Literature in English, North America Commons^™

The Blinding Lights Of (Post)Feminist Empowerment In Joyce Carol Oates’S "Night, Neon”, Stéphanie Maerten

Bearing Witness: Joyce Carol Oates Studies

Juliana, the protagonist of Joyce Carol Oates’s 2018 novella “Night, Neon,” is portrayed as a confident, empowered young woman who appears to embody the postfeminist ideal of “having it all”—autonomy, agency, and adherence to traditional feminine norms like marriage and motherhood. However, as the story unfolds, it becomes evident that Juliana’s sense of empowerment is largely performative, concealing deep-seated vulnerabilities and unresolved traumas. Through a series of flashbacks revealing Juliana’s troubled past, Oates critiques the postfeminist tendency to reinterpret traumatic experiences as tools for self-empowerment and resilience, suggesting that such a framework may obscure the systemic and pervasive nature of …

The Mudwoman In The Academia: The Spectral Presence Of Jane Eyre And Antoinette Cosway In Joyce Carol Oates's Mudwoman, Stéphanie Durrans

Bearing Witness: Joyce Carol Oates Studies

While Jane Eyre has been lauded as a feminist novel, its modernist prequel Wide Sargasso Sea clearly aims at recovering the lost voice of the much-maligned Bertha Rochester from an altogether different feminist perspective. In her 1985 essay on these two novels, Joyce Carol Oates highlights their dual relationship in terms of romance and anti-romance, regarding Rhys’s novel as “a reverse mirror image of Jane Eyre’s and Rochester’s England.” Commenting upon the brief encounter between Jane and Rochester’s first wife as depicted by Jean Rhys, Oates also points out that, “[i]nhabiting contrary worlds, one woman is a savage to the …

The 11-Year Itch: Exploitation As Sublimation In Blonde (Joyce Carol Oates, 2000; Andrew Dominik, 2022), Jocelyn R. Dupont

Bearing Witness: Joyce Carol Oates Studies

The goal of this article is to discuss Andrew Dominik’s much-criticized adaptation of Oates’ novel Blonde (2000), released on the Netflix streaming platform in September 2022. It aims at re-assessing the movie in the light of its literary hypotext, which appears to have been rather unfairly left out of much of the debate surrounding the release and critical reception of the film. In a first part, this article briefly addresses the stakes of Dominik’s adaptation, which are more complex than they might seem, notably on account of the extreme iconicity of its subject, even more so than its subject matter. …

Is Love A “Pathological Condition Of The Soul”? Joyce Carol Oates's Beasts And Rape: A Love Story, Nicolas P. Boileau

Bearing Witness: Joyce Carol Oates Studies

This paper seeks to address the question of Oates’s relation to feminist and gender theories by looking at two novellas published consecutively, Beasts and Rape: A Love Story in the beginning of the 2000s. The short texts share a common storyline based on rape, which is far from uncommon in Oates’s fiction. However, I argue that there is something very specific in these two novellas in the way Oates chooses to handle the testimony of the rape, both overtly and covertly, both in graphic details and in repressed forms of expression, giving way to a reflection on women’s vulnerable position …

Joyce Carol Oates And Feminism: Facts Found And Foundered, Gavin J. Cologne-Brookes

Bearing Witness: Joyce Carol Oates Studies

This essay explores the nuanced relationship between Joyce Carol Oates and feminism, distinguishing between Oates as an individual and “JCO” as the authorial process. Through analysis of novels like Babysitter, the essay argues that Oates’s fiction resists fixed labels, instead foregrounding ambiguity, interpretation, and the limitations of categorization. Drawing on philosophical and literary contexts, it contends that while Oates’s work invites feminist readings, her narrative style deliberately undermines definitive conclusions. Ultimately, the essay suggests that JCO’s writing stimulates inquiry and self-reflection, positioning art as a process of response rather than a vehicle for asserting categorical truths—including those of feminism.

Exploring Specters Of Feminism In The Work Of Joyce Carol Oates, Nicolas P. Boileau, Tanya L. Tromble

Bearing Witness: Joyce Carol Oates Studies

This collection originates from the international conference “Specters of Feminism in the Work of Joyce Carol Oates,” held at Aix-Marseille Université in March 2024 as part of the broader project “Women and the F-Word: Thinking about Women’s Resistance to Feminism.” The introduction situates Oates’s vast and varied oeuvre within evolving feminist discourses, highlighting her ambivalent personal stance toward feminism and the critical consensus that her work engages deeply with feminist themes, especially sexual violence, trauma, and the complexities of gendered power. The essays gathered here explore how Oates’s stylistic experimentation, intertextuality, and representations of female agency and victimhood simultaneously reflect, …

