Literature in English, British Isles Commons^™

Archives Of Transnational Modernism: Lost Networks Of Art And Activism, Anne Donlon

Dissertations, Theses, and Capstone Projects

Archives Of Transnational Modernism: Lost Networks Of Art And Activism considers the work of several intersecting figures in transnational modernism, in order to reassess the contours of race and gender in anglophone literature of the interwar period in the U.S. and Europe. Writers and organizers experimented with literary form and print culture to build and maintain networks of internationalism. This dissertation begins to suggest some of these maps of connection, paying particular attention to people who played key roles as hubs within networks. British radical Sylvia Pankhurst's 1920s publications, which have not been much considered in terms of literary contribution, …

‘A River Is Not A Woman’: Re-Visioning Finnegans Wake In Eavan Boland’S ‘Anna Liffey.’, Melissa Dinsman

Publications and Research

"This essay argues that Eavan Boland's 1994 poem “Anna Liffey” is, in part, a re-visioning of James Joyce's famous river-woman and mother, ALP. Although Joyce's deconstructive tendencies provide an added challenge for any author looking to engage with Finnegans Wake, Boland manages to reclaim ALP, both channelling and challenging Joyce's portrayal of the Liffey as “Anna Livia Plurabelle.”--From the Journal.

Archiving Joyce & Joyce's Archive: Ulysses, Finnegans Wake, And Copyright, Jessica Michelle Lucero

UNLV Theses, Dissertations, Professional Papers, and Capstones

"Archiving Joyce and Joyce's Archive: Ulysses, Finnegans Wake, and Copyright" investigates the ways in which James Joyce's Ulysses and Finnegans Wake incorporate archival institutions and archival modes such as gossip into its composition. For example, this work explores how both works, at times, present institutions such as the National Library of Ireland, and, at other times, enact archiving in its collection and preservation of historical personages relevant to Irish literature and history. Additionally, Joyce was involved in the construction of his own archive, and thereby becomes the curator of his own history as well as that of Ireland.

Importantly, this …

Post-War Europe: The Waste Land As A Metaphor, Semy Rhee

Senior Honors Theses

This thesis analyzes the mindset of twentieth-century Europe through the perspective of a modern individual that T. S. Eliot creates in his poem The Waste Land. Although The Waste Land is the greatest modernist poem, it is often criticized for its esoteric nature. A thorough examination of the poem is useful in understanding and appreciating Eliot’s masterful demonstration of the modernist philosophy. This study analyzes the poem in light of the definition of modernism and the poem’s metaphorical nature. It also aims to reconcile the two most confusing elements of the poem—its allusive content and fragmented structure—to the design …

Defying The Feminist Dilemma: Eavan Boland's "Listen. This Is The Noise Of Myth", Rachel Newman

English

Boland creates a narrative poem, “Listen. This is the Noise of Myth,” that repudiates all legends that show men to be stronger and the savior of women, and suggests both that there are endless ways to depict any myth.

Allusion As Form: The Waste Land And Moulin Rouge!, Stacy Magedanz

Library Faculty Publications & Presentations

Allusion is usually considered a literary technique, but relatively little attention has been paid to the notion of allusion as a literary form. In this essay, I attempt to describe the allusive form based on two prominent examples, T. S. Eliot’s Waste Land and Baz Luhrmann’s Moulin Rouge! Though radically different, the two works embody distinguishing characteristics of the allusive form. These are intertextuality, or a dependence upon outside sources for sense and significance; heightened and self-conscious artificiality; a confrontational attitude toward the audience; elitism, based on the exclusivity of allusions; appropriation of multiple cultures; and pervasive anachronism. Though prone …

An Introduction To Volume 19 Of The New Age, Lee Garver

Scholarship and Professional Work - LAS

Dr. Lee Garver's introduction to The New Age, Volume 19 (May 4 to October 26, 1916)

An Introduction To Volume 8 Of The New Age, Lee Garver

Scholarship and Professional Work - LAS

Dr. Lee Garver's introduction to The New Age, Volume 8 (November 3, 1910 to April 27, 1911).