Literature in English, British Isles Commons^™

Love And Romance In Early Modern British Literature, Sophia Szeneitas

Senior Honors Projects

This paper seeks to describe and analyze the way in which themes of love and romance were presented in literature in early modern Britain, and how those may differ from or be similar to romantic themes in the media of today. The works being analyzed include plays by William Shakespeare and Christopher Marlowe, as well as some of Shakespeare’s sonnets. A few different lenses will be explored, including the interaction that love could have with the societal power structure and hierarchy present within the literature (such as the ways in which someone being the lover of a powerful person might …

Men Who Conquered & The Women Who Mov'd Them, Nikita Chinamanthur

Scripps Senior Theses

Considering John Dryden’s Aureng-Zebe and Christopher Marlowe’s Tamburlaine the Great, this thesis examines how drama shaped popular ideas of the Indian subcontinent in Renaissance England. This thesis engages in a comparative analysis of formal choices such as doubling, tripling, and etymology to assess the efficacy of two incomplete portrayals of South Asia configured as women.

Wherein To Catch The Conscience Of The Queen: Dystopian Politics In Elizabethan Drama, Helen Fielding

Senior Honors Theses

Though established English history portrays Elizabeth I (1533-1603) as uniting England under the new Protestant religion, recent historical evidence reveals that extensive counter-currents still existed. This thesis examines how the politico-religious beliefs of Elizabethan and Jacobean playwrights manifest themselves in their drama, particularly through imagery and allusions. It draws especially from Frances Yates to assert that imagery of white magic, Christian Cabala, and alchemy in these dramatists’ works refers to the pure imperial reform movement of Elizabeth’s reign, and also from Clare Asquith to illuminate a reading of Shakespeare as a playwright who encoded in his plays a Catholic message …

The Scholar Magician In English Renaissance Drama, Ashley M. Minnis-Lemley

Scripps Senior Theses

In this paper, I will explore the rise and fall of the scholar magician or sorcerer, both as a popular dramatic subject and as an arc for individual characters, and the ways in which these figures tied into contemporary fears about the intersection of religion and developing scientific knowledge.

Targeting Nonconformity In Elizabethan England: Colonial Rhetoric As A Tool Of Religious Differentiation, John Corum

Mahurin Honors College Capstone Experience/Thesis Projects

Christopher Marlowe’ early modern plays were unequivocally controversial and often seen as testament to his presumed atheism. However, these assumptions focus on the depicted conflicts using religious terms, sometimes overlooking the geopolitical implications of the portrayed demographics. In this project, I argue Marlowe examines not only the religious institutions of early modern England, but also the moral compromises necessitated by England’s colonial endeavors. Through close readings of The Jew of Malta, Tamburlaine, and The Tragic History of Doctor Faustus as well as contributions from various scholarly perspectives, I conclude that Marlowe’s analysis critiques the treatment of religious minorities as …

English Ethnicity And Race In Early Modern Drama, By Mary Floyd-Wilson. Cambridge: Cambridge University Press, 2003 (Book Review), Imtiaz Habib

English Faculty Publications

The article reviews the book "English Ethnicity and Race in Early Modern Drama," by Mary Floyd-Wilson.

The Function Of Rhetoric, Marlowe’S Tamburlaine, And ‘Reciprocal Illumination’, Audrey Davidson, Clifford Davidson

Clifford Davidson