European Languages and Societies | Open Access Articles

Dinesen’S Diana: The Transformative Power Of Symbols In Ehrengard, Aishwarya A. Marathe

Anthós

This analysis of Dinesen's Ehrengard aims to illuminate the subversive transformation of the titular character of the novel, using the literal and symbolic application of artistic power.

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Remembering Complicity And Resistance: A Review Of Mihaela Mihai’S Political Memory And The Aesthetics Of Care: The Art Of Complicity And Resistance (2022), Sofía Forchieri

CLCWeb: Comparative Literature and Culture

This article offers a review of Mihaela Mihai’s book Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance (2022). In it, Mihai courageously brings together insights from critical theory, political and legal science, philosophy, literary studies, and feminist theory to argue for the need of rearticulating how we remember complicity and resistance in the aftermath of political violence. Mihai develops her argument in three steps. First, she provides an account of how complicity and resistance are misremembered after systemic violence. Second, she tracks the political, epistemic and ethical consequences that this faulty work of memory-making holds …

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Terada Torahiko, A Physicist And A Haikai Poet, Akira Komiya

CLCWeb: Comparative Literature and Culture

Terada Torahiko is known as a scientific essayist in Japan, but hardly anyone knows he was a haikai poet as well as a physicist. According to him, haikai poetry and physics are two different ways of conceiving Nature, both valid and perhaps complementary to each other. Seeing his research in physics looking for regularities in apparently irregular phenomena in everyday life, we may say his haiku haikai spirit is manifest there and that he was pioneering a new science such as the one developed later by Ilya Prigogine. His association of haiku haikai poetry and Freudian interpretations of dreams leads …

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Orature: The Political Interpretation Of Performance Framework In Anthills Of The Savannah And Half Of A Yellow Sun, Jing Duan

CLCWeb: Comparative Literature and Culture

The focus of discussion in this paper lies in a perception that orature of African written literature is not innocent but a form of control. Operated through its performance framework, the concept of orature provides an angle to observe how African oral tradition penetrates written literature and cultivates an awareness of the political nature both of the material to be written and of the writing process itself. This paper explores the performance framework in two African novels — Achebe’s Anthills of the Savannah and Adichie’s Half of a Yellow Sun. Through such key concepts as event, narrative and self-reflexivity …

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Amazon Web Services, The Lacanian Unconscious, And Digital Life, Marshall N. Armintor

CLCWeb: Comparative Literature and Culture

In late 2011, ex-Amazon developer Steve Yegge’s rant about his former company described Amazon’s rapid transformation from an online bookstore to a web-services entity with a ruthlessly unified platform, all guided by the idea that the company’s effort to streamline its internal efficiency could be monetized, and the resultant software products sold through Amazon Web Services. The media consumerism that fed Amazon’s early years funded a surveilling behemoth, one that everyone feared Microsoft would become. As such, AWS has become a manifestation of the internet’s Lacanian unconscious (even providing the services and hosting for Reddit), structured around the optimization of …

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The Social Sinthome, Ryan Engley

CLCWeb: Comparative Literature and Culture

Much of the critical discourse on social media misidentifies its problematic features as bugs, or problems to solve. Supposed solutions to these problems tend to focus on individual actions. We should delete the apps, own our own data, never click on recommended videos, and realize that we are the product. But if predatory algorithms succeed by individuating people—selling people “choice” and “options” as it harvests user data—then an entire online ecosystem arranged through the logic of that design can neither be meaningfully challenged nor effectively understood at the level of the individual alone. Transformative action addressing social media can only …

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Lacan And The Algorithm, Clint Burnham

CLCWeb: Comparative Literature and Culture

Exploring the development of algorithms in Lacanian theory, specifically the "R schema" in the 1950s, I argue that psychoanalysis, read through contemporary debates about the "algorithmic cult" of Netflix and other avatars of popular culture, can be said to reveal the inhuman, machinic essence of subjectivity. The etiology of algorithms, mathemes, and other formulae and diagrams in Lacan’s oeuvre has been under-studied, in part because for some readers they are not as attractive as his more bravura flourishes of word play as exegetical excess, and in part because they derive largely from the ‘hard’ structuralist moment of his work in …

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Platform Psychoanalysis: What Does The Algorithm Want?, Matthew Flisfeder

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Extreme Translation: Six Medieval Lessons For Everyone, Michelle Warren

Dartmouth Scholarship

No abstract provided.

