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Articles 361 - 390 of 875
Full-Text Articles in European Languages and Societies
Five Poems From Born Into By Uwe Kolbe, Louise Stoehr
Five Poems From Born Into By Uwe Kolbe, Louise Stoehr
Transference
Uwe Kolbe is one of the major German poets of his generation. Both part of the dissident scene in East Germany and, at the same time, fiercely independent, he early on reworked literary tradition, detailed observation, and personal experience into poems that clearly express his own poetic vision in a distinct voice. Born October 17, 1957, in East Berlin, Kolbe was drawn to writing at a young age. He published his first volume of poetry, Hineingeboren (Born Into), in the former German Democratic Republic in 1980 and in 1982 in West Germany. “Hineingeboren” has become Kolbe’s signature poem …
Autumn By Jules Breton, Sharon Fish Mooney
Autumn By Jules Breton, Sharon Fish Mooney
Transference
Translation of Autumn by Jules Breton with commentary.
Martial Vii.61 By Martial, George Held
Three Poems From The Blind Glassblower By Adam Fethi, Hager Ben Driss
Three Poems From The Blind Glassblower By Adam Fethi, Hager Ben Driss
Transference
No abstract provided.
The Love Letter Poetry Contest, Roselee Bundy
The Love Letter Poetry Contest, Roselee Bundy
Transference
This is a translation of eight sets of poems and responses (out of a total of twenty) from the The Love Letter Poetry Contest Held in the Imperial Court in 1102. It was held on the 2nd and 7th days of the intercalary 5th month of 1102 in the Japanese imperial court. For the event of the 2nd, men had sent to court women poems declaring their love, and the women responded with poems rebuffing them. For the event of the 7th, court women sent to the men poems complaining of the …
The Shoulders And The Burden By Abdellatif Laâbi, Allan Johnston, Guillemette C. Johnston
The Shoulders And The Burden By Abdellatif Laâbi, Allan Johnston, Guillemette C. Johnston
Transference
English translation of poem by Moroccan poet Abdellatif Laâbi.
Four Prose Poems By Ramy Al-Asheq, Levi Thompson
Liking Mozart By Chen Chia-Tai, Elaine Wong
Liking Mozart By Chen Chia-Tai, Elaine Wong
Transference
"Liking Mozart" is an English translation of a Chinese poem written by the Taiwanese poet Chen Chia-tai (1954- ).
Foreword, Molly Lynde-Recchia
Transference Vol. 7, Fall 2019
Transference Vol. 7, Fall 2019
Transference
Complete issue with covers of Transference Vol. 7, Fall 2019
Godfrey Of Viterbo’S Pantheon And John Gower’S Confessio Amantis: The Story Of Apollonius Retold, Thari L. Zweers
Godfrey Of Viterbo’S Pantheon And John Gower’S Confessio Amantis: The Story Of Apollonius Retold, Thari L. Zweers
Accessus
Even though Gower identifies Godfrey of Viterbo's Pantheon in the first two lines of the "Tale of Apollonius of Tyre" in Book VIII of the Confessio Amantis as the main source for his retelling of this tale, the connection between these two works has long been mostly ignored, and even denied. This essay aims to remedy this oversight by showcasing how Gower went beyond merely mentioning the Pantheon and used Godfrey's version of the tale as a thematic and stylistic model for his account of this incestuous tale of desire. Gower takes his cue from Godfrey in imbuing the titillating …
A Secret In The Words Tales Of Literature And Dissent In Communist Czechoslovakia, Thea Toocheck
A Secret In The Words Tales Of Literature And Dissent In Communist Czechoslovakia, Thea Toocheck
Independent Study Project (ISP) Collection
In order to better understand the parallel culture of the 1970s and 1980s Czechoslovakia, this paper aims to tell the stories of six members of the Czechoslovak samizdat community: Marie Klimešová, Ivan Lamper, Ladislav Šenkyřík, Tomáš Tichák, Jáchym Topol, and Jarka Vrbová. Through personal interviews with these individuals, we understand how editors, typists, artists, writers, translators, and readers played significant parts in this parallel culture as well as how these people continue to play important roles in society today. While the tales told here are only parts of the lives of six individuals, they help reflect the impact of an …
Bibliography On Suffering, Simon C. Estok
Bibliography On Suffering, Simon C. Estok
CLCWeb: Comparative Literature and Culture
No abstract provided.
Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek
Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek
CLCWeb: Comparative Literature and Culture
In “Domestic Trauma and Imperial Pessimism: The Crisis At Home in Charles Dickens’s Dombey and Son,” Katherine Ostdiek discusses Dickens’s representation of violence, grief, and recovery within the Victorian home as a pre-Freudian example of trauma. This comparison not only demonstrates the importance of trauma studies in the nineteenth-century, but more importantly, it thematically focuses empathy for the traumatized on the home. In this novel, Dickens dismisses topics related to the financial and social crises of mid-century Britain in favor of domestic themes that emphasize an idealized structure of the Victorian family. Through her use of trauma theory and …
Suffering And Climate Change Narratives, Simon C. Estok
Suffering And Climate Change Narratives, Simon C. Estok
CLCWeb: Comparative Literature and Culture
In his article "Suffering and Climate Change Narratives" Simon C. Estok begins with a brief survey of definitional issues involved with the term “suffering” and argues that there has been a relative lack of theoretical attention to suffering in climate change narratives, whether literary or within mainstream media. Estok shows that suffering, far from being singular, is a multivalent concept that is gendered, classed, raced, and, perhaps above all, pliable. It has social functions. One of the primary reasons for the failure of climate change narratives to effect real changes, Estok argues, is that they often carry the functions of …
The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams, Hivren Demir Atay
The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams, Hivren Demir Atay
CLCWeb: Comparative Literature and Culture
This article aims to discuss how Handke’s autobiographical narrative, A Sorrow Beyond Dreams (1972), stages the writer’s literary project through a neutral account of his mother’s suicide. Telling the story of his mother, who witnessed the Second World War and the nazi regime, Handke narrates the traumatic history of an Austrian town along with his own suffering. Concentrating on his attempt at a distanced language and his questioning of history as an objective fact, the article suggests that Handke’s perception of death and mourning parallels his understanding of the acts of writing and reading. Drawing particularly on Barthes’s concept …
The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee
The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee
CLCWeb: Comparative Literature and Culture
In her article “The Different Representation of Suffering in the two versions of The Vegetarian” the author examines how different the representation of suffering in the original and translated versions of The Vegetarian and explores the reasons for this difference. The author in particular refers to representative episodes which the translator’s strategy distorts even the central concepts of suffering in the original work. Her translated version results in critical misrepresentation of suffering and violence in the original version.
Enduring The Long Take: Tsai Ming-Liang’S Stray Dogs And The Dialectical Image, Louis Lo
Enduring The Long Take: Tsai Ming-Liang’S Stray Dogs And The Dialectical Image, Louis Lo
CLCWeb: Comparative Literature and Culture
This essay attempts to show that Tsai’s Stray Dogs (2013) offers a social critique of Taipei as a neoliberal, global, consumer city, and by so doing establishes a cinema of contemplation through such cinematic devices as the sustained long-take and slow, virtually still cinematic images. By developing Walter Benjamin’s formulation of the dialectical image, this essay explores the extent to which Tsai’s cinematic aesthetics reveals an aspect of the city which cannot be shown otherwise. It argues that his slow cinema creates a potentially revolutionary awakening in an audience accustomed to an immersive mode of cinematic experience which turns the …
Shelley’S Frankenstein As A Book Of Love And Despair, Shun-Liang Chao
Shelley’S Frankenstein As A Book Of Love And Despair, Shun-Liang Chao
CLCWeb: Comparative Literature and Culture
Influenced by Enlightenment philosophes like Rousseau and Smith, Romantic writers, such as Coleridge and Percy Shelley, celebrate the sublime power of sympathetic love to merge the self and the other (be it human or inhuman) into a wondrous whole, thereby precluding the dangers of solitude and solipsism. Not all Romantic writers, however, share the same sanguine view of love. In Frankenstein, for instance, Mary Shelley offers an alternative to the optimistic perspective on the capacity of (mutual) sympathy. She shapes the novel into tales of bitter solitude, one caused by the lack of sympathetic understanding between Victor and nature, …
Salam Neighbor: Syrian Refugees Through The Camera Lens, Lava Asaad
Salam Neighbor: Syrian Refugees Through The Camera Lens, Lava Asaad
CLCWeb: Comparative Literature and Culture
This paper examines the documentary Salam Neighbor (2015), which celebrates the will of Syrian refugee women who are displaced in Jordan. The collective experience of the refugees portrayed in the documentary solicits a reaction from the Western viewer. To counteract the images of refugees in the media, documentaries can be a good alternative for mass media, which has been perpetuating a binary of the West and the Rest. The argument tackles the issue of this new representation of refugees in documentaries within a postcolonial paradigm of how we represent or speak to/with the Other in our technological age, as well …
Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature, Douglas S. Berman
Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature, Douglas S. Berman
CLCWeb: Comparative Literature and Culture
Literature is generally seen as depicting the lives of human subjects through their unique narratives. And that, while its endpoint may be universal, it is typically grounded in the specificity of a human being (or, occasionally, an animal). Philosophy is tasked with providing the foundational cognitive tools to grasp the meaning of experience for the whole. In Hegelian terms, it unfolds the history of the concept. Yet, as George Steiner, Jacques Derrida, and other recent authors have shown, both philosophy – along with its agonistic cousin, religion -- evoke literary themes, rhetorics, and struggles. Over the past fifty years, Continental …
