Literature in English, North America Commons^™

The Romantic Egoist: Fitzgerald's View On Identity And Culture, Tara Bender

Masters Theses

"Who am I?” is a question that not only each individual asks himself or herself at various points in the process of maturation from childhood to adulthood, but also society itself as it changes and grows. During the 1920s, Americans were asking themselves these defining questions. F. Scott Fitzgerald as one of the pre-eminent writers of that time period provides examples in his novels This Side of Paradise, Beautiful and The Damned, and The Great Gatsby of the immaturity of masculine figures. Amory Blaine, Anthony Patch, and Jay Gatsby exemplify the struggle of men in the 1920s to develop their …

Mental Illness In Early American Fiction: Charles Brockden Brown And The Sentimental Novelists, Katie E. Walk

Masters Theses

The late eighteenth and early nineteenth centuries witnessed the development of the United States of America as a new nation. This development brought with it new ideologies and social and political change; included in these changes was the way that sexual conduct outside of marriage was dealt with. Because the emerging legal system became less concerned with matters of morality, some people became frightened that sexual promiscuity would become rampant. The sentimental novel or seduction tale became a means of attempting to control sexual behavior when the law was not able to step in.

The way that madness, a term …

Gaines's Preachers And Their People: Personalism, Community, And Social Action In A Lesson Before Dying, In My Father's House, And A Gathering Of Old Men, Brooke Light

Masters Theses

Personalist theology, along with Ernest J. Gaines's fiction, resists the idea of isolation and instead highlights the importance of the communal good, criticizing social and religious institutions that fail to uphold the value of human dignity and community. In "Personalism and Traditional Afrikan Thought," Burrow argues that "the church exists for the person and not the other way around" (347) and that churches should be judged and evaluated on the extent to which they meet the needs of the community. Representing their churches, the preachers in three of Gaines's novels (A Lesson Before Dying, In My Father's House, and A …

Hippie Caulfield: The Catcher In The Rye's Influence On 1960s American Counterculture, Richard Neffinger

Masters Theses

This study covers the influence of The Catcher in the Rye on the 1960s youth counterculture in America. Drawing heavily from postmodern and new historicist theory, The Catcher in the Rye has developed a unique connection with the American public, most notably youth culture. This study examines why youth are so attracted to the character of Holden Caulfield and what implications their connection has meant and will mean for future generations of young Americans.

Performative Gender And Pop Fiction Females: "Emancipating" Byronic Heroines Through A Feminist Education, Joy Smith

Masters Theses

"I can be a regular bitch. Just try me." With this phrase emblazoned across her t-shirt, Lisbeth Salander, pierced, tattooed, and bedecked in leather, waltzes from the pages of Stieg Larsson's The Girl with the Dragon Tattoo. This woman who subverts authority, maliciously tattoos and sodomizes a man, and intentionally distances herself from close relationships of any kind has somehow managed to capture both the attention and admiration of the American audience. This disheartening phenomenon stems from a renewed interest in the Byronic heroine, a female possessing those traits traditionally assigned to Byronic heroes and men, and the rise of …

Subverting A Mythology: Examining Joseph Campbell's Monomyth In The Fiction Of H. P. Lovecraft, Wesley Vandenbos

Masters Theses

American horror author H. P. Lovecraft's tales of monsters and madness, collectively known as the Cthulhu Mythos, have exploded in popularity in the last few decades and attracted both critical and casual interest. Inspired by his childhood mythological readings, Lovecraft created these chilling stories as a more modern version of ancient myths, drawing upon yet subtly altering the sources that influenced him. The author of this thesis draws attention to the differences between classic myths and the Cthulhu Mythos, using the monomyth of Joseph Campbell as a framework through which to view both ancient mythologies and Lovecraft's tales. This thesis …

Life Inside The Spectacle: David Foster Wallace, George Saunders, And Storytelling In The Age Of Entertainment, John Hawkins

Masters Theses

This project explores George Saunders's In Persuasion Nation and David Foster Wallace's Infinite Jest as interventionary literature. The thesis asserts that the two works confront the problems of isolation and dehumanization created by entertainment-based consumerism; they do so by depicting satirically exaggerated consumer societies and placing well-developed, sympathetic characters in those settings. The thesis includes a consideration of Jameson and deBord's theories of spectacle and Wallace's stated concerns with postmodern irony as an ineffective form of critique.

Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley

Masters Theses

Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …

Imprisonment, Punishment, And Progress In Hawthorne's The Scarlet Letter, Ashley Breanne Waggoner

Masters Theses

No abstract provided.

Narcissistic Intertextuality In The Works Of Bret Easton Ellis, Jennifer Grindstaff

Masters Theses

This thesis examines the works of Bret Easton Ellis, specifically his three latest novels: Glamorama, Lunar Park, and Imperial Bedrooms, and identifies the metafictional and intertextual elements in these texts. For my purposes, I am defining metafiction as fiction that draws attention to itself and makes the reader aware that he or she is reading fiction. Intertextual will be defined as elements in the novels that appear in other works of fiction. In the case of Ellis, he is drawing upon and reusing elements from his own fiction. These elements include characters that reappear in novels other than the text …

Humor Me To Heaven: Humor's Redemptive Role In The Works Of Eudora Welty, Flannery O'Connor, And Marilynne Robinson, Stephanie Johnson

Masters Theses

Humor is the topic of many psychological, social, and cultural studies, but this project examines humor under a new lens. Humor's unique qualities explored in this study prove that humor is capable of more than just causing laughter; the nature of humor allows it to unveil truths about humanity, both spiritual and physical, through exposing man's flaws. This quality is especially important to consider when analyzing humor in the context of literature, in which humor also works as an aesthetic element. This study searches several short stories by Eudora Welty and Flannery O'Connor along with Marilynne Robinson's Gilead to reveal …

And Then, He Folds His Patterned Rug: Repressive Reality And The Eternal Soul In Vladimir Nabokov, Elizabeth Cook

Masters Theses

While Vladimir Nabokov has deservedly earned fame as a stylist of the strange, most critics who study his novels approach his absurd and beautiful characters as little more than fractured victims of a wholly subjective reality. Compounding the misunderstanding is the tired debate over whether or not Lolita is literary, pornographic, or some cruel game of cat-and-mouse in which Nabokov seizes control of his readers' sense of morality. However, critics who read Nabokov as nothing more than a manipulative stylist neglect to realize that his characters suffer such absurd distortions of spirit and mind because their environment--the "average" reality of …

The Power Of Words: The Use Of Language In Ethan Frome, Heather Faye Spear

Masters Theses

Edith Wharton's novel, Ethan Frome, has been sharply criticized for its tragic ending, yet Wharton's compelling storytelling which depicts universal conditions of mankind accomplishes something powerful through its narrative: it defends language. The complicated relationship between the three main characters, Zeena, Ethan, and Mattie is rooted in their utilization of language. Using a combination of close reading for textual analysis and identifying a communicative style for each character, this thesis asserts that how the characters in this novel utilize language contests the meaninglessness and relativity supported by deconstructionists. Wharton clearly illustrates Zeena's linguistic power over both Ethan and Mattie, and …

Hues, Tresses, And Dresses: Examining The Relation Of Body Image, Hair, And Clothes To Female Identity In Their Eyes Were Watching God And I Know Why The Caged Bird Sings, Alisha Priolo Castaneda

Masters Theses

Zora Neale Hurston's Their Eyes Were Watching God and Maya Angelou's I Know Why the Caged Bird Sings convey powerful relations between body image, hair, and clothes. Because a proper understanding of the theory of womanism provides a basis for comprehending the African American female's relation to herself and the world around her, a working definition and description of the term and its general significance to African American critical theory is provided in chapter two. The third chapter focuses on the general topic of body image in relation to black female identity and includes a more specific analysis of the …

An Examination Of William Faulkner's Use Of Biblical Symbolism In Three Early Novels: The Sound And The Fury, As I Lay Dying, And Light In August, Richard North

Masters Theses

During the years 1928-1932, William Faulkner wrote and published three novels containing varying but significant amounts of Biblical content and symbolism: The Sound and the Fury (1929), As I Lay Dying (1930), and Light in August (1932). In The Sound and the Fury, the characters of Benjy and Quentin Compson share some characteristics of Christ figures, but receive irony-laden treatment. The novel, however, presents the purest Christian character of this period of Faulkner's writing--the Compson family's Negro servant Dilsey. The Bible holds a similar influence over As I Lay Dying, specifically in the Old Testament. The Christian characters in this …

Lacunae: Narrative "Lacks, Holes Or Gaps" In Faulkner's And Morrison's Novels, Phyllis Ann Karpus

Masters Theses

The moment a reader opens a book, turns to the opening lines and begins to read, a circular relationship immediately develops with the author and the text. An implied alliance is formed wherein the author, most often through a narrator, omniscient or otherwise, proposes to the reader that he/she accept a degree of responsibility for understanding the plot, theme, and the underlying meaning in the work.