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Communicating With The Past Via Javier Cercas’ Las Leyes De La Frontera, Bobby D. Nixon

The Coastal Review

Cercas’ protagonist, Gafitas, narrates his memories of being a member of "el Zarco's" youth gang in the barrio chino of Girona during the summer of 1978, from the vantage point of the early 2000s. The novel is simultaneously viewed through the intertextual lens of José Antonio de la Loma’s cycle of quinqui films based on the life of the famous Catalan delinquent, El Vaquilla, Juan José Moreno Cuenca. There is renewed interest in these films from the Transition period of the late 1970s and early 1980s, with the success of this novel and director Daniel Monzón's film based on Cercas’ …

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De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

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La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review

Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …

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Plagues, Oblivion, And The Anonymous Dead Echoes From Seneca’S Oedipus And Lucan’S Civil War To Covid-19, Christina Franzen

Critical Humanities

The dead who are piled up in the literary worlds of Seneca’s Oedipus and Lucan’s Civil War are not very different than those of modernity. In their anonymity and silence, they speak so much about the atrocities and traumatic events of the societies in which they live. In Oedipus, nameless citizens claustrophobically are joined to one another in death, and, in Civil War, heaps of dead rot as Caesar looks on. One cannot help being reminded of the mass graves on Hart Island, the refrigerated morgue trucks, and the mass funeral pyres in India. This essay explores how the …

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Re-Presenting The Un-Presentable: Annie Ernaux’S "L’Évènement" And Cristian Mungiu’S "4 Months, 3 Weeks, And Two Days", Victoria Tomasulo

Publications and Research

Situating Annie Ernaux’s L’évènement and Cristian Mungiu’s 4 Months, 3 Weeks, and 2 Days in a reproductive justice framework, I argue that both the memoir and the film contribute to working-class historiographies by documenting backstreet abortion in times and places where it was heavily criminalized: 1960s France and Communist Romania. Committed to a working-class aesthetic with roots in neorealism, Ernaux and Mungiu focus singularly on an event once deemed unrepresentable in literature and cinema. Drawing upon the distinction made between empathy and “rational compassion” made by Paul Bloom in Against Empathy (2016), as well as from Kelly Oliver’s Witnessing: Beyond …

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Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya

CLCWeb: Comparative Literature and Culture

This review essay reads literary-critical works of what is broadly understood as ‘postcolonial disasters’. It outlines how literary critics in the last decades have drawn upon cultural-geographical and anthropological readings of disasters to develop critical frameworks around how literary writers have used style, form, and aesthetics to represent postcolonial catastrophes. It then offers a detailed review of Pallavi Rastogi’s 2020 monograph, Postcolonial Disasters: Narrating Catastrophe in the Twenty-First Century. Through an engaged and critical reading, the essay attends to Rastogi’s insightful theorizing of the topic of ‘Disaster Unconscious’ and her wide-ranging interrogation of fiction from South Asia and Southern …

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Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry

CLCWeb: Comparative Literature and Culture

In her article, “Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures,” Treasa De Loughry focuses on different visual responses to e-waste in West Africa, from eco-documentary film and photography responses to the infamous Agbogbloshie e-waste yard in Ghana; to techno-utopian visions of e-waste bricoleurs, and e-waste as a signifier and artefact of the neocolonial nature of the capitalist world-ecology. The first half of this article focuses on Florian Weigensamer and Christian Krönes’ documentary film, Welcome to Sodom (2018), grounding it in critiques of the transmedial influence of the documentary form, while attending to the film’s pyrotechnical “optical regime” (Schoonover). …

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Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía, Marcela Romero Rivera

CLCWeb: Comparative Literature and Culture

Current criticism of works of eco fiction maintains that one of the central contributions of this literary genre is a consciousness-raising effect that these works have on their readers by virtue of alluding, with varying degrees of specificity, to real-world environmental problems, implying that this is a central step towards remedying our current planetary climate crisis. This article suggests, conversely, that literary criticism of eco fiction necessitates a more rigorous material analysis—specifically one attentive to class and class antagonism—of these works and their conditions of production to understand their relation to power, as well as their affordances and limitations as …