The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale, Victor X. Zarour Zarzar
The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale, Victor X. Zarour Zarzar
Dissertations, Theses, and Capstone Projects
This dissertation employs narrative theory to contextualize Elena Ferrante’s successful saga, L’amica geniale, within the larger tapestry of European novelistic discourses. It engages with conceptions of narrative structure put forth by critics like Ortega y Gasset, Brooks, and Winnett to understand how L’amica geniale offers cutting commentary on our exegetic practices and advances a geometry of narrative entanglement. I contend that Ferrante recuperates and italicizes nineteenth-century modes of storytelling, displaying a form of epistemological tension rooted in a movement away from a belief in plot’s semantic potentialities and into the postulation of a poetics of smarginatura or rupture. I …
Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird
Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird
CLCWeb: Comparative Literature and Culture
In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …
Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev
Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev
CLCWeb: Comparative Literature and Culture
In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …
Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma
Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma
CLCWeb: Comparative Literature and Culture
Abstract: The reincarnation myth is a global concept, founded basically in religion and tradition. It was especially vibrant in the ancient times in places like Egypt, Greece, and in continents like Asia and Africa, which possess varying understandings of the myth. In Igbo tradition, for example, it is believed that reincarnation occurs within a family. And that some of the marks of reincarnation are usually the possession of the birthmark or certain other physical features and the exhibition of character and behavioral traits of a deceased person by a living member of his/her immediate or extended family. Thus, reincarnation entails …
"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva
"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva
LSU Doctoral Dissertations
The history of colonial and racial oppression made hair stories and testimonials fundamental to understanding hair as a unifying element particular for women of African descent in the post-slavery era. Seen as such, their hair narrations provide the first-person perspective of their life experiences while at the same time inviting a critical investigation of colonial and racial oppression. Contemporary women writers develop these types of narrations into a special language of hair that helps them tell a story that is not apparent or straightforward. This literary device that uses hair to uncover deeper social and political issues is bound up …
"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle
"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle
CLCWeb: Comparative Literature and Culture
In this article I discuss the logic of “complicity” and “dissent” that, under current forms of ultra-neoliberal capitalism, is no longer (if it has ever been) one of opposition but rather corresponds to a logic of unrealized potentials, or “as ifs” that “manage” dissent and complicity in conjunction, and erase the dividing line between them, or their value as separate concepts. I examine the genealogy of this opposition and its dilution as a symptom of our contemporary political reality. Michel Foucault presented a paradigmatic view of this genealogy in his analysis of power and the taxonomic separation of three regimes …
Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer
Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer
CLCWeb: Comparative Literature and Culture
Hannah Arendt’s On Violence (1970) is a seminal work in the study of political violence. It famously draws a distinction between power and violence and argues that the latter must be excluded from the political sphere. Although this may make Arendt’s text an appealing resource for critiques of rising political violence today, I argue that we should resist this temptation. In this article, I identify how the divisions and exclusions within her theory enable her to explicitly disavow violence on one level, while implicitly relying on a constitutive and racialized form of violence on another. In particular, Arendt leaves legal …
The Ambivalence Of Black Rage, Vincent Lloyd
The Ambivalence Of Black Rage, Vincent Lloyd
CLCWeb: Comparative Literature and Culture
Activists associated with the Black Lives Matter movement embrace anger. Owning their rage sets these activists in opposition to an older generation of black leaders, invested in respectability, who narrate anger as an emotion to be overcome. Younger activists worry about complicity with the status quo – with white supremacy – of these older activists, yet embracing anger is no surefire way of avoiding complicity with the status quo. This essay investigates the ambivalence of black anger, drawing on philosophy and feminist theory while also locating the current eruption of black anger in an ambivalent history of black political affect. …
Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan
Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan
CLCWeb: Comparative Literature and Culture
In this article, I draw on the major works of two Palestinian intellectuals—Edward Said and Hanan Ashrawi—and I compare the experiences of Palestinian intellectuals living in the United States with those living under Israeli military occupation in the West Bank. The writings of these two exemplary figures shape the conceptual underpinnings of my exploration of the way Palestinian academics navigate questions of complicity with the different hegemonic political systems that govern their lives. I argue that Said and Ashrawi model a steadfast refusal to be complicit in the state-led repression around them at the same time as they engage in …