Human Dignity And Prostitution, Clara Kernodle

Harding Undergraduate Research Conference

In the twenty-first century, it is common to see feminists and pro-sex work voices lauding prostitution and other forms of the sex industry as viable expressions of women’s sexual and financial agency. As long as every participating party consents, they argue, sex work is not only tolerable, but admirable and positive – a form of transaction or service deserving license, protection, and respect in the name of individual freedom and female agency. Such voices argue that prostitution can even be dignified, as the sex industry supposedly allows participants full freedom to express their sexuality. In this paper, I offer an …

Book Culture And Narrative In Martin’S A Song Of Fire And Ice, Maria Damkjær

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

What do books represent in G.R.R. Martin's A Song of Ice and Fire? This article examines their role as objects and their limitations within a narrative obsessed with loss of knowledge. Books, which are handled, lost, found, read, or destroyed, are both a shorthand for a fantasy world’s material culture, but also a metafictional nod to the reality of the reader. Contemporary fantasy authors, I posit, are both fascinated by texts, and also troubled by their limited chance of survival over the very long periods that the genre tends to sketch. Deep time is hostile to book knowledge, and …

Tolkien, Tabletop, And Orcs: The Impact Of Participatory Neomedievalisms On Authority, Tyler Bell

ATU Theses and Dissertations 2021 - Present

Different medieval and fantasy works have utilized race in different ways. Medieval Europe used race as a structural relationship to morally and religiously other certain people groups. J.R.R. Tolkien used race in a similar way, othering the fantasy races like orcs as a way to give the audiences clear antagonists. Direct film and video game adaptations of Tolkien uphold him as the authority on fantasy race, using orcs as antagonists and glorifying violence against them. The table-top role-playing game Dungeons and Dragons initially held up the antagonistic portrayal of orcs, but through different editions, the restrictions placed on orcs have …

Sharp Knives, Dark Hearts: Class, Colonialism, And Rebellion On Anthony Bourdain's Bookshelf, Carl Cactus Warmuth

American Studies ETDs

Though often characterized as a celebrity chef, Anthony Bourdain achieved stardom from his lively writing rather than skills in the kitchen. As such, the sociopolitical importance of his life and work is greatly illuminated by his compulsive literary references. Through George Orwell’s Down and Out in Paris and London, Émile Zola’s The Belly of Paris, Graham Greene’s The Quiet American, Joseph Conrad’s Heart of Darkness, and the personas of William S. Burroughs and Hunter S. Thompson, the tensions central to Bourdain’s legacy are unveiled. This thesis offers a portrait of Bourdain as a complicated figure of …

Un-Silencing Dickinson: Emily Dickinson's Aversion To The Male Body And Heterosexuality In "My Life Had Stood–– A Loaded Gun", Cassandra Barron

Global Tides

This paper examines Emily Dickinson's aversion to heterosexual marriage and sexual initiation in her poem "My Life had stood-- a Loaded Gun". The ethics of deciphering through identifying and categorizing potentially Queer authors and texts impacts our understandings of frequently canonized authors such as Emily Dickinson. Emily Dickinson's nineteenth-century American context informed her ability to write deliberately about her experience of subversive sexual desire. Instead, Dickinson utilizes images of death, apathy, and immortality to illustrate her revulsion toward the male body and heterosexual marriage. This paper illustrates how utilizing Queer and feminist theories illuminates new and potential understandings of Emily …

Controlling The Narrative: How The United Daughters Of The Confederacy Shaped Collective Memory Through Romance Novels, Karie L. Cobb

Department of English: Dissertations, Theses, and Student Research

While existing scholarship on the United Daughters of the Confederacy (UDC) reveals the immense influence the organization wielded in the nineteenth and twentieth centuries, I assert that their legacy has had a broader and more insidious reach than previously believed. Through close analysis of two foundational romance novelists’ works published during the rapid escalation of the genre’s popularity, I contend that the rhetoric of the UDC shaped generations of Southerners as demonstrated through repetitions and parallels of the Lost Cause ideology found in UDC publications and sponsored materials within romance novels written by white Southern women who came of age …

Death Becomes Us: The Consumptive Body In Nineteenth-Century Gothic Literature, Jennifer Marie Mcmahon

All NMU Master's Theses

This thesis examines the impacts of nineteenth-century tuberculosis epidemics on gothic literature published between 1842 and 1872. In this period of time, tuberculosis was the leading cause of death in the United States and in Europe, killing an estimated one in seven people. Using theoretical lenses of psychoanalysis and material ecocriticism, this project considers borders between material bodies—specifically those between bacterial agents and humans—to be illusory and socially constructed. The first chapter focuses on the ways in which representations of tuberculosis, and its associated entanglement with the environment, appear in the work of two authors from the United States: Edgar …

Pecan Grove Review Volume 22, St. Mary's University

Pecan Grove Review

Creative writings by students, faculty, and staff of the St. Mary's University community.