Retrospectively the theory sounds simple and, with many authors, it is effective. William Faulkner and Toni Morrison, however, not only command but also demand, the reader's absolute attention in, and responsibility to, many of …

The Soldier's Strife: An Introspective View Through The Work Of Tim O'Brien, Mandy Solomon

Masters Theses

No abstract provided.

Love, Violence, And Creation: Modernist Mediums Of Transcendence In Sylvia Plath's Poetry And Prose, Autumn Williams

Masters Theses

Many critics who study Sylvia Plath's works discuss the autobiographical significance of her poetry and prose, labeling her art as primarily confessional. My research shows that Sylvia Plath's awareness of and sensitivity to contemporary and historical cultural events, along with her acute sense of literary tradition, shape her art and widen the scope of critical interpretation. My study, although conceding that aspects of her writing are autobiographical, focuses on the modernist elements in her poetry and prose. By identifying her writing through the lens of modernism, I view her art in terms of its cultural, historical, political, and aesthetic qualities. …

The Role Of Place In Malcolm Cowley's Blue Juniata And Exile's Return, Robert Pratte

Masters Theses

This study examines the various ways in which Malcolm Cowley develops and uses sense of place in his works Blue Juniata: Collected Poems and Exile's Return. Through examination of the literature, I identify four phases of place sense. Starting with childhood in the Identification phase, I illustrate the development of Cowley's place perspective through his poems and writings. As he moves through Adventure and Exile phases, I discuss their relation to the Identification phase and to each other. Likewise, I consider the role of the Nostalgia phase as a bridge from literary to experiential perception. Through close examination of his …

John Irving, Female Sexuality, And The Victorian Feminine Ideal, Tara Coburn

Masters Theses

In an interview about The Cider House Rules, John Irving states, "It is never the social or political message that interests me in a novel" (qtd. in Herel, para. 18). However, in book reviews, jacket blurbs, literary criticism, and Irving's own writing, readers and critics and Irving often assert that he is a neo-Victorian novelist, and the Victorians were a notoriously political bunch. Though Irving does not admit to the political nature of his writing, the way he treats feminist politics in his fiction has drawn particular notice by the media, who often label him as a feminist writer. …

This Man's Heart: Masculinity In The Poetry Of E.E. Cummings, Willis John Whitesell Iii

Masters Theses

"This Man's Heart: Masculinity in the Poetry of E.E. Cummings" explores changing masculinity in the life and poetry of E.E. Cummings. The relationship between Cummings and his father, his first male role model, became strained when Cummings was a teenager finding his own male identity. As he rebelled against his father, a Unitarian minister, he began writing poetry in a modernist style under the direction of a new mentor, Ezra Pound.

Cummings' early modernist poems criticize conventional male roles and configurations of masculinity as outdated. As Cummings continued to grow as a man and writer, he confronted new realities which …

The Ruins Of Childhood: Jim Thompson, Erskine Caldwell, And William Faulkner Expose Guilt And Consequence, Robert Thomas Newell

Masters Theses

In this thesis, I examine the novels of Jim Thompson, Erskine Caldwell, and William Faulkner and, in turn, depict their exploration of poisoned childhood. This theme is prevalent in many of these authors' works, and I not only illustrate what horrors children are put through in their novels, but I also show that uncaring and unthinking adults are the root cause. The ruining of a child's life is a rippling problem; often times, adulthood is ruined because of a person's childhood.

I explore the devastation that irresponsible adults can have on their impressionable children. Through either neglect or selfish values, …

A New Sense Of Time In Female Development: Linearity And Cyclicity In Atwood's Surfacing And Cat's Eye, Diana L. Unes

Masters Theses

No abstract provided.