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Returning To The Past To Rethink Socio-Political Antagonisms: Mapping Today’S Situation In Regards To Popular Insurrections, Nicol A. Barria-Asenjo, Slavoj Žižek, Hernán Scholten, David Pavón-Cuellar, Gonzalo Salas, Oscar Ariel Cabeza, Jesús William Huanca Arohuanca, Sergio J. Aguilar Alcalá

CLCWeb: Comparative Literature and Culture

This article seeks to elaborate a map or cartogram based on a number of protests and social mobilizations that took place in different parts of the world -mainly in Latin America, but also in Europe and Asia. Beyond the data and figures available from various sources, which never speak for themselves, an interpretation is proposed here to reveal the meaning of these events. In other words, by displaying a map of these social movements, the authors propose not only the visualization of a collection of data, but also an illumination of these events in the light of history. From there, …

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Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe, Anthony Siu

CLCWeb: Comparative Literature and Culture

In his article, “Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe,” Anthony Siu examines images from Defiance.Voices, a two-volume collection that gathers photography and art illustrations about the Hong Kong Protests. He studies how paintings from the second volume register politics and events, arguing that visual art can be viewed as a new form of “speculative fictions,” a material ontology that historicizes modes of sovereign violence in postcolony. The introduction situates the debate of aesthetics in Hong Kong, conjoining Rancière’s thinking on “the people” and Achille Mbembe’s philosophy on “necropolitics.” The first cluster of …

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Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony, Jeremy Matthew Glick

CLCWeb: Comparative Literature and Culture

In “Fredric Jameson and Gayatri Chakravorty Spivak’s Periodizing the Black Internal Colony,” Jeremy Matthew Glick reads these authors’ coupling of Black radical struggle with wars of decolonization as engaging against a twenty-first century war on revolutionary memory. This essay examines Jameson’s brief “Maoist Digression” in “Periodizing the Sixties” and discussion of Cuban Revolutionary Foco-theory as “neither in […] nor of it” and Spivak’s planetary turn’s link to Black internal colonialism analysis as a way to talk about the intersections of revolutionary politics and literary form. It concludes with a brief meditation on Amiri Baraka on the centrality of space for …

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Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China, Diego Gullotta, Lili Lin

CLCWeb: Comparative Literature and Culture

In their article, “Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China”, Diego Gullotta and Lili Lin examine how Chinese youth are positioned within the dominant culture, how young people appropriate space in their emergent cultural practices, and how they negotiate meaning-making. The article first analyses the rising tides (houlang) video, sponsored jointly by the state and the private sector, and argues that it reduces youth to a homogenous subject inscribed into the discourse of “China’s rise” (zhongguo jueqi) via emotional mobilization. The “lying flat” phenomenon represents young people’s negative response to …

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Breadtube Rising: How Modern Creators Use Cultural Formats To Spread Countercultural Ideology, Jj Sylvia Iv, Kyle Moody

CLCWeb: Comparative Literature and Culture

In their article, “BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology,” J.J. Sylvia IV and Kyle Moody analyze the rise of BreadTube. Scholars have argued that YouTube’s algorithms lead to greater radicalization (Ribeiro et al.) and bad actors have weaponized algorithms to draw users into conspiracies (boyd, What Hath We Wrought?). This article adds to this by linking these practices to the commodification of social media that spread misinformation as adaptations of socially and rhetorically mediated technologies. It analyzes how the economics of YouTube and other platforms demand that user-generated content fit within paradigms of …

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Periodizing The Residuality Of A Composite Protest Art Form: The Case Of Telangana Dhoom Dham, Vamshi Vemireddy, Sasi Kiran R. Mallam

CLCWeb: Comparative Literature and Culture

The article will document the emergence of the composite art form of “Dhoom Dham” in the state of Telangana, a southern state from India. A mixture of folk song-and-dance routines interspersed with political speeches, Dhoom Dham emerged as a potent form of political protest during the Telangana statehood movement and dominated the cultural imaginary of the movement. It has the characteristics of a residual cultural form as conceptualized by Raymond Williams. Dhoom Dham masterfully combined the elements of folk and repurposed the left protest music traditions to help the cause of the formation of separate state of Telangana. …