Negotiating Home In The Long Poem: Amatoritsero Ede’S Transpatiality, Mathias Iroro Orhero

Faculty Publications

In this paper, I argue that Amatoritsero Ede uses the long poem to negotiate the idea of home in an African diasporic context. As a form that carries the implications of length, time, and space, the long poem has been used by poets to interrogate the way we structure the world and to deconstruct grand narratives. The figure of the Black immigrant is one that destabilizes grand narratives of nationalism. This makes the form important in its capacity to ask important questions about nation and tradition even as it transgresses them. As a writer from the Niger Delta, a marginal …

Returning To The Beginning Place: Le Guin’S Forgotten Anti-Fantasy Four Decades On, Timothy S. Miller

UKL: The Journal of Ursula K. Le Guin Studies

Ursula K. Le Guin's 1980 portal fantasy The Beginning Place has received a fraction of the critical attention that most of her other novels have attracted over the years. This short book's many enigmas, often structured by self-consciously Jungian symbolism, are best understood as operating in service not to a strict Jungian framework, but rather to a broader metafictional evaluation of fantasy and an articulation of Le Guin's own preferred approach to the reading and interpretation of fantasy. At times, The Beginning Place moves beyond meta-fantasy to become an anti-fantasy that does not shy from critiquing some dimensions of both …

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Mythopoeic Society Seminar Proceedings

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet …

Cather, Silko, Hunt: Rethinking Prosperity Twentieth-Century Explorations Of Interiority, Materiality, And Transcendence, Aileen Montoya

Dissertations and Theses

• Interiority
• Materiality
• Transcendence
• Prosperity
• Modernism
• Subjectivity
• Narrative Identity
• Spiritual Landscapes

A Monstrous [Un]-Becoming: Defining The Final Boy, Rhys Crumpton

College of Graduate Studies: Theses & Dissertations

Through an exploration of horror theory, monster theory, queer theory, and disabilities studies, this thesis defines a 21st century archetype within the serial horror narrative, known as “the Final Boy.” This character is a manifestation of a queer, often neurodivergent man in peril at the hands of a monstrous society. This harmful socionormativity is narratively represented by a monster wearing the face of a man, one whom the Final Boy must subdue and overcome if he wishes to survive. The seven tenets found in this project highlight the fluctuating morality the Final Boy is forced to engage in per the …

Eros And The Sublime: Tools For Reaching Toward An Altered Ecological Consciousness, Aineka Carlson

Graduate Student Theses, Dissertations, & Professional Papers

This thesis explores connections between the Kantian sublime and Anne Carson’s ideas regarding “eros.” Since Kant’s Critique of Judgement was published in 1790, the Kantian sublime has grown in popularity and been utilized by theorists and creative writers alike. While the Kantian sublime is often associated with nature in popular culture, there are certain egocentric and phallocentric elements of this mode of thinking that might inhibit a biocentric mindset. Through a character study of Oryx from Margaret Atwood’s novel Oryx and Crake, this thesis draws relations between the subjugation of women, nature, and the ways in which the popularized …

“Women Who Don’T Know How To Stay Married”: The Poetic Afterlives Of The 1927 Bristol Sessions, Aubrey R. Adkins

Honors Theses

This project begins from the understanding that song lyrics can have lasting impacts on the poetic work that proceeds from them, and can and should, therefore, be read as literature. In the cultural context of Southern Appalachia, a historically underserved and academically underrepresented region, this understanding is intertwined with Audre Lorde’s idea that “For women...[poetry] is a vital necessity of our existence.” The women of Southern Appalachia, denied access to particular modes of expression as a result of external circumstances such as poverty and sexism, need poetry, according to Lorde, to take “tangible action” in their lives. What came before …

"You Can't Buck Against The Railroad" And The Anarchist Radicals Who Ceased To Be: The Honest, Bleak Portrayal Of Social Darwinism In Frank Norris's The Octopus, Michelle Nicole Miani

Theses, Dissertations and Culminating Projects

During the latter half of the nineteenth century, when railroads were consolidating their control, their executives soon learned their power of controlling rates, and by extension, the entire economy. Dissecting the capitalist machine of the railroad corporations in California, Frank Norris’s 1901 novel The Octopus presents a fictionalized account of the very real circumstances of one fight against the monopoly, the Mussel Slough Tragedy of 1880 in the San Joaquin Valley. This thesis explores Norris’s presentation of the forces that drive humans to lack empathy for those around them as well as the forces that drive others to fight back …

My Happy Neighbor, Ty Rea

Creative Writing Club - Fan Fiction

This is an alternate universe, it is a fanfiction about how Ronald McDonald and Wendy's started their franchise and have had a family-like relationship with each other.

Fatal Futures: Slow Violence, Utopia, And The Postnatural Human In Contemporary American Literature, Shelby Roberts

Theses and Dissertations--English

Fatal Futures: Slow Violence, Utopia, and the Postnatural Human in Contemporary American Literature investigates the ways in which ideas of futurity are articulated in narratives that conceptualize both the end of the world and post-calamity society through the lens of a pessimistic, queer approach to understanding the future. The purpose of this project is to not only build previous research in the configurations of the body in queer, gothic, and speculative American writing as a whole, but to enter into a developing conversation surrounding Appalachian literature through the idea of kinship (the broadening of relationships both chemical and postnatural) as …

Romantic Materialities And The Politics Of Care: Negotiating Movement In A More-Than-Human World, April J. Mcginnis

Graduate Theses, Dissertations, and Problem Reports (ETD)

This dissertation explores the ecological politics of movement in Romantic literature. It contributes to a growing body of scholarship that investigates the important role that walking played in nineteenth-century literary culture. Many authors from this period cast walking as a practice that frees up not only the body but the mind as well, as the steady rhythm of the feet lulls the walker into a state of self-absorbed introspection and heightened creativity. Because of this, walking was a celebrated part of the creative process for many writers. The freedom they celebrate is possible, however, only in spaces that are level, …

Virginia Woolf And The Lesbian Literary Tradition, Hunter Candrian-Velez

English and Creative Writing | Senior Theses

Modernist English authors, such as Virginia Woolf in her novel Orlando: A Biography, built upon a pre-existing and long tradition of underground lesbian literature dating back to Sappho in Ancient Greece. Before Woolf, female writers of the 19th century continued this tradition by establishing the literary trope of the “Victorian Romantic Female Friendship,” which would later take on different shapes and connotations with discoveries made in the early 1900s related to sexology and homosexual inversion. These discoveries would lead writers to code their work in the hopes of avoiding censorship and government punishment. Writers such as Virginia Woolf, Elizabeth Gaskell, …

All Red Inside: Embodied Metaphor In Clive Barker's Books Of Blood, Ian Vargas

Cal Poly Humboldt theses and projects

The collection Books of Blood is an anthology series of short stories written between 1984 and 1985. Only two, the very first and last, have any unifying story. For our purposes we will be looking at stories in particular that exemplify the themes I am speaking about. Barker's writing often heavily focuses on the ways that the body stands outside the control of the individual, something that a person resides in and must always rely upon, but is not actually in their control in most senses. His horror explores the ways in which the human body is both the first …

Breaking The Boundaries Of The Binary: Non-Normative Gender Expression And Rebellion In 19th-Century Literature, Anna Marie Wingard

Honors Theses

This thesis explores non-normative expressions of gender in three nineteenth-century novels: Valperga (1823) by Mary Shelley, The Hermaphrodite (c. 1846) by Julia Ward Howe, and The Awakening (1999) by Kate Chopin. Each novel’s protagonist displays gender expression that rejects nineteenth-century British and American ideals and is consequently exiled from society and faces death. The project diagrams trajectories of gender expression and identity by tracing adherence, failure, and consequences to illustrate how non-normative gender expression directly leads to social exclusion and death. The findings of this literary analysis suggest that nineteenth-century understandings of gender were rigidly policed and the novel served …

‘‘I Am Not This, Not Here, This Time’’: Claudia Emerson’S Infusion Suite As A Compelling Account Of The Lived Experience Of Cancer, Chris Foss

English & Linguistics Articles

Claudia Emerson’s Infusion Suite section within her poetry collection Impossible Bottle is a significant contemporary literary representation of cancer. In this twelve-poem sequence, Emerson dispenses with the typical martial metaphors so often used to represent this lived experience. Instead, she focuses on more mundane everyday moments in a way that acknowledges and respects the humanity of all those at the treatment center—especially that of the patients. Emerson refuses to airbrush out the daunting, debilitating aspects of cancer, but she also preserves space for light and life.

Alive For The Wake, Anna Kate Powell

Graduate Student Theses, Dissertations, & Professional Papers

In the year 2046, bacteria strain B. bibitor has rendered all petroleum hydrocarbon compounds unrefinable. Paramedic Amanda Bailey finds hope in the resilience of humanity but struggles when she learns the powers that be would rather concentrate their efforts on fighting B. bibitor—restoring infected hydrocarbons to their previously refinable (and profitable) nature—rather than investing in already-developed clean firm energies and renewable material manufacture.