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Literature in English, British Isles Commons™
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Articles 31 - 60 of 110
Full-Text Articles in Literature in English, British Isles
The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay
The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay
English Honors Theses
The thesis culminates in the twentieth century and yet it begins with the Ulster Cycle, a period of Irish mythological history that occurred around the first century common era. Indeed, since the time frame was before the arrival of the Gaels, Normans, or Christianity, the extent of this mythology’s relevance today is whatever extent it is conceptualized as “Irish.” As such, the first chapter locks onto an aspect that could feasibly transcend time and resonate with modern Irish society: gender. Of course, the epistemological dynamics of gender[1] in the first-century common era are vastly different than the twentieth century …
Sexual And Erotic Transgression Through Aesthetic History: A Study Of Algernon Charles Swinburne, Ronny F. Ford
Sexual And Erotic Transgression Through Aesthetic History: A Study Of Algernon Charles Swinburne, Ronny F. Ford
Beyond the Margins: A Journal of Graduate Literary Scholarship
This article examines the relationship between Algernon Charles Swinburne’s poetic writing and history, especially in regards to how he explores sexual transgressions. The article begins with how aestheticism works in tangent with history to further these transgressions within a historical context and especially within the realm of Victorian Christianity. Next, Swinburne’s medieval aesthetics in “The Leper” will be analyzed in regards specifically necrophilia and the taking care of a leper, and how the writing of this poem was both a condemnation of Christianity and an accidental upholding of it. The violent homoeroticism and monstrous femininity of “Anactoria” are also looked …
The Roadmap: Exploring T.S. Eliot’S The Waste Land With World War One Literature, Matthew Bennett
The Roadmap: Exploring T.S. Eliot’S The Waste Land With World War One Literature, Matthew Bennett
Undergraduate Honors Theses
Through careful analysis paired with poetry, war memoirs, and novels from the same period, one can break down T.S. Eliot’s The Waste Land to recognize the impact of The Great War on the world's modern memory while pondering the possibility of memory as a tool to overcome trauma.
British Poetry Of The Long Nineteenth Century, Beverley Rilett
British Poetry Of The Long Nineteenth Century, Beverley Rilett
Zea E-Books Collection
A Selection for College Students, including Charlotte Smith, William Blake, William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, John Keats, Elizabeth Barrett Browning, Alfred Tennyson, Robert Browning, Emily Brontë, George Eliot, Matthew Arnold, George Meredith, Dante Gabriel Rossetti, Christina Rossetti, Oscar Wilde, and Mary Elizabeth Coleridge.
Includes biographical sketches.
doi 10.32873/unl.dc.zea.1096
Unruly Matter: Masculine Consumption In English Restoration Literature, Shawn Watkins
Unruly Matter: Masculine Consumption In English Restoration Literature, Shawn Watkins
Electronic Theses and Dissertations
Unruly Matter: Masculine Consumption in English Restoration Literature
Over the past several decades, material culture scholars working within the “Long 18th Century” have identified how the figure of the woman consumer became an ideological nodal point that registered new enthusiasm for emerging economic dynamics (mercantilism, nascent capitalism, etc.) while also expressing masculine anxieties about consumerism and the role of consumable goods in English society. Although many scholars have noted that men functioned symbolically and ideologically as English society’s primary consumers of material goods in the later 17th century, there is no scholarly work that aims to describe the …
Application Of The Image Analysis For Archival Discovery Team’S First- Generation Methods And Software To The Burney Collection Of British Newspapers, Elizabeth Lorang, Leen-Kiat Soh, Chulwoo Pack, Yi Liu, Delaram Rahimighazikalayeh, John O'Brien
Application Of The Image Analysis For Archival Discovery Team’S First- Generation Methods And Software To The Burney Collection Of British Newspapers, Elizabeth Lorang, Leen-Kiat Soh, Chulwoo Pack, Yi Liu, Delaram Rahimighazikalayeh, John O'Brien
CDRH Grant Reports
The current study, “Application of the Image Analysis for Archival Discovery Team’s First- Generation Methods and Software to the Burney Collection of British Newspapers,” is the first test of our approaches—methods and software—to a different newspaper corpus, specifically the 17th and 18 Century Burney Newspapers Collection. This study stands as the first complete attempt at applying Aida’s software and methods to non-Chronicling America newspapers, as a step toward understanding the potential of our approaches across digitized historic newspapers. In taking this step, our goals were (1) to test how well the software and a classifier model developed on Chronicling America …
The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu
The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu
Studies in Medieval and Early Modern Culture
This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they …
Interim Performance Report, Lg‐71‐16‐0152‐16, Extending Intelligent Computational Image Analysis For Archival Discovery, March 2019, Elizabeth Lorang, Leen-Kiat Soh, John O'Brien