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Sounding The State Of The World: Interview With Karim Rafi, Summer 2021, Matthew Brauer

CLCWeb: Comparative Literature and Culture

Matthew Brauer interviews Moroccan contemporary artist Karim Rafi about postcolonial creation in the 2020s in "Sounding the State of the World.” Beginning with Rafi’s shift to remote performances during the COVID-19 pandemic, the discussion approaches confinement as just the latest in a series of crises in North Africa and the world. The repeated experience of crisis opens a conversation about the contemporary experience of time, broached in relation to modern Moroccan art history, which emerged from and against the conservative institutions of the French Protectorate (1912-1956). The interview touches on a range of distinctive concerns in Rafi’s art practice, from …

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A Case Of Pandemic Narrative And The End Of Post-Cold War, Yongbing Jin, Penghan Zhang

CLCWeb: Comparative Literature and Culture

The topical book Wuhan Diary, authored by the Chinese writer Fang Fang during the COVID-19 lockdown of Wuhan, is not so much a diary as a “becoming-diary,” given its performative practices. Wuhan Diary’s emphasis on the individual or private nature of its writing activity is attributable to its characteristic realistic conception of authenticity, which resulted historically from the humanist trend within Chinese literature in the 1980s as a significant element of post-socialist realism. Insofar as Wuhan Diary claims an overarching authorship that does not cohere with—or is, indeed, utterly subverted by—its textual complexities, it can be interpreted as …

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Biopolitics In The Twenty-First Century: India And The Pandemic, _ Swatie, Rashee Mehra

CLCWeb: Comparative Literature and Culture

Swatie and Rashee Mehra discuss in their "Biopolitics in the Twenty-first Century: India and the Pandemic”, the rise of the biopolitical state in India in the 2020s. The article emphasizes the relevance of Michel Foucault’s work on biopolitics for the pandemic in India. The biopolitical governmentality of the Indian state operates at several levels to politicize ‘life itself’: racism (the notion that sections of the population are disposable), economics (the notion of privatization of care), and the logic of contagion (based on ideas of threat perception and risk). The article engages with biopolitics in the 21st century and looks at …

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Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray

CLCWeb: Comparative Literature and Culture

In her article, “Confinement, Care, and the Commodification in Mati Diop’s In My Room,” Brittany Murray discusses a short film released in 2020 by the French and Senegalese director, Mati Diop. Shot in the artist’s studio in a Parisian banlieue during mandatory Covid-19 confinement, the film tackles the issues of grief, isolation, and care. The article shows how the film represents these issues, particularly urgent during the pandemic and yet belonging to longstanding concerns about care work and reproductive labor. To mediate between present crisis and a larger historical framework, the article demonstrates how the film’s formal attributes make a …

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Reading The Global City: Crisis, Cognitive Mapping And The “Urban Sensorium” In Tom Mccarthy’S Satin Island And Ben Lerner’S 10:04, Marty Gilroy

CLCWeb: Comparative Literature and Culture

“What is the role played by the aesthetics and politics of space,” asks Kanishka Goonewardena, “in producing and reproducing the durable disjunction between the consciousness of our urban everyday life […] and the now global structure of social relations that is itself ultimately responsible for producing the spaces of our lived-experience?” (55). Goonewardena’s account of the “urban sensorium” describes the mediatory, ideological role played by space in this “gap,” informing his adaptation of Jameson’s “cognitive mapping” as a hermeneutics of urban experience vis-à-vis totality. This article considers the mediation of these insights as critical aesthetic strategies in two global city …

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Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller

CLCWeb: Comparative Literature and Culture

In “Literature and Economy in Portuguese-speaking Southern Africa”, Thomas Waller offers a comparative reading of literary responses to neoliberalization in Portuguese-speaking southern Africa. Reading the proliferation of spectral effects in the Mozambican literature of the late 1980s alongside dystopian depictions of societal collapse in contemporary Angolan fiction, he suggests that writers in the two states have used distinctive aesthetic idioms to register the reintegration of southern Africa into the neoliberal world-system. In the fiction of Mozambican writers Aldino Muianga and Aníbal Aleluia, he shows how the legacy of colonial underdevelopment and its role in the transition to neoliberalism in Mozambique …

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Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro

CLCWeb: Comparative Literature and Culture

In their article, “Conjunctures, Commodities, and Social State Marxism,” Stephen Shapiro discusses our current moment as the conjuncture of three temporalities: a secular trend of centrist liberalism, a Kress cycle of managerial capitalism, and three Kondratieff waves. These can be understood by the addition of implied terms in Marx’s advanced discussion of the commodity-form through an approach that Shapiro calls Social State Marxism.

