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Literature in English, North America Commons™
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Articles 121 - 125 of 125
Full-Text Articles in Literature in English, North America
Make A Foreigner Of Yourself: An Analysis Of The Dueling Critical Utopias Of The Dispossessed And Trouble On Triton, Anthony Michael Lowe
Make A Foreigner Of Yourself: An Analysis Of The Dueling Critical Utopias Of The Dispossessed And Trouble On Triton, Anthony Michael Lowe
Cal Poly Humboldt theses and projects
The purpose of this project is to analyze the critical utopias of two sci-fi novels: The Dispossessed: An Ambiguous Utopia (1974) by Ursula K. Le Guin and Trouble on Triton: An Ambiguous Heterotopia (1976) by Samuel R. Delany. Both novels were published within two years of each other, with Delany rewriting his novel to intentionally put it into direct dialogue with Le Guin’s. This project will attempt to establish the landscape of utopian fiction, draw out this dialogue between these two grandmasters of the science fiction genre, and answer this question: “As a result of Delany positioning his novel in …
A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii
A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii
Cal Poly Humboldt theses and projects
In his hard-hitting novel The Spook Who Sat by the Door Sam Greenlee aims to help his target African American audience to succeed and thrive as their true selves with the novel functioning as a guide to resisting the ever-present physical and spiritual threat faced daily. On the one hand the novel functions as a manual for civil uprising, but underneath that surface, Greenlee argues that true African American resistance comes through nurturing self-determination, self-love, and self-esteem. This project also argues that Spook ought to be located closer to the center of the African American literary canon and provides comparisons …
From Art To Propaganda: The Shift In The Concept Of The “Most Dead” In True Crime Literature, Hannah Mcconkey
From Art To Propaganda: The Shift In The Concept Of The “Most Dead” In True Crime Literature, Hannah Mcconkey
Dissertations and Theses @ UNI
This thesis studies the shift of the true crime genre from art to inescapable propaganda. This change is due, in part, to the politization of the genre by modern society. This includes the concept of the “most dead” seen within the true crime genre over the past several decades. The idea of the most dead is the belief that some victims of crimes are more or less dead depending on how marketable their demographic is. For instance, a blonde, Caucasian child would be considered the most dead while a woman of color in the sex work industry would be the …
The Pandemic-Uncanny: Self-Estrangement And Environment In Out There And Bliss Montage, Kersten Khaley
The Pandemic-Uncanny: Self-Estrangement And Environment In Out There And Bliss Montage, Kersten Khaley
Dissertations and Theses @ UNI
COVID-19 was declared a pandemic by the WHO on March 11, 2020. The COVID-19 Public Health Emergency lasted from January 30, 2020, to May 11, 2023. During this time, abundant literature across disciplines began appearing, assessing the pandemic experience and aftermath. However, there needs to be more investigation and application of the term uncanny in the pandemic experience and literature.
Two short story collections, Out There by Kate Folk and Bliss Montage by Ling Ma, both published in 2022, are works of pandemic literature demonstrating the pandemic's inherent uncanniness and the human experience. The term pandemic-uncanny represents an inherent attachment …
Fascism In Sci-Fi: "Mobilizing Passions" In Robert A. Heinlein's Starship Troopers, Alton C. Ayers
Fascism In Sci-Fi: "Mobilizing Passions" In Robert A. Heinlein's Starship Troopers, Alton C. Ayers
Theses and Dissertations
This thesis responds to criticism of Robert A. Heinlein’s Starship Troopers (1959) as a “fascist” novel by further investigating the claim through a close reading of the novel that applies political theory scholarship on fascism. Chapters I and II introduce the novel along with its general reception and controversy. These chapters consider the accusations of “fascism” given to the novel while at the same time understanding that a clear, exact definition of “fascism” has long been grappled with by scholars since the rise of the regimes in Nazi Germany and Fascist Italy. Chapters III and IV apply political theory to …