Interim Performance Report, Lg‐71‐16‐0152‐16, Extending Intelligent Computational Image Analysis For Archival Discovery, March 2019, Elizabeth Lorang, Leen-Kiat Soh, John O'Brien
CDRH Grant Reports
The primary goal of "Extending Intelligent Computational Image Analysis for Archival Discovery" is to investigate the use of image analysis as a methodology for content identification, description, and information retrieval in digital libraries and other digitized collections. Building on work started under a National Endowment for the Humanities' Office of Digital Humanities Start-up Grant, our IMLS project seeks to 1) analyze and verify our previously developed image analysis approach and extend it so that it is newspaper agnostic, type agnostic, and language agnostic; 2) scale and revise the intelligent image analysis approach and determine the ideal balance between precision and …
Burning, Drowning, Shining, Blooming: The Shapes Of Aging In W.B. Yeats’ Poetry, Malea C. Martin
Burning, Drowning, Shining, Blooming: The Shapes Of Aging In W.B. Yeats’ Poetry, Malea C. Martin
CMC Senior Theses
Love and growing old are thematically inseparable in W.B. Yeats' poetry, yet it is the former with which this great Irish poet is often associated. The poet's attitudes toward aging are made clear through his symbolism, complicated Irish allusions, and a sometimes jarring treatment of women. As it turns out, these devices have as much to do with Yeats' concern over aging as they have to do with the infamous Maud Gonne. This thesis attempts to not only expose and analyze these intricacies, but also challenge the way the literary canon typically isolates Yeats’ more famous poems without the context …
Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth
Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth
ABO: Interactive Journal for Women in the Arts, 1640–1830
This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.
Poetry In A Troubling Time: Analyzing Several Poems Inspired By The Troubles In Northern Ireland, Michael Mccarthy
Poetry In A Troubling Time: Analyzing Several Poems Inspired By The Troubles In Northern Ireland, Michael Mccarthy
Claremont-UC Undergraduate Research Conference on the European Union
Most of the news about Northern Ireland for the past year has been about what effect Brexit will have on the North’s relationship with the Republic of Ireland. The discussion of eliminating the “soft-border,” and replacing it with a “hard- border,” which would see the reinstitution of checkpoints along the 500-kilometer border, continues to dominate international headlines. The EU has been attempting to allay concerns, and in March, President of the European Council Donald Tusk, traveled to Dublin and reaffirmed the EU’s commitment to avoiding a hard border and maintaining the peace process in the region (Stone, 2018). At the …
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens
ABO: Interactive Journal for Women in the Arts, 1640–1830
This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers …
Review Of Stephen Mitchell, Beowulf, Carol A. Leibiger
Review Of Stephen Mitchell, Beowulf, Carol A. Leibiger
Faculty Publications
No abstract provided.
Who Died: Redefining The Elegy Through Affect And Trauma, Brittney La Noire
Who Died: Redefining The Elegy Through Affect And Trauma, Brittney La Noire
Dissertations, Masters Theses, Capstones, and Culminating Projects
This project introduces the claim that death literature, specifically elegies and epitaphs, do not rely on set structure or content, but rather are poetic effects of trauma and affect. Both have been defined and redefined by critical scholars, but there is still a division about their use. The beginning of the project will pull together Paul De Man, Cathy Caruth, Theresa Brennan, and Diana Fuss to apply the theoretical principle of trauma and affect transhistorically through Theocritus, John Milton, and Percy Shelley. The final portion will be an original creative collection of elegies combined with epitaphs as ending couplets about …
Finding Aid To The Collection Of Sir Edmund William Gosse Materials, Sir Edmund William Gosse, Colby College Special Collections
Finding Aid To The Collection Of Sir Edmund William Gosse Materials, Sir Edmund William Gosse, Colby College Special Collections
Finding Aids
Sir Edmund William Gosse (1849–1928) was an English biographer and critic. He was lecturer in English literature at Trinity College, Cambridge (1884–90) and librarian of the House of Lords (1904–14). Although he wrote with enthusiasm and wit, his scholarship was often inaccurate and thus much of his critical work has been superseded. He did, however, introduce English readers to Ibsen and other Scandinavian writers as well as to some modern French writers and painters. Among the many biographies he wrote were those of Gray (1882), Donne (1899), Sir Thomas Browne (1905), Ibsen (1907), Swinburne (1917), and Congreve (rev. ed. 1924). …
Uncollected Essays, D. W. Robertson Jr., Paul A. Olson
Uncollected Essays, D. W. Robertson Jr., Paul A. Olson
Zea E-Books Collection
Foreword by Paul A. Olson • Buzones, an Alternative Etymology • The Manuel des Péchés and an English Episcopal Decree • Correspondence – The Manuel des Péchés • A Note on the Classical Origin of ‘Circumstances’ in the Medieval Confessional • A Study of Certain Aspects of the Cultural Tradition of ‘Handlyng Synne’ • The Cultural Tradition of Handlyng Synne • Marie de France, Lais, Prologue, 13-16 • Cumhthach Labhras an Lonsa • Chaucerian Tragedy • St. Foy among the Thorns • Amors de terra lonhdana • The Subject of the De Amore of Andreas Capellanus • …