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Full-Text Articles in European Languages and Societies

Dinesen’S Diana: The Transformative Power Of Symbols In Ehrengard, Aishwarya A. Marathe

Anthós

Remembering Complicity And Resistance: A Review Of Mihaela Mihai’S Political Memory And The Aesthetics Of Care: The Art Of Complicity And Resistance (2022), Sofía Forchieri

CLCWeb: Comparative Literature and Culture

Terada Torahiko, A Physicist And A Haikai Poet, Akira Komiya

CLCWeb: Comparative Literature and Culture

Orature: The Political Interpretation Of Performance Framework In Anthills Of The Savannah And Half Of A Yellow Sun, Jing Duan

CLCWeb: Comparative Literature and Culture

Amazon Web Services, The Lacanian Unconscious, And Digital Life, Marshall N. Armintor

CLCWeb: Comparative Literature and Culture

The Social Sinthome, Ryan Engley

CLCWeb: Comparative Literature and Culture

Lacan And The Algorithm, Clint Burnham

CLCWeb: Comparative Literature and Culture

Platform Psychoanalysis: What Does The Algorithm Want?, Matthew Flisfeder

CLCWeb: Comparative Literature and Culture

Extreme Translation: Six Medieval Lessons For Everyone, Michelle Warren

Dartmouth Scholarship

Communicating With The Past Via Javier Cercas’ Las Leyes De La Frontera, Bobby D. Nixon

The Coastal Review

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review

La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review

Plagues, Oblivion, And The Anonymous Dead Echoes From Seneca’S Oedipus And Lucan’S Civil War To Covid-19, Christina Franzen

Critical Humanities

Re-Presenting The Un-Presentable: Annie Ernaux’S "L’Évènement" And Cristian Mungiu’S "4 Months, 3 Weeks, And Two Days", Victoria Tomasulo

Publications and Research

Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya

CLCWeb: Comparative Literature and Culture

Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry

CLCWeb: Comparative Literature and Culture

Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía, Marcela Romero Rivera

CLCWeb: Comparative Literature and Culture

CLCWeb: Comparative Literature and Culture

Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe, Anthony Siu

CLCWeb: Comparative Literature and Culture

Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony, Jeremy Matthew Glick

CLCWeb: Comparative Literature and Culture

Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China, Diego Gullotta, Lili Lin

CLCWeb: Comparative Literature and Culture

Breadtube Rising: How Modern Creators Use Cultural Formats To Spread Countercultural Ideology, Jj Sylvia Iv, Kyle Moody

CLCWeb: Comparative Literature and Culture

Periodizing The Residuality Of A Composite Protest Art Form: The Case Of Telangana Dhoom Dham, Vamshi Vemireddy, Sasi Kiran R. Mallam

CLCWeb: Comparative Literature and Culture

Sounding The State Of The World: Interview With Karim Rafi, Summer 2021, Matthew Brauer

CLCWeb: Comparative Literature and Culture

A Case Of Pandemic Narrative And The End Of Post-Cold War, Yongbing Jin, Penghan Zhang

CLCWeb: Comparative Literature and Culture

Biopolitics In The Twenty-First Century: India And The Pandemic, _ Swatie, Rashee Mehra

CLCWeb: Comparative Literature and Culture

Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray

CLCWeb: Comparative Literature and Culture

Reading The Global City: Crisis, Cognitive Mapping And The “Urban Sensorium” In Tom Mccarthy’S Satin Island And Ben Lerner’S 10:04, Marty Gilroy

CLCWeb: Comparative Literature and Culture

Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller

CLCWeb: Comparative Literature and Culture

Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro

CLCWeb: Comparative Literature and Culture