A New Reading Of Ruth Suckow, Judith Pierson

Masters Theses

By 1950, after three decades of writing, Ruth Suckow (1892-1960) was a well-respected writer whose work seemed headed for a permanent position in the canon of American literature. Instead, Suckow's fiction steadily became less known through the following decades. The question of why her work came to be ignored and why such a position is unwarranted is addressed in A New Reading of Ruth Suckow. The conclusion is that a regionalist categorization and a related gender bias in the literary canon have adversely affected Suckow's works.

Gender bias is reflected in the critical assumptions which ascribe an inferior position to …

A Woman's Quest For Happiness: O'Neill's "Private Myth", Andrea Ximena CampañA Garcia

Masters Theses

Following the approach used by James Hurt in his book Catiline's Dream to determine Henrik Ibsen's "private myth" which he retold in play after play, I have delineated O'Neill's "private myth" in a narrower way concentrating on his female characters. Examining parallel motifs in the lives of the dominant women in Desire Under the Elms, Strange Interlude, and Mourning Becomes Electra, I have detected this mythic pattern involving the O'Neillian woman: She goes through an early innocent and submissive state guided by an initial vision of happiness which can be regarded as fairly conventional. But when her …

Selective Methods Of Teaching Secondary English: The Scarlet Letter: A Study And Application Of The Collaborative And Mastery Learning Methods, Janine M. Kardas

Masters Theses

This study is about the relationship of content in teaching to the process in teaching for the purpose of helping students to become better readers of literature. This study investigates two selected teaching strategies supported by research to be effective, and applies them to the teaching of a canonical piece of literature, The Scarlet Letter by Nathaniel Hawthorne. This study employs literary theory in the development of the objectives and applies both cooperative learning and mastery learning methods to the teaching of this novel. Two sets of lesson plans are developed from the objectives and subsequently analyzed for their effectiveness …

Pilar And Brett: Female Heroes In Hemingway, Jean Kover Chandler

Masters Theses

The significant works on the hero have always assumed that the hero is male. However, feminist writers, such as Carol Pearson and Katherine Pope, have recently shown many women who are, in fact, heroic in both American and British literature. The main problem is that both cultures have often been unable to recognize female heroism, primarily because of their long-conditioned patriarchal perspectives.

Men go on heroic quests; women either help or hinder them along their paths. Thus, women have been considered as supporting characters only, and they are called heroines. But some authors have created female heroes who are not …

Zora Neale Hurston’S Search For Identity In Moses, Man Of The Mountain, Joan E. Sebastian

Masters Theses

Zora Neale Hurston, Afro-American writer of the 1920s and 1930s, has gained critical recognition for her novels and studies about the Afro-American masses. Hurston, also an anthropologist and folklorist, worked directly with southern Afro-Americans through her research in both of these fields. Her folklore collecting journeys enabled her to see and to capture the cultural traditions and oral heritage of Afro-Americans. It was her search into the cultural traditions, moreover, that led her to find her own identity. Hurston, therefore, depicted her protagonists as searching for an identity in most of her novels, with this quest especially apparent in Moses, …

Jean Toomer's Cane: A Work In The American Grotesque Genre, Kathryn M. Olsen

Masters Theses

In my thesis I will discuss the fact that Jean Toomer’s Cane is a grotesque work, one which in several ways resembles Sherwood Anderson’s Winesburg, Ohio. While Jean Toomer never specifically alludes to any of the characters in Cane as grotesques, they consistently exhibit three of the strongest, most characteristic elements of the grotesque: physical and/or psychic deformities, alienation from the reader/viewer, and, most importantly, unrelenting conflict from two opposing elements. In fact, the figures in Cane show even more development of grotesque themes than the characters in Winesburg, Ohio, a collection known for its portrayals of modern …

An Application Of Mikhail Bakhtin’S Theory Of The Grotesque To The Fiction Of Flannery O’Connor, Holly Roberts

Masters Theses

The grotesque in Flannery O'Connor's fiction has always been a central concern of her readers and critics, because it is such a prominent aspect of her work and is usually connected with the equally pervasive characteristics of violence, destruction, and death. Many of her critics see the grotesquerie of her characters and landscapes as indicative of humanity's fallen existence--that it serves only to reveal what is wrong with the human condition. Such views echo the premises of Wolfgang Kayser's theory of the grotesque presented in his well-known book, The Grotesque in Art and Literature, but as I point out, …