The Poetry Of Christina Rossetti And Dante Gabriel Rossetti: Same Femme, Different Fate, Carolyn A. Kirsch
The Poetry Of Christina Rossetti And Dante Gabriel Rossetti: Same Femme, Different Fate, Carolyn A. Kirsch
Student Publications
Siblings Dante Gabriel Rossetti and Christina Rossetti both lived during the Victorian era and wrote poetry which epitomizes the Pre-Raphaelite movement. Although they were related, these two poets were drastically different, and their differences are evident in their poetry. Dante Gabriel was infatuated with beautiful women and many of his poems express sexual desire, while Christina was intensely devoted to God and many of her poems provide moral instruction. However, these poets both make femme fatales the subjects of their poems “Body’s Beauty,” “The Card-Dealer,” “The World,” and “Babylon the Great.” This paper analyzes the different ways in which Dante …
Neurasthenia, Robert Graves, And Poetic Therapy In The Great War, Juliette E. Sebock
Neurasthenia, Robert Graves, And Poetic Therapy In The Great War, Juliette E. Sebock
Student Publications
Though Robert Graves is remembered primarily for his memoir, Good-bye to All That, his First World War poetry is equally relevant. Comparably to the more famous writings of Sassoon and Owen, Graves' war poems depict the trauma of the trenches, marked by his repressed neurasthenia (colloquially, shell-shock), and foreshadow his later remarkable poetic talents.
Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman
Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman
Senior Theses
Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.
The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …
Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher
Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher
Sight and Song Augmented: Painting and Poetry in Mixed Reality
No abstract provided.
Organic Morality: A Poetic Garden Rhetoric Originating In The 18th Century, Heather Robinson
Organic Morality: A Poetic Garden Rhetoric Originating In The 18th Century, Heather Robinson
Seton Hall University Dissertations and Theses (ETDs)
Many literary critics have researched and conjectured on the 18 th century poets’ connections to the developing landscape gardens of the time. For example, Francesca Orestano, in “Bust Story: Pope at Stowe, or the Politics and Myths of Landscape Gardening,” discusses at length the presence and creation of Pope’s development of aesthetics at the Stowe landscape gardens. However, most critics have focused solely on the idea of the aesthetic that gardens create and their relationship to the human experience of nature. Markus Poetzsch, in “From EcoPolitics to Apocalypse: The Contentious Rhetoric of EighteenthCentury Landscape Gardening,” describes the heated political world …
Sight And Song Augmented, Robert P. Fletcher
Sight And Song Augmented, Robert P. Fletcher
Sight and Song Augmented: Painting and Poetry in Mixed Reality
This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.
Gathering Sense From Song: Robert Browning And The Romantic Epistemology Of Music, Laura Clarke
Gathering Sense From Song: Robert Browning And The Romantic Epistemology Of Music, Laura Clarke
Publications and Research
No abstract provided.
Cerdded, Fay Stevens
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
Master's Theses
Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …
Two Poems, Andrew Taylor Dr
Bell In The Rain, Annabel Banks
T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya
T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya
Honors Thesis
The following thesis explores the work of T.S. Eliot before and after his conversion to the Anglican Church. While the paper explores the stylistic qualities of Eliot's poetry, the main focus of the essay lies in bridging the pre and post conversion works together in order to show that both of the periods were significant in the poet's life. While many critics viewed Eliot's early poetry as a lot more exploratory and challenging, calling his later poetry banal and bland, my essay aims to show that even though the poetry had shifted in its content, its significance, complexity, and experimentality …
At Home In Exile: Ezra Pound And The Poetics Of Banishment, Andy Kay Trevathan
At Home In Exile: Ezra Pound And The Poetics Of Banishment, Andy Kay Trevathan
Graduate Theses and Dissertations
Ezra Pound is one of the most important poets, critics, and writers of the 20th century. Through his literary efforts, and his work on behalf of many other writers, Pound changed the way we read and write poetry today. His cultivation and support of other writers and poets like T.S. Eliot, James Joyce, Robert Frost, Marianne Moore, etc. created the basis for what we refer to as Imagism, Modernism, and other important literary movements of the early 20th century. Pound’s use of fragmentation, pastiche, and bricolage laid the foundation for post-modern writers of the latter half of the 20th century, …
Recovering The Beauty Of Medusa, Alexander M. Schlutz
Recovering The Beauty Of Medusa, Alexander M. Schlutz
Publications and Research
This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …