Of Christina Mirabilis, Sarah Macmillan Jun 2017

Invisible Injuries: The Salvific And Sacramental Roles Of Christina Mirabilis, Sarah Macmillan

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly unique in medieval devotional literature in that they leave no outward evidence on her body. This essay examines the self-healing nature of Christina's wounds and the importance of their invisibility in a culture which typically emphasises the visibility of the broken body. It considers the ways in Christina’s resurrected body (in both the Latin (c. 1232) and English (c. 1420) versions of her Life) contributes to thirteenth and fifteenth-century purgatorial and Eucharistic theologies, and suggests a correlation between the bodies of Christina and Christ which …


Literary Theories Of Circumcision, A. W. Strouse Jun 2017

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …


Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman May 2017

Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman

Senior Theses

Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.

The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …


Becoming Pamela: The Fight For Maternal Authority In Pamela Ii, Danielle Pollaro May 2017

Becoming Pamela: The Fight For Maternal Authority In Pamela Ii, Danielle Pollaro

Seton Hall University Dissertations and Theses (ETDs)

In Pamela, Volume II, Pamela and her husband, Mr. B, clash over breastfeeding their child. The conflict over breastfeeding represents a contest for control over the maternal body and with it control over woman’s authority. The eighteenth-century created the concept of motherhood in order to maintain and perpetuate the patriarchy’s social, economic and sexual hierarchies. Pamela, Volume II propagates eighteenth-century domestic discourse by instructing and constructing the idea of the good wife and mother. Pamela’s failure to resist domesticity reveals patriarchy’s role in establishing gender identity. The novel functions to reinforce, strengthen and sustain eighteenth-century domestic discourse to stabilize …


The Sounds Of Silence; Or, Isabella’S Counter Discourse In Measure For Measure, Gina Vivona May 2017

The Sounds Of Silence; Or, Isabella’S Counter Discourse In Measure For Measure, Gina Vivona

Theses and Dissertations

This argument reshapes the thinking about masculine dominance in Measure for Measure, and considers the patriarchy as a series of socially constructed, hence artificial, rules and regulations. It also explores how Isabella’s discourse and celibacy empower her to defy the constraints of early modern paradigms and achieve individual freedom.


Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall May 2017

Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …


Strength In Numbers: The Power Of Alliances In The Handmaid’S Tale And 2017 Women’S March On Washington, Caroline Paley May 2017

Strength In Numbers: The Power Of Alliances In The Handmaid’S Tale And 2017 Women’S March On Washington, Caroline Paley

3690: A Journal of First-Year Student Research Writing

Overview: Margaret Atwood captivates her readers as she spins the tale of a futuristic version of our own world after a totalitarian regime takes over. She welcomes the readers to the new, radical society, formerly the United States, known now as the Republic of Gilead. The Handmaid’s Tale by Margaret Atwood tells the story of a woman in this dystopian future who, like so many others, has been stripped of all her liberties and whose sole purpose is to reproduce for the overall good of society. Birth rates have declined and many citizens are sterile due to environmental pollution and …


Greening Gawain : Connecting Environmental Damage And Masculinity In Sir Gawain And The Green Knight., Austin Putty May 2017

Greening Gawain : Connecting Environmental Damage And Masculinity In Sir Gawain And The Green Knight., Austin Putty

College of Arts & Sciences Senior Theses

This paper explores medieval environmental attitudes through a historical reading of Sir Gawain and the Green Knight, the study of which provides a blueprint for what may be a method of combating climate change denial at its cultural roots, which I will argue in this paper links to an outdated mode of European warrior masculinity. This paper will demonstrate the connections between hegemonic masculinity and environmental degradation at work as a discourse in Sir Gawain and the Green Knight through chivalric behaviors, as well as a burgeoning environmental conscientiousness at play that undermines it. The conflict between Gawain and …


Alfred Lord Tennyson, Julia Margaret Cameron, And The Arthurian Legends: Re-Writing And Re-Envisioning Women’S Roles In 19th Century England, Lisa Wagenhurst May 2017

Alfred Lord Tennyson, Julia Margaret Cameron, And The Arthurian Legends: Re-Writing And Re-Envisioning Women’S Roles In 19th Century England, Lisa Wagenhurst

Dissertations, Masters Theses, Capstones, and Culminating Projects

Alfred Lord Tennyson (1809-1892) the poet and Julia Margaret Cameron the photographer (1813-1879) worked collaboratively on the Idylls of the King; a work of epic poetry that Tennyson wrote about the legends of King Arthur and his Knights of the Round Table. His re-envisioned tales were cautionary and provided guidelines as to how women should behave or face the consequences of causing the downfall of society. Victorian society was in a precarious situation as women were expected to behave in certain ways, but at the same time they were finding their voices and beginning to speak out about patriarchal society …


Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley May 2017

Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley

College of Arts & Sciences Senior Theses

This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary archetypes employed in …


Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek) May 2017

Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek)

Electronic Theses and Dissertations

This dissertation examines the feminist significance of Anya Seton’s historical novels, My Theodosia (1941), Katherine (1954), and The Winthrop Woman (1958). The two main goals of this project are to 1.) identify and explain the reasons why Seton’s historical novels have not received the scholarly attention they are due, and 2.) to call attention to the ways in which My Theodosia, Katherine, and The Winthrop Woman offer important feminist interventions to patriarchal social order. Ultimately, I argue that My Theodosia, Katherine, and The Winthrop Woman deserve more scholarly attention because they are significant contributions to women’s …


Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert May 2017

Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert

Department of English: Dissertations, Theses, and Student Research

Willa Cather’s Southwestern novels feature cultured male protagonists as the driving sources of action. The male characters explore the natural world and advance the plot, but Cather positions female figures, particularly spinster figures, on the sidelines of the protagonists’ plots to offer support and connection with the natural world. Using an ethic of care framework and ecofeminist Val Plumwood’s master model, this thesis examines the ways in which Cather marginalizes female figures even as they serve crucial roles in the male protagonists’ development. While the male protagonists link spinster figures and sexualized feminine bodies with the natural world, they imbue …


A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer May 2017

A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer

Department of English: Dissertations, Theses, and Student Research

This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These …


The Madwoman Persists: Expression As Resistance In Emily Holmes Coleman's The Shutter Of Snow And H.D.'S Hermione, Spring Healy May 2017

The Madwoman Persists: Expression As Resistance In Emily Holmes Coleman's The Shutter Of Snow And H.D.'S Hermione, Spring Healy

Honors Projects

Emily Holmes Coleman’s The Shutter of Snow and H.D.’s HERmione each feature a female narrator struggling to survive in a patriarchal society that confines them and polices the movement of their bodies through space in attempt to gain control. The characters Marthe Gail and Hermione Gart experience bouts of insanity in response to their confinement by the patriarchy. I explore the various ways these two women push against their confinement, and argue that despite their places in society, Marthe and Hermione are able to use expression—writing, language, voice, movement, sexuality—to successfully resist the patriarchy and create legitimate identities.


The Unkindness Of Strangers: Exploring Success And Isolation In The Dramatic Works Of Tennessee Williams, Chelsea Nicole Gilbert May 2017

The Unkindness Of Strangers: Exploring Success And Isolation In The Dramatic Works Of Tennessee Williams, Chelsea Nicole Gilbert

Electronic Theses and Dissertations

This thesis aims to explore the theme of isolation in the dramatic works of Tennessee Williams using his essay “The Catastrophe of Success” as the base theory text. The essay attacks the American idea of success though an in-depth examination of the “Cinderella myth” that Williams claims is so prevalent in both Hollywood and American Democracy. Williams’ deconstruction of this myth reveals that America’s love for stories like it results the isolation of three groups: homosexuals, women and the physically disabled and terminally ill. Williams passes no judgment on his characters, instead showing their lives as they truly are. Through …


"Some Things Grew No Less With Time:" Tracing Atu 510b From The Thirteenth To The Twentieth Century, Rachel L. Maynard May 2017

"Some Things Grew No Less With Time:" Tracing Atu 510b From The Thirteenth To The Twentieth Century, Rachel L. Maynard

Electronic Theses and Dissertations

This thesis provides a comparative analysis of seven different variants of the fairy tale commonly known as “Donkeyskin,” classified in the Aarne-Thompson-Uther folktale motif index as ATU 510B. By comparing so many different iterations of one fairy tale, it is easier to recognize the inherent attitudes concerning women and their place in society contained in this tale. Additionally, reading multiple variants from different centuries lends a perspective on the way that these attitudes changed over the centuries. Each of the thirteenth century texts considered end with their heroines trapped in loveless marriages, much like the seventeenth-century fairy tale, “Donkeyskin,” their …


The Two-Sided Coin: Madness And Laughter As Subversion In Alice’S Adventures In Wonderland And The Sandman, Tessa Starr Swehla May 2017

The Two-Sided Coin: Madness And Laughter As Subversion In Alice’S Adventures In Wonderland And The Sandman, Tessa Starr Swehla

Graduate Theses and Dissertations

Mad female characters in Western literature have traditionally represented attempts by dominant patriarchal discourse to subjugate women’s discourse: these characters are usually pathologized in both their dialogue with other characters and in their physical bodies. This subjugation by representation of mad female characters in dominant discourse parallels similar attempts to portray women as lacking in humor. This thesis studies the intersections between madness and humor and the ability of female characters that embody both to challenge and subvert dominant discourse. By examining the characters of Alice from Lewis Carroll’s novel and Delirium from Neil Gaiman’s graphic novel series The Sandman …